Winsemius on Bach Sonata no. 2 in C minor BWV 526 | Netherlands Bach Society
ฝัง
- เผยแพร่เมื่อ 13 พ.ค. 2019
- "You can't play as sensitive on an organ as a violinist can on his violin." Organist Bernard Winsemius talks about Sonata no. 2 in C minor, which he performed for All of Bach.
Recorded for the project All of Bach on June 25th 2014 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the complete performance of Sonata no. 2 in C minor go to • Bach - Sonata no. 2 in...
For more information on BWV 526 and this production go to allofbach.com/en/bwv/bwv-526/
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederla....
Bernard Winsemius, organist
Organ: Christian Müller, 1734 - เพลง
Whoever came up with this idea of adding an interview to every recording they make is a genius. I really enjoyed listening to Winsemius' passionate accounts for this great music. He expressed frustration about the limitations of the organ for the second movement, but probably because of his so-much-more-to-tell feeling, I found that the second movement was particularly rich in emotions!
In this profound though short interview, Bernard Winsemius reveals the fact that he is a real musician - not 'only' a very good organist: he has an overall point of view on this Sonata. I must contradict him on one point - he did managed to transfer to his listeners the sensitivity of the middle movement, even though it was played on the organ! Beautiful playing and wonderful interview. Thanks.
A master in explaining the great! Wonderful
.
Wow this was such a wonderful small description and statements, and so nice to hear a organist actually question the limitations that the organ has. Didn't quite understand the reason for the Wilhelm Friedemann reference with the second theme tough
Supongo que se refiere a cierta modernidad en el Empfindsamer Stil que prevalecía en la Corte de Postdam.
Very inteliigent presentation of the music.
As always excellent
Estoy seguro que muchos jóvenes estudiantes disfrutan de las clases de Bernard Winsemius, quien comparte con entusiasmo no sólo los aspectos técnicos del órgano, sino conjeturas sobre las verdaderas intenciones expresivas de Johann Sebastian Bach.
Winsemius is the number one for barock and early music, but not only for that. Lucky who has him as Master
I don't speak Dutch or German or French, but I wish I could talk to these guys in real life... Someday maybe I'll get to play a harpsichord. (I only have a broken old with century piano that has been rotting in the desert for 150 years, and no one around me wants to hear what I can do. I understand what they're saying when they speak "music" talk... I'm so lonely in the Wild-West of USA.
Thankfully music is a universal language. Can't you find a teacher or school? Maybe for practise you could start out with a bentside spinet? Those are more affordable than a full scale harpsichord and you do not have to tune them as often. I practise on a bentside spinet at home and play on the church organ of my teacher during lessons. Groeten uit Nederland (greetings from The Netherlands)!