Find Oscar's video courses here: courses.underdog.brussels 🖤🖤🖤 Join the Underdog Discord channel: discord.gg/z5N9CTA 👾👾👾 Sign up to the mailing list here: tinyurl.com/yy92sx5u 💌💌💌 Pledge to the Patreon: www.patreon.com/underdogmusicschool 🌱🌱🌱
By volume you mean volume of channel/gain or volume of sample. That's all I need to know. Thank you my man every video pushes me to direction I pursue.
@@JanEkbom Ableton is great. I use Logic more, but own Live as well. Keep in mind, most of what you’ll learn in a Live tutorial can be applied to another DAW.
Finally someone who properly takes the time to explain the base principles behind a confusing concept instead of just demonstrating how they use the concept. Thanks!
7:16 is gold -because it is so true that dynamics - loud and quiet aspects, are so key to so much art - whether music or visual or film or writing. If there isn't dynamics it's boring.
This is the answer I've been looking for, because often searching for "Dynamic Range" only finds Loudness/LUFS, not Dynamics. And in this video, this is the answer I've been looking for, and there's even an explanation of RMS, and there's an explanation of upward downward too. Thank you.
5:02 I was just looking for this for weeks. And I didn't know what to google. But it is showed on my youtube today. Cant believe that just happened!!!! you are a professor goddamn!!! Keep it going until 3021
Thanks so much for your dedicated toturials you just thought me something no one ever talks about in details about RMS and Peak volume,and how to use that in referencing a mix.♥️♥️♥️
Okay mate... Watched enought videos you did and don't want TH-cam not recommending me your videos, so I just subscribed to you channel .Thank you vey much for being so accurate on your teaching! 🙏
@@OscarUnderdog Hey mate! To be honest, I'm subscribed to so many and varied channels that I have to pick the best ones to subscribe to, and have to unsubscribe from others that are not useful any more as my knowledge grows. And there are so many youtubers talking about the same topics that I should be picky in oder to not lose the ones that really make the difference. You make the difference due your pedadogical amazing way to go staight to the point and explain it with such accuracy, reason I'm subscribed now, if you want to have a view about how the mind of the public/viewer works. So keep your way of teaching and such; your channel will grow a lot, as I also will recommend it too! 👍
@@ELLIOT8209in short, true-peak measures the absolute max amplitude of individual samples of audio. LUFS is like RMS but it takes into account the natural frequency response of the human ear
LUFS and RMS are designed to communicate information about how we hear things. True-Peak is designed to communicate objective information about the signal which is really only relevant for other devices. TP tells you how devices will react to the signal, RMS/LUFS tells you how you may react to the signal. Hope that makes sense
Great lesson! Nowadays the streaming services have control over loudness, something which gives the artists the chance to not take the life out of their music by overcompressing their creations:)
Mind blown and curiosity piqued! Excellent and very understandable video over a topic that could have been easily more challenging to understand. Thank you.
This video really explained a lot for me. Like I got a lot of the stuff that people were talking about but this is one of the few videos that made me see it in a more constructive and efficient way
This wax my break through tutorial for getting my track louder. I had to think about it a bit as to how to do it in Reason, but got there. I only applied it to the kick, share and bass. You can even achieve it with the Maximiser in Reason.
I tend to prefer lighter compression on most elements of my tracks, but sometimes you can definitely get some cool results going more extreme with the settings to really alter the sound and of course sometimes heavier compression is just a necessity based on the sound itself and where it sits in the mix. I'm also a big fan of routing all the top percussion through parallel compression to give those background parts a little more presence in the mix and bring more texture to track without bringing down the peaks of the foreground parts like the main hat. Makes things nice.
Great explanation of the Limiter! In my case, I was only using the Limiter on my Main and didn't realize I should also use on the individual Buses which really helped with my overall song loudness which I was struggling. It also seemed to help me solve some kick drums issues I was having getting right. Thank you!
I commented a while ago on your 'intro' to subtractive synth, and since then I've tried to watch as much of your output as time has allowed. The way you describe dynamics here is way - and i mean this - beyond what most YT production teachers are doing. I realise these videos are also an advertisement for your paid courses, but there really can be no better advert. You're a very clever man, who understands how best to give the information that's needed without any need of excess info that will only confuse. I say again - were I new to this, you would be my teacher. (edit: as a mastering engineer I really appreciate how you describe what we do and how not to piss us off!)
caveat- i'm not super down with less dynamic tacks so some of the suggestions here seem a little extreme to me. intentionality is golden though - appreciate that.
Very descriptive and exactly what I’ve been looking for all of the internet 😂 thank you sir , much respect . I’ve been in the engineering industry for 9 years now 😂
1:46 _"...and you feel like your track is now tonally balanced and well mix, etc., but it's still more dynamic than the reference track. The question is what tools can you use to bring your dynamic range..." I completed that sentence in my brain before hearing the rest like: "... down and destroy an otherwise great sounding track". Let music breath! Let music be dynamic!
I like using a gate to take really long or rumbly techno kicks and adding a more defined punch to the front of it. Some samples can be really mushed, so adding a gate to reduce the volume after the envelope can really add definition to a kick lost in the mix. Maybe not the beesssttt method, but as a quick fix it works. Especially if you have your heart set on that particular sample You could just cut the length of the sample, and that’d work. But it then completely gets rid of all the character after the initial impact
Good info. I've never heard anybody really explain the subtle difference btw upward compression and expansion. I also liked your condensed music theory video.
I have been doing this, to the point where I use limiters on everything I mix, and I see a huge improvement in my sound, more than I have in years if trying to learn mixing, thank you!
For clips before going for limiters or compressor you can control. the dynamic rannge using fade in and fade outs. Ususally peak is coming from trasiennt part of the signal which can be reduce using fading . Found better sounds when compressor user for toning.
I just subscribed after being recommended your videos for a while but today I checked out your videos and I love that you are covering such a wide variety of topics, this will come in handy because I am working on some unfinished beats and have writers block because I struggle with music theory but I think your videos will help alot 👍
Great movie. Thank you very much. One thing - if you show something with a sideways expression, remember to flip it because the low frequency is on the right side of the screen for followers ;) LOL
I love your videos, you explain things very well and it is perfectly understood and that it is difficult for me to understand a little English imagine those who do understand your language... it is perfect greetings from Spain
Great racing, sure! I learned old school in hardware and it's great to see how we've become more technical in our uses with the increasing move into the digital world.
Thank you so much! This channel is totally awesome and one of the best I've discovered for myself in the last few years! You have a new subscriber. Good luck in the future! :-)
Really good video. Been trying to use the LUFS system but still can't get the tunes on average higher than -9 LUFS. For the electronic music that I make, I use a mixture of compression and limiting. I begin with a -3 DB compression threshold with a 1-2 ratio and a release time set at the 8th note of the BPM in milliseconds. Then I limit at one to two decibels.
Starting at 4:40 you state that the loud parts are tuned down and the quiet parts remain unaffected. This is only partially true in downward compression. In the case of a -3db kick on 1&3 and a -10 db snare on 2&4 and a threshold at -7 db, kicks would be reduced 4db and snares would be remain unaffected. The assumes a properly set release control. If however you replace the snare with a -10 db constant organ tone or sine wave, those tones would be reduced to. -14 db each time the kick triggers the limiter, even though the tone is under the threshold. Downward compression or downward limiting, when they occur, turn the entire mix down when the kick hits. This seemingly minor distinction, is quite important because those other sounds in the mix are the things that cause the pumping and breathing with improperly set attack and release times. So while I realize that this explanation is targeted toward early stage education, I believe that is the best time to cement the concept that dynamic processing devices are simply automated volume knobs that really turn everything up or down very quickly. Your explanation is quite thorough and I only belabor this point because it is a common misconception simply tickle the tops, leaving the rest unaffected. A misconception that was identified by my mentor 50 years ago which still exists today.
Hello. But what if I use a bus compressor after I panned, leveled, and balanced my mix? And let's say I also what to bring up the RMX level so I use a Limiter too, especially first and then my mix bus comp.
Picture with up and down compression is quite confusing. I might be wrong but you can't actually affect on lower or higher part of a actuall sinewave graph. Because inside 1 sec of a signal can be 44100 samples which contain a lot of frequencies information. And what compressor does is make quiet frequencies louder (under threshold) and do not just changes ALL sinewaves by distorting actual samples waveform 🤔 you can try to repeat this animation 2:40 in Ableton. It's impossible 🤓
Yesterday I had the thought in my head.. just as a rough comparison.. If you have a spectral analyzer I would chose the higher frequency block to mark the peaks as they are much more frequent, and the lower for the RMS, as you can even see a lowpassfilter having very low frequency is behaving roughly like "R"oot "M"ean "S"quared algorithm, which is a kind of time shifting window lowpass filter.
please do a video on the impact low end has when mastering, I find it difficult sometimes to get to the required levels without the low end distorting, great channel !
Find Oscar's video courses here: courses.underdog.brussels 🖤🖤🖤
Join the Underdog Discord channel: discord.gg/z5N9CTA 👾👾👾
Sign up to the mailing list here: tinyurl.com/yy92sx5u 💌💌💌
Pledge to the Patreon: www.patreon.com/underdogmusicschool 🌱🌱🌱
By volume you mean volume of channel/gain or volume of sample. That's all I need to know. Thank you my man every video pushes me to direction I pursue.
Dude.
You’re one of the absolute best teachers on TH-cam.
Facts
does the upward compression work as a gate ? it can be used for getting rid of the noise.
totally
I totally agree. It's even so that I'm thinking of Switching to Ableton instead of Cubase and FL studio that I'm already using.
@@JanEkbom Ableton is great. I use Logic more, but own Live as well.
Keep in mind, most of what you’ll learn in a Live tutorial can be applied to another DAW.
This is one of the best and most understandable explanations of limiting/compression/expansion I saw so far!
Nice! Yes I found it hard to direct my students to good resources on this that are not too boring/technical/indepth. Just the basic concepts.
Finally someone who properly takes the time to explain the base principles behind a confusing concept instead of just demonstrating how they use the concept. Thanks!
you was born for this thank you king
7:16 is gold -because it is so true that dynamics - loud and quiet aspects, are so key to so much art - whether music or visual or film or writing. If there isn't dynamics it's boring.
I wish this was there 10 years ago when I started producing.
He’s one of the best teacher on TH-cam!!!!
This is the answer I've been looking for, because often searching for "Dynamic Range" only finds Loudness/LUFS, not Dynamics. And in this video, this is the answer I've been looking for, and there's even an explanation of RMS, and there's an explanation of upward downward too.
Thank you.
Now this is what I call a tutorial !!! Heads UP
Very good video! Remember: dynamic is your friend, it is the breathing soul of your music.
5:02 I was just looking for this for weeks. And I didn't know what to google. But it is showed on my youtube today. Cant believe that just happened!!!! you are a professor goddamn!!!
Keep it going until 3021
Definitely the best teacher...my head isn't scrambling with unnecessary jargon.
I love your channel so much, very informative and you explain everything so clearly
Thanks Marija, thanks so much for the support!
YOU Explain it in a way very easy to understand, Thank you for that !
Thanks so much for your dedicated toturials you just thought me something no one ever talks about in details about RMS and Peak volume,and how to use that in referencing a mix.♥️♥️♥️
So far, your videos have been the simplest, most direct explanation of audio mastering while be very thorough. Thanks!
You have helped me a lot sir ..... have been learning from different people but since i started watching your videos have improved a lot
Im not that much into techno but im a producer and a musician. Your videos are some of the bests out there!! Thanks for all.
😁💚
Okay mate... Watched enought videos you did and don't want TH-cam not recommending me your videos, so I just subscribed to you channel .Thank you vey much for being so accurate on your teaching! 🙏
Hahaha got ya! 😁 it was a hard sell clearly
@@OscarUnderdog Hey mate! To be honest, I'm subscribed to so many and varied channels that I have to pick the best ones to subscribe to, and have to unsubscribe from others that are not useful any more as my knowledge grows. And there are so many youtubers talking about the same topics that I should be picky in oder to not lose the ones that really make the difference. You make the difference due your pedadogical amazing way to go staight to the point and explain it with such accuracy, reason I'm subscribed now, if you want to have a view about how the mind of the public/viewer works. So keep your way of teaching and such; your channel will grow a lot, as I also will recommend it too! 👍
@@Overxpossed Thanks for sharing that! 👍🏻 helps to understand for sure!
So well explained youre a natural teacher and know to express it for techno heads!
Means a lot, thanks!
@@OscarUnderdog I'm still confused by true peak and lufs. I know the latter is for streaming platforms
@@ELLIOT8209in short, true-peak measures the absolute max amplitude of individual samples of audio. LUFS is like RMS but it takes into account the natural frequency response of the human ear
LUFS and RMS are designed to communicate information about how we hear things. True-Peak is designed to communicate objective information about the signal which is really only relevant for other devices. TP tells you how devices will react to the signal, RMS/LUFS tells you how you may react to the signal. Hope that makes sense
Finally after years I’ve found the best teacher 😊
Wow! I had instant Incredible results! This rudimentary technique has completely reenergized my enthusiasm for producing music.
So happy to hear that!
One of the best explainers I've seen on yt
Thank yooouuu
Straight to the point. Great explanation, 100% worth every second watching.
These videos are like a free education in how to be a sound engineer/producer, unbelievably valuable content.
Your videos are so clear! Eventhough I use a different DAW than Ableton, I still manage to understand all of your lessons. PLEASE keep it going! :)
Dude!! You’re videos are insanely helpful. You’re easily the most effective teacher I’ve come across over 6 years of producing.
Thank you so much,this is exactly i was looking for,this is the best video i've found in internet...so easy to understand !
Great lesson! Nowadays the streaming services have control over loudness, something which gives the artists the chance to not take the life out of their music by overcompressing their creations:)
Mind blown and curiosity piqued! Excellent and very understandable video over a topic that could have been easily more challenging to understand. Thank you.
Absolutely top notch best I have seen anyone ever describe this topic! Cheers
This video really explained a lot for me. Like I got a lot of the stuff that people were talking about but this is one of the few videos that made me see it in a more constructive and efficient way
This wax my break through tutorial for getting my track louder. I had to think about it a bit as to how to do it in Reason, but got there. I only applied it to the kick, share and bass. You can even achieve it with the Maximiser in Reason.
I tend to prefer lighter compression on most elements of my tracks, but sometimes you can definitely get some cool results going more extreme with the settings to really alter the sound and of course sometimes heavier compression is just a necessity based on the sound itself and where it sits in the mix. I'm also a big fan of routing all the top percussion through parallel compression to give those background parts a little more presence in the mix and bring more texture to track without bringing down the peaks of the foreground parts like the main hat. Makes things nice.
Great explanation of the Limiter! In my case, I was only using the Limiter on my Main and didn't realize I should also use on the individual Buses which really helped with my overall song loudness which I was struggling. It also seemed to help me solve some kick drums issues I was having getting right. Thank you!
The Best Explanation i have heard please continue this series on dynamics even eq
I waited for this explanation for 12 years
I commented a while ago on your 'intro' to subtractive synth, and since then I've tried to watch as much of your output as time has allowed. The way you describe dynamics here is way - and i mean this - beyond what most YT production teachers are doing. I realise these videos are also an advertisement for your paid courses, but there really can be no better advert. You're a very clever man, who understands how best to give the information that's needed without any need of excess info that will only confuse. I say again - were I new to this, you would be my teacher. (edit: as a mastering engineer I really appreciate how you describe what we do and how not to piss us off!)
I love this because I tend to mix drums loud, but only in peak loudness, mot RMS loudness. You’re the best!
It's like I'm back to school but I like the lessons. Thank you!
thank you for these two videos... the simplest, most conprehensive and precise found!
These are very helpful. Thank you
best explanation of different compression styles i've seen - thank you!
caveat- i'm not super down with less dynamic tacks so some of the suggestions here seem a little extreme to me. intentionality is golden though - appreciate that.
Man, cant even begin to explain how much you helped. Every video is a pure gem✨
Very descriptive and exactly what I’ve been looking for all of the internet 😂 thank you sir , much respect . I’ve been in the engineering industry for 9 years now 😂
What an awesome video, I am actually learning this for audio book specs. So simple to learn! thanks
It's amazing how every single video you make is gold 🔥
You're a sweetheart :) :)
1:46 _"...and you feel like your track is now tonally balanced and well mix, etc., but it's still more dynamic than the reference track. The question is what tools can you use to bring your dynamic range..."
I completed that sentence in my brain before hearing the rest like: "... down and destroy an otherwise great sounding track".
Let music breath! Let music be dynamic!
I agree :) but I want the dynamic range to be a choice, not an accident due to lack of skill!
@@OscarUnderdog Perfect answer.
I like using a gate to take really long or rumbly techno kicks and adding a more defined punch to the front of it. Some samples can be really mushed, so adding a gate to reduce the volume after the envelope can really add definition to a kick lost in the mix.
Maybe not the beesssttt method, but as a quick fix it works. Especially if you have your heart set on that particular sample
You could just cut the length of the sample, and that’d work. But it then completely gets rid of all the character after the initial impact
This video is very helpful and the way you explain is phenomenal. Thank you
Good info. I've never heard anybody really explain the subtle difference btw upward compression and expansion. I also liked your condensed music theory video.
Man! this lesson is so good. Thanks for this brilliant explanation of this subtle and sometimes puzzling process.
really nice to discover your high quality tuto's, hope to see your full video on rumbles.S/o from Brussels
Yeeeeees! Definitely will do that in the coming weeks!
I heard clipper/saturator is better option instead limiter. This is due to the difference in operation itself.
I have been doing this, to the point where I use limiters on everything I mix, and I see a huge improvement in my sound, more than I have in years if trying to learn mixing, thank you!
For clips before going for limiters or compressor you can control. the dynamic rannge using fade in and fade outs. Ususally peak is coming from trasiennt part of the signal which can be reduce using fading . Found better sounds when compressor user for toning.
Your channel is the real deal man, keep it up!
One of the greatest classes ever!
Thank you for explaining fundamental things in such a great way (and for free) !
Best video on this topic anywhere. Thanks!
Straight to the point. Great explanation👍
Thanks for this. I found your explanation very intuitive to follow. I learned a lot!
The most usefull video about RMS that I've ever seen :)
This is excellent, so clear and easy to understand
Thanks so much for this video and the amazing catalog of this channel
Thank you for yet another wonderful tutorial!❤️
Brilliant advice wonderfully explained.
I can believe I wasn’t subscribed! I am now!
I just subscribed after being recommended your videos for a while but today I checked out your videos and I love that you are covering such a wide variety of topics, this will come in handy because I am working on some unfinished beats and have writers block because I struggle with music theory but I think your videos will help alot 👍
Clear explanations, that's what I was looking for.Keep on.
Great movie. Thank you very much. One thing - if you show something with a sideways expression, remember to flip it because the low frequency is on the right side of the screen for followers ;) LOL
more videos dealing with compression and limiting pls! you made such a hard concept for me so easy now. Thank you for your hard work man
Thank you for this
Awesome channel you have here, Oscar! I've learned a lot about mixing thanks to your superbly informative videos- you rock, bro! 👍👍
Thank you sir
My pleasure :)
I love your videos, you explain things very well and it is perfectly understood and that it is difficult for me to understand a little English imagine those who do understand your language... it is perfect
greetings from Spain
Thankyou Sir , IT is really great and easy understanding the whole theory and rules ...
I love your video's. A genuine thank you for sharing :)
Great racing, sure! I learned old school in hardware and it's great to see how we've become more technical in our uses with the increasing move into the digital world.
That was a great explanation Oscar, thank you.
Thank you so much! This channel is totally awesome and one of the best I've discovered for myself in the last few years! You have a new subscriber. Good luck in the future! :-)
Really good video. Been trying to use the LUFS system but still can't get the tunes on average higher than -9 LUFS.
For the electronic music that I make, I use a mixture of compression and limiting. I begin with a -3 DB compression threshold with a 1-2 ratio and a release time set at the 8th note of the BPM in milliseconds. Then I limit at one to two decibels.
Tryo to mix with a clipper on tour master at thé begining (when you are doing thé kick conception
Bravo 👏🏼 highly highly useful and brilliant information 💎
Thank you!
You're welcome!
Great!
Thank you Oscar. Excellent sir.
DR13 🙏🏼 keeps your music alive
After experimenting with digital clippers and limiters I have found that I prefer tape & AD converter (with soft clipping)
Wow man this is gold!
Starting at 4:40 you state that the loud parts are tuned down and the quiet parts remain unaffected. This is only partially true in downward compression. In the case of a -3db kick on 1&3 and a -10 db snare on 2&4 and a threshold at -7 db, kicks would be reduced 4db and snares would be remain unaffected. The assumes a properly set release control.
If however you replace the snare with a -10 db constant organ tone or sine wave, those tones would be reduced to. -14 db each time the kick triggers the limiter, even though the tone is under the threshold. Downward compression or downward limiting, when they occur, turn the entire mix down when the kick hits. This seemingly minor distinction, is quite important because those other sounds in the mix are the things that cause the pumping and breathing with improperly set attack and release times. So while I realize that this explanation is targeted toward early stage education, I believe that is the best time to cement the concept that dynamic processing devices are simply automated volume knobs that really turn everything up or down very quickly. Your explanation is quite thorough and I only belabor this point because it is a common misconception simply tickle the tops, leaving the rest unaffected. A misconception that was identified by my mentor 50 years ago which still exists today.
Hello. But what if I use a bus compressor after I panned, leveled, and balanced my mix? And let's say I also what to bring up the RMX level so I use a Limiter too, especially first and then my mix bus comp.
That’s true ♥️ very nice video and good information ( thank you so much for tips )
Picture with up and down compression is quite confusing. I might be wrong but you can't actually affect on lower or higher part of a actuall sinewave graph. Because inside 1 sec of a signal can be 44100 samples which contain a lot of frequencies information. And what compressor does is make quiet frequencies louder (under threshold) and do not just changes ALL sinewaves by distorting actual samples waveform 🤔 you can try to repeat this animation 2:40 in Ableton. It's impossible 🤓
I realise it's confusing: the line represents the loudness of a signal, not an actual sine wave. Bad design choice on my side, sorry!
@@OscarUnderdog anyway thanks for your cool videos!✊✌️🙂
Yesterday I had the thought in my head.. just as a rough comparison.. If you have a spectral analyzer I would chose the higher frequency block to mark the peaks as they are much more frequent, and the lower for the RMS, as you can even see a lowpassfilter having very low frequency is behaving roughly like "R"oot "M"ean "S"quared algorithm, which is a kind of time shifting window lowpass filter.
You're an angel brought to us to help the world make better face melting techno
😇
Thank you Oscar! I really like what I've learned, and I'm already seeing the results!! THANK YOU SO MUCH!
Really interesting, and clear ! Thanks.
I'm also interested in the "clip to zero" crest factor technique.
Will you make a video about that ?
Baphometric
@@ELLIOT8209 yeah thanks, I know it, but I prefer the Oscar's pedagogy, how he simplifies things :)
@@-zoave- the crest factor comes with that free TBaudio plugin. I don't think there's more simplicity beyond this very video.
@@ELLIOT8209 Which TBaudio plug-in and video ?
please do a video on the impact low end has when mastering, I find it difficult sometimes to get to the required levels without the low end distorting, great channel !
such a great explanation! Thank You!