Welcome Metro Boomin to the tribe!!! Also, I noticed a lot of people want to know where I got my MPC hoodie.. Get it here 6teenlevels.com/products/mpc-2000xl-aop-unisex-pullover-hoodie
I had the opportunity to produce on Camron’s Come Home With Me Album. I produced Track 11 on that album. Back then I used the MPC 3000, 2000 and XL. I liked the XL over the 2000. I like when artist have a vision. It’s help’s when scoring music for a song. I learned early never be married to the tracks you make. In the ninth inning, all that fly sh*t that matters to you can be cut out. Salute Ave.
@@robertprince2651 About two years. The track was picked late 2000 or 2001 when he was on Epic records. Then we got the call, that he’s leaving Epic so all involved didn’t know what will happen. Then he did the deal with Rocafella and Cam kept majority of the records. The album was released in 2002.
Being able to count is a skill far more necessary than being able to read a written bar of sheet music. Knowing how to use different counts and transition between them is a invaluable skill as a composer/producer... I think its important to listen to the artists you are collaborating with. May not always feel good to have someone say... "no change it like this". However if they are bringing their own original vocals to the production, they have a idea in their mind in which they are trying to elaborate on. You have to help bring that to fruition. As a producer, learning to LISTEN, HEAR others, SEE their ideas. Creating what was once just a imagination. It is the fluidity of art and the production process. Always be willing to listen. You never know where those ideas might go...
I grew up with the 2000XL it will always be my first love!!! As a producer I love it when the artist is interacting with me in the writing process!!! They let me know where to format the song and when to stop creating I tend to over think my production!!!
I love the MPC2000XL!!! Coming from the Maschine I didn't realize how much latency I was having. It's so nice to be able to hit on the actual time with the XL. That hoodie is fire by the way Ave. The 2000XL is just allows you to focus on samples and drums. I appreciate the video Ave. Peace.
I like the 2500 the best. It was released right about the time I was just getting into beat making and so I think that’s why I gravitate towards it. It also looks the dopest imo. Plus JJ makes it so powerful.
It’s 6/8 not 6/4 my bro … this could also be counted as 3/4 in half time or you can spread it to triplet 4/4 . 6/4 does exist in traditional Greek and Armenian music but I think it’s very difficult for that to make its way to western music . Much respect - love the channel and the content 🙏🏼🙏🏼🙏🏼
I love the fact that he went all the way back to a much older Mpc. Learning with a classic Mpc and that workflow will sharpen his skills even more than they already are because, I mean he is a big time producer at the end of the day my favorite is between the 2000 xl and the 5000 because those are the only two older, Pre Live/X MPC’s I’ve owned
I love artists input in the studio. It’s just allows me to hear what they hear as I’m constructing a beat. It also just gives me more ideas for the next track.
I like when artists suggest stuff for the beat because at the end of the day it’s a collaboration between the both of us and if they feel something should be added or even taken out they should be comfortable enough to say that
My first MPC was the 4k, had to sell it and then used Reason for years but now have the MPC One... but man I'd love to get my hands on a 4000 again, never even scratched the surface with it at the time.
I have been using the XL since 2002 and cannot stress enough just how dope it is!! I just broke down and bought the MPC One to speed up my workflow. The only downside is the sound, compared to the XL. That 2000XL has an automatic beefy sound, where the MPC One is thin and flimsy. You can EQ after the fact, but layering drums turns everything squashed and mushy, not like the XL which could glue sounds together with real warmth. The MPC 60 Vintage Effect almost comes close!!
brother you inspired me to run my mpc through outboard FX. I have a mpc live 1, used to have the mpc2000xl. challenge accepted, you just saved me about $800. I apreciate it.
XL!!! Love the workflow & build quality! Learned how to format beats using its song mode, open window button is great, and pads always felt nice on the XL & 2000 series.
I’ve owned a 2000xl, 1000, 4000, 5000 and now the X. The 4000 was by far my favorite until a couple of years ago when I brought the X. It’s the best MPC ever imho. I just wish it had the 4000’s sampler engine. The 4K was deep and very slept on
I agree - if the artist is part of the process - they enjoy and appreciate the effort and work that goes into it more - also WHERE DID YOU GET THAT DOPE HOODIE?! Amazing Video- I have always enjoyed Metro as an Artist - but thought he was just a FL Studio guy - but watching him on an XL?! Whole New Level of Respect lol
Triplet feel. It is a waltz! LOL! Speaking of MPC, I remember the day Roger Linn came over to my studio in LA to see my DSS-1 when he was designing the original MPC!
did anybody else notice the other people in the studio besides the dude close to the camera nobody else was vibing, i got to get a vibe from everybody else in the studio if there are other people in there give me some insight or something DAMN! 🤣
Kanye early vibes is exactly what this reminds me of and what Dipset was trying to replicate. Ya Oh Boy and Slow Jams was tight in 2001 2002 but I like Metros beats like Monster with Future and new shit like that we haven’t experienced before
nice little series you got going. i've been enjoying these more than anything else I've seen from you. The MPC is an instrument. Making beats without an MPC, or physical instrument, is like asking a guitarist to make rock or blues with a keyboard.
Yeah I always like input from any of us who are working together on music man. I thrive on collaboration and it brings in fresh ideas or takes things in a direction you might never have done on just your own...and as long as everyone is bringing thier A-game the end product is usually that much nicer because of it.
Metro switching to the MPC because his sound is coming thru on the MPC like he has never heard on FL and I use FL but like MPC vets say the MPC sonics are legendary
Yea I like it. I don’t have a problem with an artist adding suggestions.. that’s what they are there for. It makes you better. If u have a particular idea for the production myself then that’s different, but if it’s me and the artist and we are working on the joint together then of course I would have no problem with that at all
I still have the MPC 2000. I had the blue MPC 4000, but I sold it to my big bro DJ Kool. I actually loved the 4000. Now I use FL for some joints and MK3 for some joints.
The Mpc 2000xl is a beauty next to the Renaissance that seems like an evolution from the mpc 3000. But I prefer to work with the Renaissance, the best of both worlds.
I am loving the MPC Key61 but definitely really loved my MPC 4000 back in the day. I admired my people with the MPC 3000. I loved using the rack S5000 for a while before getting the 4000… Ancient history though.🤷🏿♂️
I love my live 2. I barely even know how to use Ableton thanks to the MPC beast. Ive always wanted a retro machine and always leaned into the MPC 60 ll
When I worked with Artists in the past two of them come to mind, had specific changes or ideas in term of what they envisioned for certain tracks. I would try to do my best to get them to what they explained, especially since they were going to lay down vocals on the track. To me this made sense and I saw it as part of making music collaboratively with others. I enjoyed the process overall, I miss recording. Good times…. Great video Ave 👍🏻
MPC2000XL was the best because it sounded professional. It had character. What else.. it was metal. The pads felt great too. When the MCD version of the MPC2000XL came out, that was all you really needed. The 2500 came out and it started sounding really plastic and sterile. And everything after up until now. I think they have improved a lil bit on sound quality since. I’m running with the MPC Live OG and it’s great at what it does.
Yeah, I’m very interested in when a artist take the initiative and give input especially when I present tracks to them my tracks can be overwhelming sometime. Because today’s production I targeted for soundtracks and movies cause so it could be a bit much inside of the track. That’s why I feel it’s important for an artist to give their opinion to make this song more creatively in the pocket for what they’re trying to approach. Producer Donte909
My favorite is the MPC-X I do not own!! I would love to halve that full size monster! I'm a Maschine and FL Studio user. I passed on the Maschine plus due to the week CPU. I may get a MPC One just to get back into the standalone boxes.
I’ve never had a classic MPC until I got the MPC ONE but I always wanted a MPC 2500. Used to watch mad TH-cam videos back in like 08/09 Boondock/Boonie Mayfield & Memorecks (I believe that’s how you spell it). Back when beat videos was just people making beats and not tutorials on eq’s, reviews and how to make type beats lmao (no shade… okay slight shade) but yeah MPC 2500 🔥
when I first start it I start it off use in fl studio made some hard beats too then when I switch to the Mpc I never went back to use in fl studio 97% of the time I m making beats on the Mpc then mixing the beats in protools
Ladies and gentlemen go find the heatmakers it's basically that style Ave I was raised on the MPC60 into the S950 and of course reel to reel we had no digital and you had to one take everything
Alright Ave...next time you go live I'm going to have questions about this new new I just got today. ISLA S2400...I'm hyped af finally got a poor man's Rossum 1200
I started on MPC Beats, but eventually moved over to FL because of the limitations of the Beats Software. However I’m currently looking to get a Live 1 or 2. Most likely a Live 2, because (ironically) I’ll eventually need the Software.
That hoodie fire 🔥 I don’t get offended if they make a suggestion, but also they should have a idea 💡 of the producers natural sound they bring. But a good producer adapts to make the artist happy.
I’d have to say the 2KXL….it bridged the gap from the past to present for that time period. Chopping was easier, being able to see the wav form, changing time signatures and all old school mp’s love the mixer better
MPCs are way to expensive in our country. I have a M Audio keyboard with 8 pads, and most of the time I use them to chop samples. I really enjoy playing pads.
Yeah, I've seen the prices due to VAT (which I think is complete bullsh*t). I don't think it fair to pay $2000 and above for any of these machines in 2023
Leaning over a device like that would kill My back to be honest, I'm not a FL head I'm a Reason head and it's got devices that function exactly like a MPC sampler Dr Octo Rex, Kong, Mimmic.
Im still local so I deal with local artist and I don’t mind limited artists input on my music arrangement for example, speed it up or slow it down and other opinions within that realm. Don’t ask me if i have a Ericka Badu hiccup sample 😂 the answer is No
Easier to use is always better... when u making beats.. u usually dont want to stay trapped with a handbook on how to do stuff. Also.. is this guy on the marketing team for MPC? :)
Mpc5000 hands down...it's complex if you new school...but you can play a beat and sample live bass or wat ever you want.....as a real musician that's what I have...put my brain in a bird ,,,it'll fly backwards...it's a process...studio one to mpc5000 back to studio one....takes time..but..that's what makes a teezbeat
Welcome Metro Boomin to the tribe!!! Also, I noticed a lot of people want to know where I got my MPC hoodie.. Get it here 6teenlevels.com/products/mpc-2000xl-aop-unisex-pullover-hoodie
I had the opportunity to produce on Camron’s Come Home With Me Album. I produced Track 11 on that album. Back then I used the MPC 3000, 2000 and XL. I liked the XL over the 2000. I like when artist have a vision. It’s help’s when scoring music for a song. I learned early never be married to the tracks you make. In the ninth inning, all that fly sh*t that matters to you can be cut out. Salute Ave.
You did yo thang with that D'Angelo sample my guy salute 🫡
@@Will-nm7vy Thank you Champ Salute.
That album was my introduction to Cam; how long was the grind to getting a placement like that?
@@robertprince2651 About two years. The track was picked late 2000 or 2001 when he was on Epic records. Then we got the call, that he’s leaving Epic so all involved didn’t know what will happen. Then he did the deal with Rocafella and Cam kept majority of the records. The album was released in 2002.
@@NeekRusher Wow man, that's amazing! I prefer the MPC over FL due to making muscle memory and the freedom to not be bound by software.
metro boomin best producer in the game rn, really creative. and what u said about sitting with the sample is really true
great content btw ♥️
In the early 2000's I used to see the MPC 2000 in various studios. Always struck my curiosity. Over 17 years later got me the MPC One.
Being able to count is a skill far more necessary than being able to read a written bar of sheet music. Knowing how to use different counts and transition between them is a invaluable skill as a composer/producer...
I think its important to listen to the artists you are collaborating with. May not always feel good to have someone say... "no change it like this". However if they are bringing their own original vocals to the production, they have a idea in their mind in which they are trying to elaborate on. You have to help bring that to fruition. As a producer, learning to LISTEN, HEAR others, SEE their ideas. Creating what was once just a imagination. It is the fluidity of art and the production process. Always be willing to listen. You never know where those ideas might go...
I grew up with the 2000XL it will always be my first love!!! As a producer I love it when the artist is interacting with me in the writing process!!! They let me know where to format the song and when to stop creating I tend to over think my production!!!
I swear I do
I love the MPC2000XL!!! Coming from the Maschine I didn't realize how much latency I was having. It's so nice to be able to hit on the actual time with the XL. That hoodie is fire by the way Ave. The 2000XL is just allows you to focus on samples and drums. I appreciate the video Ave. Peace.
Exactly what I think about samplers.
Interesting. I never experienced latency with Maschine.
@@jasonau427 I didn't notice the latency until I got on a standalone piece of equipment.
I like the 2500 the best. It was released right about the time I was just getting into beat making and so I think that’s why I gravitate towards it. It also looks the dopest imo. Plus JJ makes it so powerful.
It’s 6/8 not 6/4 my bro … this could also be counted as 3/4 in half time or you can spread it to triplet 4/4 . 6/4 does exist in traditional Greek and Armenian music but I think it’s very difficult for that to make its way to western music .
Much respect - love the channel and the content 🙏🏼🙏🏼🙏🏼
I love the fact that he went all the way back to a much older Mpc. Learning with a classic Mpc and that workflow will sharpen his skills even more than they already are because, I mean he is a big time producer at the end of the day my favorite is between the 2000 xl and the 5000 because those are the only two older, Pre Live/X MPC’s I’ve owned
Yeah, he really inspired me to go back to the essence
My favorite MPC was the 2000 but this Live 2 I have does everything I wished the 2000 could have done back in the day!
I love artists input in the studio. It’s just allows me to hear what they hear as I’m constructing a beat. It also just gives me more ideas for the next track.
You know you are a great at your craft when people analyze you
I like when artists suggest stuff for the beat because at the end of the day it’s a collaboration between the both of us and if they feel something should be added or even taken out they should be comfortable enough to say that
My first MPC was the 4k, had to sell it and then used Reason for years but now have the MPC One... but man I'd love to get my hands on a 4000 again, never even scratched the surface with it at the time.
I used Reason around 2009; their drum module threw me for a loop.
I have been using the XL since 2002 and cannot stress enough just how dope it is!! I just broke down and bought the MPC One to speed up my workflow. The only downside is the sound, compared to the XL. That 2000XL has an automatic beefy sound, where the MPC One is thin and flimsy. You can EQ after the fact, but layering drums turns everything squashed and mushy, not like the XL which could glue sounds together with real warmth. The MPC 60 Vintage Effect almost comes close!!
brother you inspired me to run my mpc through outboard FX. I have a mpc live 1, used to have the mpc2000xl.
challenge accepted, you just saved me about $800. I apreciate it.
I agree I want the artist to be apart of the production process.
that's how you get the best songs
XL!!! Love the workflow & build quality! Learned how to format beats using its song mode, open window button is great, and pads always felt nice on the XL & 2000 series.
Great to hear!
Love the hoodie that goes hard 🔥
Thanks
I’ve owned a 2000xl, 1000, 4000, 5000 and now the X. The 4000 was by far my favorite until a couple of years ago when I brought the X. It’s the best MPC ever imho. I just wish it had the 4000’s sampler engine. The 4K was deep and very slept on
SIT THRU YOUR SAMPLE!! I heavily agree with this as you never know til a part you could have done pops up the next time u listen to the sample
MPC 1000 was my jam and the only hardware piece I used until recent years when I got some modern gear.
I agree - if the artist is part of the process - they enjoy and appreciate the effort and work that goes into it more - also WHERE DID YOU GET THAT DOPE HOODIE?! Amazing Video- I have always enjoyed Metro as an Artist - but thought he was just a FL Studio guy - but watching him on an XL?! Whole New Level of Respect lol
Triplet feel. It is a waltz! LOL! Speaking of MPC, I remember the day Roger Linn came over to my studio in LA to see my DSS-1 when he was designing the original MPC!
It’s not a waltz because it’s not a 3/4!
@@AveMcree Waltzes can also be 6/8.
i agree with your analysis especially the Dipset/Heatmakers vibes. I was doing that shit on the old ASR 10.
Whudd up Kane!
did anybody else notice the other people in the studio besides the dude close to the camera nobody else was vibing, i got to get a vibe from everybody else in the studio if there are other people in there give me some insight or something DAMN! 🤣
Kanye early vibes is exactly what this reminds me of and what Dipset was trying to replicate. Ya Oh Boy and Slow Jams was tight in 2001 2002 but I like Metros beats like Monster with Future and new shit like that we haven’t experienced before
MPC 2000 and the MPC Renaissance
nice little series you got going. i've been enjoying these more than anything else I've seen from you. The MPC is an instrument. Making beats without an MPC, or physical instrument, is like asking a guitarist to make rock or blues with a keyboard.
Cool, thanks!
Yeah I always like input from any of us who are working together on music man. I thrive on collaboration and it brings in fresh ideas or takes things in a direction you might never have done on just your own...and as long as everyone is bringing thier A-game the end product is usually that much nicer because of it.
Metro switching to the MPC because his sound is coming thru on the MPC like he has never heard on FL and I use FL but like MPC vets say the MPC sonics are legendary
This my dude! ❤ great channel!!! Got to say it!
Yea I like it. I don’t have a problem with an artist adding suggestions.. that’s what they are there for. It makes you better. If u have a particular idea for the production myself then that’s different, but if it’s me and the artist and we are working on the joint together then of course I would have no problem with that at all
My early 2000 set up MPC 2000XL, Mo phat,Roland 3080, triton. I was killing shit.
The setup of a legend
Did you try the Yamaha MO 6?
Great channel
Top tips
Well presented
Must watch for button pressers and sound mangers
Keep them coming my good man !!
Really loving these type videos Ave!
Glad you like them!
2000XL, 2500, MPC One & MPC Renaissance are my fav's. I love a artist input if they can explain it in a language i understand 😆
Imma get a ren soon
@@AveMcree
Ren is a dope maschine with the latest Software
I still have the MPC 2000. I had the blue MPC 4000, but I sold it to my big bro DJ Kool. I actually loved the 4000. Now I use FL for some joints and MK3 for some joints.
Most comfortable with the 3000,
the ease of use of the 2500,
the sound of the mpc60.2
Only if I could afford the 3000
The Mpc 2000xl is a beauty next to the Renaissance that seems like an evolution from the mpc 3000.
But I prefer to work with the Renaissance, the best of both worlds.
I have a ren
I am loving the MPC Key61 but definitely really loved my MPC 4000 back in the day. I admired my people with the MPC 3000. I loved using the rack S5000 for a while before getting the 4000… Ancient history though.🤷🏿♂️
Digging that hoodie, Ave!
thanks! You can get it here 6teenlevels.com/products/mpc-2000xl-aop-unisex-pullover-hoodie
I love my live 2. I barely even know how to use Ableton thanks to the MPC beast. Ive always wanted a retro machine and always leaned into the MPC 60 ll
When I worked with Artists in the past two of them come to mind, had specific changes or ideas in term of what they envisioned for certain tracks. I would try to do my best to get them to what they explained, especially since they were going to lay down vocals on the track. To me this made sense and I saw it as part of making music collaboratively with others. I enjoyed the process overall, I miss recording. Good times…. Great video Ave 👍🏻
MPC 2000. .always wanted one back in the day
Your hoodie is DOPE!🔥🔥🔥🔥🔥🔥🔥
Thanks! It's Soo100 design here 6teenlevels.com/products/mpc-2000xl-aop-unisex-pullover-hoodie
MPC2000XL was the best because it sounded professional. It had character. What else.. it was metal. The pads felt great too. When the MCD version of the MPC2000XL came out, that was all you really needed. The 2500 came out and it started sounding really plastic and sterile. And everything after up until now. I think they have improved a lil bit on sound quality since. I’m running with the MPC Live OG and it’s great at what it does.
Yeah, I’m very interested in when a artist take the initiative and give input especially when I present tracks to them my tracks can be overwhelming sometime. Because today’s production I targeted for soundtracks and movies cause so it could be a bit much inside of the track. That’s why I feel it’s important for an artist to give their opinion to make this song more creatively in the pocket for what they’re trying to approach.
Producer Donte909
Wow I actually thought it was only me my beat starts to turn into a soundtrack movie vibe so a rapper always good to tell me to take stuff out
i love this series👍🏻
A great producer can deliver… so a artist having a suggestion shouldn’t offend unless it’s unnecessary
Nice Ave! Quality is giving your customer what they want not what you like.
true
My 1st MPC was the 2000xL and my 2nd MPC was the 4000 the XL was definitely dope but the 4000 was my favorite
Ave, time Signature 3/4 or 6/8 my friend keep on winning!
Got it!
the MPC 2000xl will never go out of style. I have an mpc live but it’s catching dust, the way how I use the 2500.
dust it off please lol
Yes Expiration is key in music Iust got into mpc live 2 and it's more interesting with sample chopping pitch ect
Totally agree
My favorite is the MPC-X I do not own!! I would love to halve that full size monster! I'm a Maschine and FL Studio user. I passed on the Maschine plus due to the week CPU. I may get a MPC One just to get back into the standalone boxes.
I enjoyed this 👏🏽👏🏽👏🏽
thanks
so do any of the newer MPCs they have been releasing have any ‘tone’ or sound or character to them? like the older MPCs..60 or 2000XL?
2000 classic because it will rip your head OFF!
I’ve never had a classic MPC until I got the MPC ONE but I always wanted a MPC 2500. Used to watch mad TH-cam videos back in like 08/09 Boondock/Boonie Mayfield & Memorecks (I believe that’s how you spell it). Back when beat videos was just people making beats and not tutorials on eq’s, reviews and how to make type beats lmao (no shade… okay slight shade) but yeah MPC 2500 🔥
More content like this 🔥
I got you
when I first start it I start it off use in fl studio made some hard beats too then when I switch to the Mpc I never went back to use in fl studio 97% of the time I m making beats on the Mpc then mixing the beats in protools
Appreciate ya AVE!
Always!
Ladies and gentlemen go find the heatmakers it's basically that style Ave I was raised on the MPC60 into the S950 and of course reel to reel we had no digital and you had to one take everything
MPC BEATS WITH AKAI MINI CONTROLLER.
Didn’t see those videos you talked about on the link
I try to cook the food how you want the best way I can! It’s like wings some people love lemon pepper so you gotta give them lemon pepper!
Alright Ave...next time you go live I'm going to have questions about this new new I just got today. ISLA S2400...I'm hyped af finally got a poor man's Rossum 1200
I got you fam
MPC 4K Ave, 2nd place 2000XL never played the 2500.
Please react to the Kenny Beats quarantine sessions that he released back 2020. he is such a master imo
You still producing in ableton at all? I go back and forth between the MPC live 2 and ableton/push 2
Sometimes! I use it more for recording artist these days
I started on MPC Beats, but eventually moved over to FL because of the limitations of the Beats Software. However I’m currently looking to get a Live 1 or 2. Most likely a Live 2, because (ironically) I’ll eventually need the Software.
Try FL. If you still want MPC software after this, get the MPC Studio controller. That controller includes the full version of MPC software.
@@defcreator187 Sorry, English isn't my mother language. I was thinking in PC software terms.
When YT'ers say they will link something in the description but they forget
Thank you
That hoodie fire 🔥 I don’t get offended if they make a suggestion, but also they should have a idea 💡 of the producers natural sound they bring. But a good producer adapts to make the artist happy.
Thanks for the advice
@@AveMcree well shit my old ass barley knows what I’m talking about 😂
@@SonicVibe btw you can get the hoodie here 6teenlevels.com/products/mpc-2000xl-aop-unisex-pullover-hoodie
@@AveMcree o snap thank you 🙏
The mpc4000 “design” was the best
Favorite mpc is the 60 because it's the first mpc I ever owned bought it at a pawn shop for $200...I'll never sell that piece of gear
I just gotta new update yesterday 🎉 check out ya software n pls do a vid to see what change
Still got my mpc 60II.... might have to pull it back out
Curious! Would you sell it and for how much?
hi ave nice channel!
I’d have to say the 2KXL….it bridged the gap from the past to present for that time period. Chopping was easier, being able to see the wav form, changing time signatures and all old school mp’s love the mixer better
Great point!
My first mpc was the akai s20 then I graduated to the 2000 xl
The s20 is a legendary piece
MPCs are way to expensive in our country. I have a M Audio keyboard with 8 pads, and most of the time I use them to chop samples. I really enjoy playing pads.
Yeah, I've seen the prices due to VAT (which I think is complete bullsh*t). I don't think it fair to pay $2000 and above for any of these machines in 2023
"MAMA NEED NEW SHOES"
Deff dipset vibe
Leaning over a device like that would kill My back to be honest, I'm not a FL head I'm a Reason head and it's got devices that function exactly like a MPC sampler Dr Octo Rex, Kong, Mimmic.
I use the Mpc one
Im still local so I deal with local artist and I don’t mind limited artists input on my music arrangement for example, speed it up or slow it down and other opinions within that realm. Don’t ask me if i have a Ericka Badu hiccup sample 😂 the answer is No
Heat makez a dog at it
I still have my 2000 XL 💪🏾
I always go back to hardware. I’m just the most comfortable on a mpc.
my favorite MPC is FL Studio. I sold my MPC 1000 12 years ago and never would I go back to that ancient crap
bought the mpc one two weeks ago, first time using it and I will never program drums on anything else.
Easier to use is always better... when u making beats.. u usually dont want to stay trapped with a handbook on how to do stuff.
Also.. is this guy on the marketing team for MPC? :)
Mpc5000 hands down...it's complex if you new school...but you can play a beat and sample live bass or wat ever you want.....as a real musician that's what I have...put my brain in a bird ,,,it'll fly backwards...it's a process...studio one to mpc5000 back to studio one....takes time..but..that's what makes a teezbeat
Force game💯💯💯
I wonder did he already have that drum pattern saved
I love 2000xl but after using modern day Mpc it’s slow as hell
Actually tha MPC 3000 had the best sound an Bang out of the MPCs...IMO I Got the 3000 the 60 and the X...
@4:37 MPC 2500 with the JJOS
Damn, the the og os that bad?
Bro like a baby on the mpc.. compared to the gods... But... if you in the arena...you are truly amount us....Welcome.