Lovely composition that's very accessible. Sounds a lot like Beethoven! 1st movt: m. 64: that's an alto clef on the cellos! Bud, they'd appreciate a tenor clef much better ;-). m. 103-114: how about switching the key signature to E Major instead of accidentals on every note? 2nd movt: m. 63: bassoons would appreciate a tenor clef--or in this case a bass clef, as it isn't very high. Alto clef is not commonly used anywhere except on viola. Love the little scherzando! I'd suggest a quicker tempo overall for the 2nd movement. 3rd movt: Nice! 4th movt: m. 55: I speak as a double-bassist: the standard orchestral range of the double-bass is a low C (like the cellos). If players don't have the ability to play such notes, they're responsible for taking it up the octave--not the composer! m. 83: suggest pizzicato on violas and cellos? m. 207: ah, there's a low D on the basses. Maybe the m. 55 unison-to-octave was what was intended...
Thank you very much for the analysis, I'm glad you took some of your time to improve this work! In fact, I’ve been studying the classical era of Beethoven's and Schubert's orchestrations for this composition. 1st mvt: m. 64: Noted! m. 103 - 114: Because it was a short excerpt, the key signature change didn't make much sense when I wrote it, but I'll review it anyway, thanks :) 2nd mvt: m. 63: Noted as well! Really appreciate your impression of the Scherzando! Regarding the tempo, I wanted one that contrasts with the rest of the Symphony; that's why I chose Adagio molto e Cantabile. Feelings such as languor and inertia were sought here. 3rd mvt: Thank you very much! 4th mvt: m. 55: Got it! m. 83: A great idea! But I only insisted on using archi to make the repetition more cohesive. Overall, thanks for the tips! I want to improve my compositions more and more, and your observations were very useful. ;)
@@gabb.pimenta Worth noting that the key signature suggestion is purely just me: traditionally (and especially in Beethoven's time) it would be written exactly as you did, with accidentals on every note.
arrasou❤
Lovely composition that's very accessible. Sounds a lot like Beethoven!
1st movt:
m. 64: that's an alto clef on the cellos! Bud, they'd appreciate a tenor clef much better ;-).
m. 103-114: how about switching the key signature to E Major instead of accidentals on every note?
2nd movt:
m. 63: bassoons would appreciate a tenor clef--or in this case a bass clef, as it isn't very high. Alto clef is not commonly used anywhere except on viola.
Love the little scherzando! I'd suggest a quicker tempo overall for the 2nd movement.
3rd movt:
Nice!
4th movt:
m. 55: I speak as a double-bassist: the standard orchestral range of the double-bass is a low C (like the cellos). If players don't have the ability to play such notes, they're responsible for taking it up the octave--not the composer!
m. 83: suggest pizzicato on violas and cellos?
m. 207: ah, there's a low D on the basses. Maybe the m. 55 unison-to-octave was what was intended...
Thank you very much for the analysis, I'm glad you took some of your time to improve this work! In fact, I’ve been studying the classical era of Beethoven's and Schubert's orchestrations for this composition.
1st mvt:
m. 64: Noted!
m. 103 - 114: Because it was a short excerpt, the key signature change didn't make much sense when I wrote it, but I'll review it anyway, thanks :)
2nd mvt:
m. 63: Noted as well!
Really appreciate your impression of the Scherzando! Regarding the tempo, I wanted one that contrasts with the rest of the Symphony; that's why I chose Adagio molto e Cantabile. Feelings such as languor and inertia were sought here.
3rd mvt: Thank you very much!
4th mvt:
m. 55: Got it!
m. 83: A great idea! But I only insisted on using archi to make the repetition more cohesive.
Overall, thanks for the tips! I want to improve my compositions more and more, and your observations were very useful. ;)
@@gabb.pimenta Worth noting that the key signature suggestion is purely just me: traditionally (and especially in Beethoven's time) it would be written exactly as you did, with accidentals on every note.
meio q vc é um mito vivo