47 tenors sing coloratura from La donna è mobile!!! (Verdi Rigoletto)
ฝัง
- เผยแพร่เมื่อ 20 ม.ค. 2021
- 1. Franco Corelli 2. Luciano Pavarotti 3. Jussi Bjorling 4. Ferruccio Tagliavini 5. Luigi Infantino 6. Eugenio Fernandi 7. Renato Cioni 8. Nicolai Gedda 9. Giuseppe Bentonelli 10. Franco Bonisolli 11. Alessandro Granda 12. Francisco Araiza 13. Max Bloch 14. Mario Filippeschi 15. Jerome LoMonaco 16. Giacinto Prandelli 17. Mario Lanza 18. Bruno Landi 19. Carlo Bergonzi 20. Tito Schipa 21. Jan Kiepura 22. Giovanni Malipiero 23. Alfredo Kraus 24. Tino Pattiera 25. Ion Buzea 26. Beniamino Gigli 27. Kipras Petrauskas 28. Giacomo Lauri Volpi 29. Helge Rosvaenge 30. Cesare Valletti 31. Giacomo Aragall 32. Frederick Jagel 33. Florencio Constantino 34. Jerry Hadley 35. Giuseppe Di Stefano 36. Antonio Paoli 37. Gianni Raimondi 38. Joseph Schmidt 39. Daniele Barioni 40. Tony Poncet 41. Giovanni Martinelli 42. Antonio Cortis 43. Miguel Fleta 44. Aureliano Pertile 45. Richard Tucker 46. Enrico Caruso 47. Mario Del Monaco
Corelli for me
❤❤❤😊😊😊🎉🎉🎉
Wow 0:28 to 0:34 Franco Corelli was marvelous, it's almost 7 seconds without breathing and still with incredible vocal power 😮. The only one who stayed longer was another Franco, Franco Bonisolli, but Bonisolli doesn't get the same vocal power and consistency as Corelli.
I timed all the tenors, but Corelli I always do it again, because I want a more accurate result, he's amazing
The agility of Schmidt's voice was incredible, the beauty of Caruso's voice is incomparable, same things with Giacomo Lauri Volpi and Beniamino Gigli.
At least 40% of tenors produced here performed finale of La donna very well. My first type is Caruso. The way how Enrico was able to shape his voice fitted perfectly to this aria.
Caruso
tempi che non torneranno piu'
molti bravi i migliori corelli pavarotti e caruso
Joseph Schmidt had one of the most agile voices I've ever heard on recording. Such a horrible tragedy what happened to him.
Given the German name Im very scared to google...
Edit: Wow I got to "Austro-hungarian Jewish Tenor who died in 1942" and almost just stopped reading, but he wasn't actually a holocaust victim. So thats, uh, good? I guess?...
@@andrewbloom7694He might as well have been. He was still treated abominably just becadse he was Jewish. You mentioned the holocaust. Have you heard the TH-cam version of the famous song 'Vo ist Der Gisele', poignantly arranged as a memorial to the holocaust, and exquisitely sung by another great Jewish tenor Jan Peerce? It is amazing - give it a try.
Quanti bravi tenori, davvero una bella compilation di belle voci del passato.
MDM è semplicemente il migliore tra questi tenori.
@@BaroneVitellioScarpia1 Secondo me Beniamino Gigli e' stato un grande Duca di Mantova
th-cam.com/video/7jt2OUKrudo/w-d-xo.html
@@eugeniogentili1048 Secondo me Aureliano Pertile è anche un grande Duca di Mantova.
great to hear the final cadenza, you know I once asked Jan Peerce about the final cadenza in it and he said the slower you sing the cadenza before the high B the harder it is to sing, faster is easier to get through it. (some here sound here maybe transposed down from the high B.)
In live recorded performance with Leonard Warren under Toscanini yes. Listen to the whole recording of Rigoletto with him and Warren and Erna Berger. Richard Tucker is very good too.
So many great ones here, and of course the original Verdi score didn't have the high B ending in the "La Donna e Mobile" aria at all, that was added on later and happily by tenors with good high notes, it was ended down as was Gilda's "Caro Nome "and the ending for her in the quartet.
There is a Rigoletto Rec. 1984 CD. recording, Sinopoli Cond. with Bruson, Shicoff and Edita Gruberova (she just Passed away this month) where all the singers sing it as written, the original Verdi score, so no high notes. Sinopoli went back to the original Score in the recording, recorded in 1984' in both CD or the LP's format , I have both, being a Shicoff fan, but I prefer Vinyl LP's to CD's.
SO 👏 MANY 👏 UNDERRATED 👏 TENORS 👏
tutti bravi....se devo fare un nome dico Gedda
When you compare you should chose the best version for each tenor. Taking the early1964 version with piano for Luciano Pavarotti, when there exists an exemplary version with Bonynge on Decca, or taking versions of some tenors that are lowered by half tone, others that the pitch is not correct, do no justice to such comparisons. You might have your favorites, but is not fair not to display the best version for each tenor.
My favourites are the virtusiostic Schmidt, Caruso and Fleta.
Gedda, Araiza, Björling, Tucker and Di Stefano are also very precise.
Alfredo Kraus was good too. Di Stefano not. His voice was almost on the edge of breaking at the end.
Di Stefano is super flat here
@@johnfalstaff2270 He was flat too. As was usual for GDS.
@@falkfink He often sang flat. There is a video of him singing Che gelida, transposed a half-step, and he was FLAT.
@@operadog2000 his technique above the passagio was pretty horrible. His voice was incredibly beautiful and he is one of my favourite tenors, but I don't think I've ever heard a healthy sounding high note from him.
Some are studio and some are live, some in better sound then others so not always an even playing field so to speak, but interesting post .
If You hear, year by year, the first recordings of la "Donna", the first ones had the original Verdi's ending or just a brief cadenza. And then, suddenly, Caruso appears, specially with his 1908 version and from this point to the future almost any tenor (and audience) will feel and wait this cadenza as a must. 😬😬😬😬. Verdi never intended that cadenza here or, at least, the same cadenza for over 100 years. In Fleta and Paoli you can apreciate some kind of variation. The cadenze, a matter of personal creation, were intended to show the abbilities of each singer no their faults. It's unconfortable to hear such wonderful - one in a siecle - voices as Corelli and Del Monaco trying to sing something by far related to the "Caruso" cadenza, with faulty notes and intonation, only thinking in the last note.😣
La donna is not for Corelli and del Monaco voices.
Did all of them sang in 440 mh?
1:00 was a Bb4?
Yes. A little easier than a High C and most people can't tell the difference. Kuddos to You if You did it by ear 😅
You should not use a very old Jussi Bjorling recording in Swedish when his voice was still not very well developed. Listen to Bjorling from the complete recording with Robert Merrill from 1955.
Joseph Schmidt had the best agility by far. Corelli, Tucker and Del Monaco does well despite having far bigger less flexible voices.
Del Monaco, Corelli and Caruso, first.
Pavarotti was the best
No.
@@BaroneVitellioScarpia1 One of the best, but (in my opinion) not THE best.
No.
Filippeschi!!!!
Why not? @@BaroneVitellioScarpia1
Per me il migliore è Kiepura. Nonostante certe libertà ritmiche e la cadenza tagliata .Coglie bene il personaggio e voce e tecnica sono superlativi . Consiglio la visione integrale.