In autumn 1988 I came into book store and heard album of Double Fantasy. I felt in love in those sounds immediately. I studied then and was poor as a monk. I asked to lay away one piece for me and went home for money. Still got this album and hear it from time to time. On CD version was one track extra but I don't have it. Thanks for description, too.
Ну как можно Роберта Шрёдера не знать? Это имя стоит сразу после Клауса Шульца. Это один из первых его учеников, первый музыкант лейбла Innovative Communication. И Клаус крёстный отец сына Роберта, которого тоже зовут Клаусом. Это всё надо знать. ;)
I much appreciate these uploads. Really like a lot of Robert Schroder's stuff, but like nearly all electronic music, I cringe at the electronic drums. They have not aged well. For me it is a drawback of a lot of modern electronic music too, where to my ears it would probably sound better without them. Always reminds me of a quote from Mike Oldfield, lamenting "the way bass and drums instantly categorise whatever they're used on into a certain format".
In autumn 1988 I came into book store and heard album of Double Fantasy. I felt in love in those sounds immediately. I studied then and was poor as a monk. I asked to lay away one piece for me and went home for money. Still got this album and hear it from time to time. On CD version was one track extra but I don't have it.
Thanks for description, too.
Precious memories... Thank you that you shared it with us.
My pleasure! When you're young, some memories preserve for ages ;-)
Я очень люблю berlin school. Благодаря вашим обзорам, открываю для себя новые имена. Спасибо! ;-)
Ну как можно Роберта Шрёдера не знать? Это имя стоит сразу после Клауса Шульца. Это один из первых его учеников, первый музыкант лейбла Innovative Communication. И Клаус крёстный отец сына Роберта, которого тоже зовут Клаусом. Это всё надо знать. ;)
Вот как-то он умудрился пройти мимо меня, о чём я очень сильно жалею! ;-)
В музыке очень сильно прослеживается влияние стиля Klaus Schulze...
I much appreciate these uploads. Really like a lot of Robert Schroder's stuff, but like nearly all electronic music, I cringe at the electronic drums. They have not aged well. For me it is a drawback of a lot of modern electronic music too, where to my ears it would probably sound better without them. Always reminds me of a quote from Mike Oldfield, lamenting "the way bass and drums instantly categorise whatever they're used on into a certain format".