Maravillosa presentación de esta gran ópera de Verdi. Su producción extraordinaria, porque lo transportan a uno a la grandiosidad de esa cultura milenaria que fue Egipto
The stage is so big that the dancers in back are slightly delayed in relation to those in front. This is because the sound takes 30 milliseconds to travel just 10 meters, which is enough to produce this effect. Anyway, it is a beautiful performance.
@MrZeitun I checked again, just to make sure. They are on flats. And once I have to start from the very beginning, by flats I mean shoes that are soft all around and have the sole purpose of slipping. That's why they are called ballet slippers. For the past 150 years or so, women don't go on pointe with those shoes. If you really look you will see their toes are bent forward, so they are on demi-pointe. Yeah, there are 2 variants of tutus, the classical and the romantic.
This scene as done by the Met is perfection. Aida is not my favorite opera but, if I were to take someone to his/her first opera, seeing the grandest scene of grand opera would make quite an impression. I saw this production at the Met and as many times as I have seen the triumphal scene, in different productions, it never grows old.
I used to have a subscription to the Opera Company of Philadelphia, and as a loyal Philadelphian it would gall me whenever I would find myself sitting next to someone who would go on and on about how much better the Metropolitan was. But deep inside I had to agree, especially after seeing something like this. (Well, maybe not so much better but certainly richer.)
@adballet I think I have a good idea what points and tutus are. I happen to belong to the professional stage business by trade as a director. And one of the emotional highs of my life as a spectator was when I saw the Bolchoi, in Moscow, in 1971. It was totally conventional Russian ballet, but it was so beautifully done that it brought tears to my eyes. BTW, I have nothing against the ballet work done here per se, I just think it's totally out of touch wih modern opera staging.
@Klibanarios Πράγματι έχασες! Ήταν αρκετά πλούσια η παράσταση και με ωραίες χορογραφίες. Ιππείς βέβαια δεν παρέλασαν, αλλά κάθε άλλο παρά φτηνή παράσταση ήταν.
@MrZeitun The "cute" little ballet has been changed. The choreography was done by Ramatzky resident choreographer of ABT + former director of the Bolshoi. I don't know where you saw the "little" ballet dancers. I saw ballet dancers. BTW, I have no idea where you saw POINTE as NOBODY is on pointe here and much less in TUTUS. Although his video shows 2 horses, I counted 5 all together. The bad painting look is because this is a bad quality video, try going to the theater + actually seeing it live.
@MrZeitun If you don't know what pointe is nor a tutu, try going to the MET when American Ballet Theatre is in season. You may be enlightened. Opera, no matter how grand it may be, is not the best place to see ballet.
@adballet I suggest you have a good look from 5:02 on. They ARE on points, several times. As for tutus they do wear what furiously look variants of said. And 2 horses or 5 horses, what difference does it make? This is beyond the point. My point is that the whole staging is conventional, pasteboard and out-of-date.
Gloria all'Egitto e ad Iside Che il sacro suol protegge; Al Re che il Delta regge Inni festosi alziam! Vieni, o guerriero vindice, Vieni a gioir con noi; Sul passo degli eroi I lauri e i fior versiam!
@MrZeitun Now I am starting to understand how Portman got away with people thinking she was actually dancing on pointe. They couldn't see her flats in the Black Swan entrance.
@MrZeitun And I suggest that you take a good look at 6:12 and you will see that the same dancers are on flats using the technique on 3/4 pointe. None of them are on pointe. And to see a ballet company performing is completely different than an opera company. And the other production of Aida are NOT any better. But in any event, this choreography has been changed for Ramatsky's, as I said resident choreographer of ABT and former director of the Bolshoi.
@adballet You are quite a subborn person, sir. I challenge you to stop at 5:12 and again at 5:47 and tell me this not pointe technique. That they maybe flat at 6:12 does not change that they are on pointe a few times before. And do YOU have any idea how many different variants of the ballet tutus there are? Have it your way, and have a good day.
@MrZeitun Asa matter of fact you have NO idea what pointe and tutus are. And 1971 was a long time ago. And I am not so sure how much directors in stage business know about pointe. Those are called tunics, not tutus. It qualifies nowhere as tutus. NOBODY is wearing point shoes, nor using pointe work. They are all on flats. And what is happening on stage is not really ballet. Some are character dances + some demi-charactere which need ballet dancers once ballet technique is used in the lower body.
wanna see great ballet guys, go see Rite of Spring on TH-cam. One version (you'll spot it) has braless women and goes topless eventually. That's right! Rycheer on TH-cam, so aptly named.
La direzione d'orchestra è pietosa. La velocità imposta alle danze è degna di Speedy Gonzales. Quello succede quando l'opulenza e la sensibilità musicale fanno a pugni.
The Met at its worst. Everybody made out to look like a (poorly) animated Egytpian bas-relief. And they all look like they are going to sh... marble at the next major chord. Plus the mandatory two horses and the cute litlte ballet dancers in tutus and points, straight out of Degas. Such a great opera, such lack of imagination. This is not staging, this is reproducing paintings from an amphora. In this case, money ruins everything. Utterly ridiculous.
Nice to see it performed with the whole orchestral and ballet together. I'm used to just the music . Imagine the cost to put this production on.
Maravillosa presentación de esta gran ópera de Verdi. Su producción extraordinaria, porque lo transportan a uno a la grandiosidad de esa cultura milenaria que fue Egipto
VIVA VERDI!
Nice to see an Aida with the full ballet. To many productions cut it anymore
The stage is so big that the dancers in back are slightly delayed in relation to those in front. This is because the sound takes 30 milliseconds to travel just 10 meters, which is enough to produce this effect. Anyway, it is a beautiful performance.
ここのコメントの日本人は音楽で習ったしかないなぁw
分かるよ、自分も習ったw
@MrZeitun I checked again, just to make sure. They are on flats. And once I have to start from the very beginning, by flats I mean shoes that are soft all around and have the sole purpose of slipping. That's why they are called ballet slippers. For the past 150 years or so, women don't go on pointe with those shoes. If you really look you will see their toes are bent forward, so they are on demi-pointe. Yeah, there are 2 variants of tutus, the classical and the romantic.
This scene as done by the Met is perfection. Aida is not my favorite opera but, if I were to take someone to his/her first opera, seeing the grandest scene of grand opera would make quite an impression. I saw this production at the Met and as many times as I have seen the triumphal scene, in different productions, it never grows old.
音楽のテストでこんなの出すなよ…
歌劇 「アイーダ」 より2幕第2場 学校のテストに出るから覚えるのが大変でした…。
Just how I imagined it should be! So charming!
I used to have a subscription to the Opera Company of Philadelphia, and as a loyal Philadelphian it would gall me whenever I would find myself sitting next to someone who would go on and on about how much better the Metropolitan was. But deep inside I had to agree, especially after seeing something like this. (Well, maybe not so much better but certainly richer.)
this is one of the pieces that make verdi an opera composer one of those very few great opera composer
昔使っていた音楽の教科書を開いて、懐かしいなぁ～と思いながら聴いています。
I would love to know the price of a ticket to see that.
Wow. The dancers are so beautiful!
Μεγάλη Verdi, απλά ένα σπάνιο έργο, το οποίο σίγουρα πεθαίνει στο σήμερα με αυτό το παγκόσμιο πολιτισμό!
@adballet I think I have a good idea what points and tutus are. I happen to belong to the professional stage business by trade as a director. And one of the emotional highs of my life as a spectator was when I saw the Bolchoi, in Moscow, in 1971. It was totally conventional Russian ballet, but it was so beautifully done that it brought tears to my eyes. BTW, I have nothing against the ballet work done here per se, I just think it's totally out of touch wih modern opera staging.
What happened to the end?
truly gorgeous 😍! gloria all' Egitto! Egyptian & proud ❤
@Klibanarios Πράγματι έχασες! Ήταν αρκετά πλούσια η παράσταση και με ωραίες χορογραφίες. Ιππείς βέβαια δεν παρέλασαν, αλλά κάθε άλλο παρά φτηνή παράσταση ήταν.
Alucinante 😍 saludos cordiales desde Chile 🇨🇱
Encendió te gusta
A mi gusto la mejor opera del mundo,genial Verdi.
Grandiosa sobervia y bellísima
これ今日音楽で見たやつ
おっ俺は最近習ったよ
@MrZeitun The "cute" little ballet has been changed. The choreography was done by Ramatzky resident choreographer of ABT + former director of the Bolshoi. I don't know where you saw the "little" ballet dancers. I saw ballet dancers. BTW, I have no idea where you saw POINTE as NOBODY is on pointe here and much less in TUTUS. Although his video shows 2 horses, I counted 5 all together. The bad painting look is because this is a bad quality video, try going to the theater + actually seeing it live.
@MrZeitun If you don't know what pointe is nor a tutu, try going to the MET when American Ballet Theatre is in season. You may be enlightened. Opera, no matter how grand it may be, is not the best place to see ballet.
これガチでアメリカのオペラハウス行って生で見たい！
@petsavv Και γω σε ευχαριστώ πολύ για τα τόσο ευγενικά σου λόγια!
昔オリンピックの応援歌みたいな歌を聞いたことありますがこれがその元ネタなんですね！僕は音楽の時間で歌舞伎助六由縁江戸桜とオペレッタのメリーウィドゥを見てこれはまだ見たことないです
Beautiful opera genius verdi
Grandioso !!!
@adballet I suggest you have a good look from 5:02 on. They ARE on points, several times. As for tutus they do wear what furiously look variants of said. And 2 horses or 5 horses, what difference does it make? This is beyond the point. My point is that the whole staging is conventional, pasteboard and out-of-date.
Horrendous staging.
Gloria all'Egitto e ad Iside
Che il sacro suol protegge;
Al Re che il Delta regge
Inni festosi alziam!
Vieni, o guerriero vindice,
Vieni a gioir con noi;
Sul passo degli eroi
I lauri e i fior versiam!
Перевод какой-то идиотский!
@@ЮрийФилиппов-г3ц No, it's not idiotic at all. It's fine. Thank you to Giuseppe for providing the text in Italian.
My wife your name is Aida. It`s bealtiful this Opera. Glas/Brazil
1:28から牢屋にしか聞こえないうちはもう音楽中笑ってしまった(((
Ευχαριστούμε!
@MrZeitun Now I am starting to understand how Portman got away with people thinking she was actually dancing on pointe. They couldn't see her flats in the Black Swan entrance.
@MrZeitun And I suggest that you take a good look at 6:12 and you will see that the same dancers are on flats using the technique on 3/4 pointe. None of them are on pointe. And to see a ballet company performing is completely different than an opera company. And the other production of Aida are NOT any better. But in any event, this choreography has been changed for Ramatsky's, as I said resident choreographer of ABT and former director of the Bolshoi.
Πόσο θα ήθελα να έβλεπα αυτήν την όπερα εκεί....!!!
Insuperable nos transporta a un mundo suñerior
@adballet You are quite a subborn person, sir. I challenge you to stop at 5:12 and again at 5:47 and tell me this not pointe technique. That they maybe flat at 6:12 does not change that they are on pointe a few times before. And do YOU have any idea how many different variants of the ballet tutus there are?
Have it your way, and have a good day.
Σε ευχαριστώ πολύ συνολικά για την προσφορά σου
うま可愛すぎる💓💓💓💓
Magnifico!!!
SPLENDIDA 🇮🇹🇮🇹🇮🇹❤️❤️❤️❤️🥀🥀🇮🇹🇮🇹
As is the case with a lot of opera choruses, this would be nice to hear minus the voices sometime. Occasionally we get to hear something like that.
gradiosa AIDA..
3：36
何の楽器で吹いてるかわかる人いるー？
あのー、あれ、長いやつ！あ！アイーダトランペットだっけ？
みやもとせら
ありがとうございます！
Groovy.
The Metropolitan Opera dose Verdi right.
昨日の音楽の授業で見たー
音楽がハマった
Grandios
που: ποτε:ποιοι;
Я навіть не уявляю, яка вартість такої грандіозної постановки...
0:24 Oh to once be such a spear-holder, not forced to fall upon it like Cato!
史上最も規模が大きかったと言われている1989年のメトロポリタン劇場のアイーダ。
je ne comprends le rapport avec l'époque pharaonique d'Egypte, Aïda a été composé pour l'inauguration du canal de Suez au 19ième siècle !!!!
密ぅ〜
0:14
gloria all' mohame salah e ad Egitto
@MrZeitun Asa matter of fact you have NO idea what pointe and tutus are. And 1971 was a long time ago. And I am not so sure how much directors in stage business know about pointe. Those are called tunics, not tutus. It qualifies nowhere as tutus. NOBODY is wearing point shoes, nor using pointe work. They are all on flats. And what is happening on stage is not really ballet. Some are character dances + some demi-charactere which need ballet dancers once ballet technique is used in the lower body.
My name is aïda
Hi Aida I’m dad
oh okay i've heard the ballet parts of this which are of course without voices...gosh those trumpets go out of tune.
最後の方の首回すやつ好き
Hola vengo de la materia artes ajaj
magaria ra aida ra imitom rom verdisaaaaa
Harpo Marx brought me here 😆
Neanche il Nilo fa Egitto come la marcia dell Aida
この再生数のほとんどが日本の中学生説
wanna see great ballet guys, go see Rite of Spring on TH-cam. One version (you'll spot it) has braless women and goes topless eventually. That's right! Rycheer on TH-cam, so aptly named.
こういうの見て感動出来る人になりたい〿教養が無さすぎて笑
馬暴走したら大変だな
だんご三色 haha ikr
up top i would say the dancers, the girls anyhow, have some points and are not entirely flat. There, I've settle the argument.
La direzione d'orchestra è pietosa. La velocità imposta alle danze è degna di Speedy Gonzales.
Quello succede quando l'opulenza e la sensibilità musicale fanno a pugni.
Hola esti 134
フジテレビ⚽
Jajaj
6
все великолепно, но лошади были здесь явно лишними!
More like the march of the Al Jolsons
Pinches comentarios
Puro chinooooooooo
The Met at its worst. Everybody made out to look like a (poorly) animated Egytpian bas-relief. And they all look like they are going to sh... marble at the next major chord. Plus the mandatory two horses and the cute litlte ballet dancers in tutus and points, straight out of Degas.
Such a great opera, such lack of imagination. This is not staging, this is reproducing paintings from an amphora. In this case, money ruins everything.
Utterly ridiculous.
Yes, this is rubbish from the Met !
Over-produced nonsense: camp.
Horrible dancing. The Met should be ashamed of itself!