Thank you for watching. Thank you also for your very encouraging comments. I will continue to post videos that everyone can enjoy. We have just added subtitles and hope you continue to enjoy our videos.
Thank you for this video and with the English subtitles. I love the Nickers poster paints I bought, they blend like a dream. Watching this video made me realize I use too much water so I want to paint again with this in mind. I look forward to more videos!
0:14 Hi hello 0:16 Today too, Studio Ghibli's 0:18 Art director Yoji Takeshige 0:21 This will be a fun program to draw, so 0:24 Mr. Takeshige, thank you for your continued support today. 0:27 Just today 0:28 The timing of this shooting day 0:31 The topic of ``How do you live?'' 0:33 The new release will be out in about 2 weeks. 0:37 Will that happen? 0:39 If it were true, at this timely timing. 0:42 Please let me know if you have anything to do with the work. 0:44 I want you to draw it. 0:46 I would like to include a talk session as well. 0:48 Thank you to everyone who tried it out. 0:51 Spoilers for everyone involved 0:53 That means I haven't done it. 0:55 We can't spoil it here 0:56 That means it's okay. 0:57 Today we have a slightly different theme 0:59 I hope you can do it. 1:01 I hope you can draw it somewhere 1:03 I think so. 1:04 Yes, let's do it right away. 1:06 Mr. Takeshige, what kind of picture will you draw today? 1:09 Today it appeared in "Princess Mononoke" 1:13 A “Forest of Shishigami” style scenery 1:16 I'm thinking of trying to draw it 1:18 This is for Ghibli fans 1:20 It's a solid content. 1:22 Speaking of Shishigami Forest 1:24 What is it, my impression is 1:26 This deep 1:29 A wetland? 1:32 I have a green image of it. 1:35 Exactly like that 1:37 I agree 1:39 By the way, at the time of "Princess Mononoke" 1:43 Mr. Takeshige and others, in drawing that view of the world. 1:47 Location scouting etc. 1:48 At that time, did you do something like that? 1:50 At that time, the director (Hayao Miyazaki) told me 1:54 What is the evergreen forest zone? 1:57 It was widespread in Japan in the past. 2:02 Yakushima is where the greenery remains. 2:06 That's why 2:08 I told you to come and see it once. 2:10 All the art staff 2:13 I was allowed to go to Yakushima. 2:15 That's right 2:16 Carve that into your mind 2:18 Share the scenery with everyone 2:21 Do you feel like you turned it into a work? 2:23 I agree 2:25 However, in the main story, with Mr. Fumi Yamamoto 2:29 Mr. Kazuo Oga 2:31 I'm in charge of the deep forest. 2:39 My impression is that 2:40 He says he can't draw green like this anymore. 2:45 I ended up just being overwhelmed. 2:48 That's right 2:49 Since then, time has passed 2:51 The current Mr. Takeshige. 2:53 Takeshige's version of the forest 2:56 I hope you can draw it 2:57 I'm looking forward to it 2:59 Alright everyone, after this 3:01 Mr. Takeshige will draw it, so 3:03 Please watch it. 3:06 thank you 3:09 *At the knicker online shop, Contains the entire production process and covers scenes of color mixing. 3:13 The full version of the video is now on sale. Please see the video summary section for the sales page. 3:17 Wet both sides of the paper evenly with a brush dampened with water. 3:22 The paper used is muse New TMK poster, which is water resistant and does not peel off. 3:33 After painting both sides, turn it over and wet the front side of the paper again with water. 3:46 Wipe off any water that spills onto the desk beforehand, as water will stick to the brush when brushing. 3:53 Remove excess water with a damp brush. 10:16 *At the knicker online shop, Contains the entire production process and covers scenes of color mixing. 10:24 The full version of the video is now on sale. Please see the video summary section for the sales page. 10:33 Yes, Takeshige-san, thank you for your hard work. 10:36 Okay, right away, let's take a look. 10:42 Here it is 10:47 What is this? 10:47 It took me some time a while ago. 10:50 It's a little over 1 hour and 20 minutes 10:53 Start with water 10:54 Is that so? 10:56 No, it's truly a divine skill. 10:59 The first point is 11:03 Like the forest of Shishigami 11:04 As for the image 11:06 What do you mean at the beginning? 11:07 Can you say it feels damp? 11:09 Greenness 11:10 That kind of part is 11:11 It's exactly expressed 11:15 I would say it's fresh. 11:16 Does it feel like it's humid? 11:19 This kind of thing is 11:21 Tips or points 11:23 What should I do this way? 11:24 It seems like that's how it looks 11:25 I wonder if there is 11:27 What's going on? 11:29 The color green is quite 11:35 A place surrounded by greenery like this 11:39 If only the color green is used 11:41 Because it doesn't draw much 11:43 Basically, it's a tea type like this. 11:45 While incorporating redness 11:49 It's about bringing out the color of green. 11:52 I think that's the point 11:55 Quite a deep green color 11:57 It seems like I used it a lot. 11:59 Is this the chrome green number 3? 12:04 I agree 12:06 This time the green is 12:07 From chrome green numbers 1, 2, and 3 12:08 from light green 12:10 from turkey green 12:14 A color like yellow ocher 12:17 While mixing it with 12:21 In the distance, I mainly mixed in some bluish colors. 12:29 The darkest blue is indigo 12:33 During the previous European landscape 12:37 I had the black one ready 12:38 That I didn't use it 12:39 Wasn't it? 12:40 This time, black is used at key points. 12:43 Do you feel like it's working? 12:45 I agree 12:46 When expressing light 12:51 Cast a shadow firmly 12:53 That's how light can be expressed. 12:58 This time I was in particularly deep water. 13:03 I used a color that felt like it was finished off with black. 13:08 got it 13:10 As the second one 13:12 This time this picture is in the foreground 13:14 Quite a large plant with leaves. 13:17 when first depicted 13:19 The layout lines are as they are 13:20 where it is properly depicted 13:22 When the entire base is painted 13:24 I watched it almost completely 13:27 The layout lines of the leaves 13:29 It looked like it had disappeared 13:30 Because it is an opaque poster color 13:33 It means that the original sketch will disappear. 13:36 Almost freehand from above 13:39 I agree 13:40 When drawing plants 13:42 Just the general positional relationship 13:46 Decide 13:49 It is better to draw freehand all at once. 13:53 After all, if you try to follow the line 13:54 Somehow the momentum has stopped. 13:58 Lines with more force are more like leaves 14:00 I wonder if it will become more lively. 14:02 In a place that generally feels like this 14:06 For those who move their brushes steadily 14:09 Because I concentrate 14:12 Just the general positional relationship 14:15 By the way, for example, this time it was a plant. 14:18 It's depicted like that 14:19 quite complicated 14:22 Something like a building 14:24 If that's the case, it's quite difficult 14:26 Even if it's freehand 14:27 It won't work, right? 14:29 In that case, apply a base coat. 14:31 One more time after drying 14:33 Or get back on track? 14:36 Things like precision 14:39 Once you get the hang of it, draw it properly. 14:42 That's what I'll do 14:45 on retaking 14:46 What kind of art materials do you use? 14:49 Carbon paper for layout paper 14:52 I often get hit 14:55 on top of the painted poster color 14:57 I feel like I'm going to draw on that again. 15:00 I see 15:02 Finally, this is the most divine part of the light. 15:06 Looking here 15:08 Using various colors in multiple layers 15:12 It felt like it was being painted 15:15 How do I apply it? 15:18 Like this 15:19 light shines through 15:20 It's going to be divine, right? 15:23 It's basically in the green 15:27 As a green, yellowish color of light 15:31 first pull it 15:34 Moreover, if you add bright yellow 15:38 I thought the light itself would look yellowish. 15:43 The brightest color is 15:44 Put it in something pale blue. 15:49 Moreover, if it is only the blue and green colors, 15:57 I don't think it looks very bright. 15:59 I added something like a slightly pinkish color. 16:03 I wish it looked like light 16:05 I use colors like this. 16:08 So it feels like it's roughly 3 layers. 16:11 Add green, add blue, add pink 16:18 CG has developed so much these days. 16:22 Digital corrections can also be made in these areas. 16:24 I think there are many 16:26 In that case, it's actually around here 16:30 Do you sometimes not draw? 16:34 If the beam of light does not move 16:36 on top of what you drew in the background 16:39 It would be better to include something like digital processing. 16:41 Familiarizes well and comes out cleanly 16:44 More right here 16:45 This is an image to be processed. 16:49 There is a character, and in front of it too. 16:50 If light shines in 16:52 Letting digital light shine in 16:55 I'll do it like this 16:56 In that case, I didn't dare draw it. 16:58 That's about it 17:00 light moves as clouds move 17:02 What happens when the sunlight filtering through the foliage moves? 17:06 If I start drawing it, I can't move anymore. 17:09 In that case, don't draw it 17:11 while making the material 17:15 It's about letting light in. 17:19 got it 17:21 There are many other points as well. 17:23 I think there is a part 17:25 What you just saw 17:28 This is a shortened and edited version 17:31 If you are interested, please see below. 17:34 It is also listed in the summary section. 17:36 knicker online shop 17:38 Also for full version 17:39 You can download the data 17:41 I hope you will take advantage of it as well. 17:45 Well then, Mr. Takeshige, today too. 17:46 thank you 17:47 thank you
Thank you for watching. Thank you also for your very encouraging comments. I will continue to post videos that everyone can enjoy. We have just added subtitles and hope you continue to enjoy our videos.
Thank you for watching. We have just added subtitles, if you turn on TH-cam's subtitle function and set the auto-translate function, you will see the translated subtitles.
0:14 Hi hello 0:16 Today too, Studio Ghibli's 0:18 Art director Yoji Takeshige 0:21 This will be a fun program to draw, so 0:24 Mr. Takeshige, thank you for your continued support today. 0:27 Just today 0:28 The timing of this shooting day 0:31 The topic of ``How do you live?'' 0:33 The new release will be out in about 2 weeks. 0:37 Will that happen? 0:39 If it were true, at this timely timing. 0:42 Please let me know if you have anything to do with the work. 0:44 I want you to draw it. 0:46 I would like to include a talk session as well. 0:48 Thank you to everyone who tried it out. 0:51 Spoilers for everyone involved 0:53 That means I haven't done it. 0:55 We can't spoil it here 0:56 That means it's okay. 0:57 Today we have a slightly different theme 0:59 I hope you can do it. 1:01 I hope you can draw it somewhere 1:03 I think so. 1:04 Yes, let's do it right away. 1:06 Mr. Takeshige, what kind of picture will you draw today? 1:09 Today it appeared in "Princess Mononoke" 1:13 A “Forest of Shishigami” style scenery 1:16 I'm thinking of trying to draw it 1:18 This is for Ghibli fans 1:20 It's a solid content. 1:22 Speaking of Shishigami Forest 1:24 What is it, my impression is 1:26 This deep 1:29 A wetland? 1:32 I have a green image of it. 1:35 Exactly like that 1:37 I agree 1:39 By the way, at the time of "Princess Mononoke" 1:43 Mr. Takeshige and others, in drawing that view of the world. 1:47 Location scouting etc. 1:48 At that time, did you do something like that? 1:50 At that time, the director (Hayao Miyazaki) told me 1:54 What is the evergreen forest zone? 1:57 It was widespread in Japan in the past. 2:02 Yakushima is where the greenery remains. 2:06 That's why 2:08 I told you to come and see it once. 2:10 All the art staff 2:13 I was allowed to go to Yakushima. 2:15 That's right 2:16 Carve that into your mind 2:18 Share the scenery with everyone 2:21 Do you feel like you turned it into a work? 2:23 I agree 2:25 However, in the main story, with Mr. Fumi Yamamoto 2:29 Mr. Kazuo Oga 2:31 I'm in charge of the deep forest. 2:39 My impression is that 2:40 He says he can't draw green like this anymore. 2:45 I ended up just being overwhelmed. 2:48 That's right 2:49 Since then, time has passed 2:51 The current Mr. Takeshige. 2:53 Takeshige's version of the forest 2:56 I hope you can draw it 2:57 I'm looking forward to it 2:59 Alright everyone, after this 3:01 Mr. Takeshige will draw it, so 3:03 Please watch it. 3:06 thank you 3:09 *At the knicker online shop, Contains the entire production process and covers scenes of color mixing. 3:13 The full version of the video is now on sale. Please see the video summary section for the sales page. 3:17 Wet both sides of the paper evenly with a brush dampened with water. 3:22 The paper used is muse New TMK poster, which is water resistant and does not peel off. 3:33 After painting both sides, turn it over and wet the front side of the paper again with water. 3:46 Wipe off any water that spills onto the desk beforehand, as water will stick to the brush when brushing. 3:53 Remove excess water with a damp brush. 10:16 *At the knicker online shop, Contains the entire production process and covers scenes of color mixing. 10:24 The full version of the video is now on sale. Please see the video summary section for the sales page. 10:33 Yes, Takeshige-san, thank you for your hard work. 10:36 Okay, right away, let's take a look. 10:42 Here it is 10:47 What is this? 10:47 It took me some time a while ago. 10:50 It's a little over 1 hour and 20 minutes 10:53 Start with water 10:54 Is that so? 10:56 No, it's truly a divine skill. 10:59 The first point is 11:03 Like the forest of Shishigami 11:04 As for the image 11:06 What do you mean at the beginning? 11:07 Can you say it feels damp? 11:09 Greenness 11:10 That kind of part is 11:11 It's exactly expressed 11:15 I would say it's fresh. 11:16 Does it feel like it's humid? 11:19 This kind of thing is 11:21 Tips or points 11:23 What should I do this way? 11:24 It seems like that's how it looks 11:25 I wonder if there is 11:27 What's going on? 11:29 The color green is quite 11:35 A place surrounded by greenery like this 11:39 If only the color green is used 11:41 Because it doesn't draw much 11:43 Basically, it's a tea type like this. 11:45 While incorporating redness 11:49 It's about bringing out the color of green. 11:52 I think that's the point 11:55 Quite a deep green color 11:57 It seems like I used it a lot. 11:59 Is this the chrome green number 3? 12:04 I agree 12:06 This time the green is 12:07 From chrome green numbers 1, 2, and 3 12:08 from light green 12:10 from turkey green 12:14 A color like yellow ocher 12:17 While mixing it with 12:21 In the distance, I mainly mixed in some bluish colors. 12:29 The darkest blue is indigo 12:33 During the previous European landscape 12:37 I had the black one ready 12:38 That I didn't use it 12:39 Wasn't it? 12:40 This time, black is used at key points. 12:43 Do you feel like it's working? 12:45 I agree 12:46 When expressing light 12:51 Cast a shadow firmly 12:53 That's how light can be expressed. 12:58 This time I was in particularly deep water. 13:03 I used a color that felt like it was finished off with black. 13:08 got it 13:10 As the second one 13:12 This time this picture is in the foreground 13:14 Quite a large plant with leaves. 13:17 when first depicted 13:19 The layout lines are as they are 13:20 where it is properly depicted 13:22 When the entire base is painted 13:24 I watched it almost completely 13:27 The layout lines of the leaves 13:29 It looked like it had disappeared 13:30 Because it is an opaque poster color 13:33 It means that the original sketch will disappear. 13:36 Almost freehand from above 13:39 I agree 13:40 When drawing plants 13:42 Just the general positional relationship 13:46 Decide 13:49 It is better to draw freehand all at once. 13:53 After all, if you try to follow the line 13:54 Somehow the momentum has stopped. 13:58 Lines with more force are more like leaves 14:00 I wonder if it will become more lively. 14:02 In a place that generally feels like this 14:06 For those who move their brushes steadily 14:09 Because I concentrate 14:12 Just the general positional relationship 14:15 By the way, for example, this time it was a plant. 14:18 It's depicted like that 14:19 quite complicated 14:22 Something like a building 14:24 If that's the case, it's quite difficult 14:26 Even if it's freehand 14:27 It won't work, right? 14:29 In that case, apply a base coat. 14:31 One more time after drying 14:33 Or get back on track? 14:36 Things like precision 14:39 Once you get the hang of it, draw it properly. 14:42 That's what I'll do 14:45 on retaking 14:46 What kind of art materials do you use? 14:49 Carbon paper for layout paper 14:52 I often get hit 14:55 on top of the painted poster color 14:57 I feel like I'm going to draw on that again. 15:00 I see 15:02 Finally, this is the most divine part of the light. 15:06 Looking here 15:08 Using various colors in multiple layers 15:12 It felt like it was being painted 15:15 How do I apply it? 15:18 Like this 15:19 light shines through 15:20 It's going to be divine, right? 15:23 It's basically in the green 15:27 As a green, yellowish color of light 15:31 first pull it 15:34 Moreover, if you add bright yellow 15:38 I thought the light itself would look yellowish. 15:43 The brightest color is 15:44 Put it in something pale blue. 15:49 Moreover, if it is only the blue and green colors, 15:57 I don't think it looks very bright. 15:59 I added something like a slightly pinkish color. 16:03 I wish it looked like light 16:05 I use colors like this. 16:08 So it feels like it's roughly 3 layers. 16:11 Add green, add blue, add pink 16:18 CG has developed so much these days. 16:22 Digital corrections can also be made in these areas. 16:24 I think there are many 16:26 In that case, it's actually around here 16:30 Do you sometimes not draw? 16:34 If the beam of light does not move 16:36 on top of what you drew in the background 16:39 It would be better to include something like digital processing. 16:41 Familiarizes well and comes out cleanly 16:44 More right here 16:45 This is an image to be processed. 16:49 There is a character, and in front of it too. 16:50 If light shines in 16:52 Letting digital light shine in 16:55 I'll do it like this 16:56 In that case, I didn't dare draw it. 16:58 That's about it 17:00 light moves as clouds move 17:02 What happens when the sunlight filtering through the foliage moves? 17:06 If I start drawing it, I can't move anymore. 17:09 In that case, don't draw it 17:11 while making the material 17:15 It's about letting light in. 17:19 got it 17:21 There are many other points as well. 17:23 I think there is a part 17:25 What you just saw 17:28 This is a shortened and edited version 17:31 If you are interested, please see below. 17:34 It is also listed in the summary section. 17:36 knicker online shop 17:38 Also for full version 17:39 You can download the data 17:41 I hope you will take advantage of it as well. 17:45 Well then, Mr. Takeshige, today too. 17:46 thank you 17:47 thank you
Thank you for watching. We have just added subtitles, if you turn on TH-cam's subtitle function and set the auto-translate function, you will see the translated subtitles.
0:14 Hi hello 0:16 Today too, Studio Ghibli's 0:18 Art director Yoji Takeshige 0:21 This will be a fun program to draw, so 0:24 Mr. Takeshige, thank you for your continued support today. 0:27 Just today 0:28 The timing of this shooting day 0:31 The topic of ``How do you live?'' 0:33 The new release will be out in about 2 weeks. 0:37 Will that happen? 0:39 If it were true, at this timely timing. 0:42 Please let me know if you have anything to do with the work. 0:44 I want you to draw it. 0:46 I would like to include a talk session as well. 0:48 Thank you to everyone who tried it out. 0:51 Spoilers for everyone involved 0:53 That means I haven't done it. 0:55 We can't spoil it here 0:56 That means it's okay. 0:57 Today we have a slightly different theme 0:59 I hope you can do it. 1:01 I hope you can draw it somewhere 1:03 I think so. 1:04 Yes, let's do it right away. 1:06 Mr. Takeshige, what kind of picture will you draw today? 1:09 Today it appeared in "Princess Mononoke" 1:13 A “Forest of Shishigami” style scenery 1:16 I'm thinking of trying to draw it 1:18 This is for Ghibli fans 1:20 It's a solid content. 1:22 Speaking of Shishigami Forest 1:24 What is it, my impression is 1:26 This deep 1:29 A wetland? 1:32 I have a green image of it. 1:35 Exactly like that 1:37 I agree 1:39 By the way, at the time of "Princess Mononoke" 1:43 Mr. Takeshige and others, in drawing that view of the world. 1:47 Location scouting etc. 1:48 At that time, did you do something like that? 1:50 At that time, the director (Hayao Miyazaki) told me 1:54 What is the evergreen forest zone? 1:57 It was widespread in Japan in the past. 2:02 Yakushima is where the greenery remains. 2:06 That's why 2:08 I told you to come and see it once. 2:10 All the art staff 2:13 I was allowed to go to Yakushima. 2:15 That's right 2:16 Carve that into your mind 2:18 Share the scenery with everyone 2:21 Do you feel like you turned it into a work? 2:23 I agree 2:25 However, in the main story, with Mr. Fumi Yamamoto 2:29 Mr. Kazuo Oga 2:31 I'm in charge of the deep forest. 2:39 My impression is that 2:40 He says he can't draw green like this anymore. 2:45 I ended up just being overwhelmed. 2:48 That's right 2:49 Since then, time has passed 2:51 The current Mr. Takeshige. 2:53 Takeshige's version of the forest 2:56 I hope you can draw it 2:57 I'm looking forward to it 2:59 Alright everyone, after this 3:01 Mr. Takeshige will draw it, so 3:03 Please watch it. 3:06 thank you 3:09 *At the knicker online shop, Contains the entire production process and covers scenes of color mixing. 3:13 The full version of the video is now on sale. Please see the video summary section for the sales page. 3:17 Wet both sides of the paper evenly with a brush dampened with water. 3:22 The paper used is muse New TMK poster, which is water resistant and does not peel off. 3:33 After painting both sides, turn it over and wet the front side of the paper again with water. 3:46 Wipe off any water that spills onto the desk beforehand, as water will stick to the brush when brushing. 3:53 Remove excess water with a damp brush. 10:16 *At the knicker online shop, Contains the entire production process and covers scenes of color mixing. 10:24 The full version of the video is now on sale. Please see the video summary section for the sales page. 10:33 Yes, Takeshige-san, thank you for your hard work. 10:36 Okay, right away, let's take a look. 10:42 Here it is 10:47 What is this? 10:47 It took me some time a while ago. 10:50 It's a little over 1 hour and 20 minutes 10:53 Start with water 10:54 Is that so? 10:56 No, it's truly a divine skill. 10:59 The first point is 11:03 Like the forest of Shishigami 11:04 As for the image 11:06 What do you mean at the beginning? 11:07 Can you say it feels damp? 11:09 Greenness 11:10 That kind of part is 11:11 It's exactly expressed 11:15 I would say it's fresh. 11:16 Does it feel like it's humid? 11:19 This kind of thing is 11:21 Tips or points 11:23 What should I do this way? 11:24 It seems like that's how it looks 11:25 I wonder if there is 11:27 What's going on? 11:29 The color green is quite 11:35 A place surrounded by greenery like this 11:39 If only the color green is used 11:41 Because it doesn't draw much 11:43 Basically, it's a tea type like this. 11:45 While incorporating redness 11:49 It's about bringing out the color of green. 11:52 I think that's the point 11:55 Quite a deep green color 11:57 It seems like I used it a lot. 11:59 Is this the chrome green number 3? 12:04 I agree 12:06 This time the green is 12:07 From chrome green numbers 1, 2, and 3 12:08 from light green 12:10 from turkey green 12:14 A color like yellow ocher 12:17 While mixing it with 12:21 In the distance, I mainly mixed in some bluish colors. 12:29 The darkest blue is indigo 12:33 During the previous European landscape 12:37 I had the black one ready 12:38 That I didn't use it 12:39 Wasn't it? 12:40 This time, black is used at key points. 12:43 Do you feel like it's working? 12:45 I agree 12:46 When expressing light 12:51 Cast a shadow firmly 12:53 That's how light can be expressed. 12:58 This time I was in particularly deep water. 13:03 I used a color that felt like it was finished off with black. 13:08 got it 13:10 As the second one 13:12 This time this picture is in the foreground 13:14 Quite a large plant with leaves. 13:17 when first depicted 13:19 The layout lines are as they are 13:20 where it is properly depicted 13:22 When the entire base is painted 13:24 I watched it almost completely 13:27 The layout lines of the leaves 13:29 It looked like it had disappeared 13:30 Because it is an opaque poster color 13:33 It means that the original sketch will disappear. 13:36 Almost freehand from above 13:39 I agree 13:40 When drawing plants 13:42 Just the general positional relationship 13:46 Decide 13:49 It is better to draw freehand all at once. 13:53 After all, if you try to follow the line 13:54 Somehow the momentum has stopped. 13:58 Lines with more force are more like leaves 14:00 I wonder if it will become more lively. 14:02 In a place that generally feels like this 14:06 For those who move their brushes steadily 14:09 Because I concentrate 14:12 Just the general positional relationship 14:15 By the way, for example, this time it was a plant. 14:18 It's depicted like that 14:19 quite complicated 14:22 Something like a building 14:24 If that's the case, it's quite difficult 14:26 Even if it's freehand 14:27 It won't work, right? 14:29 In that case, apply a base coat. 14:31 One more time after drying 14:33 Or get back on track? 14:36 Things like precision 14:39 Once you get the hang of it, draw it properly. 14:42 That's what I'll do 14:45 on retaking 14:46 What kind of art materials do you use? 14:49 Carbon paper for layout paper 14:52 I often get hit 14:55 on top of the painted poster color 14:57 I feel like I'm going to draw on that again. 15:00 I see 15:02 Finally, this is the most divine part of the light. 15:06 Looking here 15:08 Using various colors in multiple layers 15:12 It felt like it was being painted 15:15 How do I apply it? 15:18 Like this 15:19 light shines through 15:20 It's going to be divine, right? 15:23 It's basically in the green 15:27 As a green, yellowish color of light 15:31 first pull it 15:34 Moreover, if you add bright yellow 15:38 I thought the light itself would look yellowish. 15:43 The brightest color is 15:44 Put it in something pale blue. 15:49 Moreover, if it is only the blue and green colors, 15:57 I don't think it looks very bright. 15:59 I added something like a slightly pinkish color. 16:03 I wish it looked like light 16:05 I use colors like this. 16:08 So it feels like it's roughly 3 layers. 16:11 Add green, add blue, add pink 16:18 CG has developed so much these days. 16:22 Digital corrections can also be made in these areas. 16:24 I think there are many 16:26 In that case, it's actually around here 16:30 Do you sometimes not draw? 16:34 If the beam of light does not move 16:36 on top of what you drew in the background 16:39 It would be better to include something like digital processing. 16:41 Familiarizes well and comes out cleanly 16:44 More right here 16:45 This is an image to be processed. 16:49 There is a character, and in front of it too. 16:50 If light shines in 16:52 Letting digital light shine in 16:55 I'll do it like this 16:56 In that case, I didn't dare draw it. 16:58 That's about it 17:00 light moves as clouds move 17:02 What happens when the sunlight filtering through the foliage moves? 17:06 If I start drawing it, I can't move anymore. 17:09 In that case, don't draw it 17:11 while making the material 17:15 It's about letting light in. 17:19 got it 17:21 There are many other points as well. 17:23 I think there is a part 17:25 What you just saw 17:28 This is a shortened and edited version 17:31 If you are interested, please see below. 17:34 It is also listed in the summary section. 17:36 knicker online shop 17:38 Also for full version 17:39 You can download the data 17:41 I hope you will take advantage of it as well. 17:45 Well then, Mr. Takeshige, today too. 17:46 thank you 17:47 thank you
![เป็นไปได้ไหม - WanMai [Performance Video]](http://i.ytimg.com/vi/Eh5hItD4Mr0/mqdefault.jpg)
Love it pls always remeber that there are people who are always learning from you so pls keep updating ❤❤
Thank you so much for these videos. Your lessons are very clear and useful. Please keep making more! 🙇
Thank you for watching.
Thank you also for your very encouraging comments.
I will continue to post videos that everyone can enjoy.
We have just added subtitles and hope you continue to enjoy our videos.
素晴らしい動画ありがとうございます
毎回楽しみにしてます！
ご視聴とコメントありがとうございます。
引き続き応援よろしくお願いします！
Thank you for this video and with the English subtitles. I love the Nickers poster paints I bought, they blend like a dream. Watching this video made me realize I use too much water so I want to paint again with this in mind. I look forward to more videos!
Thank you for watching and commenting.
I am glad that the subtitles in your country conveyed the message well.
Wishing you a happy painting life.
excellence tutorial, thank you very much:)
0:14
Hi hello
0:16
Today too, Studio Ghibli's
0:18
Art director Yoji Takeshige
0:21
This will be a fun program to draw, so
0:24
Mr. Takeshige, thank you for your continued support today.
0:27
Just today
0:28
The timing of this shooting day
0:31
The topic of ``How do you live?''
0:33
The new release will be out in about 2 weeks.
0:37
Will that happen?
0:39
If it were true, at this timely timing.
0:42
Please let me know if you have anything to do with the work.
0:44
I want you to draw it.
0:46
I would like to include a talk session as well.
0:48
Thank you to everyone who tried it out.
0:51
Spoilers for everyone involved
0:53
That means I haven't done it.
0:55
We can't spoil it here
0:56
That means it's okay.
0:57
Today we have a slightly different theme
0:59
I hope you can do it.
1:01
I hope you can draw it somewhere
1:03
I think so.
1:04
Yes, let's do it right away.
1:06
Mr. Takeshige, what kind of picture will you draw today?
1:09
Today it appeared in "Princess Mononoke"
1:13
A “Forest of Shishigami” style scenery
1:16
I'm thinking of trying to draw it
1:18
This is for Ghibli fans
1:20
It's a solid content.
1:22
Speaking of Shishigami Forest
1:24
What is it, my impression is
1:26
This deep
1:29
A wetland?
1:32
I have a green image of it.
1:35
Exactly like that
1:37
I agree
1:39
By the way, at the time of "Princess Mononoke"
1:43
Mr. Takeshige and others, in drawing that view of the world.
1:47
Location scouting etc.
1:48
At that time, did you do something like that?
1:50
At that time, the director (Hayao Miyazaki) told me
1:54
What is the evergreen forest zone?
1:57
It was widespread in Japan in the past.
2:02
Yakushima is where the greenery remains.
2:06
That's why
2:08
I told you to come and see it once.
2:10
All the art staff
2:13
I was allowed to go to Yakushima.
2:15
That's right
2:16
Carve that into your mind
2:18
Share the scenery with everyone
2:21
Do you feel like you turned it into a work?
2:23
I agree
2:25
However, in the main story, with Mr. Fumi Yamamoto
2:29
Mr. Kazuo Oga
2:31
I'm in charge of the deep forest.
2:39
My impression is that
2:40
He says he can't draw green like this anymore.
2:45
I ended up just being overwhelmed.
2:48
That's right
2:49
Since then, time has passed
2:51
The current Mr. Takeshige.
2:53
Takeshige's version of the forest
2:56
I hope you can draw it
2:57
I'm looking forward to it
2:59
Alright everyone, after this
3:01
Mr. Takeshige will draw it, so
3:03
Please watch it.
3:06
thank you
3:09
*At the knicker online shop, Contains the entire production process and covers scenes of color mixing.
3:13
The full version of the video is now on sale. Please see the video summary section for the sales page.
3:17
Wet both sides of the paper evenly with a brush dampened with water.
3:22
The paper used is muse New TMK poster, which is water resistant and does not peel off.
3:33
After painting both sides, turn it over and wet the front side of the paper again with water.
3:46
Wipe off any water that spills onto the desk beforehand, as water will stick to the brush when brushing.
3:53
Remove excess water with a damp brush.
10:16
*At the knicker online shop, Contains the entire production process and covers scenes of color mixing.
10:24
The full version of the video is now on sale. Please see the video summary section for the sales page.
10:33
Yes, Takeshige-san, thank you for your hard work.
10:36
Okay, right away, let's take a look.
10:42
Here it is
10:47
What is this?
10:47
It took me some time a while ago.
10:50
It's a little over 1 hour and 20 minutes
10:53
Start with water
10:54
Is that so?
10:56
No, it's truly a divine skill.
10:59
The first point is
11:03
Like the forest of Shishigami
11:04
As for the image
11:06
What do you mean at the beginning?
11:07
Can you say it feels damp?
11:09
Greenness
11:10
That kind of part is
11:11
It's exactly expressed
11:15
I would say it's fresh.
11:16
Does it feel like it's humid?
11:19
This kind of thing is
11:21
Tips or points
11:23
What should I do this way?
11:24
It seems like that's how it looks
11:25
I wonder if there is
11:27
What's going on?
11:29
The color green is quite
11:35
A place surrounded by greenery like this
11:39
If only the color green is used
11:41
Because it doesn't draw much
11:43
Basically, it's a tea type like this.
11:45
While incorporating redness
11:49
It's about bringing out the color of green.
11:52
I think that's the point
11:55
Quite a deep green color
11:57
It seems like I used it a lot.
11:59
Is this the chrome green number 3?
12:04
I agree
12:06
This time the green is
12:07
From chrome green numbers 1, 2, and 3
12:08
from light green
12:10
from turkey green
12:14
A color like yellow ocher
12:17
While mixing it with
12:21
In the distance, I mainly mixed in some bluish colors.
12:29
The darkest blue is indigo
12:33
During the previous European landscape
12:37
I had the black one ready
12:38
That I didn't use it
12:39
Wasn't it?
12:40
This time, black is used at key points.
12:43
Do you feel like it's working?
12:45
I agree
12:46
When expressing light
12:51
Cast a shadow firmly
12:53
That's how light can be expressed.
12:58
This time I was in particularly deep water.
13:03
I used a color that felt like it was finished off with black.
13:08
got it
13:10
As the second one
13:12
This time this picture is in the foreground
13:14
Quite a large plant with leaves.
13:17
when first depicted
13:19
The layout lines are as they are
13:20
where it is properly depicted
13:22
When the entire base is painted
13:24
I watched it almost completely
13:27
The layout lines of the leaves
13:29
It looked like it had disappeared
13:30
Because it is an opaque poster color
13:33
It means that the original sketch will disappear.
13:36
Almost freehand from above
13:39
I agree
13:40
When drawing plants
13:42
Just the general positional relationship
13:46
Decide
13:49
It is better to draw freehand all at once.
13:53
After all, if you try to follow the line
13:54
Somehow the momentum has stopped.
13:58
Lines with more force are more like leaves
14:00
I wonder if it will become more lively.
14:02
In a place that generally feels like this
14:06
For those who move their brushes steadily
14:09
Because I concentrate
14:12
Just the general positional relationship
14:15
By the way, for example, this time it was a plant.
14:18
It's depicted like that
14:19
quite complicated
14:22
Something like a building
14:24
If that's the case, it's quite difficult
14:26
Even if it's freehand
14:27
It won't work, right?
14:29
In that case, apply a base coat.
14:31
One more time after drying
14:33
Or get back on track?
14:36
Things like precision
14:39
Once you get the hang of it, draw it properly.
14:42
That's what I'll do
14:45
on retaking
14:46
What kind of art materials do you use?
14:49
Carbon paper for layout paper
14:52
I often get hit
14:55
on top of the painted poster color
14:57
I feel like I'm going to draw on that again.
15:00
I see
15:02
Finally, this is the most divine part of the light.
15:06
Looking here
15:08
Using various colors in multiple layers
15:12
It felt like it was being painted
15:15
How do I apply it?
15:18
Like this
15:19
light shines through
15:20
It's going to be divine, right?
15:23
It's basically in the green
15:27
As a green, yellowish color of light
15:31
first pull it
15:34
Moreover, if you add bright yellow
15:38
I thought the light itself would look yellowish.
15:43
The brightest color is
15:44
Put it in something pale blue.
15:49
Moreover, if it is only the blue and green colors,
15:57
I don't think it looks very bright.
15:59
I added something like a slightly pinkish color.
16:03
I wish it looked like light
16:05
I use colors like this.
16:08
So it feels like it's roughly 3 layers.
16:11
Add green, add blue, add pink
16:18
CG has developed so much these days.
16:22
Digital corrections can also be made in these areas.
16:24
I think there are many
16:26
In that case, it's actually around here
16:30
Do you sometimes not draw?
16:34
If the beam of light does not move
16:36
on top of what you drew in the background
16:39
It would be better to include something like digital processing.
16:41
Familiarizes well and comes out cleanly
16:44
More right here
16:45
This is an image to be processed.
16:49
There is a character, and in front of it too.
16:50
If light shines in
16:52
Letting digital light shine in
16:55
I'll do it like this
16:56
In that case, I didn't dare draw it.
16:58
That's about it
17:00
light moves as clouds move
17:02
What happens when the sunlight filtering through the foliage moves?
17:06
If I start drawing it, I can't move anymore.
17:09
In that case, don't draw it
17:11
while making the material
17:15
It's about letting light in.
17:19
got it
17:21
There are many other points as well.
17:23
I think there is a part
17:25
What you just saw
17:28
This is a shortened and edited version
17:31
If you are interested, please see below.
17:34
It is also listed in the summary section.
17:36
knicker online shop
17:38
Also for full version
17:39
You can download the data
17:41
I hope you will take advantage of it as well.
17:45
Well then, Mr. Takeshige, today too.
17:46
thank you
17:47
thank you
Thanks again for all your help.
From now on, I will try to make the video with subtitles as much as possible.
@@nickerenogu Anytime! ;)
Thank you !! It’s really helpful 😊
Thank you for watching.
Thank you also for your very encouraging comments.
I will continue to post videos that everyone can enjoy.
We have just added subtitles and hope you continue to enjoy our videos.
Could you please add english subtitle? Love your videos!
Thank you for watching.
We have just added subtitles, if you turn on TH-cam's subtitle function and set the auto-translate function, you will see the translated subtitles.
0:14
Hi hello
0:16
Today too, Studio Ghibli's
0:18
Art director Yoji Takeshige
0:21
This will be a fun program to draw, so
0:24
Mr. Takeshige, thank you for your continued support today.
0:27
Just today
0:28
The timing of this shooting day
0:31
The topic of ``How do you live?''
0:33
The new release will be out in about 2 weeks.
0:37
Will that happen?
0:39
If it were true, at this timely timing.
0:42
Please let me know if you have anything to do with the work.
0:44
I want you to draw it.
0:46
I would like to include a talk session as well.
0:48
Thank you to everyone who tried it out.
0:51
Spoilers for everyone involved
0:53
That means I haven't done it.
0:55
We can't spoil it here
0:56
That means it's okay.
0:57
Today we have a slightly different theme
0:59
I hope you can do it.
1:01
I hope you can draw it somewhere
1:03
I think so.
1:04
Yes, let's do it right away.
1:06
Mr. Takeshige, what kind of picture will you draw today?
1:09
Today it appeared in "Princess Mononoke"
1:13
A “Forest of Shishigami” style scenery
1:16
I'm thinking of trying to draw it
1:18
This is for Ghibli fans
1:20
It's a solid content.
1:22
Speaking of Shishigami Forest
1:24
What is it, my impression is
1:26
This deep
1:29
A wetland?
1:32
I have a green image of it.
1:35
Exactly like that
1:37
I agree
1:39
By the way, at the time of "Princess Mononoke"
1:43
Mr. Takeshige and others, in drawing that view of the world.
1:47
Location scouting etc.
1:48
At that time, did you do something like that?
1:50
At that time, the director (Hayao Miyazaki) told me
1:54
What is the evergreen forest zone?
1:57
It was widespread in Japan in the past.
2:02
Yakushima is where the greenery remains.
2:06
That's why
2:08
I told you to come and see it once.
2:10
All the art staff
2:13
I was allowed to go to Yakushima.
2:15
That's right
2:16
Carve that into your mind
2:18
Share the scenery with everyone
2:21
Do you feel like you turned it into a work?
2:23
I agree
2:25
However, in the main story, with Mr. Fumi Yamamoto
2:29
Mr. Kazuo Oga
2:31
I'm in charge of the deep forest.
2:39
My impression is that
2:40
He says he can't draw green like this anymore.
2:45
I ended up just being overwhelmed.
2:48
That's right
2:49
Since then, time has passed
2:51
The current Mr. Takeshige.
2:53
Takeshige's version of the forest
2:56
I hope you can draw it
2:57
I'm looking forward to it
2:59
Alright everyone, after this
3:01
Mr. Takeshige will draw it, so
3:03
Please watch it.
3:06
thank you
3:09
*At the knicker online shop, Contains the entire production process and covers scenes of color mixing.
3:13
The full version of the video is now on sale. Please see the video summary section for the sales page.
3:17
Wet both sides of the paper evenly with a brush dampened with water.
3:22
The paper used is muse New TMK poster, which is water resistant and does not peel off.
3:33
After painting both sides, turn it over and wet the front side of the paper again with water.
3:46
Wipe off any water that spills onto the desk beforehand, as water will stick to the brush when brushing.
3:53
Remove excess water with a damp brush.
10:16
*At the knicker online shop, Contains the entire production process and covers scenes of color mixing.
10:24
The full version of the video is now on sale. Please see the video summary section for the sales page.
10:33
Yes, Takeshige-san, thank you for your hard work.
10:36
Okay, right away, let's take a look.
10:42
Here it is
10:47
What is this?
10:47
It took me some time a while ago.
10:50
It's a little over 1 hour and 20 minutes
10:53
Start with water
10:54
Is that so?
10:56
No, it's truly a divine skill.
10:59
The first point is
11:03
Like the forest of Shishigami
11:04
As for the image
11:06
What do you mean at the beginning?
11:07
Can you say it feels damp?
11:09
Greenness
11:10
That kind of part is
11:11
It's exactly expressed
11:15
I would say it's fresh.
11:16
Does it feel like it's humid?
11:19
This kind of thing is
11:21
Tips or points
11:23
What should I do this way?
11:24
It seems like that's how it looks
11:25
I wonder if there is
11:27
What's going on?
11:29
The color green is quite
11:35
A place surrounded by greenery like this
11:39
If only the color green is used
11:41
Because it doesn't draw much
11:43
Basically, it's a tea type like this.
11:45
While incorporating redness
11:49
It's about bringing out the color of green.
11:52
I think that's the point
11:55
Quite a deep green color
11:57
It seems like I used it a lot.
11:59
Is this the chrome green number 3?
12:04
I agree
12:06
This time the green is
12:07
From chrome green numbers 1, 2, and 3
12:08
from light green
12:10
from turkey green
12:14
A color like yellow ocher
12:17
While mixing it with
12:21
In the distance, I mainly mixed in some bluish colors.
12:29
The darkest blue is indigo
12:33
During the previous European landscape
12:37
I had the black one ready
12:38
That I didn't use it
12:39
Wasn't it?
12:40
This time, black is used at key points.
12:43
Do you feel like it's working?
12:45
I agree
12:46
When expressing light
12:51
Cast a shadow firmly
12:53
That's how light can be expressed.
12:58
This time I was in particularly deep water.
13:03
I used a color that felt like it was finished off with black.
13:08
got it
13:10
As the second one
13:12
This time this picture is in the foreground
13:14
Quite a large plant with leaves.
13:17
when first depicted
13:19
The layout lines are as they are
13:20
where it is properly depicted
13:22
When the entire base is painted
13:24
I watched it almost completely
13:27
The layout lines of the leaves
13:29
It looked like it had disappeared
13:30
Because it is an opaque poster color
13:33
It means that the original sketch will disappear.
13:36
Almost freehand from above
13:39
I agree
13:40
When drawing plants
13:42
Just the general positional relationship
13:46
Decide
13:49
It is better to draw freehand all at once.
13:53
After all, if you try to follow the line
13:54
Somehow the momentum has stopped.
13:58
Lines with more force are more like leaves
14:00
I wonder if it will become more lively.
14:02
In a place that generally feels like this
14:06
For those who move their brushes steadily
14:09
Because I concentrate
14:12
Just the general positional relationship
14:15
By the way, for example, this time it was a plant.
14:18
It's depicted like that
14:19
quite complicated
14:22
Something like a building
14:24
If that's the case, it's quite difficult
14:26
Even if it's freehand
14:27
It won't work, right?
14:29
In that case, apply a base coat.
14:31
One more time after drying
14:33
Or get back on track?
14:36
Things like precision
14:39
Once you get the hang of it, draw it properly.
14:42
That's what I'll do
14:45
on retaking
14:46
What kind of art materials do you use?
14:49
Carbon paper for layout paper
14:52
I often get hit
14:55
on top of the painted poster color
14:57
I feel like I'm going to draw on that again.
15:00
I see
15:02
Finally, this is the most divine part of the light.
15:06
Looking here
15:08
Using various colors in multiple layers
15:12
It felt like it was being painted
15:15
How do I apply it?
15:18
Like this
15:19
light shines through
15:20
It's going to be divine, right?
15:23
It's basically in the green
15:27
As a green, yellowish color of light
15:31
first pull it
15:34
Moreover, if you add bright yellow
15:38
I thought the light itself would look yellowish.
15:43
The brightest color is
15:44
Put it in something pale blue.
15:49
Moreover, if it is only the blue and green colors,
15:57
I don't think it looks very bright.
15:59
I added something like a slightly pinkish color.
16:03
I wish it looked like light
16:05
I use colors like this.
16:08
So it feels like it's roughly 3 layers.
16:11
Add green, add blue, add pink
16:18
CG has developed so much these days.
16:22
Digital corrections can also be made in these areas.
16:24
I think there are many
16:26
In that case, it's actually around here
16:30
Do you sometimes not draw?
16:34
If the beam of light does not move
16:36
on top of what you drew in the background
16:39
It would be better to include something like digital processing.
16:41
Familiarizes well and comes out cleanly
16:44
More right here
16:45
This is an image to be processed.
16:49
There is a character, and in front of it too.
16:50
If light shines in
16:52
Letting digital light shine in
16:55
I'll do it like this
16:56
In that case, I didn't dare draw it.
16:58
That's about it
17:00
light moves as clouds move
17:02
What happens when the sunlight filtering through the foliage moves?
17:06
If I start drawing it, I can't move anymore.
17:09
In that case, don't draw it
17:11
while making the material
17:15
It's about letting light in.
17:19
got it
17:21
There are many other points as well.
17:23
I think there is a part
17:25
What you just saw
17:28
This is a shortened and edited version
17:31
If you are interested, please see below.
17:34
It is also listed in the summary section.
17:36
knicker online shop
17:38
Also for full version
17:39
You can download the data
17:41
I hope you will take advantage of it as well.
17:45
Well then, Mr. Takeshige, today too.
17:46
thank you
17:47
thank you
@@ferretaceTHANK YOU SO MUCH!! 🩷
where can i get a ruler with a groove in it like that? Somehow it seems hard to find (except off of ali express)
You can buy it at this site
zenmarket.jp/ja/s/nicker/n80025?id=7e1a9a2d-bd76-403c-b6b2-0bb2a278db1f
WE NEED ENGLISH SUBS! Please consider this
Thank you for watching.
We have just added subtitles, if you turn on TH-cam's subtitle function and set the auto-translate function, you will see the translated subtitles.
@@nickerenogu This is great! Thank you guys soooooo much. You are the best. Love your channel
0:14
Hi hello
0:16
Today too, Studio Ghibli's
0:18
Art director Yoji Takeshige
0:21
This will be a fun program to draw, so
0:24
Mr. Takeshige, thank you for your continued support today.
0:27
Just today
0:28
The timing of this shooting day
0:31
The topic of ``How do you live?''
0:33
The new release will be out in about 2 weeks.
0:37
Will that happen?
0:39
If it were true, at this timely timing.
0:42
Please let me know if you have anything to do with the work.
0:44
I want you to draw it.
0:46
I would like to include a talk session as well.
0:48
Thank you to everyone who tried it out.
0:51
Spoilers for everyone involved
0:53
That means I haven't done it.
0:55
We can't spoil it here
0:56
That means it's okay.
0:57
Today we have a slightly different theme
0:59
I hope you can do it.
1:01
I hope you can draw it somewhere
1:03
I think so.
1:04
Yes, let's do it right away.
1:06
Mr. Takeshige, what kind of picture will you draw today?
1:09
Today it appeared in "Princess Mononoke"
1:13
A “Forest of Shishigami” style scenery
1:16
I'm thinking of trying to draw it
1:18
This is for Ghibli fans
1:20
It's a solid content.
1:22
Speaking of Shishigami Forest
1:24
What is it, my impression is
1:26
This deep
1:29
A wetland?
1:32
I have a green image of it.
1:35
Exactly like that
1:37
I agree
1:39
By the way, at the time of "Princess Mononoke"
1:43
Mr. Takeshige and others, in drawing that view of the world.
1:47
Location scouting etc.
1:48
At that time, did you do something like that?
1:50
At that time, the director (Hayao Miyazaki) told me
1:54
What is the evergreen forest zone?
1:57
It was widespread in Japan in the past.
2:02
Yakushima is where the greenery remains.
2:06
That's why
2:08
I told you to come and see it once.
2:10
All the art staff
2:13
I was allowed to go to Yakushima.
2:15
That's right
2:16
Carve that into your mind
2:18
Share the scenery with everyone
2:21
Do you feel like you turned it into a work?
2:23
I agree
2:25
However, in the main story, with Mr. Fumi Yamamoto
2:29
Mr. Kazuo Oga
2:31
I'm in charge of the deep forest.
2:39
My impression is that
2:40
He says he can't draw green like this anymore.
2:45
I ended up just being overwhelmed.
2:48
That's right
2:49
Since then, time has passed
2:51
The current Mr. Takeshige.
2:53
Takeshige's version of the forest
2:56
I hope you can draw it
2:57
I'm looking forward to it
2:59
Alright everyone, after this
3:01
Mr. Takeshige will draw it, so
3:03
Please watch it.
3:06
thank you
3:09
*At the knicker online shop, Contains the entire production process and covers scenes of color mixing.
3:13
The full version of the video is now on sale. Please see the video summary section for the sales page.
3:17
Wet both sides of the paper evenly with a brush dampened with water.
3:22
The paper used is muse New TMK poster, which is water resistant and does not peel off.
3:33
After painting both sides, turn it over and wet the front side of the paper again with water.
3:46
Wipe off any water that spills onto the desk beforehand, as water will stick to the brush when brushing.
3:53
Remove excess water with a damp brush.
10:16
*At the knicker online shop, Contains the entire production process and covers scenes of color mixing.
10:24
The full version of the video is now on sale. Please see the video summary section for the sales page.
10:33
Yes, Takeshige-san, thank you for your hard work.
10:36
Okay, right away, let's take a look.
10:42
Here it is
10:47
What is this?
10:47
It took me some time a while ago.
10:50
It's a little over 1 hour and 20 minutes
10:53
Start with water
10:54
Is that so?
10:56
No, it's truly a divine skill.
10:59
The first point is
11:03
Like the forest of Shishigami
11:04
As for the image
11:06
What do you mean at the beginning?
11:07
Can you say it feels damp?
11:09
Greenness
11:10
That kind of part is
11:11
It's exactly expressed
11:15
I would say it's fresh.
11:16
Does it feel like it's humid?
11:19
This kind of thing is
11:21
Tips or points
11:23
What should I do this way?
11:24
It seems like that's how it looks
11:25
I wonder if there is
11:27
What's going on?
11:29
The color green is quite
11:35
A place surrounded by greenery like this
11:39
If only the color green is used
11:41
Because it doesn't draw much
11:43
Basically, it's a tea type like this.
11:45
While incorporating redness
11:49
It's about bringing out the color of green.
11:52
I think that's the point
11:55
Quite a deep green color
11:57
It seems like I used it a lot.
11:59
Is this the chrome green number 3?
12:04
I agree
12:06
This time the green is
12:07
From chrome green numbers 1, 2, and 3
12:08
from light green
12:10
from turkey green
12:14
A color like yellow ocher
12:17
While mixing it with
12:21
In the distance, I mainly mixed in some bluish colors.
12:29
The darkest blue is indigo
12:33
During the previous European landscape
12:37
I had the black one ready
12:38
That I didn't use it
12:39
Wasn't it?
12:40
This time, black is used at key points.
12:43
Do you feel like it's working?
12:45
I agree
12:46
When expressing light
12:51
Cast a shadow firmly
12:53
That's how light can be expressed.
12:58
This time I was in particularly deep water.
13:03
I used a color that felt like it was finished off with black.
13:08
got it
13:10
As the second one
13:12
This time this picture is in the foreground
13:14
Quite a large plant with leaves.
13:17
when first depicted
13:19
The layout lines are as they are
13:20
where it is properly depicted
13:22
When the entire base is painted
13:24
I watched it almost completely
13:27
The layout lines of the leaves
13:29
It looked like it had disappeared
13:30
Because it is an opaque poster color
13:33
It means that the original sketch will disappear.
13:36
Almost freehand from above
13:39
I agree
13:40
When drawing plants
13:42
Just the general positional relationship
13:46
Decide
13:49
It is better to draw freehand all at once.
13:53
After all, if you try to follow the line
13:54
Somehow the momentum has stopped.
13:58
Lines with more force are more like leaves
14:00
I wonder if it will become more lively.
14:02
In a place that generally feels like this
14:06
For those who move their brushes steadily
14:09
Because I concentrate
14:12
Just the general positional relationship
14:15
By the way, for example, this time it was a plant.
14:18
It's depicted like that
14:19
quite complicated
14:22
Something like a building
14:24
If that's the case, it's quite difficult
14:26
Even if it's freehand
14:27
It won't work, right?
14:29
In that case, apply a base coat.
14:31
One more time after drying
14:33
Or get back on track?
14:36
Things like precision
14:39
Once you get the hang of it, draw it properly.
14:42
That's what I'll do
14:45
on retaking
14:46
What kind of art materials do you use?
14:49
Carbon paper for layout paper
14:52
I often get hit
14:55
on top of the painted poster color
14:57
I feel like I'm going to draw on that again.
15:00
I see
15:02
Finally, this is the most divine part of the light.
15:06
Looking here
15:08
Using various colors in multiple layers
15:12
It felt like it was being painted
15:15
How do I apply it?
15:18
Like this
15:19
light shines through
15:20
It's going to be divine, right?
15:23
It's basically in the green
15:27
As a green, yellowish color of light
15:31
first pull it
15:34
Moreover, if you add bright yellow
15:38
I thought the light itself would look yellowish.
15:43
The brightest color is
15:44
Put it in something pale blue.
15:49
Moreover, if it is only the blue and green colors,
15:57
I don't think it looks very bright.
15:59
I added something like a slightly pinkish color.
16:03
I wish it looked like light
16:05
I use colors like this.
16:08
So it feels like it's roughly 3 layers.
16:11
Add green, add blue, add pink
16:18
CG has developed so much these days.
16:22
Digital corrections can also be made in these areas.
16:24
I think there are many
16:26
In that case, it's actually around here
16:30
Do you sometimes not draw?
16:34
If the beam of light does not move
16:36
on top of what you drew in the background
16:39
It would be better to include something like digital processing.
16:41
Familiarizes well and comes out cleanly
16:44
More right here
16:45
This is an image to be processed.
16:49
There is a character, and in front of it too.
16:50
If light shines in
16:52
Letting digital light shine in
16:55
I'll do it like this
16:56
In that case, I didn't dare draw it.
16:58
That's about it
17:00
light moves as clouds move
17:02
What happens when the sunlight filtering through the foliage moves?
17:06
If I start drawing it, I can't move anymore.
17:09
In that case, don't draw it
17:11
while making the material
17:15
It's about letting light in.
17:19
got it
17:21
There are many other points as well.
17:23
I think there is a part
17:25
What you just saw
17:28
This is a shortened and edited version
17:31
If you are interested, please see below.
17:34
It is also listed in the summary section.
17:36
knicker online shop
17:38
Also for full version
17:39
You can download the data
17:41
I hope you will take advantage of it as well.
17:45
Well then, Mr. Takeshige, today too.
17:46
thank you
17:47
thank you