Missed one very important point, or two. 1 The Midas and Behringer consoles have a card slot for I/O. Cards are available for supporting other protocols such as Dante. With the card, and a Yamaha Dante stage box, now they connect. Maybe.. Next is system clock speed. All components must support the same speeds to have them sync. Midas and Behringer use either 44.1 KHZ or 48 KHX. Not sure what speed the Yamaha uses. Allan and Heath operate on 96 KHZ so it would not be compatible, even if the protocol was correct.
@@OffshoreAudio Hi Andrew. My biggest question is all about latency. How do the various standards complete in terms of round-trip latency? Edit: I'm looking for lowest latency with a a tiny network, basically point to point.
@@DeathByHumbuckers off the top of my head aes50 has the lowest latency of the common digital protocols. The mixer that you're using would affect a return trip though. I could have a look into it and do a shootout between aes50, Dante and giga ace. Dave Rat did an experiment where he had around 0.1ms latency on aes50. He might have other useful stuff looking at latency: th-cam.com/video/hSYXAV-rpOg/w-d-xo.html
You should probably use an shielded, and bonded ethercon connector on your connections as it is IN THE SPEC... you could blow our AES-50 ports with ESD.
Missed one very important point, or two.
1 The Midas and Behringer consoles have a card slot for I/O. Cards are available for supporting other protocols such as Dante. With the card, and a Yamaha Dante stage box, now they connect. Maybe.. Next is system clock speed. All components must support the same speeds to have them sync. Midas and Behringer use either 44.1 KHZ or 48 KHX. Not sure what speed the Yamaha uses. Allan and Heath operate on 96 KHZ so it would not be compatible, even if the protocol was correct.
bama göre bütün markalar 48 mhz ayarında olmalı,44,48,96...
Thank you Andrew,. This is exactly the video I've been looking for. Incredibly clear discussion of connection issues. I'm subbed for life 😀🤟
Hey, so glad to hear it's useful! If there's any other things you think I should cover please let me know 🙂
@@OffshoreAudio Hi Andrew. My biggest question is all about latency. How do the various standards complete in terms of round-trip latency?
Edit: I'm looking for lowest latency with a a tiny network, basically point to point.
@@DeathByHumbuckers off the top of my head aes50 has the lowest latency of the common digital protocols. The mixer that you're using would affect a return trip though. I could have a look into it and do a shootout between aes50, Dante and giga ace.
Dave Rat did an experiment where he had around 0.1ms latency on aes50. He might have other useful stuff looking at latency:
th-cam.com/video/hSYXAV-rpOg/w-d-xo.html
I love this video..please make some video about setting of comp ,limitter,gate
Thanks so much! So glad you found it useful. Sure thing, I'll definitely make videos on compressors and gates.
What is a “Ritter” you were talking about?
Thank you so much sir for your packaged information.
You are most welcome
Very informative and helpful, thanks Andy!
Oh you're more than welcome Serhat 😁 thanks for the feedback!
great explanation!!!
Thanks a lot!
can i use cat 6 ?
You can, any number above 5e, so cat5 won't work but cat6 and 7 will. Aim for STP cable, shielded twisted pair, preferably with ethercon connectors
@@OffshoreAudio thank you very much
My pleasure!
First
Sorry I couldn't help myself...
@@StegjaboabWatson bringing 2006 into the present day!
You should probably use an shielded, and bonded ethercon connector on your connections as it is IN THE SPEC... you could blow our AES-50 ports with ESD.