ジブリ美術監督 『武重洋二のJoy of Painting』番外編 ～アナログ背景美術の主な道具～
ฝัง
- เผยแพร่เมื่อ 11 ธ.ค. 2024
- #スタジオジブリ #ニッカー絵具 #武重洋二 #ポスターカラー
スタジオジブリの美術監督 武重洋二さんによるアニメーション背景美術の動画です。水張り、グラデーション、溝引き、カラバケ等、独特の技術を使って短時間であっという間に描き上げます。
武重さんによるトークではジブリ作品の制作秘話などのエピソードもあり、ジブリファンも必見の内容。
画を描くシーンの完全版はこちらで販売してます。
日本 nicker-shop.co...
海外 nicker-shop.co...
出演：アニメーション美術監督 武重洋二
主な美術監督作品
もののけ姫、となりの山田くん、千と千尋の神隠し、ハウルの動
く城、ゲド戦記、サマーウォーズ、借りぐらしのアリエッティ、
風立ちぬ、君たちはどう生きるか
ニッカー絵具代表取締役社長 妻倉一嘉
創業７０年以上の不透明水彩絵具の製造販売する老舗メーカー。
アニメーションのアナログ背景はほぼすべてニッカーのポスター
カラーで描かれる
デジタル化が進む中、日本が世界に誇る匠の技術を後世に残す活動
をTH-camを中心に行っている。
購入：絵具 ニッカー ポスターカラー
会社WEB nicker-enogu.com/
オンラインショップ nicker-shop.com/
super thanks, Mr. 武重洋二 & Nicker fellow :)
0:00
phonetic display
0:02
joy of ending
0:05
[music]
0:14
Hi Takeshi-san, here it is
0:19
in background art
0:21
It's all about basic tools.
0:25
I would also like you to explain
0:27
I'm here
0:28
Almost everything that's lined up here right now
0:31
It's all, isn't it?
0:34
It's fine for drawing such a complicated picture
0:37
simple
0:38
of material
0:39
It's the amount
0:40
Broadly speaking, paint and
0:44
Is it a brush and a piece of paper today?
0:46
I feel like I should do it with this item
0:49
If there is, it is mostly used by professionals
0:52
You can do it in the same way
0:55
First of all, this paint
0:58
Certainly, other than that Ghibli
1:01
Even if you look at the studio, it's the north of our daily routine
1:04
Kara is lined up in the workshop.
1:09
What year was it when you actually debuted?
1:12
It was about 40 years ago
1:17
What were tools like at that time?
1:21
ever since
1:25
Taught me how to work with Poster Color and keep doing it
1:30
ing
1:31
It's a state
1:33
some other
1:35
Haven't you ever experimented with paints?
1:38
other paints
1:40
Sometimes I sing transparent watercolor
1:44
But basically this poster color
1:49
The manufacturer is also a knicker
1:54
why is that what's going on
1:58
I've heard this from quite a few people
2:01
Unexpectedly everyone
2:02
I don't understand, we don't understand, so I'm asking
2:05
but
2:07
There is also a part where the answer is not given
2:09
To someone a little older than Mr. Takeshige
2:11
Even if you ask me, even when I was a newcomer
2:14
It's already Japan-Korea
2:19
about 60 years ago when the
2:23
It's already been a daily routine since the days of Astro Boy
2:25
The fact that everything was made from Tosa
2:28
I have received many testimonies.
2:30
Yes, how is it?
2:33
with art supplies
2:34
I don't think it was ever planned, but this
2:36
From the day that poster color
2:38
Call it a feature, or call it ease of work
2:40
Mr. Takeshige
2:44
Basically in my opinion
2:47
The paint spreads well and is easy to apply on the mat
2:49
On the contrary, even when using that thin coating, various
2:54
It is said that the coloring is good
2:57
Opinion after all
2:58
I feel like I'm still using it
3:01
Thank you
3:04
The first is
3:06
The same goes for the background art.
3:08
In the old days, the designer was used a lot.
3:11
Now is the time to use that photo shop
3:14
Various advertisements in illustrator
3:16
It is designed like this, but at that time it was an analog
3:18
In a sense of the times
3:22
It's like the adobe system.
3:24
If you talk about it, it's pretty much everyone
3:27
What can you say
3:29
That good workability is the first thing
3:32
I wonder if it was supported by a professional
3:35
From my poster, it's actually that
3:40
Paint is water and pigment-colored powder, and seaweed.
3:44
in the ingredients
3:45
It is made by combining this
3:46
It's a component of the poster color
3:49
Well with pretty good price watercolor paints
3:53
Gum arabic used
3:55
You're using glue, right?
3:57
The water
4:00
It melts very quickly
4:02
I'm familiar with it
4:04
When I pass it through with a brush, I often see that face.
4:07
When I apply it, it gets hoarse.
4:09
Isn't that kind of thing very
4:12
Because there are few, when doing a stroke like this
4:16
It gets wet smoothly, so it's just right
4:20
a complicated picture
4:21
In a short time writing job, that kind of man-hour and
4:25
Do you mean that kind of workability?
4:27
I think it will be given a lot of attention
4:30
I can feel stress-free wherever I go
4:32
is one first
4:34
I think that's why it's adopted
4:36
Also, the good coloring is quite good.
4:40
I was told
4:41
After drying, if you touch it with the mat for a while,
4:44
Roughness gives off a strong color
4:47
It's become something like that, but especially the cat
4:50
Do you use a lot of pigments?
4:54
Pigments also have so-called colored people
4:56
Powder-like things that are easy to imagine as pigments
4:59
By the way, do you know about extender pigments?
5:04
There is a constitution called the quality of the body, but this
5:07
various effects
5:10
in the paint
5:12
For example,
5:14
say a little bulky
5:18
It may be something to increase the amount
5:20
So put that kind of thing in there
5:22
By putting away the pigment with the original color
5:25
If the part is a little cloudy no matter what
5:29
Daily routine poster
5:31
It's just that it's made up of less
5:33
so
5:35
The original pigment itself
5:37
Fine after drying
5:39
It comes out in a bare state, so when you see it with your eyes
5:41
so much color
5:44
It leads to evaluation in the wind that coloring is good
5:46
I think yes
5:49
Well, that's right, in the future
5:51
As for the paint, it's still the same
5:52
It's okay to say yes
5:56
By the way, there are currently 24 colors lined up here.
5:58
There are a few things, so I'll write a slightly different picture
6:01
Mr. Takeshige at the time of shooting
6:03
I had you select, but all
6:05
Now poster colors are common colors
6:07
There are 57 colors.
6:10
is it used
6:14
color is
6:14
I mainly use about 24 colors
6:19
or in special cases
6:22
When you want to change the color
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Other than
6:27
[music]
6:28
I put it out and use it
6:32
Depends on the work
6:35
If it's a work with a lot of dark impressions, it's a bit around that
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to replace
6:39
If there is a lot of green or there are many natural objects
6:41
Just remove the dark colors like that
6:44
Like putting in that kind of blue or green
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there is something to say
6:52
I see.
6:54
about the brush
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I also often see various people
6:59
In terms of types, I only use about 3 types of brushes
7:02
I don't think so everyone
7:06
There are thin and thick strokes with a flat brush.
7:09
almost
7:11
That's right, so I'll say it in the sense of coloring
7:15
There are almost two types of brushes, right?
7:18
But let's start with a flat brush first.
7:19
Let's do this now
7:22
Mr. Takeshige, take out what you have
7:24
I received it, but it was very
7:27
It's thick
7:30
If you increase the area or make this empty, instead
7:34
to do
7:35
I'm cooking this too, but generally
7:40
I mainly use
7:43
6 or 7
7:45
Even so, it's quite common to see it as a painting.
7:50
Do you use a brush that big like this?
7:53
I don't think so
7:57
Most professionals are like this
8:01
It's a ground coating, isn't it?
8:04
70% 80%
8:06
Finishing after deciding the image of the picture
8:08
Do you feel like it's big and small?
8:10
What does this size look like?
8:12
I agree
8:14
On the contrary, it captures large objects rather than small ones.
8:19
If necessary, use a slightly larger brush.
8:22
It is better to write roughly
8:24
It may be easy to make
8:28
To do the ground coating as a whole
8:31
I'm looking at this flat brush, but I've seen something
8:34
there is quite a lot
8:36
What do you call a sharpened line?
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Or go to the building like this
8:42
no how to use
8:45
I wonder if it's the main
8:47
[music]
8:50
Put out this line here and put in something linear
8:55
Masushi
8:57
crush it
9:00
something like grass
9:02
Or use it while touching it
9:07
structure
9:08
I have a lot of hair and it's so dry it's amazing to touch
9:11
It's soft, but I just wet it with water
9:14
It's pretty big.
9:18
Surprisingly easy to use for its appearance
9:21
Is it easy to control?
9:23
I agree
9:24
The rest is
9:28
If you crush it and use it, it will return as it spreads too much
9:31
become difficult
9:33
I have arms, but I have a lot of hair
9:37
and
9:37
to fit
9:39
Considering even the smallest details
9:44
It's convenient. I feel like I'm using it.
9:48
By the way, the brand of this brush is Bokuhei Fude.
9:50
I've only ever seen a pencil case from Namura Cathedral.
9:54
I don't have it
9:56
Everyone, Masado Namura
10:00
I don't know about other people, but I'm Valve
10:05
including
10:06
I often use Nomura's brushes.
10:10
The flat brush that was there is here
10:14
It's a round brush
10:16
feeling like this
10:20
this is
10:21
In terms of types, it's a Japanese painting brush.
10:26
It's called a sac brush as another name.
10:29
It's like a dose brush
10:34
There are many product names
10:36
This is that
10:40
Since it is called base coating, the overall picture
10:43
If I draw
10:45
A ship that does fine finishing after it dries
10:48
yeah basically
10:50
[music]
10:52
This is called wearing
10:55
It's a brush
10:57
This is also a natural net
11:01
It's soft, but it's rough
11:03
After all, it's amazing to get it wet
11:06
this
11:08
It's hard
11:11
I agree
11:14
Is this the one in the small window?
Thank you!
11:17
Or a thin line that looks like a dot
11:23
Also, before I was at that studio
11:26
This battered thing is in the bucket
11:29
Scenes with lots of Saku-off
11:31
When I look and listen, it's pretty rattling
11:36
I can't draw thin lines at all
11:38
But what are you using this for?
11:40
When I asked if it was something like that leaf
11:43
I heard a story that you can go as it is
11:46
Sometimes
11:47
That's right, if you keep using it
11:50
the tip
11:53
It's getting pretty thin and sharp
11:57
I'm going round, so that's how it is
12:00
in what way
12:03
like a leaf
12:07
It's another way to use it
12:10
Consumption is quite intense
12:14
On the other hand, when writing fine details, put it down.
12:17
sharp things at the time of
12:20
fine work it
12:23
except
12:26
almost
12:28
Things like this where time doesn't stop
12:32
I use
12:34
You can pretty much do anything in 1 minute with the number off
12:37
Well, it just depends on the mode
12:40
Have a few and use them properly
12:43
Is it best to say
12:46
got it
12:48
Also, when I say it with a brush, this is actually
12:52
It's not like I'm painting, but this
12:54
Everyone has a big brush, right?
13:00
this is
13:02
What is this
13:05
in a dry state
13:07
Smooth out the paint like this while it's wet
13:09
The so-called color bucket
13:13
I use this for how to use
13:17
Handwriting or blurry
13:21
Sounding gradation or something like that
13:23
This is interesting, isn't it?
13:26
is a bit colored
13:28
It's just because I'm not using it
13:31
I see
13:33
Even with this, this kind of brush is still freshly used.
13:36
around the time
13:36
A little out of the root
13:38
There is no such thing as it will remain in your hair.
13:40
what do you do when that happens
13:43
Previously
13:46
take it wet
13:48
If you don't finish it, it will appear on the screen
13:52
It was difficult, but recently digital
13:56
with what I took
13:58
[music]
14:00
Erase things like garbage
14:03
as much as you can
14:05
don't care too much
14:09
I understand, and this one is too big
14:11
It's the same with the previous effect.
14:13
In general, the brushes on the Japanese side are small, medium, and large.
14:17
It's about 3 different sizes.
14:19
Yonamura-san's talk is oversized
14:21
But everyone has a table, right?
14:23
Yes, I mainly use it for detailed work.
14:28
There are times when I'm in this
14:31
I'm still in the middle
14:34
do not have
14:34
[music]
14:35
I see.
14:39
Well, I'll go back to betting on Masukane, but this is also
14:42
After all, it's big, isn't it?
14:44
It's the same with the water filling, and at karaoke
14:47
After all, this much
14:49
Width is easier
14:52
On the other hand, when I was writing a flat brush earlier, I said a little
14:54
It was a little small place
14:56
It's about this time when I'm alone
14:58
It means that it is convenient to have
15:00
got it
15:03
Then next
15:05
paper yes
15:07
This is Mr. Muse's current situation
15:12
The product name is New tmk Poster
15:14
I'm a little confused, but maybe this is too
15:18
Almost from the time Takeshige entered the scene
15:20
Does it feel like you only use this paper? Anime
15:23
That's right
15:25
Well if you aim for a special special effect other
15:30
Basically this
15:34
thk
15:36
Only
15:40
When you touch this, you can't really tell the front and back
15:42
not much
15:46
Not so rough
15:48
No, I think it's because the texture is fine
15:51
but
15:53
I heard a little story from Mr. Muse.
15:55
As a characteristic, first of all, the decision is very thin
15:59
After that, this is how everyone uses it
16:02
Both sides are soaked in water.
16:05
hey
16:05
If you do that with general drawing paper
16:09
hairy
16:11
Like a hole
16:12
It doesn't make a picture, does it?
16:14
Sturdy without anything
16:15
However
16:17
Those two points are the most anime
16:21
The reason why it is also used in background art
16:24
I don't think so, but that's true
16:26
After all, that shooting is also an analog picture
16:28
on second thoughts
16:29
watercolor when captured
16:33
It's rough like paper
16:34
much effort
16:35
The unevenness of the carefully drawn picture comes out a little
16:38
Maybe this texture
16:41
The fineness of the
16:43
just be honest
16:45
The so-called resolution is
16:47
it feels like it's expensive
16:50
Especially in reality
16:54
This b4 size is the size used in
16:56
It's about A4 size here
16:59
It's like drawing a picture.
17:01
On a big screen or something like this
17:04
Since it will appear, conversely, it will expand
17:06
After copying
17:07
When I thought about it with the image of getting rough
17:10
The decision to endure
17:11
I wonder if you can say that it's detailed
17:17
But well, I usually write as a hobby
17:19
dare to be the same
17:21
I don't know how to write the background
17:23
If you write on rough watercolor paper,
17:26
It may be interesting that the situation is different
17:27
I agree
17:30
That's all for now.
17:33
This is paints, brushes and paper, but more often
17:36
It's around there as something you'll definitely see
17:39
But the palette is generally like this
17:42
Please don't use this, this is also in Japanese.
17:46
since it is used
17:49
[music]
17:52
Is the size about this?
17:55
About 10.5cm in size
17:59
teeth
18:00
It feels like you're mixing colors in various ways.
18:03
is flat and large
18:06
just right for that
18:08
I think that's what it means
18:13
Then when you don't use it anymore, like this board
18:15
I'm doing it too everyone
18:19
By the way, that individual practiced at home
18:21
The time to do is after all
18:24
This desk is filled with water.
18:28
sucking
18:29
Not suitable for wood
18:33
For photography. This is Iris Ohyama's
18:35
I procured a decorative board and always use it
18:37
However, I draw on a material that does not absorb water.
18:40
Is it best to go
18:42
Also brush washing
18:46
I have this placen for convenience, but this too
18:48
It's quite heavy, like the thickness of the pottery.
18:51
It's used, isn't it? Almost almost straight
18:54
There are only two
18:58
Mr. Netakeshige's photo shoot the other day
19:00
If you see the brush wash
19:01
It is very clean without changing the water even once
19:04
That's how it feels to stay in that state
19:06
How is it working?
19:09
a lot of things
19:11
Each time you have to do
19:15
I have to write over and over again
19:18
but
19:20
It gets dirty and I can't buy water for that reason
19:24
I'm doing it with the feeling that
19:29
later
19:30
well done technically
19:32
This is what you see
19:35
grooved ruler
19:37
It's a grooving ruler
19:38
This is that glass
19:43
A stick or something made of iron
19:45
There are various types of sliding tools
19:49
I have
19:50
Mr. Takeshige is the main
19:54
This is the part of the glass rod.
19:58
is it
20:02
I dropped this and broke it.
20:05
it
20:06
this is a brush
20:10
It's the pattern part, but insert it there
20:13
It's a handmade
20:18
And this grooving ruler too.
20:21
Probably in the beginning there were a lot of squares
20:24
It may be in there, but it's almost non-existent
20:25
I just don't speak dialect anymore
20:28
Just write or fix a thin line with a brush
20:31
That's what it's for
20:35
Electricity is on quite a bit.
20:39
Grooving rulers are mostly commercial products
20:41
There are many long ones like 30cm or 45cm
20:44
I've never seen a size like this before.
20:46
But this is like cutting a long size ruler
20:52
What is it
20:53
long
20:58
[music]
21:00
Because it is difficult to use a ruler, this
21:03
About the size is just right
21:05
so it
21:07
follow the ruler and find
21:10
Is this Ogawa-san's?
21:13
originally
21:15
what generation
21:17
That's right. Some people use the long ones as they are.
21:20
I come here sometimes, but is that it?
21:23
Easy to use, short or long
21:26
Do you feel like you are each yourself?
21:29
As a teacher, it is better to keep it short
21:32
Isn't it fine
21:34
If you want to write details, it's a little long
21:38
because it gets in the way
21:40
both
21:42
I think it's wonderful
21:43
Interesting, both of these are handmade
21:45
By the way, I made some kind of limited edition product and put it out.
21:48
Shall we
21:50
yes thank you
21:54
if there is this much
21:56
You can challenge background art from today
21:58
Thank you
22:01
little bit
22:03
I think that there were some explanations that did not reach
22:04
If you still have questions
22:06
If you can put it in the comment field
22:09
thank you
22:12
[music]
Thank you!
背景画やってみたいな〜と思ってたのでこうゆう動画すごくありがたいです！！
ご視聴・コメントありがとうございます。
ぜひぜひ、やてみてください！
説明が分かり良すぎで参考になりました！
ご視聴・コメントありがとうございます。
そうですか！ありがとうございます。
man, I wish there were English captions...I feel like there's a lot of valuable info here and I can't understand any of it...
Agreed!
Thank you for your input.
Editing these videos is very expensive and time consuming. Our job is to make and sell paint. We work on them in between our busy schedules.
We use AI to recognize the subtitles and fix the Japanese.
If you want to add subtitles in multiple languages, you need a different method. If we do that, the editing time is enormous, so we can't do it now.
We hope to solve this problem in the future.
A kind person commented on the English translation, so please refer to that.
@@nickerenogu Hi, thank you for your response
I understand that translating and editing these videos takes a lot of time and resources, which really can't be helped
I'm just expressing my general frustration over not being able to understand when it seems like there's a lot of useful brush info in this video
But I still appreciate all the videos you guys put out and I feel like I can still get a lot out of the ones that show visually parts of the painting process even without an English translation
I will take a look at the translation in the comments, thanks for letting me know about it!