These French organists have always held fast to a tradition of hard work and a comprehensive course of study. It is for this reason that they are such successful musicians. This young man is a disciple of Cesar Franck, literally! Cesar Franck Louis Vierne Gaston Litaize Olivier Latry Vincent Dubois Thank you so much for this offering.
This cathedral holds a special place in my heart. The J.A. Brewer etchings of this building hung on my grandmother's wall for years. Now this memorable performance...
V. DUBOIS est un magicien dans cette musique. Tout chante, l'harmonie est mise en valeur, les mélodies se font désirées, et cet orgue se montre le docile instrument du compositeur et de l'interprète. C'est SUBLIME, on touche le ciel.
To say that Mr. Dubois knows this music completely and loves it, even more, is a great understatement. His artistry is a beautiful and humanly physical activity to behold. We who have access to this video see that it is Durufle's music, not his own prowess, that is first and foremost to him.
Quelle merveilleuse clarté des sons! Merci à Vincent Dubois, immense interprète " inspiré". L'orgue de la cathédrale de Reims y est aussi pour quelque chose. Vive la musique de Maurice Durufle!
Thanks for your comments about Dubois's prodigious memory. He plays everything from memory. Never uses music. He has a flawless ear in addition to his incredible organ technique. A true artist of the highest order. I think his playing has so much "poetry" to it.
Not only does he play from memory, but if you watch his face, you'll see that oftentimes he doesn't even watch the keyboard for extended (!) periods of time. It is as if he could play the whole piece blindfolded. Remarkable!
Ich kann kaum ahnen, von welchen gehimnissvollen Urwelt diese Musik zu uns gekommen ist , und welche Gnade uns geschied ,dass wir diesen genialen Organisten hier auf unserer Erde hören dürfen......- der durch seine Hände diese Welt in das Instrument hineinfliessen lässt, und hineinsingt...... und macht für unsere Seelen die verborgene Türe von dieser Welt weit auf.....Ich bin so sehr dankbar und glücklich darüber !!
Absolutely wonderful playing. I marvel too at committing it all to memory and coping with chiming bells. As another commentator wrote you feel in safe hands from the start in that instinctively you feel you understand the music and idiom.
Peggy Marie Hass did for her senior recital. Working around a cipher that became a dead note as the only alternative at the time. LOVE this piece. Have never heard it played so lovingly.
@@HiringAPtAdvocate A cipher that became a dead note... Interesting. The only way that could occur is by someone understanding that there was a problem and pulled the pipe that was ciphering. (Pitman chest) In a DE once it ciphers it won't stop - usually dirt or rust in the armature hinge. Tracker - tight tracker once opened won't seat OR dirt keeps the valve from properly seating. the cipher will continue. Likely that dead note happened by someone trying to come to the rescue and spoiled the effect.
Over the past twelve months I've listened with growing admiration to this performance. M. Dubois understands and fully appreciates the emotional "message" of the op. 5 Suite. From the opening measures, we know we are in good hands; we feel immediately the shape of the whole work. It's as good on the sixth hearing as on the first. C'était assez surprenant de lire le commentaire de François Houtart d'il y a deux ans, qui dit de l'orgue de Reims qu'il est "d'une puissance douce." M. Houtart a sans doute raison, mais ça m'amène à féliciter les technicien(s) responsable(s) de la prise de son, car on a l'impression que cet instrument est d'une force considérable--maîtrisé(e) bien entendu par l'exécutant. Bravo à tous et toutes les responsables! A ceux qui me précèdent dans la rubrique "Comments" sur ce canal TH-cam, je tiens à ajouter mon mot de remerciement à M. Dubois--et indirectement au compositeur absolument remarquable qu'était Mauric Duruflé.
En réalité, M. Houtart a à la fois raison et tort d'utiliser un tel oxymore : étant de Reims, j'ai bien souvent l'occasion d'entendre l'orgue et j'en ai déduit deux choses. La première est que l'orgue en soi sonne bien : si l'on se situe en face de la tribune, il n'y a aucun mal à ressentir l'intensité de l'instrument. Pourtant, et c'est mon deuxième point, l'acoustique de la Cathédrale fait que le son se disperse très mal. Aussitôt placé dans la Nef, l'orgue devient alors bien moins impressionnant et que ce soit en terme d'audition ou de capacité à percevoir les détails des morceaux, il est très difficile d'entendre clairement les sons. En fait, l'orgue est situé dans le transept ce qui n'est pas optimal du tout... Donc d'un côté, oui, la puissance de l'orgue est douce si l'on ne se place pas bien. Mais intrinsèquement, il sonne vraiment bien !!
This is some of the most lyrically beautiful playing of these pieces I think you will ever hear. That requires absolute mastery and control of each of the thousands of notes in this very challenging set of works. Unless you have attempted to preform them, you have no concept of the fortitude required! Phenomenal!
J'ai cliqué sur tant de vidéos liées, à travers tant de paysages insolites, incroyables et étranges... Je me sens comme dans un compartiment sur un chemin de fer, à admirer une succession de scènes folles jamais vues auparavant, des musiques importantes et étranges à travers la fenêtre du wagon.. il y a tant de choses à explorer, tellement d'endroits où se poser puis rester dans les ambiances proposées. Cet arrêt en particulier est brillant !
Lei è molto toccante. Questa opera che amò non lo sentita mai con tanto sensibilità. Lei tra il suo gioco sull' istrumento mostra una delle bellissime anima che ho vista. Sono innamorata della sua persona musicale. Sono Quebechese ma solo l italiano posso dare giustizia al suo talento. Bravissimo.
I say this work is excellent! In a number of ways… even better than when his wife playing it a the Nation Cathedral. Even better…. Dr. Dubois. The organ that you were play is wonderful. And you did your utmost to bring out the it best. In short, year really are one of the greatest organists in the world of today, (Feb. 17, 2015 AD ) God! I love your playing. Thank you for being on earth. at! this time. Sent with love and great admiration. Love, moi.
Fabulous playing! I know why he wore the headphones - I played that organ about 6 years ago, and while seated at the console the sound from the organ is kept from you by that enormous positive division behind you and by an enormous pedal tower right over your head. The sound you do is from a relatively small number of pipes whose sound that does get through to you.
I am always touched by this somber prelude in particular. Durufle himself played it faster (listen on TH-cam) than Mr. Dubois, but I love this slower approach! It can't go slow enough with this prelude. This recording sounds great, the microphones are placed close near the pipes, I love that always. Fabulously played Mr. Dubois, thank you so much!
I first heard the Suite with Philippe Lefebvre playing the Prelude quite slowly, and I was spellbound. After that, almost everyone else sounded too fast, especially at the end of the Prelude. (He also played the Sicilienne a little faster and lighter than most people.) M. Dubois gives a satisfying performance.
In my opinion, this whole Opus has to be an Organists' epic achievement to be ble to play it. The Final Toccata is massively technical in many areas, and is staggeringly difficult to play. So wonderful to see this, even is the bells going off!!!
I love your emotional interpretation, I´m playing this peice now and at the same time writing my diploma thesis on the topic Duruflés and his Suite and I feel how this piece is absolutely full of emotions, exspecially Prelude and Siciliane! Your interpretation is very inspirating ❤ Merci beaucoup!
@@Gardenia4719 I understand that that is true. Thankfully he didn't destroy it and time has proved that is it one of the greatest Toccata's in the repertory.
Never heard it played at "half speed"... before. Still listening. Vincent always seems to have a good reason for what he's doing. Listen... and learn. Wonderful so far.
His tempos were perfect for the organ-room-music, in my brains opinion. There is so much nuance and beauty in this music that would be missed at faster tempos.
When you can make the toccata of THIS piece look like a "walk in the park", your degree of virtuosity is in a completely other galaxy. Amazing! Thank you for sharing this.
The passage starting at 9:05 is one of the most exquisite in all of music, especially when it isn't rushed. IMO, most people play the Prelude too fast. I'm pleased to find that M. Dubois does not.
Gracias por este evento, no solamente la interpretacion exquisita del organista, sinola obra misma excelente a la que se suma un hermoso y amplio instrumento.desde Argentina
C'est tellement beau ; l'interprète joue tout par cœur, malgré les innombrables difficultés de la partition (les pièces 2 et 3 en particulier), et habite cette musique avec intensité. Et l'orgue de la cathédrale de Reims est magnifiquement capté. Orgue et organiste sont fabuleux, comme dans les autres vidéos enregistrées à Reims (voir la Toccata de Prokoviev ! ).
Vincent is a genius!! How could he express Durufle's intentions while playing on Organ? Also it is so Amazing what he could remember all part this pieces.
What a powerful work and composer, Durufleé and organist Dubois, no doubt increased by the greater execution due to memorization. Incredible that the great master Duruflé was such a profound perfectionist that his opus numbers totaled only FOURTEEN but fourteen MARVELOUS works!!! If a work didn't meet with his incredibly high standards he destroyed it, so his dear wife Marie-Madeleine sometimes hid his works to save them.
Standard for a real concert organist instead of the lazy bunch that has been spawned of late. M. Dubois is one of the rare Orl School organists who believed that notes are on paper. Music comes from within.
Dear David Williams, if you have any interesting insights that you would like to share about M. Durufle (and/or the time), I would love to hear what you have to say. You called Vincent's interpretation "brilliant and very beautiful." The problem is that what I know about Durufle could fill teaspoon. I love Vincent's playing too and have listened to just about everything that's been posted… a dozen times. My intuitions says he's already a Titian. I also know there can only be few individuals on this planet who can master a work like this. I suspect Vincent must have perfect pitch and probably a photographic memory as well. What do you think?
Dubois ist völlig zu Recht neuer Titulaire an Notre Dame de Paris. Mit seiner Gefühlstiefe, souveräner Brillianz und feinsinniger Anschlagskultur sowie interpretatorischer Unabhängigkeit gehört er an die Spitze nicht nur der französischen Organisten. Überliefert ist, dass Dupré und auch Duruflé keine Rubati und keine Binnenagogik außer der notierten wollten, aber so überzeugend dargeboten klingt es lebendiger, emotionaler und ergreifender.
Never heard that kind of music! Must have been very, very hard work behind this extraordinary performance. Stunning! I am very blessed to find and have a honor for hearding this. You are extraordinary! Thank You so very very much!
Vincent est un des meilleurs organistes français à l'heure actuelle, brillant élève d'Olivier Latry, il a tout compris, il vit ce qu'il joue, sa capacité à tout jouer par coeur est un atout.
Only one of the best in FRANCE?!?? Try, "one of the best in the entire universe"! Do you know if he has ever performed on the home organ of Marcel Dupré in Meudon? I'm curious as to what he would think of it.
It is Durufle played at best. It is technique given to the requirement of emotion allowing the language, the translation, to surface and blend with us. I'm at home!
c'est une musique que l'on ressent au plus profond de son être .....on se trouve dans un autre univers car, en plus, elle est jouée d'une très belle manière .Merci
Indeed, that's a pitty to listen to a so beautiful interpretation, and the organ is out of tune... We need american donations to maintain those instruments !!!
@@raphaelmeyer9940 The churches and the organ therein belong to the nation of France. It is France that decides what and when the organs will be maintained. A pity since many of the finest organs are sorely neglected.
These French organists have always held fast to a tradition of hard work and a comprehensive course of study. It is for this reason that they are such successful musicians. This young man is a disciple of Cesar Franck, literally!
Cesar Franck
Louis Vierne
Gaston Litaize
Olivier Latry
Vincent Dubois
Thank you so much for this offering.
This cathedral holds a special place in my heart. The J.A. Brewer etchings of this building hung on my grandmother's wall for years. Now this memorable performance...
This the finest and most definitive playing of M. Durufle's masterpiece.
This man displays its absolute grand essence as no other
I think... I might very well agree...
My first time hearing it im a metal head mostly I love this just wish the ads didn't interfere with flow lol
V. DUBOIS est un magicien dans cette musique. Tout chante, l'harmonie est mise en valeur, les mélodies se font désirées, et cet orgue se montre le docile instrument du compositeur et de l'interprète. C'est SUBLIME, on touche le ciel.
To say that Mr. Dubois knows this music completely and loves it, even more, is a great understatement. His artistry is a beautiful and humanly physical activity to behold. We who have access to this video see that it is Durufle's music, not his own prowess, that is first and foremost to him.
Maurice is smiling on Vincent! Brilliant interpretation and playing.
Oh! que c'est beau ; quand on écoute cette musique , on vit dans un autre monde.
Old Maurice would smile with approval over this performance!
Beautiful toccata Vincent. I not only love listening to you, but love warching you. You get so involved with the music.
Quelle merveilleuse clarté des sons! Merci à Vincent Dubois, immense interprète " inspiré". L'orgue de la cathédrale de Reims y est aussi pour quelque chose. Vive la musique de Maurice Durufle!
Flawless performance of a masterpiece. Inconceivable that a piece of this length and complexity could be played from memory.
Thanks for your comments about Dubois's prodigious memory.
He plays everything from memory. Never uses music. He has a flawless ear in addition to his incredible organ technique. A true artist of the highest order. I think his playing has so much "poetry" to it.
Not only does he play from memory, but if you watch his face, you'll see that oftentimes he doesn't even watch the keyboard for extended (!) periods of time. It is as if he could play the whole piece blindfolded. Remarkable!
Ich kann kaum ahnen, von welchen gehimnissvollen Urwelt diese Musik zu uns gekommen ist , und welche Gnade uns geschied ,dass wir diesen genialen Organisten hier auf unserer Erde hören dürfen......- der durch seine Hände diese Welt in das Instrument hineinfliessen lässt, und hineinsingt...... und macht für unsere Seelen die verborgene Türe von dieser Welt weit auf.....Ich bin so sehr dankbar und glücklich darüber !!
Amazing. This man went on to Notre Dame de Paris to be "One of the 3"..... "Rejoice, God is with you!"
Probably the best interpretation of this piece i've ever heard! This kind of playing this piece releases a lot of feelings inside me..
I'm now just listening and I'm thinking the same thing.
@@charlesleyes870 me three...
Vincent Dubois is technically one of the preeminent artists of our times!!
Absolutely wonderful playing. I marvel too at committing it all to memory and coping with chiming bells. As another commentator wrote you feel in safe hands from the start in that instinctively you feel you understand the music and idiom.
Merci Vincent Dubois. Simplement magnifique ! ...De Québec.
I've never seen or heard of anyone playing this incredibly difficult piece from memory. Incredible
Peggy Marie Hass did for her senior recital. Working around a cipher that became a dead note as the only alternative at the time. LOVE this piece. Have never heard it played so lovingly.
Virgil Fox, for one. "Soli Deo Gloria" is the CD - might find a youtube of it.
@@HiringAPtAdvocate A cipher that became a dead note... Interesting. The only way that could occur is by someone understanding that there was a problem and pulled the pipe that was ciphering. (Pitman chest) In a DE once it ciphers it won't stop - usually dirt or rust in the armature hinge. Tracker - tight tracker once opened won't seat OR dirt keeps the valve from properly seating. the cipher will continue. Likely that dead note happened by someone trying to come to the rescue and spoiled the effect.
The thing is, the people that play this piece really well, play from memory. Vincent plays just about everything from memory.
Stephen Tharp played the opening concert at the 2016 Organ Historical Society and the toccata was his first piece which like the rest was from memory.
Over the past twelve months I've listened with growing admiration to this performance. M. Dubois understands and fully appreciates the emotional "message" of the op. 5 Suite. From the opening measures, we know we are in good hands; we feel immediately the shape of the whole work. It's as good on the sixth hearing as on the first.
C'était assez surprenant de lire le commentaire de François Houtart d'il y a deux ans, qui dit de l'orgue de Reims qu'il est "d'une puissance douce." M. Houtart a sans doute raison, mais ça m'amène à féliciter les technicien(s) responsable(s) de la prise de son, car on a l'impression que cet instrument est d'une force considérable--maîtrisé(e) bien entendu par l'exécutant. Bravo à tous et toutes les responsables!
A ceux qui me précèdent dans la rubrique "Comments" sur ce canal TH-cam, je tiens à ajouter mon mot de remerciement à M. Dubois--et indirectement au compositeur absolument remarquable qu'était Mauric Duruflé.
En réalité, M. Houtart a à la fois raison et tort d'utiliser un tel oxymore : étant de Reims, j'ai bien souvent l'occasion d'entendre l'orgue et j'en ai déduit deux choses.
La première est que l'orgue en soi sonne bien : si l'on se situe en face de la tribune, il n'y a aucun mal à ressentir l'intensité de l'instrument.
Pourtant, et c'est mon deuxième point, l'acoustique de la Cathédrale fait que le son se disperse très mal. Aussitôt placé dans la Nef, l'orgue devient alors bien moins impressionnant et que ce soit en terme d'audition ou de capacité à percevoir les détails des morceaux, il est très difficile d'entendre clairement les sons.
En fait, l'orgue est situé dans le transept ce qui n'est pas optimal du tout...
Donc d'un côté, oui, la puissance de l'orgue est douce si l'on ne se place pas bien. Mais intrinsèquement, il sonne vraiment bien !!
This is some of the most lyrically beautiful playing of these pieces I think you will ever hear. That requires absolute mastery and control of each of the thousands of notes in this very challenging set of works. Unless you have attempted to preform them, you have no concept of the fortitude required! Phenomenal!
J'ai cliqué sur tant de vidéos liées, à travers tant de paysages insolites, incroyables et étranges... Je me sens comme dans un compartiment sur un chemin de fer, à admirer une succession de scènes folles jamais vues auparavant, des musiques importantes et étranges à travers la
fenêtre du wagon.. il y a tant de choses à explorer, tellement d'endroits où se poser puis rester dans les ambiances proposées. Cet arrêt en particulier est brillant !
Outstanding performance of one of the great masterpieces of the organ repertoire! Thank you so much!
quelle interprétation remarquable, sensible et pleine de liberté ! l'arrivée du deuxième thème du prélude à 6'30'' est sublime ! BRAVO !
What a treasure this performance is!
I think... in my humble opinion... The Suite is one of the best piece written for organ in the last century....! Cool playing dude!
So fantastic! The best of this magnificent work I've heard; and a delight to watch it played. Bravo!
Die beste und klangvollste Interpretation. Weltklasse. Leicht wie 11 Federn! Ein Top Organist.
What an astonishing piece! Beautiful! Thank you. Beautifully played!
What an emotional and brilliantly interpreted reading of this monumental work!
Thank You You open much here fore this wonderful music. Well done...
My goodness! that was amazing..I need a gin and listen to that Toccata again!
Lei è molto toccante. Questa opera che amò non lo sentita mai con tanto sensibilità. Lei tra il suo gioco sull' istrumento mostra una delle bellissime anima che ho vista. Sono innamorata della sua persona musicale. Sono Quebechese ma solo l italiano posso dare giustizia al suo talento. Bravissimo.
I love this piece. It is great for the Gothic soul!
It's great for any soul! It's an amazing suite!
I say this work is excellent! In a number of ways… even better than when his wife playing it a the Nation Cathedral. Even better…. Dr. Dubois. The organ that you were play is wonderful. And you did your utmost to bring out the it best. In short, year really are one of the greatest organists in the world of today, (Feb. 17, 2015 AD ) God! I love your playing. Thank you for being on earth. at! this time. Sent with love and great admiration. Love, moi.
Fabulous playing! I know why he wore the headphones - I played that organ about 6 years ago, and while seated at the console the sound from the organ is kept from you by that enormous positive division behind you and by an enormous pedal tower right over your head. The sound you do is from a relatively small number of pipes whose sound that does get through to you.
back to listen again... this REALLY is a stunning performance!
Brilliant and very beautiful performance!
still absolutely incredible playing and virtuosity even after watching this so many times over the years. Superb!
Прекрасно! Сложнейшее произведение! Преклоняюсь перед композитором и исполнителем!
I am always touched by this somber prelude in particular. Durufle himself played it faster (listen on TH-cam) than Mr. Dubois, but I love this slower approach! It can't go slow enough with this prelude. This recording sounds great, the microphones are placed close near the pipes, I love that always. Fabulously played Mr. Dubois, thank you so much!
I first heard the Suite with Philippe Lefebvre playing the Prelude quite slowly, and I was spellbound. After that, almost everyone else sounded too fast, especially at the end of the Prelude. (He also played the Sicilienne a little faster and lighter than most people.) M. Dubois gives a satisfying performance.
An outstanding performance! I love especially the interpretation of the Sicilienne! Bravo bravissimo!
In my opinion, this whole Opus has to be an Organists' epic achievement to be ble to play it. The Final Toccata is massively technical in many areas, and is staggeringly difficult to play. So wonderful to see this, even is the bells going off!!!
Glorious, sensitive playing. A very difficult piece indeed.
quel plaisir a ecouter cet enregistrement les temps d'interpretation sont parfait !! tres pose
Brio, élégance, clarté, tant dans l'écriture que l'interprétation... Superbe !
I love your emotional interpretation, I´m playing this peice now and at
the same time writing my diploma thesis on the topic Duruflés and his
Suite and I feel how this piece is absolutely full of emotions,
exspecially Prelude and Siciliane! Your interpretation is very
inspirating ❤ Merci beaucoup!
@@Gardenia4719 I understand that that is true. Thankfully he didn't destroy it and time has proved that is it one of the greatest Toccata's in the repertory.
magnifique . Très bien interprété
Great playing, magnificent composition.
My definition of WILD! And, what a triple combo: Durufle, Dubois, Reims! ❤❤❤💋
Fantastic!!! see also this masterpiece playd by Vincent Dubois at the great organ of the Laurenskerk Rotterdam.Part 1, 2 and 3.
Never heard it played at "half speed"... before. Still listening. Vincent always seems to have a good reason for what he's doing. Listen... and learn. Wonderful so far.
His tempos were perfect for the organ-room-music, in my brains opinion. There is so much nuance and beauty in this music that would be missed at faster tempos.
When you can make the toccata of THIS piece look like a "walk in the park", your degree of virtuosity is in a completely other galaxy. Amazing! Thank you for sharing this.
The passage starting at 9:05 is one of the most exquisite in all of music, especially when it isn't rushed. IMO, most people play the Prelude too fast. I'm pleased to find that M. Dubois does not.
Vincen5 Dubois è un grande organista non ho mai sentito suonare list così bene la parte due riapre tutte le porte del paradiso
Greetings and love from Jazznet Spandau! 21.4. !!!
Gracias por este evento, no solamente la interpretacion exquisita del organista, sinola obra misma excelente a la que se suma un hermoso y amplio instrumento.desde Argentina
Oh my goodness. The Sicilienne is not taken so fast as many play it; it is so pastoral and calming - especially the cromorne Bb Minor section
fantastisch, geht tief, vielen Dank.
00:10 - Prélude
10:45 - Sicilienne
17:45 - Toccata
Amazing! Stupendous! Bravo Vincent!
C'est tellement beau ; l'interprète joue tout par cœur, malgré les innombrables difficultés de la partition (les pièces 2 et 3 en particulier), et habite cette musique avec intensité. Et l'orgue de la cathédrale de Reims est magnifiquement capté. Orgue et organiste sont fabuleux, comme dans les autres vidéos enregistrées à Reims (voir la Toccata de Prokoviev ! ).
Vincent is a genius!!
How could he express Durufle's intentions while playing on Organ?
Also it is so Amazing what he could remember all part this pieces.
What a powerful work and composer, Durufleé and organist Dubois, no doubt increased by the greater execution due to memorization. Incredible that the great master Duruflé was such a profound perfectionist that his opus numbers totaled only FOURTEEN but fourteen MARVELOUS works!!! If a work didn't meet with his incredibly high standards he destroyed it, so his dear wife Marie-Madeleine sometimes hid his works to save them.
Talk about hardcore! way to go
Wow, 26 minutes of differential usage of each limbs at the same time without any paper to follow. That's too impressive
Standard for a real concert organist instead of the lazy bunch that has been spawned of late. M. Dubois is one of the rare Orl School organists who believed that notes are on paper. Music comes from within.
very very impressing!! this is where the organ is build for.
Superb!
Davvero sublime! Molto espressivo e tanta tecnica!
Dear David Williams, if you have any interesting insights that you would like to share about M. Durufle (and/or the time), I would love to hear what you have to say. You called Vincent's interpretation "brilliant and very beautiful." The problem is that what I know about Durufle could fill teaspoon. I love Vincent's playing too and have listened to just about everything that's been posted… a dozen times. My intuitions says he's already a Titian. I also know there can only be few individuals on this planet who can master a work like this. I suspect Vincent must have perfect pitch and probably a photographic memory as well. What do you think?
Magnifique! Merci beaucoup :)
bravissimo.
Prelude 0:10 - 10:45
Sicilienne 10:46 - 17:43
Toccata 17:47 - 25:52
Merci maestro Dudas!
@@neilzukov2921 bien sûr
Dubois ist völlig zu Recht neuer Titulaire an Notre Dame de Paris. Mit seiner Gefühlstiefe, souveräner Brillianz und feinsinniger Anschlagskultur sowie interpretatorischer Unabhängigkeit gehört er an die Spitze nicht nur der französischen Organisten. Überliefert ist, dass Dupré und auch Duruflé keine Rubati und keine Binnenagogik außer der notierten wollten, aber so überzeugend dargeboten klingt es lebendiger, emotionaler und ergreifender.
Never heard that kind of music! Must have been very, very hard work behind this extraordinary performance. Stunning! I am very blessed to find and have a honor for hearding this. You are extraordinary! Thank You so very very much!
Vincent est un des meilleurs organistes français à l'heure actuelle, brillant élève d'Olivier Latry, il a tout compris, il vit ce qu'il joue, sa capacité à tout jouer par coeur est un atout.
Only one of the best in FRANCE?!?? Try, "one of the best in the entire universe"! Do you know if he has ever performed on the home organ of Marcel Dupré in Meudon? I'm curious as to what he would think of it.
Joué bcp trop lentement .. Le rythme n y est pas . On y perd la très grande virtuosité et l esprit de Duruflé. Par contre que cet orgue sonne bien !
Magnifico.
Sublime.
It is Durufle played at best. It is technique given to the requirement of emotion allowing the language, the translation, to surface and blend with us. I'm at home!
Господи, как же это классно!!
Totally beauty and love
Amazing!
Magnificent
What's with the headphones?
Would have been nice to include a few photos of the magnificent cathedral, inside and out.
Qué maravilla!!!👏👏👏👏
Mais que c'est beau !!
Thanks Well Done
Most beauty
reconozco tanto del requiem!!! cuál fue primera?
Bravo
c'est une musique que l'on ressent au plus profond de son être .....on se trouve dans un autre univers car, en plus, elle est jouée d'une très belle manière .Merci
The reeds amazing
Love the church clock at 06:45...
Wow...
MERCI
Longing to play a bit with a-solo organ but they never want it in Northern church(so technic NOWADAYS HANG BACK SADLY
Opus 4,5 BEAUTY
ich riskiere die Aussage: er ist der beste Mann der Gegenwart auf der Orgelbank!!!
Gizella Ványa Zumindest ist er denkbar nahe dran! Ein echter Virtuose!
I wonder why he doesn't use the top B at the end. It is a 61 note keyboard.
He played through an out of tune organ, and bells going off. Amazing.
Just another day in France.... (out of tune organ and bells that is...)
Indeed, that's a pitty to listen to a so beautiful interpretation, and the organ is out of tune... We need american donations to maintain those instruments !!!
@@raphaelmeyer9940 The churches and the organ therein belong to the nation of France. It is France that decides what and when the organs will be maintained. A pity since many of the finest organs are sorely neglected.
not a fan of Durufle, but this is an excellent work. The instrument superb; and the performance is spectacular
Not a fan of Durufle? Who then?
author of THE DEATH TAX sez: If you ever wonder what the Wrath of God sounds like, look no farther than the first 6:30 of this magnificent piece.