@@thepuma2012 I totally agree with you with "Elvis is back" I know Charlie Hodge said He helped Elvis with his Vocals I think in the Army - Elvis and Charlie would even hold 'Talent Shows" While in the Army - You can tell then His voice was much more deep and rich and so buttery
@@HeavenlyPresley-Tonyaaccording to what I've read Elvis's vocal training in the army resulted in an increase in his range by an octave. His already tremendous vibrato grew to an almost machine gun, rapid fire delivery. The Elvis is Back tracks(his first in stereo) are indeed a thing of beauty. I associate the sound and style, though, with the early 60s. The Memphis sides are timeless.
This is from American Sound Studio - Chips Moman / Producer - Elvis did his thing with these "Sessions" He didn't want The Colonel involved - The Colonel said "Let Him Fall On His A**" YEP - Chips told Elvis to get all the guys out of the studio His Memphis Mafia Guys - So It was Chips Elvis & a few others - But Parker was bringing Elvis songs He didn't like so He said - Elvis: '... from now on I want to hear every song I can get my hands on, and if I've got a piece of the publishing, that's fine, but if I don't and I want to do the song, I'm going to do it'. Elvis then said to Marty, 'I want you to get me some good songs'. - I LOVE THIS SONG THANKS SEPH
I listened to this album over and over when I first got it, and every song was a favorite! His vocals and delivery for each song are just on point. Elvis is fire!
He's saying he can't commit to staying in one place - the old "It's not you; it's me." 🤣 I love this song. Elvis' soulful vocal performance is amazing, and I really like Reggie Young on the sitar taking the lead throughout - it's different. This is one of those that grew on me. Lyrics: I'm sorry now, girl, but I must leave you There's something deep inside my soul keeps calling me The winter wind, girl, will not deceive you And in your cold and empty bed, you'll think of me, oh yes You'll think of me You'll see me coming, you'll see me going Don't ask me why, I'm just the kind needs to be free Just like that outlaw wind keeps on a-blowing Yeah, in your cold and empty bed, you'll think of me, oh yes You'll think of me Now I know you loved me just like I wanted I know you'd follow me across an endless sea But, baby, I've got a heart that's haunted Yeah, in your cold and empty bed, you'll think of me, oh yes You'll think of me Ah but you should know, girl, that I'll be crying Out on that lonely road where not a soul can see I'll shed my tears for a love that's dying Yeah, in your cold and empty bed, you'll think of me, oh yes You'll think of me The summer sun, girl, will bring a stranger And he'll be better to you than I used to be And when he takes you into his arms, girl Well, in your warm and loving bed, you won't think of me, no, no You won't think of me Then in your warm and loving bed, you won't think of me, no, no You won't think of me
This is an average Elvis song. I love it. Average for Elvis is always better than everyone else's average. TH-cam won't let me make a smiley face so :-)
"You'll Think Of Me" was the "B" Side to "Suspicious Minds" and when it was on the Jukebox at my local pub back in the 80s I hammered the "B" Side way more than the "A" Side, don't ask me why I'm just the kind needs to be free, just like that outlaw wind...
I feel that this song is definitely underrated, not sure why that is, but for me, it is one of the standout songs from the Memphis sessions & the more I listen to it, the better it gets. Great song, great lyrics & great vocals by Elvis, easily a double banger from me Seph👍 ❤
MISS JANET 🍯🐝 I SO TOTALLY FEEL THE SAME WAY 😭😭😭 THIS SONG IS SO UNDERRATED! SEPH IS ONLY THE SECOND REACTOR I HAVE SEEN DO A REACTION TO THIS SONG 🙏🙏🙏🙏 BLESS HIM 🌹💜💕 Hope you are doing well Miss Janet 🍯🐝😊🙏💕
@@sammy_the_uncool2702It's always So glad you feel the same & it's always a pleasure to be on the same page as you, dear Sammy. I have been a little slow of late, (sweltering through a hot summer), wouldn't mind swapping for some of your snow right now haha! I always look forward to your wonderful collection of info that you so kindly research & present for us, always so good! 👏😀❤
@@janetb.8683 Awww, thank you Miss Janet 🍯🐝😊💐 I can't remember but did you tell me once you were in Australia? And I do know places south of the equator have winter where we here in America have summer and so on. Wait... Are you in Australia or in South Africa? I need coffee ☕😁 So please forgive me my own confuzzled rumblings in this comment.
@@janetb.8683 Awww, thank you again Miss Janet 🍯🐝🌹💐 I can remember facts but names & faces... I told Seph a true story once... This was after I had gotten my driver's license and was still living in my home town (small town, population at that time: roughly 5500 souls). Anyway I had to go to the pharmacy to pick up meds for my Mom (diabetic) and I hear somebody say, "Hey, Sam! Long time no see!" I turn thinking that there has to be another Sam in the establishment. Nope. The guy is standing right there smiling at me. For the life of me I cannot place him. I rack my brains trying to remember who this guy is. But because it IS a small town there is always the chance the so- and- so you don't recognize could be the guy who was kind enough to rotate your tires when you needed them to (instead of like "a week from tomorrow"). So I cover and smile and say, "Heyyy youuu... Wow. It has been a while hasn't it? What's up?" Later I learned he was the ex of a friend of mine. On the flipside of that however, I have a great audible memory. I can recognize tunes and voices no problem though 😁 As for loving America: I do too. Love my country ❤ Australia's awesome! You guys have the most bonkers wildlife. Really really cool wildlife that is!
Elvis has so many amazing songs but sometimes it takes a while for some of them to grow on you. You need to give these songs a few listens and next thing you know they're on your playlist.😊 He has such a variety of genres that Elvis is all I listen to now. 💗
I love his voice in this one, so tortured and masculine. I think he could relate to the lyrics as he was a freedom loving guy, who wasn't meant to settle down with one woman.❤❤❤
I`m glad that Elvis was one of the straws that helped you through some difficult moments. A divorce is like a death without a corps and without the well-deserved empathy and understanding from those who surround us. I wish you only the best for your future.❤
I absolutely love this song, and it’s on my playlist! There were lots of backing vocalists on the album but specific to this song the backing vocalists were: Jeannie Greene Mary Holladay Ginger Holladay Susan Pilkington Donna Thatcher
The Blossoms were one of the Female groups he worked with around 1968 and they are listed on the music video for Kentucky Rain but I'm not sure if they were actually with him at American Sound Studio's at the time he was recording these albums. I always enjoy this song when I hear it but not a song I go looking for. ❤
@@williamquinlan6153 Yes you are correct actually. While The Blossoms were uncredited as the back up vocalists on "Change Of Habit" recorded track, they did not sing back up for Elvis on any of the American Sound Studio tracks. There was a rotation of back up singers during those sessions, both ladies & gentlemen. The list is long. But the lady back up vocalists on "Kentucky Rain" were sisters Mary & Ginger Holladay, Jeanie Greene, & Donna Thatcher. There is also a photo of Elvis with the 4 ladies at American Sound Studio dated January 22, 1969.
One of my favorit Elvis songs. I am so blown away by the entire 69 session. In the Ghetto, Suspisious minds, Don't cry dady, Kentucky Rain, Long black limousine, this song, Stranger in my own hometown, only the Strong survive, power of my love, rubberneckin and many others !!
Great reaction mate - one of my fave songs too! This is one of a number of songs that Elvis chose to record during his legendary American Sound recording sessions which epitomise the new, more mature material that he was now tackling. The lyrics of the song leave no doubt as to the nature of the physical nature of the couples intimate relationship with the closing lines of each verse. To attempt such subject matter just a few months earlier would even have seen unpalatable but this was the new mature Elvis with a new vocal sound to match the superbly written material at these sessions. “You’ll Think of Me” was initially recorded by Elvis on 14 January 1969 and would be the first recording of the day which began at seven in the evening. Including the recordings from the previous day, it would be the fourth song recorded overall. After a mammoth twenty three takes, it was presumed that the final take would become the RCA master. However, dissatisfied with his vocal, it was erased leaving just the backing track, and Elvis re-recorded his vocal on 24 January. Unfortunately, this process has deprived us of being able to hear the original undubbed unedited master from 14 January. After Elvis had replace hid vocals on 24 January, the post production began by adding orchestral and vocal backing to the undubbed master. This began on 5 May with the strings being added before the brass the following evening. On the afternoon of 8 May 1969, vocal overdubs were recorded by Mary Greene, Mary Holliday, Susan Pilkington and Donna Thatcher. The song was then released on the wonderful “Back In Memphis” album which was the follow up to the legendary “From Elvis In Memphis”. Ironically however, many feel that due to it’s better balance and flow due to the consistency in genre of songs on the album, “Back In Memphis” is actually the superior album.
Can't disagree with your analysis Seph as I was the same when it was issued as the 'B' side to Suspicious Minds but through the years it has really grown on me. Ballad / Easy Listening songs do run the risk of not fully impacting on first listen.
FOR ME THIS IS A DOUBLE BANGER 😂😭 OH MY GAWD! I LOVE THIS SONG! INSTANT MULTIPLE REPLAY! (I may have actually broken the replay button because of this song 😂😂😂) Totally respect your opinion, Seph but I actually like this song better than "Suspicious Minds". I know... What kind of Elvis fan am I? Well! Get ready to have your mind blown! Because I have some surprises in store for this one! * Rubs Hands Excitedly * 😀 1st: The same guy that co- wrote "It's Now Or Never" & "Surrender" also wrote this song completely solo. YES! MORT SHUMAN WROTE THIS SONG! Arranged by Glen Spreen & Mike Leech for when Elvis recorded this though. Mike Leech is also one of the musicians on this track (I'll get to that!) 2nd: I cannot tell going by the recording log of this song if Elvis actually completed the master in one take. I am inclined to think he did not because there is a V.O. on the log book (different from the Backup Vocal Overdubs; they are listed separately and were done on different dates). 3rd: Elvis was the lead guitar on the tracks recorded on January 14, 1969 (that includes this song). Okay, 4th: @Seph: To answer your question... Patience is a virtue especially when it comes to reading to find the answer you seek (think of it as Easter Egg hunting 😉) Recording Session Log Below: "You'll Think Of Me" Recorded on January 14, 1969 at American Sound Studio in Memphis, Tennessee (Tuesday; Hours: 7:00 p.m.- 10:00 p.m.) Producers: Felton Jarvis/ Chip Moman Engineers: Al Pachucki/ Roy Shockley Musicians: Guitar: Elvis Presley Guitar: Reggie Young Sitar: Reggie Young ("You'll Think Of Me"; "Gentle On My Mind"; & "I'm Movin' On") Drums: Gene Chrisman Organ: Bobby Emmons Bass: Tommy Cogbill Bass: Mike Leech Piano: Bobby Wood Take 1: False Start 1:08 "We're rolling, take number one." Take 2: False Start 0:15 Take 3: False Start 0:42 Take 4: False Start 0:14 Take 5: False Start 0:35 Take 6: Playback 4:35 Take 7: Playback 4:49 Take 8: Playback 4:07 "We're rolling, take number something- or- other." Take 9: False Start 0:05 "Take number nine") Take 10: False Start - Take 11: Long False Start 1:30 Take 12: False Start - Take 13: False Start - Take 14: Playback 4:38 (preceded by rehearsal) Take 15: False Start - Take 16: Playback 4:34 Take 17: Long False Start - Take 18: False Start - Take 19: False Start + False Start 0:15 Take 20: Long False Start 0:35 Take 21: False Start - Take 22: Long False Start 3:13 Take 23 (Master) Unrepaired Undubbed Master Take 24: Vocal Overdub Master 4:28 (Vocal replaced on January 24, 1969) Overdub (Master) String Overdubs May 5, 1969 Overdub (Master) Bass Overdub May 6, 1969 (evening) Overdub Master Backup Vocal Overdubs May 8, 1969 (afternoon) *Note* The last is the final master of "You'll Think Of Me". Album: Double Album: From Memphis To Vegas/ From Vegas To Memphis *Also* Single Album: "Suspicious Minds" (A- side)/ "You'll Think Of Me" (B- side) Now then: On the Log book the back up vocals were listed as "N/A"- Not Available. However, I found an all Elvis recording releases website and they noted the back up vocals as sourced by Peter Guralnick, Colin Escott: The names listed are as follows: Mary Greene Donna Thatcher Susan Pilkington Mildred Kirkham (Miss Millie Kirkham also known as the 5th Jordanaire) Dolores Edgin Joe Babcock Hurschel Wiginton *Note*: The Memphis Boys are known as the house musicians that Chip Moman booked in his recording studio. Also: Mary Greene also had a sister Ginger Greene who also sang back up with Elvis during the American Sound Studio sessions. She also sang a duet with Elvis that was recorded but never officially released (it is available for listening over on Leon's channel). Most likely Elvis was the one who decided that it was not good enough to be released. It was probably an experimental recording on Elvis's part. Also: The Back Up Vocalists on "Kentucky Rain" were/ are listed as The Memphis Belles. So there was actually a rotation of back up singers used for the American Sound Studio recording sessions. It is hard to pin down which ones were the back up vocalists on some of these tracks. And that is it Seph & everyone! FABULOUS, SPLENDERIFEROUS, WONDERTASTIC 💖😍🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥👏👏👏👏👏👏👏👏👏👏👏👏👏🙌💃🙌💃🙌💃🙌💃🙌💃🙌💃🙌💃🙌💃🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵👑🎤👑🎤👑🎤👑🎤👑🎤👑🎤👑🎤👑🎤👑🎤👑 I LOVE LOVE LOVE LOVE THIS! THANK YOOOOUUUUU! SEPH!!!! All aboard the Elvis 🚂💨💨🍃🍁🍂🌿 Choo- choo! Hey SEPH'S Dad 👋 Hope you are making sure Seph doesn't over do it 😉 Peace ✌, light 🌞, love 💖, & blessings 🙏 to you & yours & to one & all here as well! Correction Edit: There were two sets of sisters that both sang back up for Elvis on studio recordings: They are: Jeannie Green (1969 - 1973) - sang with Elvis during his comeback live engagement in Vegas, August 1969, and her last session was in Stax studios in December of 1973. Mary Greene (1969) - provided vocals for Elvis during the January & February 1969 sessions in Memphis. Ginger Holladay (1969 - 1975) - Ginger's association with Elvis spanned the period from the August '69 comeback in Vegas to the Today sessions of March 1975. Mary Holladay (1969 - 1975) - Mary sang with Elvis in the studio sessions of January & February 1969, and her last session was in March 1975 for the Today album. Correction Edit #2: Mort Shuman did not write "It's Now Or Never". That was Aaron Shroeder & Wally Gold. As Hounddog1956 was kind enough to remind me & is the cause of this correction 😊👍
@hounddog1956 Thank you! Sheesh. I have so many names in my head that sometimes I get them mixed up. Corrections are always welcome 😊 I am after all human & as Elvis once said, "Everyone is entitled to one stupid mistake." Really appreciate the correction! Hope you are doing well & much love 💖💜💙💛💕💕💕💕
@hounddog1956 I have been BEGGING for Seph to do those! I am PRAYING that Seph does give those video recordings a listen! They are the ultimate Elvis experience + they are great for putting you in better spirits 😊 Also: That is one of my favorite Elvis quotes ⚡❤👍
I think this song is gorgeous. The passion is palpable. In the song Elvis reveals that that he can't seem to break a pattern of behavior that destroys beneficial relationships leaving him painfully alone. He cries out for a dying love ; an event he's doomed to repeat. When new listeners from react channels hear this song and others from these tracks (like Any Day Now) they're usually floored. They've never heard Elvis like this. Seph maybe you have gourmet taste on a reality experience budget. The vocalists were recruited by producer Chips Moman. Always fun Seph. Enjoy.
I think i have strange tastes in Elvis Songs compared to your average Fan haha. My favourite Elvis Presley song is still "One Track Heart" for example. I gotta say though! This song is technically better then 80% of his 50s songs. His voice in this song blows all his early recordings away too! So i can definitely see why other reactors would be floored 😀
@@SephPlays don't apologize for liking Roustabout. It's one of his better efforts on all levels of his films from the mid 60s. I fell into Elvis fandom when I first watched one of his movies as a little kid in 64. Have to say I'm a little shocked at your underestimation of his 50s period although I've noticed it before. The vast majority of the reams of critical praise concerning his influence focus on his 50s output. Most of the 60s artists (Beatles, Dylan) cite him as their major hero because he took a mixture of blues and other music and established it as the major pop form.in those years. Being mostly interested in his films I accepted historical information but had no reference. Then I read his bio and discovered there was Presleymania before Beatlemania. The Jailhouse Rock record was rereleased in the nostalgia for the 50s 70s and that snarling, defiant vocal made the 60s film music seem pale. All the things grown-ups talked about concerning his moving to music was revealed when I watched re-releases of Loving You and Jailhouse Rock. It was my "now I get it moment!" That being said the Memphis Sessions may be the high mark in his artistic development. One of the singles from that was Suspicious Minds and Rolling Stone ranks that their highest Elvis song. Of it they called the record "glorious " and "his most modern record." Elvis may''ve agreed with you Seph. Ironically I've heard he referred to the 50s as his "bubblegum period." React long and prosper.
@@williamquinlan6153 I disagree with both Seph and even the master himself. I love all eras of his voice and songs. I appreciate the 50's songs for what they were and don't compare them.
Welcome aboard the Elvis train, Seph has done nearly 500 Elvis reactions, he started from 1953 and is now in 1969. Here's a link to his Elvis playlist reactions. th-cam.com/play/PLn84b2i6CbmNnXoTwRxW6k5a66BhvDSVd.html&si=UI2UdCP0w5i02UEx
Thanks For Playing My Request. From 1 Of His Greatest Albums. Love Reggie Young On Guitar As For The Backup Singers Mary Greene, Mary Holladay, Donna Thatcher, Susan Pilkington, Sandy Posey, Sonja Montgomery, Millie Kirkham, Dolores Egin, Joe Babcock, Hurshel Wiginton And The Memphis Horn. They Were His Backup Singers For Both Of Those Great Albums. FROM ELVIS IN MEMPHIS And ELVIS BACK IN MEMPHIS. January 13-23 February 17- 22. Also Check Out Little Bit of Green. Thanks Again, Great Reaction As Always.
Mort SHuman.Recorded January 14, 1969 at American Sound Studio, Memphis. Guitar & Sitar: Reggie Young, Guitar: Elvis Presley.,Bass: Tommy Cogbill, Mike Leech. Drums: Gene Chrisman. Piano: Bobby Wood, Elvis Presley, Ronnie Milsap. Organ: Bobby Emmons. Steel Guitar: John Hughey. Harmonica: Ed Kollis. Trumpet: R.F.Taylor, Wayne Jackson, Dick Steff. Sax & Trombone: Jackie Thomas. Sax: Andrew Lowe, Glen Spreen, J.P.Luper. Trombone: Ed Logan, Jack Hale, Gerald Richardson, French Horn: Tony Cason, Joe D'Gerolamo. Vocals: Mary (Jeannie) Green, Donna Thatcher, Susan Pilkington, Mary Holladay, Dolores Edgin, June Page, Hurshel Wiginton, Joe Babcock, Ginger Holladay, Millie Kirkham, Sandy Posey
The Holladay sisters Mary and Ginger backed him up during these recording sessions, I met them about 10 years ago, they were truly super nice and still very good looking. The song is ok, but nothing special imo. His voice is superb thou.
@@Barbara-lb5ytI'm not a collector of autographs, I did get a hug thou. I've met plenty of others around Elvis as well. I'm not a puppet on a string type of guy, such doormat lyrics are not for me. One-sided love affair lyrics are more my style.
@@robbansa being a fan of Elvis's stature means being exposed to a panorama of genres displayed at once. I like One-sided Love Affair for the cultural expression and Puppet On a String for the sincere romanticism he imparts. There's a lot to embrace if one is open and brave.
After some contemplation I decided to share why I love this song so much. I am not looking to change your mind, Seph. Again, I totally respect your opinion. So: I used to write poetry. I had a couple of my poems published a lifetime ago. The publishing company have since gone under so no those two poems are no longer anywhere to be found in any published poetry compilation works. Why do I tell you this? (Even when I am sweating bullets revealing this about myself, seriously nerve wracking honestly). Because the poet in me not only appreciates the way in which the honesty is being told in the lyrics but the way Elvis is interpreting the lyrics with the more subtle nuances of his voice. But anyway for me when I hear this song I think of Elvis singing to the fans that adored him in the 1950's & remained loyal to him through the 1960's. I think of the ladies Elvis was with, the ones that meant more to him and that had real affection for him, but had known that Elvis wasn't the kind of guy that any woman could really tie down and expect to be faithful. He wasn't that kinda guy. Elvis loved his freedom & his career. He loved his parents. He loved his daughter. He loved his home. He loved his fans. His fans were all over the world. Elvis might have been for them that "outlaw wind" back in 1956. He gave a generation something they could claim as their own. This song could be interpreted in one way or the other or both. Elvis is saying at the end of the song, that she too will move on after he is gone. That could be interpreted as him saying that he is taking a new direction in his music and some of his fans might mourn the fact that he won't go back to making the old music. But maybe they can embrace the change of that "outlaw wind". My own very humble opinion only Seph & everyone 😊
Wow Sammy, thank you for sharing this & there should be no "sweating bullets", I don't think any of us will be at all surprised to learn that you have also written poetry. Bet it was great too! This song always has me thinking of the women who spent time with Elvis, but the way you have described your take on it, is truely outstanding! 🌟🌟🌟
@@janetb.8683 Thank you so much Miss Janet 🍯🐝🙏💕 You have truly humbled me 🌹💜💕 I just always think about the change of direction Elvis's life & career had taken when he recorded this song. I think most can relate to that. Hope you have a great rest of your day (or evening if that may be the case) ⚡❤✌🙏💕
since it's in Memphis I think it is The Blossoms. Not sure but I think they were at American Studios. It's either two or three ladies that work for Chips Moman. Thanks Sept.
joe Babcock - backing vocals Dolores Edgin - backing vocals Mary Greene - backing vocals Charlie Hodge - backing vocals Ginger Holladay - backing vocals Mary Holladay - backing vocals Millie Kirkham - backing vocals Ronnie Milsap - backing vocals Sonja Montgomery - backing vocals June Page - backing vocals Susan Pilkington - backing vocals Sandy Posey - backing vocals Donna Thatcher - backing vocals Hurschel Wiginton - backing vocals By the way, it is kind of strange how you are avoiding the best and first album from this 1969 american sound studio session - saving best for last?
He's already played a few songs from that album. According to him he's reacting to tracks according to their release date. The same issue came up with the Elvis is Back sides.
According to the guy who sorts out my elvis list i follow, he's giving me a completely random order from now on but staying in that year "To keep it from becoming predictable by the mega fans" So i wont miss any songs that were recorded in 1969 but they wont be in any logical order 😂
@@annmariering6606 glad you like it, I love others of his that are on my daily Playlist, alot of them, I love ne some Elvis! The Grass Won't Pay no Mind from this album is one of them. Love Letters both versions, Pocket lfull of Rainbows and I need Somebody To Lean on my Playlist a few times because I live hearing them repeated through the day his voice is heaven!
It's insane to think that this' is the same artist that sang hound dog the vocal evolution he had in about a decade is masterful
that happened a lot faster, if you consider the album Elvis is Back and His hand in Mine. But indeed this album is more mature and powerful
@@thepuma2012 I totally agree with you with "Elvis is back" I know Charlie Hodge said He helped Elvis with his Vocals I think in the Army - Elvis and Charlie would even hold 'Talent Shows" While in the Army - You can tell then His voice was much more deep and rich and so buttery
@@HeavenlyPresley-Tonyaaccording to what I've read Elvis's vocal training in the army resulted in an increase in his range by an octave. His already tremendous vibrato grew to an almost machine gun, rapid fire delivery. The Elvis is Back tracks(his first in stereo) are indeed a thing of beauty. I associate the sound and style, though, with the early 60s. The Memphis sides are timeless.
0:53
This is from American Sound Studio - Chips Moman / Producer - Elvis did his thing with these "Sessions" He didn't want The Colonel involved - The Colonel said "Let Him Fall On His A**" YEP - Chips told Elvis to get all the guys out of the studio His Memphis Mafia Guys - So It was Chips Elvis & a few others - But Parker was bringing Elvis songs He didn't like so He said - Elvis: '... from now on I want to hear every song I can get my hands on, and if I've got a piece of the publishing, that's fine, but if I don't and I want to do the song, I'm going to do it'. Elvis then said to Marty, 'I want you to get me some good songs'. - I LOVE THIS SONG THANKS SEPH
I listened to this album over and over when I first got it, and every song was a favorite! His vocals and delivery for each song are just on point. Elvis is fire!
He's saying he can't commit to staying in one place - the old "It's not you; it's me." 🤣
I love this song. Elvis' soulful vocal performance is amazing, and I really like Reggie Young on the sitar taking the lead throughout - it's different. This is one of those that grew on me.
Lyrics:
I'm sorry now, girl, but I must leave you
There's something deep inside my soul keeps calling me
The winter wind, girl, will not deceive you
And in your cold and empty bed, you'll think of me, oh yes
You'll think of me
You'll see me coming, you'll see me going
Don't ask me why, I'm just the kind needs to be free
Just like that outlaw wind keeps on a-blowing
Yeah, in your cold and empty bed, you'll think of me, oh yes
You'll think of me
Now I know you loved me just like I wanted
I know you'd follow me across an endless sea
But, baby, I've got a heart that's haunted
Yeah, in your cold and empty bed, you'll think of me, oh yes
You'll think of me
Ah but you should know, girl, that I'll be crying
Out on that lonely road where not a soul can see
I'll shed my tears for a love that's dying
Yeah, in your cold and empty bed, you'll think of me, oh yes
You'll think of me
The summer sun, girl, will bring a stranger
And he'll be better to you than I used to be
And when he takes you into his arms, girl
Well, in your warm and loving bed, you won't think of me, no, no
You won't think of me
Then in your warm and loving bed, you won't think of me, no, no
You won't think of me
masterpiece - blend of country and soul. these are up there with best sessions he ever done (possibly The best).
It is competing with the 56 sessions and the 1960 sessions. But in between there were many other amazing sessions too😊
@@MrAlanfalk73 Elvis is back 1960, , 69, 70, and 73 (promised land etc - my favourite album) - for me lol
This is an average Elvis song. I love it. Average for Elvis is always better than everyone else's average. TH-cam won't let me make a smiley face so :-)
This whole album is 🔥, production, vocals everything 🙌
The American Sound Studio (where this album was recorded) and Stax recordings are the absolute best of his post 68 Comeback career.
interesting song! Sounds like Elvis is saying to her that she will eventually find a man that cares more than he does!! Great song
"You'll Think Of Me" was the "B" Side to "Suspicious Minds" and when it was on the Jukebox at my local pub back in the 80s I hammered the "B" Side way more than the "A" Side, don't ask me why I'm just the kind needs to be free, just like that outlaw wind...
I feel that this song is definitely underrated, not sure why that is, but for me, it is one of the standout songs from the Memphis sessions & the more I listen to it, the better it gets. Great song, great lyrics & great vocals by Elvis, easily a double banger from me Seph👍 ❤
MISS JANET 🍯🐝 I SO TOTALLY FEEL THE SAME WAY 😭😭😭
THIS SONG IS SO UNDERRATED!
SEPH IS ONLY THE SECOND REACTOR I HAVE SEEN DO A REACTION TO THIS SONG 🙏🙏🙏🙏 BLESS HIM 🌹💜💕
Hope you are doing well Miss Janet 🍯🐝😊🙏💕
@@sammy_the_uncool2702It's always
So glad you feel the same & it's always a pleasure to be on the same page as you, dear Sammy. I have been a little slow of late, (sweltering through a hot summer), wouldn't mind swapping for some of your snow right now haha! I always look forward to your wonderful collection of info that you so kindly research & present for us, always so good! 👏😀❤
@@janetb.8683 Awww, thank you Miss Janet 🍯🐝😊💐
I can't remember but did you tell me once you were in Australia?
And I do know places south of the equator have winter where we here in America have summer and so on.
Wait... Are you in Australia or in South Africa?
I need coffee ☕😁 So please forgive me my own confuzzled rumblings in this comment.
Haha, you shouldn't have second guessed yourself, right the first time & a good memory at that 🇦🇺 Have to admit though, I have always loved America 👍
@@janetb.8683 Awww, thank you again Miss Janet 🍯🐝🌹💐 I can remember facts but names & faces... I told Seph a true story once... This was after I had gotten my driver's license and was still living in my home town (small town, population at that time: roughly 5500 souls).
Anyway I had to go to the pharmacy to pick up meds for my Mom (diabetic) and I hear somebody say, "Hey, Sam! Long time no see!"
I turn thinking that there has to be another Sam in the establishment. Nope. The guy is standing right there smiling at me.
For the life of me I cannot place him. I rack my brains trying to remember who this guy is.
But because it IS a small town there is always the chance the so- and- so you don't recognize could be the guy who was kind enough to rotate your tires when you needed them to (instead of like "a week from tomorrow").
So I cover and smile and say, "Heyyy youuu... Wow. It has been a while hasn't it? What's up?"
Later I learned he was the ex of a friend of mine.
On the flipside of that however, I have a great audible memory. I can recognize tunes and voices no problem though 😁
As for loving America: I do too. Love my country ❤
Australia's awesome! You guys have the most bonkers wildlife. Really really cool wildlife that is!
Love The Elvis!!!! ❤❤❤❤
Backup girls are
Called Southern Comfort. Mainly used for these sessions Elvis hand picked them that’s them on Suspicious Minds etc .
Elvis has so many amazing songs but sometimes it takes a while for some of them to grow on you. You need to give these songs a few listens and next thing you know they're on your playlist.😊 He has such a variety of genres that Elvis is all I listen to now. 💗
I love his voice in this one, so tortured and masculine. I think he could relate to the lyrics as he was a freedom loving guy, who wasn't meant to settle down with one woman.❤❤❤
I totally love his voice in this. I hope your health is back as it should be; you're looking well.
Love this song, i was listening to it this morning ❤❤❤
Thanks for reviewing a favorite that actually helped me through a difficult divorce.
I`m glad that Elvis was one of the straws that helped you through some difficult moments. A divorce is like a death without a corps and without the well-deserved empathy and understanding from those who surround us.
I wish you only the best for your future.❤
I absolutely love this song, and it’s on my playlist! There were lots of backing vocalists on the album but specific to this song the backing vocalists were:
Jeannie Greene
Mary Holladay
Ginger Holladay
Susan Pilkington
Donna Thatcher
All aboard the Elvis train . I love your reactions Seph makes my day so happy you are back . Its a banger to me 69 Elvis perfect 😍
I look forward to your Elvis reactions Seph, you and Elvis never disappoint!
Aww thank you 😀
The Blossoms were one of the Female groups he worked with around 1968 and they are listed on the music video for Kentucky Rain but I'm not sure if they were actually with him at American Sound Studio's at the time he was recording these albums. I always enjoy this song when I hear it but not a song I go looking for. ❤
I don't think the Blossoms were associated with the Memphis Sound tracks. Producer Chips Moman recruited his own vocalists for these sessions.
@@williamquinlan6153 Yes you are correct actually. While The Blossoms were uncredited as the back up vocalists on "Change Of Habit" recorded track, they did not sing back up for Elvis on any of the American Sound Studio tracks.
There was a rotation of back up singers during those sessions, both ladies & gentlemen.
The list is long.
But the lady back up vocalists on "Kentucky Rain" were sisters Mary & Ginger Holladay, Jeanie Greene, & Donna Thatcher.
There is also a photo of Elvis with the 4 ladies at American Sound Studio dated January 22, 1969.
One of my favorit Elvis songs. I am so blown away by the entire 69 session. In the Ghetto, Suspisious minds, Don't cry dady, Kentucky Rain, Long black limousine, this song, Stranger in my own hometown, only the Strong survive, power of my love, rubberneckin and many others !!
👑✌️
Each to his own,I love it.
The versatility of Elvis Presley can't be denied....love this song - overused and abused term, I know, but it's true 😁.
Great reaction mate - one of my fave songs too!
This is one of a number of songs that Elvis chose to record during his legendary American Sound recording sessions which epitomise the new, more mature material that he was now tackling. The lyrics of the song leave no doubt as to the nature of the physical nature of the couples intimate relationship with the closing lines of each verse. To attempt such subject matter just a few months earlier would even have seen unpalatable but this was the new mature Elvis with a new vocal sound to match the superbly written material at these sessions.
“You’ll Think of Me” was initially recorded by Elvis on 14 January 1969 and would be the first recording of the day which began at seven in the evening. Including the recordings from the previous day, it would be the fourth song recorded overall.
After a mammoth twenty three takes, it was presumed that the final take would become the RCA master. However, dissatisfied with his vocal, it was erased leaving just the backing track, and Elvis re-recorded his vocal on 24 January. Unfortunately, this process has deprived us of being able to hear the original undubbed unedited master from 14 January.
After Elvis had replace hid vocals on 24 January, the post production began by adding orchestral and vocal backing to the undubbed master. This began on 5 May with the strings being added before the brass the following evening. On the afternoon of 8 May 1969, vocal overdubs were recorded by Mary Greene, Mary Holliday, Susan Pilkington and Donna Thatcher.
The song was then released on the wonderful “Back In Memphis” album which was the follow up to the legendary “From Elvis In Memphis”. Ironically however, many feel that due to it’s better balance and flow due to the consistency in genre of songs on the album, “Back In Memphis” is actually the superior album.
Can't disagree with your analysis Seph as I was the same when it was issued as the 'B' side to Suspicious Minds but through the years it has really grown on me. Ballad / Easy Listening songs do run the risk of not fully impacting on first listen.
FOR ME THIS IS A DOUBLE BANGER 😂😭
OH MY GAWD! I LOVE THIS SONG!
INSTANT MULTIPLE REPLAY! (I may have actually broken the replay button because of this song 😂😂😂)
Totally respect your opinion, Seph but I actually like this song better than "Suspicious Minds".
I know... What kind of Elvis fan am I?
Well! Get ready to have your mind blown! Because I have some surprises in store for this one!
* Rubs Hands Excitedly * 😀
1st: The same guy that co- wrote "It's Now Or Never" & "Surrender" also wrote this song completely solo. YES! MORT SHUMAN WROTE THIS SONG!
Arranged by Glen Spreen & Mike Leech for when Elvis recorded this though.
Mike Leech is also one of the musicians on this track (I'll get to that!)
2nd: I cannot tell going by the recording log of this song if Elvis actually completed the master in one take. I am inclined to think he did not because there is a V.O. on the log book (different from the Backup Vocal Overdubs; they are listed separately and were done on different dates).
3rd: Elvis was the lead guitar on the tracks recorded on January 14, 1969 (that includes this song).
Okay, 4th: @Seph: To answer your question... Patience is a virtue especially when it comes to reading to find the answer you seek (think of it as Easter Egg hunting 😉)
Recording Session Log Below:
"You'll Think Of Me" Recorded on January 14, 1969 at American Sound Studio in Memphis, Tennessee (Tuesday; Hours: 7:00 p.m.- 10:00 p.m.)
Producers: Felton Jarvis/ Chip Moman
Engineers: Al Pachucki/ Roy Shockley
Musicians:
Guitar: Elvis Presley
Guitar: Reggie Young
Sitar: Reggie Young ("You'll Think Of Me"; "Gentle On My Mind"; & "I'm Movin' On")
Drums: Gene Chrisman
Organ: Bobby Emmons
Bass: Tommy Cogbill
Bass: Mike Leech
Piano: Bobby Wood
Take 1: False Start 1:08 "We're rolling, take number one."
Take 2: False Start 0:15
Take 3: False Start 0:42
Take 4: False Start 0:14
Take 5: False Start 0:35
Take 6: Playback 4:35
Take 7: Playback 4:49
Take 8: Playback 4:07 "We're rolling, take number something- or- other."
Take 9: False Start 0:05 "Take number nine")
Take 10: False Start -
Take 11: Long False Start 1:30
Take 12: False Start -
Take 13: False Start -
Take 14: Playback 4:38 (preceded by rehearsal)
Take 15: False Start -
Take 16: Playback 4:34
Take 17: Long False Start -
Take 18: False Start -
Take 19: False Start + False Start 0:15
Take 20: Long False Start 0:35
Take 21: False Start -
Take 22: Long False Start 3:13
Take 23 (Master) Unrepaired Undubbed Master
Take 24: Vocal Overdub Master 4:28 (Vocal replaced on January 24, 1969)
Overdub (Master) String Overdubs May 5, 1969
Overdub (Master) Bass Overdub May 6, 1969 (evening)
Overdub Master Backup Vocal Overdubs May 8, 1969 (afternoon)
*Note* The last is the final master of "You'll Think Of Me".
Album: Double Album: From Memphis To Vegas/ From Vegas To Memphis
*Also* Single Album: "Suspicious Minds" (A- side)/ "You'll Think Of Me" (B- side)
Now then: On the Log book the back up vocals were listed as "N/A"- Not Available.
However, I found an all Elvis recording releases website and they noted the back up vocals as sourced by Peter Guralnick, Colin Escott:
The names listed are as follows:
Mary Greene
Donna Thatcher
Susan Pilkington
Mildred Kirkham (Miss Millie Kirkham also known as the 5th Jordanaire)
Dolores Edgin
Joe Babcock
Hurschel Wiginton
*Note*: The Memphis Boys are known as the house musicians that Chip Moman booked in his recording studio.
Also: Mary Greene also had a sister Ginger Greene who also sang back up with Elvis during the American Sound Studio sessions. She also sang a duet with Elvis that was recorded but never officially released (it is available for listening over on Leon's channel). Most likely Elvis was the one who decided that it was not good enough to be released. It was probably an experimental recording on Elvis's part.
Also: The Back Up Vocalists on "Kentucky Rain" were/ are listed as The Memphis Belles.
So there was actually a rotation of back up singers used for the American Sound Studio recording sessions. It is hard to pin down which ones were the back up vocalists on some of these tracks.
And that is it Seph & everyone!
FABULOUS, SPLENDERIFEROUS, WONDERTASTIC 💖😍🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥😍💖🔥👏👏👏👏👏👏👏👏👏👏👏👏👏🙌💃🙌💃🙌💃🙌💃🙌💃🙌💃🙌💃🙌💃🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵🎸🎵👑🎤👑🎤👑🎤👑🎤👑🎤👑🎤👑🎤👑🎤👑🎤👑
I LOVE LOVE LOVE LOVE THIS!
THANK YOOOOUUUUU! SEPH!!!!
All aboard the Elvis 🚂💨💨🍃🍁🍂🌿 Choo- choo!
Hey SEPH'S Dad 👋 Hope you are making sure Seph doesn't over do it 😉
Peace ✌, light 🌞, love 💖, & blessings 🙏 to you & yours & to one & all here as well!
Correction Edit: There were two sets of sisters that both sang back up for Elvis on studio recordings:
They are:
Jeannie Green (1969 - 1973) - sang with Elvis during his comeback live engagement in Vegas, August 1969, and her last session was in Stax studios in December of 1973.
Mary Greene (1969) - provided vocals for Elvis during the January & February 1969 sessions in Memphis.
Ginger Holladay (1969 - 1975) - Ginger's association with Elvis spanned the period from the August '69 comeback in Vegas to the Today sessions of March 1975.
Mary Holladay (1969 - 1975) - Mary sang with Elvis in the studio sessions of January & February 1969, and her last session was in March 1975 for the Today album.
Correction Edit #2: Mort Shuman did not write "It's Now Or Never". That was Aaron Shroeder & Wally Gold. As Hounddog1956 was kind enough to remind me & is the cause of this correction 😊👍
@hounddog1956 Thank you! Sheesh. I have so many names in my head that sometimes I get them mixed up. Corrections are always welcome 😊
I am after all human & as Elvis once said, "Everyone is entitled to one stupid mistake."
Really appreciate the correction!
Hope you are doing well & much love 💖💜💙💛💕💕💕💕
@hounddog1956 I have been BEGGING for Seph to do those! I am PRAYING that Seph does give those video recordings a listen! They are the ultimate Elvis experience + they are great for putting you in better spirits 😊
Also: That is one of my favorite Elvis quotes ⚡❤👍
I love this song.
Thank you, Seph.
I think this song is gorgeous. The passion is palpable. In the song Elvis reveals that that he can't seem to break a pattern of behavior that destroys beneficial relationships leaving him painfully alone. He cries out for a dying love ; an event he's doomed to repeat. When new listeners from react channels hear this song and others from these tracks (like Any Day Now) they're usually floored. They've never heard Elvis like this. Seph maybe you have gourmet taste on a reality experience budget.
The vocalists were recruited by producer Chips Moman. Always fun Seph. Enjoy.
I think i have strange tastes in Elvis Songs compared to your average Fan haha.
My favourite Elvis Presley song is still "One Track Heart" for example.
I gotta say though! This song is technically better then 80% of his 50s songs. His voice in this song blows all his early recordings away too! So i can definitely see why other reactors would be floored 😀
@@SephPlays don't apologize for liking Roustabout. It's one of his better efforts on all levels of his films from the mid 60s. I fell into Elvis fandom when I first watched one of his movies as a little kid in 64.
Have to say I'm a little shocked at your underestimation of his 50s period although I've noticed it before. The vast majority of the reams of critical praise concerning his influence focus on his 50s output. Most of the 60s artists (Beatles, Dylan) cite him as their major hero because he took a mixture of blues and other music and established it as the major pop form.in those years. Being mostly interested in his films I accepted historical information but had no reference. Then I read his bio and discovered there was Presleymania before Beatlemania. The Jailhouse Rock record was rereleased in the nostalgia for the 50s 70s and that snarling, defiant vocal made the 60s film music seem pale. All the things grown-ups talked about concerning his moving to music was revealed when I watched re-releases of Loving You and Jailhouse Rock. It was my "now I get it moment!"
That being said the Memphis Sessions may be the high mark in his artistic development. One of the singles from that was Suspicious Minds and Rolling Stone ranks that their highest Elvis song. Of it they called the record "glorious " and "his most modern record."
Elvis may''ve agreed with you Seph. Ironically I've heard he referred to the 50s as his "bubblegum period." React long and prosper.
@@williamquinlan6153 I disagree with both Seph and even the master himself. I love all eras of his voice and songs. I appreciate the 50's songs for what they were and don't compare them.
I get such a kick 🥾out of that TWANGY guitar! 🎸Sooooooo rad!! Go Elvis!!💕‼
Subscribing for Elvis ❤❤❤
Welcome aboard the Elvis train, Seph has done nearly 500 Elvis reactions, he started from 1953 and is now in 1969. Here's a link to his Elvis playlist reactions.
th-cam.com/play/PLn84b2i6CbmNnXoTwRxW6k5a66BhvDSVd.html&si=UI2UdCP0w5i02UEx
You will love this channel. Seph is extraordinary and wonderful.❤ Welcome aboard!!
Thank you. I hope you enjoy the ride 😀
Been a fan for 36 years so I'm sure I'll enjoy it. Already do 🥰
Been on the Elvis train for 36 years 😍 The King ✨️👑✨️
Thanks For Playing My Request. From 1 Of His Greatest Albums. Love Reggie Young On Guitar As For The Backup Singers Mary Greene, Mary Holladay, Donna Thatcher, Susan Pilkington, Sandy Posey, Sonja Montgomery, Millie Kirkham, Dolores Egin, Joe Babcock, Hurshel Wiginton And The Memphis Horn. They Were His Backup Singers For Both Of Those Great Albums. FROM ELVIS IN MEMPHIS And ELVIS BACK IN MEMPHIS. January 13-23 February 17- 22. Also Check Out Little Bit of Green. Thanks Again, Great Reaction As Always.
Mort SHuman.Recorded January 14, 1969 at American Sound Studio, Memphis. Guitar & Sitar: Reggie Young, Guitar: Elvis Presley.,Bass: Tommy Cogbill, Mike Leech. Drums: Gene Chrisman. Piano: Bobby Wood, Elvis Presley, Ronnie Milsap. Organ: Bobby Emmons. Steel Guitar: John Hughey. Harmonica: Ed Kollis. Trumpet: R.F.Taylor, Wayne Jackson, Dick Steff. Sax & Trombone: Jackie Thomas. Sax: Andrew Lowe, Glen Spreen, J.P.Luper. Trombone: Ed Logan, Jack Hale, Gerald Richardson, French Horn: Tony Cason, Joe D'Gerolamo. Vocals: Mary (Jeannie) Green, Donna Thatcher, Susan Pilkington, Mary Holladay, Dolores Edgin, June Page, Hurshel Wiginton, Joe Babcock, Ginger Holladay, Millie Kirkham, Sandy Posey
The Holladay sisters Mary and Ginger backed him up during these recording sessions, I met them about 10 years ago, they were truly super nice and still very good looking. The song is ok, but nothing special imo. His voice is superb thou.
@@Barbara-lb5ytI'm not a collector of autographs, I did get a hug thou. I've met plenty of others around Elvis as well.
I'm not a puppet on a string type of guy, such doormat lyrics are not for me. One-sided love affair lyrics are more my style.
@@Barbara-lb5yt okidoki👍
@@robbansa being a fan of Elvis's stature means being exposed to a panorama of genres displayed at once. I like One-sided Love Affair for the cultural expression and Puppet On a String for the sincere romanticism he imparts. There's a lot to embrace if one is open and brave.
Sandy shaw or elvis?
Love this song - such a nice vibe to it 🎶🎤🎵🎧
You gotta do something by Elvis Presley. The aloha from Hawaii version is really good
I love his voice on this as always, but not one i often listen to, great reaction ❤❤
I love his voice in this song! But it is sad! Good reaction Seph!
After some contemplation I decided to share why I love this song so much.
I am not looking to change your mind, Seph. Again, I totally respect your opinion.
So: I used to write poetry. I had a couple of my poems published a lifetime ago. The publishing company have since gone under so no those two poems are no longer anywhere to be found in any published poetry compilation works.
Why do I tell you this? (Even when I am sweating bullets revealing this about myself, seriously nerve wracking honestly).
Because the poet in me not only appreciates the way in which the honesty is being told in the lyrics but the way Elvis is interpreting the lyrics with the more subtle nuances of his voice.
But anyway for me when I hear this song I think of Elvis singing to the fans that adored him in the 1950's & remained loyal to him through the 1960's.
I think of the ladies Elvis was with, the ones that meant more to him and that had real affection for him, but had known that Elvis wasn't the kind of guy that any woman could really tie down and expect to be faithful. He wasn't that kinda guy.
Elvis loved his freedom & his career. He loved his parents. He loved his daughter. He loved his home.
He loved his fans.
His fans were all over the world. Elvis might have been for them that "outlaw wind" back in 1956.
He gave a generation something they could claim as their own.
This song could be interpreted in one way or the other or both.
Elvis is saying at the end of the song, that she too will move on after he is gone.
That could be interpreted as him saying that he is taking a new direction in his music and some of his fans might mourn the fact that he won't go back to making the old music. But maybe they can embrace the change of that "outlaw wind".
My own very humble opinion only Seph & everyone 😊
Wow Sammy, thank you for sharing this & there should be no "sweating bullets", I don't think any of us will be at all surprised to learn that you have also written poetry. Bet it was great too! This song always has me thinking of the women who spent time with Elvis, but the way you have described your take on it, is truely outstanding! 🌟🌟🌟
@@janetb.8683 Thank you so much Miss Janet 🍯🐝🙏💕 You have truly humbled me 🌹💜💕
I just always think about the change of direction Elvis's life & career had taken when he recorded this song. I think most can relate to that.
Hope you have a great rest of your day (or evening if that may be the case) ⚡❤✌🙏💕
Great performance
since it's in Memphis I think it is The Blossoms. Not sure but I think they were at American Studios. It's either two or three ladies that work for Chips Moman. Thanks Sept.
joe Babcock - backing vocals
Dolores Edgin - backing vocals
Mary Greene - backing vocals
Charlie Hodge - backing vocals
Ginger Holladay - backing vocals
Mary Holladay - backing vocals
Millie Kirkham - backing vocals
Ronnie Milsap - backing vocals
Sonja Montgomery - backing vocals
June Page - backing vocals
Susan Pilkington - backing vocals
Sandy Posey - backing vocals
Donna Thatcher - backing vocals
Hurschel Wiginton - backing vocals
By the way, it is kind of strange how you are avoiding the best and first album from this 1969 american sound studio session - saving best for last?
Great info, didn't know there were so many backup singers.👌
I doubt that of those backup singers are lending their voices to this particular song. Maybe half. There were other songs in which some were featured.
He's already played a few songs from that album. According to him he's reacting to tracks according to their release date. The same issue came up with the Elvis is Back sides.
@@timcarr6401 No, these were the backup singers for the whole session. I did not look it up for this song... sorry
According to the guy who sorts out my elvis list i follow, he's giving me a completely random order from now on but staying in that year "To keep it from becoming predictable by the mega fans"
So i wont miss any songs that were recorded in 1969 but they wont be in any logical order 😂
I agree, not a Playlist song but beautifully done, just not the best song!
I disagree it's on my playlist
It’s on my playlist!
@@Barbara-lb5yt exactly!
@@johanley229 glad you like it, I love his voice on it
@@annmariering6606 glad you like it, I love others of his that are on my daily Playlist, alot of them, I love ne some Elvis!
The Grass Won't Pay no Mind from this album is one of them. Love Letters both versions, Pocket lfull of Rainbows and I need Somebody To Lean on my Playlist a few times because I live hearing them repeated through the day his voice is heaven!