In this interpretation Ivo lays all his wondrous cards upon the table, a gift to this world in honesty and profound insight, a measure of the master himself. Thank you ivo for spending time with us. Go well.
This is a titanic, stupendous, and unique performance; this great pianist always gives us more than the notes.whether our not you care for his interpretations,. coupled to one of the. most gorgeous tones and tonal palettes of any pianist known to me. I adore him.
Tonaly beautiful and very strange...Pogorelic makes such a magical world of music...He is allowed to transform music because he rules piano in every possible way...Something like Maria Yudina...He transforms music reather in something more beighter then others.He does not abuse music like Glenn Gould...He simply make it brisder and brighter and so allow new insights in many composers...
Thanks for uploading this. I must say this is one of the most musical interpretation of this sonata I have heard (I have heard a dozen interpretations). I am not a fan of Pogorelich but his interpretation is the first I hear, where the pianist takes a far deeper musical approach and the musical interpretation is placed far above the the usual mechanical (technical) aspect. Well done Mr Pogorelich.
Very cool actually. He does something new with it. Powerful, sonorous, rhythmic, articulate with tremendous clarity, poetic and...rather tempestuous where it needs to be. Why not?
truly miraculously work of interpretation. Such genius. I just close my eyes, listen to this and imagine "The Tempest" story in my mind. He really made me to loose myself and dive deep into imagination. Magically now I just sit there with Pogorelich, with Beethoven and Shakespeare. Thank you Maestro for this experience and being part of my life
I heard him play live in Harrogate years ago. One of the great musical experiences of my life. Utterly unforgettable interpretation of Mozart's Alla Turca, for instance. Delicate and deeply intelligent playing. Not for the many perhaps - but so what?
ivo is way beyond sound, ...pogorelich has the most powerful and perfect union of form, harmony and melody, i have no doubt he is the best interpreter ever, surpassing maria callas and horowitz, and at the level of the greatest composers to whom he seems to play for.
Ingenious and quite personal, I can even understand opinions below diverged. How a classical artist having so many fans and anti-fans even in his 50s.... There has been pros and cons on almost every interpretation. Kinda living legend of Ivo Pogorelich. Then why no more new release since 2007?
Unité et cohérence dans la conception, choix personnels et séduisants.Poésie et passion remarquablement maîtrisées.Très beau, vraiment très beau. ET prise de son "à la hauteur".
Immense interprète...plus subtil , peut-être moins fougueux qu'à ses débuts, plus mûr, et qui semble transfigurer le drame dont il a mis si longtemps à "émerger".... jeu d'une grande sensibilité . Hélas trop rare en France
So very odd and yet very convicted. Some pianists' unconventional interpretations of pieces just sound random, with no structure, or as if they are trying to do something different and it really is just for show. It is obvious that he is playing exactly as he wants to.
+Olav Blok Oh yes he does -- but not in THIS interpretation I've known -- and performed -- for over sixty years. In other repertory his strained, grotesquely slow tempi and exaggerated dynamics make listening to him an This, however, despite its admitted eccentricities, has much to recommend it.
Por favor,si hay alguien que sepa de que año es wsta grabación que lo diga,me parece genial,como todo lo que interpreta Ivo,pero,pienso que pueda ser de sus primeros veinte años ,o menos,como intérprete. Gracias
Ouaghlani Alaa's channel. I guess by taking new routes to interpretation, is what I mean. He’s very daring, and at the same time very careful to stay true to what I think he feels is the intention of the composer.
Il invente des conflits dans le dernier mouvement...et c est ce qu il fallait faire !! On entend les vagues se fracasser sur les rochers , et non , comme f habitude ,voit une rivière monotone couler !
Very romantic rubatos for BEETHOVEN. Difficult to follow the beat, particularly in the slow movt. The final movement should have 3, not 2, beats per bar!!!
What a pity too much 'sostenuto', and does he make music with the right beat, due to the sound of the 'Viennese Classic'? - For me he changes the tempo too often. Parts are beautiful in sound but not in style!
I had to stop listening about half way through. I think it is uncontroversial to say that this fiasco of a performance from Pogorelich, (though technically without fault) is way out of range of any stylistically normative standard for a Beethoven performance. But that is nothing new for Pogorelich.
+lourak613 Horse Puckey! It just doesn't fit your preconceived notion of how one should play Beethoven. It's certainly not the way I played it, and I wouldn't want to, BUT that doesn't stop it from being completely fascinating. When all this music we know and love so well was brand new, there was no STANDARDIZED way of interpreting it. Of course, I agree it speaks to me directly from the page, and I have always based my interpretations on my instincts -- and a considerable amount of tuition by a few great masters of the instrument ;-) -- but there is no ONE WAY to do these things. I'll say one thing for Ivo, he makes us LISTEN. His playing moves the concert going experience far away from the usual stilted ritual -- mind numbing celebration of the expected with no surprises allowed. The second movement is beautiful by even the driest, most academic standards. Ivo plays with great depth of feeling. Unlike Gould, who did many outrageous, truly unacceptable, even offensive things to Beethoven and Brahms, Ivo is not merely putting us on.
Thanks for responding to my comment! Well - not to belabor the point - It is an indisputable fact that Beethoven was not shy about giving instructions to the pianist when a major change of tempo is called for. The extreme swings in tempi, from Pogorelich, in this performance, would unquestioningly earn Beethoven's wrath. Again - this is not to question Pogorelich's genius - that is not the issue. The pianist must not impose his own personality to the detriment of what the Composer desires to communicate. Not with Beethoven, at any rate - his personality was about as much as we need to get a thrilling and profound message...
C'est faux, c'est même tout le contraire ! Pogorelich, depuis sa reprise des concerts et son ralentissent systématique des tempos, donne une nature vivante et organique aux œuvres qu'il interprète, à la manière de Celibidache.
Ivo shows us what lies beyond death - in piano heaven.
Yes! His atmosphere is very rare and unique! Especially love his scherzi, you should listen to them
Pogorelich is simply unique in musical expression. Thank you for being part of my life.
like hearing it for the first time. a typical trademark of Pogorelich.
the word "typical" should never be in the same sentence as Pogorelic.
In this interpretation Ivo lays all his wondrous cards upon the table, a gift to this world in honesty and profound insight, a measure of the master himself. Thank you ivo for spending time with us. Go well.
Ivo Pogorelich est un magicien du son. Un orchestre est caché dans chacune de ses mains, et un chef dans son âme.
C'est tout à fait vrai, et comme c'est bien dit.
This is a titanic, stupendous, and unique performance; this great pianist always gives us more than the notes.whether our not you care for his interpretations,. coupled to one of the. most gorgeous tones and tonal palettes of any pianist known to me. I adore him.
¡¡ What a beautiful Tempest!!!Bravo Pogorelich👏👏👏👏👏👏👏👏👏👏👏👏
never heard Beethoven Sonata nr 31 played with such a delicate touch, not "hammered" as most pianists do...
Exactlyyyy!
It is op. 31 not nr. 31 from nr .29 is hammer clavir
I couldn't possibly agree more.
He managed to make this sonata interesting. What a genius.
Justement, exécution pas assez virile.
simply amazing...I laugh at those who think that technical standard can define the spirit of a composer and the inner truth of his composition.
Thank you Maestro .
Tonaly beautiful and very strange...Pogorelic makes such a magical world of music...He is allowed to transform music because he rules piano in every possible way...Something like Maria Yudina...He transforms music reather in something more beighter then others.He does not abuse music like Glenn Gould...He simply make it brisder and brighter and so allow new insights in many composers...
Nikola Acimovic Pogorelich is almost always tonaly beautiful AND strange
When LVan Beethoven speaks, Ivo P. hears and translates EXACTLY !!
Thanks for uploading this. I must say this is one of the most musical interpretation of this sonata I have heard (I have heard a dozen interpretations). I am not a fan of Pogorelich but his interpretation is the first I hear, where the pianist takes a far deeper musical approach and the musical interpretation is placed far above the the usual mechanical (technical) aspect. Well done Mr Pogorelich.
Теперь Вы поклонник Иво?
A unique great performance from Ivo💜
Unique interpretation and fresh rendition ~ i like this mood..his insightful imagination..
Thank you very much for your up.
Very cool actually. He does something new with it. Powerful, sonorous, rhythmic, articulate with tremendous clarity, poetic and...rather tempestuous where it needs to be. Why not?
Frederic Boloix j(
truly miraculously work of interpretation. Such genius. I just close my eyes, listen to this and imagine "The Tempest" story in my mind. He really made me to loose myself and dive deep into imagination. Magically now I just sit there with Pogorelich, with Beethoven and Shakespeare. Thank you Maestro for this experience and being part of my life
Один из самых моих любимых исполнителей! Какое наслаждение!!!
courageous and personal
Маэстро Иво- это пианист, и дирижер, и оркестр Это 3 в одном! Невероятно и очень красиво! ❤️❤️❤️🎹🎹🎹🙏🙏🙏
It's the best version! Bravo, Ivo!!! Thanks
I heard him play live in Harrogate years ago. One of the great musical experiences of my life. Utterly unforgettable interpretation of Mozart's Alla Turca, for instance. Delicate and deeply intelligent playing. Not for the many perhaps - but so what?
a very difficult Sonata, noone can play it any better than he does! Thank you!
There’s Richter, you know...
Roma Hoffman It isn't that hard...
th-cam.com/play/PLj44HK0cmvHqGqnYDG0ZaSW_uZTVGn3Re.html
Best performance of this work I've heard.
ivo is way beyond sound, ...pogorelich has the most powerful and perfect union of form, harmony and melody,
i have no doubt he is the best interpreter ever, surpassing maria callas and horowitz, and at the level of the greatest composers to whom he seems to play for.
Sviatoslav Richter!!
@@juanmaschoclan Something tells me that Pogorelich and Richter would have gotten along famously.
@@grouchocatman nope Richter was the contrary of Pogorelich
活著的鋼琴家中最勇敢也最偉大的
Ingenious and quite personal, I can even understand opinions below diverged. How a classical artist having so many fans and anti-fans even in his 50s.... There has been pros and cons on almost every interpretation. Kinda living legend of Ivo Pogorelich. Then why no more new release since 2007?
He has a new release Rachmaninoff Sonata 2 and Beethoven sonata 24
Wow...Ivo really wondered me and surprised me... Actually he ido Unique en tempo expresivity... Lots of claps for him...
Unité et cohérence dans la conception, choix personnels et séduisants.Poésie et passion remarquablement maîtrisées.Très beau, vraiment très beau. ET prise de son "à la hauteur".
Wow! I feel like nobody is playing the tempest the same
Geniale e coinvolgente.
Меня очень волнует его исполнение. Он гений !
Extraordinary playing!
Tonino Midiri ooo
Cette Sonate de Beethoven me fait penser à l'irruption d'un volcan ...libérateur. Merci !
I pray for Ivo
Нетрадиционный Бетховен! Роскошный,еще более волнующий! Хочется, чтобы это не закачивалось! Магический и гениальный Иво!
Pogorelich, deep & sweet
Immense interprète...plus subtil , peut-être moins fougueux qu'à ses débuts, plus mûr, et qui semble transfigurer le drame dont il a mis si longtemps à "émerger".... jeu d'une grande sensibilité . Hélas trop rare en France
QUERRE Brigitte -- ......and in Acapulco, too!
20:50
genial gespielt, ergreifend
amazing
So very odd and yet very convicted. Some pianists' unconventional interpretations of pieces just sound random, with no structure, or as if they are trying to do something different and it really is just for show. It is obvious that he is playing exactly as he wants to.
MARAVILLA...
Where did you get that picture? Is it Ivo?
No it's Beethoven with his fans
What? WHAT? I CAN'T HEAR YOU! (Ludwig, deafened by the sounds of the surrounding fans)
LOL :))))))))
Yes, this Ivo!!!
Ivo in Warsaw in 1980, during the Chopin competition, surrounded by fans.
Потрясающе!
excelente
O so capricious.....but Ivo never offends.....
+Olav Blok Oh yes he does -- but not in THIS interpretation I've known -- and performed -- for over sixty years. In other repertory his strained, grotesquely slow tempi and exaggerated dynamics make listening to him an This, however, despite its admitted eccentricities, has much to recommend it.
Por favor,si hay alguien que sepa de que año es wsta grabación que lo diga,me parece genial,como todo lo que interpreta Ivo,pero,pienso que pueda ser de sus primeros veinte años ,o menos,como intérprete. Gracias
2001
If great Bodhisattvas created their own Buddhafields, then, how would the Buddhafield of Beethoven SOUND like ??
❤️
10:57
Pogorelich 1958
While I can't agree with how he's playing... at least he's doing something different
なんとも独特な解釈で弾かれています。私は嫌いではないですね。
Ivo is to Beethoven as Glenn Gould was to Bach.
I was thinking exaclty that! Sounds very similar
How?
Ouaghlani Alaa's channel. I guess by taking new routes to interpretation, is what I mean. He’s very daring, and at the same time very careful to stay true to what I think he feels is the intention of the composer.
Glenn is playing Brahms instead of Bach（Goldberg Variations 1981）
Il invente des conflits dans le dernier mouvement...et c est ce qu il fallait faire !! On entend les vagues se fracasser sur les rochers , et non , comme f habitude ,voit une rivière monotone couler !
Well he takes many licenses.. but they are kind of justified
自由=由自性生
Savrseno!
C'est du grand "Pogo" !!
SUBLIME.
Very romantic rubatos for BEETHOVEN. Difficult to follow the beat, particularly in the slow movt. The final movement should have 3, not 2, beats per bar!!!
Grumpy old pianist I hear 3:)
I don't know how you hear 2. There is a syncopation and of what I know beats should be the same length. I think you're just a little picky:)
썸네일 실화여?
Yes
Beethoven meets Feldman...
What a pity too much 'sostenuto', and does he make music with the right beat, due to the sound of the 'Viennese Classic'? - For me he changes the tempo too often.
Parts are beautiful in sound but not in style!
I had to stop listening about half way through. I think it is uncontroversial to say that this fiasco of a performance from Pogorelich, (though technically without fault) is way out of range of any stylistically normative standard for a Beethoven performance. But that is nothing new for Pogorelich.
I think, you are right. but remember Lizst.
+lourak613 Horse Puckey! It just doesn't fit your preconceived notion of how one should play Beethoven. It's certainly not the way I played it, and I wouldn't want to, BUT that doesn't stop it from being completely fascinating. When all this music we know and love so well was brand new, there was no STANDARDIZED way of interpreting it. Of course, I agree it speaks to me directly from the page, and I have always based my interpretations on my instincts -- and a considerable amount of tuition by a few great masters of the instrument ;-) -- but there is no ONE WAY to do these things. I'll say one thing for Ivo, he makes us LISTEN. His playing moves the concert going experience far away from the usual stilted ritual -- mind numbing celebration of the expected with no surprises allowed. The second movement is beautiful by even the driest, most academic standards. Ivo plays with great depth of feeling. Unlike Gould, who did many outrageous, truly unacceptable, even offensive things to Beethoven and Brahms, Ivo is not merely putting us on.
Thanks for responding to my comment! Well - not to belabor the point - It is an indisputable fact that Beethoven was not shy about giving instructions to the pianist when a major change of tempo is called for. The extreme swings in tempi, from Pogorelich, in this performance, would unquestioningly earn Beethoven's wrath. Again - this is not to question Pogorelich's genius - that is not the issue. The pianist must not impose his own personality to the detriment of what the Composer desires to communicate. Not with Beethoven, at any rate - his personality was about as much as we need to get a thrilling and profound message...
Ridiculous self-indulgence.
The pianist must?...... The death of art will happen because of misunderstandings like this one ;)
Ridiculous.
too eccentric, very unmusical.
C'est faux, c'est même tout le contraire ! Pogorelich, depuis sa reprise des concerts et son ralentissent systématique des tempos, donne une nature vivante et organique aux œuvres qu'il interprète, à la manière de Celibidache.
@@guilhemchameyrat Exactement c'est comme cela que Beethoven aurait voulu qu'on l'a joue, avec puissance et sensibilité.
...so transfixed by Ivo, seriously love the way he plays, leaves me wanting more...
20:51
20:50
Yes..extraordinary entrance.