Dvořák: Symphony No. 7 | Music Documentary with Alondra de la Parra & the Münchner Symphoniker
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- เผยแพร่เมื่อ 26 มิ.ย. 2024
- The underlying mood of this symphony is somber and dramatic to the very end. Mexican conductor Alondra de la Parra performs Dvořák’s Symphony No. 7 with the Münchner Symphoniker (Munich Symphony Orchestra) at the Tutzing Brahmstage festival 2022. During rehearsals, she analyzes the famous work with musicians and experts.
DW Classical Music presents the eight-part series: Alondra de la Parra at the Brahmstage in Tutzing. The music documentaries will feature the 4 symphonies by Johannes Brahms and 4 symphonies by Antonín Dvořák.
Episode 1 / Brahms, Symphony No. 1: • Brahms: Symphony No. 1...
Episode 2 / Dvořák, Symphony No. 8: • Dvořák: Symphony No. 8...
Episode 3 / Brahms, Symphony No. 2: • Brahms: Symphony No. 2...
Episode 4 / Dvořák, Symphony No. 9: • Dvořák: Symphony No. 9...
Episode 5 / Brahms, Symphony No. 3: • Brahms: Symphony No. 3...
Episode 7 / Brahms, Symphony No. 4: • Brahms: Symphony No. 4...
Episode 8 / Dvořák, Symphony No. 6: • Dvořák: Symphony No. 6...
Episode 6 at a glance:
00:00 The patriotic roots in Dvořák’s Symphony No. 7
01:04 Working with the orchestra on the 1st movement
01:57 The revolutionary character of Dvořák’s Symphony No. 7
02:41 Excerpt from the 1st movement
03:31 Rehearsing a very dramatic part of the 1st movement
04:11 A plea for peace and a passionate confession in the 2nd movement
04:59 The dark colors and sadness in the 2nd movement
05:56 Does the 2nd movement of Dvořák's Symphony No. 7 sounds like a lullaby?
06:33 Sample on the cello from the 2nd movement
07:12 Excerpt from the 3rd movement
07:38 Reflections on Dvořák's struggle for recognition as a Czech composer in the European music world
08:42 The folkloric character of the 3rd movement
09:39 Excerpt from the 4th movement
When Dvořák composed his 7th Symphony in 1885, he was influenced by Brahms’s 3rd Symphony. Brahms had played the first and fourth movements for Dvořák on the piano during a visit to Vienna in 1883. Dvořák’s demands on himself were correspondingly high, as is evidenced by his words to his publisher Fritz Simrock: “The new symphony has been occupying me for a long, long time, but something decent should come out of it, because I want Brahms’s words to me ‘I still think of your symphony as being quite different from this (6th Symphony),’ to be true.” Dvořák composed his symphony, however, for the London Philharmonic Society, where he conducted its successful premiere on April 22, 1885.
Dvořák meets the high compositional demands by working the entire symphony very densely, the musical events follow one another in rapid succession and the musical flow hardly comes to a standstill until the end. The basic mood is somber and dramatic until the very end, with brief lighter moments. The opening themes in the first and fourth movements are multi-layered and resist easy comprehension at first hearing. This is left to the second themes in both movements, which betray the most Brahmsian influence.
The Tutzing Brahmstage is a small but elegant classical music festival. In 2022, it celebrated a double anniversary. The concert series was held for the 25th time and at the same time, it was the 125th anniversary of the death of the famous German composer. The Brahmstage festival takes place every year in Tutzing on Lake Starnberg in Upper Bavaria - the place where Brahms spent a summer composing important works in 1873. On four Sundays in October 2022, Brahms' four great symphonies were performed together with one symphony each by Antonin Dvořák - the 6th, 7th, 8th and 9th - in the Church of St. Joseph.
As one of Munich's great symphony orchestras, the Münchner Symphoniker has been an integral part of the German musical landscape for over 75 years. They perform around 100 concerts a year in concert series in Bavaria, with guest appearances and tours in Germany and abroad. The orchestra with musicians from 17 different nations presents varied programs on large concert and open-air stages as well as in its own rehearsal hall at the Bavaria Studios.
Alondra de la Parra's interview partners are Zurab Gvantseladze, principal oboe, Jakob Haas, violoncello, and musicologist Stephan Beck.
Report & Direction:
Holm Weber
Co-direction:
Dorothee Binding
Camera:
Matthias Boch
Amadeus Hiller
Simon Hermann
Christian Berges
Daniel Stupat
Jan Klein
Holm Weber
Sound:
Sara Misztela
Make-up:
Nilgün Konya
Editing:
Klaus Hellmig
Color Correction:
Jan von Stebut
Production:
Benedict Mirow - Nightfrog GmbH
Commissioning Editor:
Reiner Schild
© Deutsche Welle 2023
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Alondra is such a fabulous conductor with all the passion, knowledge, and skill she delivers!! "Live long and Prosper."
I was able to see a video of Mexican conductor Alondra DeLaParra collaborating on Symphony No. 7 at the Tuching Brahmstage Festival by Czechoslovak composer Dvošák! It's an honor to be able to watch this video and analyze it with musicians and experts. It was great!
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Alondra, you are a priceless treasure!!
Inspirierend die Erklärungen und Proben mitzuerleben. Dies bleibt ja sonst den Besuchern von Konzerten verborgen. Ich liebe das und höre wieder mehr solche Aufführungen.❤❤
enjoyed listening to your interpretation of Dvorak and he is one of my favorite composers.
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Die Proben sind klasse. Erst da sieht man wie Alondra für die Musik brennt. Ich finde dies sollte oft gezeigt werden, dadurch versteht man den Komponisten besser.❤❤
In June 2022 they advertised an seminar by english guy in the chateu museum in village of Vysoka where Dvorak spent 5 months each year during summer, and they wrote to description that Dvorak wrote 7th symphony and some other pieces for England.
I love the Alondra's passion! 😍 I like how well she connects with the musicians in the orchestra
If we could watch the 6th Symphony of Dvorak it would be great
Одно удовольствие,спасибо!!!
We're glad you enjoyed it 👍
Awesome :)
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A woman of passion! Yeah!
Bravissima maestra!
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👏👏
I love this women ❤ 😂