You have really fixed the sound on this Ring. It's a Ring I have always loved but It's never had a good recording with Pitch and sound so poor and distant . Finally this Ring in the proper pitch and with such improved sound I can say the cast is spectacular. I want to thank you again for making my day a better day with each and every one of your glorious recordings!!!!!!!
I really hope more people acknowledge this ring, Gotterdammerung in particular... Lorenz is the greatest Siegfried to grace the stage, impeccable realization of drama in his voice projection, phrasing, and even pronunciation, absolutely heroic and free just like Siegfried the character, which only makes the tragedy more contrasting, immediately leading to the funeral music. Varnay is in such fresh voice. The rest of the cast is also never surpassed. Keilberth here is also hardly surpassed, perhaps only by a certain Furtwangler. But this is still the greatest Gotterdammerung for me along with the Furtwangler Scala, monumentally dramatic first second to last in the aura of the Festspielhaus. This is surely beyond what Wagner would have envisioned.
@@ianng9915 of course I can't be absolutely certain but but both the archive of the Bayreuth Festival and Michael Eberbach's pinterest Archive claim it is from the 1952 Götterdämmerung
![[LIVE] : ONE ลุมพินี 88 | คู่เอก "ป้อมเพชร vs อัสลามจอน"](http://i.ytimg.com/vi/1ZqTVVbMgbo/mqdefault.jpg)
You have really fixed the sound on this Ring. It's a Ring I have always loved but It's never had a good recording with Pitch and sound so poor and distant . Finally this Ring in the proper pitch and with such improved sound I can say the cast is spectacular. I want to thank you again for making my day a better day with each and every one of your glorious recordings!!!!!!!
I really hope more people acknowledge this ring, Gotterdammerung in particular... Lorenz is the greatest Siegfried to grace the stage, impeccable realization of drama in his voice projection, phrasing, and even pronunciation, absolutely heroic and free just like Siegfried the character, which only makes the tragedy more contrasting, immediately leading to the funeral music. Varnay is in such fresh voice. The rest of the cast is also never surpassed. Keilberth here is also hardly surpassed, perhaps only by a certain Furtwangler. But this is still the greatest Gotterdammerung for me along with the Furtwangler Scala, monumentally dramatic first second to last in the aura of the Festspielhaus. This is surely beyond what Wagner would have envisioned.
❤❤❤
Magnificent cast and great job....thank you very much...
The cast ....more is not to say including the conductor❤
I really love this trio of Norns.
Lorenz, ya declinante en lo vocal pero expertísimo y siempre entregado al máximo, y la intensa, inalcanzable Varnay, forman un dúo estratosférico.
Thank you for posting this!
Prologue: 0:00
Act 1, s.1: 35:27
Act 1, s.2: 1:18:27
Act 2: 1:52:25
Act 3, s.1: 2:57:04
Act 3, s.2: 3:44:05
Vielen Dank !
54:04
2:11:10
Varnay and Lorenz are immense in the opening duet.
Is this picture of Lorenz as Siegmund or Siegfried?
This is Siegfried from this very performance
@@hcleskov-fischer6033ah I see. Because I see many people seem to misuse this picture for his Siegmund performances like the 54 Walkure
@@ianng9915 of course I can't be absolutely certain but but both the archive of the Bayreuth Festival and Michael Eberbach's pinterest Archive claim it is from the 1952 Götterdämmerung
@@hcleskov-fischer6033still couldn't figure out how you get to see and access the pictures and their info😅 but it's fine
@@ianng9915 www.bayreuther-festspiele.de/en/fsdb/performers/max-lorenz/
19:30 so klingen heutige Brünhilden gar nicht mehr .....zu schweigen von Tenören . Max Lorenz im Zenit ......welch eine Karriere
Max Lorenz ❤compared to our days what a decline today ....all these mediocre voices , not only for Siegfried