2 ways for better stereo guitar amp tones
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- เผยแพร่เมื่อ 6 ต.ค. 2024
- Running dual amps is a ton of fun and ultra-inspiring. This video shows two different pedals you can use to make the sound more spread out and more "stereo" sounding.
Comment below with your favorite tips when running stereo setups!
Original Mimiq video: • My review of the Mimiq...
Purchase Mimiq: amzn.to/2MidEyR
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I watched this video in mono.
Why not take advantage of the dual outs from the HOF to the dual ins of the Mimiq? Really enjoyed the video today.
2:10 Watching this on my phone, the sound almost cancelled out completely because of the polarity
My friends got a Peavy 1x12 and my other friends just got a Fender 2x12 and I’ve used the Fender for the jangle/chorus and reverb sounds and the Peavy for the gain. I’ve miked each speaker and panned the fender hard left and right. It sounds amazing.
I find it interesting that you put the reverb before the modulation effects, especially considering that the reverb has stereo outputs. I'm guessing that the unconventional setup is sort of the point of this video. But it would've been cool to see the full stereo I/O on the H.O.F. to see what that would bring to the party.
I run a stereo rig jamming in my basement (I was a FoH & Mon engineer for 15 years before changing careers, so pretty nerdy with respect to signal flow and gain structure). While I have a few cool stereo pedals, the TC Mimiq is one of my favourite purchases. Usually I run it on (1 dub, wet & dry volume matched to taste, and tightness to taste). A really great piece of gear for a single guitarist looking for big full tone. Cool video. Cheers
Would be nice if someone would actually show us how to hook all the cables up to both amps.
Instead of watching them dial a stereo tone. I can do that myself. Great tone btw.
It depends on what you want. If you want to take advantage of pedal that deals with stereo effects(some has dry signal in stereo output and only pitch changed in mono), you can use two amp with fx loop and matched output watts for cabinet/speakers. So you put your effects in fx loop of amp that your guitar is plugged, and plug the stereo signal from pedals on return section of other amp fx loop then turn up volume of both power amp at same level. Now you have a stereo system.
Some great sounds. I find sometimes folks have a notion of "stereo" coming from the days of the Beatles, when stuff was panned hard left or hard right. The goal is really to create a sense of space and animation/movement.
One kind of pedal that almost requires two amps is any sort of rotating speaker emulator. Try one out with one amplifier, and the user is likely to say "sounds a bit better than a chorus, but not THAT much better that I'm plunking my $250 down." Try it with the outputs going to two amps and the thing comes alive. Not *quite* a true Leslie or Vibratone, but damn close. And the reason is that the sound moves around. It's not "stereo". It just MOVES and swirls and fills up the space. It sounds "bigger".
Some amplifiers come prepared to run things in stereo. The old Roland JC-120/60 amps did so, as do many others that come with "stereo chorus" built in. I have a Fender SK20 Sidekick that feeds 10W a side to a pair of 8" speakers for a stereo chorus effect, and comes with a two channel FX loop so that one can sidestep the built-in chorus and stick whatever you want in there. The spaciousness is rather limited by the form-factor, since the "sweet spot" for a pair of 8" speakers in a small cab is pretty, um, "specific", but it's a great platform for testing things out in stereo without having to use two larger amps.
Which leads to my final point: the farther apart the speakers, the fuller and more animated the sound. Just don't go crazy. The only time I ever stepped up to a mic and completely forgot what I was supposed to sing was when I had a Vibratone cab rotating slowly on my left and a second amp set for slow tremolo throb on my right. There was a little TOO much "animation". That's probably why the old Ibanez Flying Pan (combination phaser/auto-panner) never really grabbed hold. It was just too disorienting. Cute effect, but NOT something you could leave on without falling off the stage because you're dizzy and confused.
Space makes it better, but moderation makes it usable.
Excuse my ignorance. Is stereo just meaning two? If I have a combo amp with 2 speakers, is that stereo? If I have two combo amps and I am playing one guitar going to both amps, is that stereo? What will be considered mono?
@@nicksonthevet "Stereo" would require that either there are two distinct sources of audio signal, processed individually, *OR* that a single common source is processed in two different ways. So, if I feed my guitar into two identical amps, with identical speakers, and identical control settings, that's not really "stereo", just better sound reinforcement. If I feed my guitar into two different amps that have different sonic characteristics, and they each have their own speakers, that is considered stereo.
The old Roland Jazz Chorus amps took in a common signal, but fed two different versions of that signal - one real-time and the other with varying delay to produce chorus effects - to individual amps, with a speaker dedicated to each. Same overall cabinet, but each speaker provided a different sound. VERY rich sound. I actually own a sort of "baby" version of that, made by Fender - the SK20. It also has a single common input that splits into two power amplifiers with an 8" speaker for each amp. One gets non-delayed signal, and the other gets time-varied signal for chorus effects. But it illustrates the difference between *processing* in stereo, and *hearing* stereo. With two 8" speakers in a small cabinet, you get the rich stereo effect if you stand within 5-6 feet of the cabinet. But move farther away than that, and you may as well be listening to a mono setup, because the two channels essentially blend together in air.
Does that clarify?
@@markhammer643 Yes, it does clarify, thank you
My little trick for stereo is a simple tremolo on low speed and medium to low depth in ether L or R of the stereo signal. adds a subtle effect to the sound and is dead cheap. For a double tracking effect a stereo delay (or 2 of them) with 7-12ms delay time can do a reasonable job. Not as massive as the mimiq, but still usable. Finally a stereo signal can be routed through an audio interface into a DAW with something like a Valhalla Supermassive plugin and back into the FX returns of the amps. Usually the latency of such as setup makes subdivision unusable when it comes to delays, BUT this plugin offers so many reverb sounds, that it feels very close to cheating. For less reverb in the face wet signal might be routed to one amp only.
I just started running a wet-dry rig, with my DD-500 on a 40ms delay and the dry signal killed to the wet amp only. Sounds like I stepped on a great boost pedal.
Wow ! Arion..I used that stuff in stereo in the 80's...Wish I still had them now.
Wow I did too, I also had a really sweet fender princeton that I used with a jcm 800 or sometimes a jazz chorus 120,,, I lost all of it in a tornado. I had a mint,,,,, melody maker!! I too wish I had them now my brother,,,,,
@@jamestaylor3500 I have two JC 120's in my living room. Love 'em.
@@jamestaylor3500 Wow..Sorry to hear that..However..living to play another day is a blessing. FYI..I housed a wild cat that was found near another James Taylor's property....assuming. ;)
and all in front of the amps. Sounds FANTASTIC.
Wow, the Mimiq sounds great. I've heard other demos but I believe they were all mono.I need that massive stadium sound for noodling in the basement for my annoyed wife and kids.
I have the Keeley 30ms. It’s great for stereo setups.
zbqb84a You are my new favorite guitarist.
The new MXR evh chorus with settings at nil produces an even better sound than the Mimiq. It's crazy. Plus you get a chorus to boot. Check it out some time if you're ever looking to do stereo.
Mimiq has to be run in stereo to be able to do its thing. I find that it also really needs a mono input signal.
Drum & Strum I agree. I still sense a doubling effect with a mono mimiq but it's very slight. In stereo it's amazing though. That's why I mentioned the new evh chorus that was just released. You just turn the intensity down all the way so you don't sound chorusy. It definitely thickens a mono amp and gives it a 3 dimensional sound. I'm normally not a big fan of mxr, but they killed it with that pedal.
Also brian your l&r are out of phase and are cancelling when listening on a phone. As G Frick always says, check your mono mix.
Lmao I was wondering why it sounded so quiet and thin
Yeah. That was apparent on my laptop also.
I ironically first listened to this in mono thru a PA monitor. Then I listened to is later thru the Home Theater.
What do you mean by check your mono mix? I guess I just don't understand being out of phase.
Nope. It you who doesn't understand.
Love my mimiq pedal. I found when tripling the sound(little switch down) the speakers are more likely to go out of phase giving an unpredictable phase sound. That can an be a good thing. I mostly keep the little switch in the middle or "doubled". Technically, you can use it with a mono setup but it is rather underwhelming giving more of a weak chorus/phaser like sound. Stereo is definitely where the mimiq shines. Now, once I can afford 2 bravado amps I'll be in heaven! Single dad, 4 little kids so it might be a little while. Ha!
Keep the good stuff coming!
I was just considering going back to stereo, thanks for the tips Brian!
I love using the EHX Super Pulsar and adjusting the rt. Phase knob between amps, also have mine splitting before the looper so my loops only play through one amp, sounds great!
Timely post for me. Was listening to some STP live (at Castaic Lake Natural Amphitheater) and wondering how he got such a huge guitar sound live. HAS to be two amps with the the Stereo Chorus trick, definitely predated the Mimiq. Thanks for these posts!
Awesome video I just bought the Eventide tricerachorus because it's has detune built in and trichorus plan on running through a few different amps in stereo.
This guitar is a thing of Beauty !!
I forgot what the video was about
The intro song reminds me of Brent Mason's "My Little Ballerina". Super lovely song
that PRS is about beautiful and it sounds even better. Wow. I'm a strat guy but......Thx B
Perfect timing! I just borrowed an AC15 to pair with my Deluxe. Also trying out the Dual Fusion.
The Boss CH1 is also great for exactly this because it’s not an over-the-top chorus and has stereo outs.
Your Mimiq video was even better. I never see anyone connecting their two amps' effect loops to each other in stereo. I like a stereo reverb in the two loops and will soon try the mimic with it. BTW: People love to say they don't like FX, they like better guitarists who don't use them....BS. I run a second amp, (Crate Powerblock), into a 10" monitor and let them think I don't like FX either! My Marshall 900 sl-X looks good atop a Music Man 15" speaker.....a few micro pedals, tucked out of sight.
I like the sound of the Just Duel Mono!
I use a Radial Engineering Twin City ABY amp switcher with a stereo-in/stereo-out delay after it. Ultra sweet. But if your amps aren't the same, you can re-introduce some hum that the Twin City takes out via its ground lift. Otherwise, it's killer. Can switch from one amp, or the other, or both... in stereo if the delay is on.
Love seeing you play different more ambient style riffs on that PRS! A different style of guitar and different style of music, LOVE IT! Have you been practicing your chops Brian? ; P Or did you want to try something different for this video?
I do the same thing with a Yamaha DSC 20M (great 80s chorus pedal) but after my Torpedo CAB and before TC Flashbackx4 and TC Trinity reverb pedal ans yes it's sound as you say Brian!
Hey Brian great video today
It is funny how majority of guitarist can't figure out stereo. It does have have some problems, but it is worth it for a massive tone, it just depends on the setup and quality of fx you use. I try to use just enough to fatten the stereo image and not bury the tone of the guitar, which is easy to do. My favorite method is wet/dry/wet!
Beautiful PRS.
I think what you’re doing with the chorus is what every owner of a JC120 has discovered. Subtle stereo chorus creates a big soundscape. On a more technical level, what is happening is one side is dry and the other side has a pitch vibrato. Just putting out there.
kind of the opposite multi-amp system to "that pedal show"...
love bryan
Why not put the Reverb last? I would suggest the Dracarys first, the Arion chorus next, keep stereo inputs and ouputs for every device after the Arion chorus, passng thru the mimic, then delay, the Reverb last. I bet that would sound great. They don't all have to be on, but those would keep the stereo image passing thru and blend nicely.
Yes, but there's something about a Chorus last, after echo, that sounds really nice. The Visual Sound H2O is a good example of that (even tho it is wet/dry and not stereo).
It's kinda like having a Leslie amp running.
You could put a chorus last, if it has stereo in and outs. Generally, I would never use it that way. For me modulation fx start where the stereo image begins. Longer time based fx go later. Why so the fx will blend better. The delays and reverb will carry the modulation sounds. I used to use a rackmount setup. I liked using the tremolo/panner last some times. I used to have BOSS PN-2 tremelo/panner that had stereo inputs and outputs. Having that flexibility makes a difference. I don't like time base fx: reverbs or delays to not have stereo inputs and outputs. It crimps, the stereo signal flow. You can often add chorus last with a mixer. My Rocktron Replifex has a rotary speaker configuration. I only use Chorus for a few things. It is not that of an important effect for me. Before, I really understood stereo fx setups. I used 3 amps: I had 2 Rickenbacker Road amps and a Crate G60. I would use sawed off drums sticks taped together to make an Arion Compressor and Metal Master switch on together at the same time. Then I would use a Arion Flanger, Digitech Multiplay and Arion Chorus last. It was a goofy setup. I was dealing with no stereo inputs and outputs on any of those effects. I prefer Rack fx, but when I went to pedals all my Time based, and even modulation fx all have stereo inputs and outputs to allow flexible positioning. I won't buy anything stereo that doesn't have stereo inputs or outputs. I only do mono for overdrives, noise gates, eq, etc.
I love the Mimiq
I love 2 but 3 is awesome w/d/w 😎👍. By the way your tone and that Guitar 👏
I'm having trouble finding the perfect stereo tremolo pedal. I'd put it at the end of my chain so the whole sound moves. Delay > reverb > mimiq > tremolo.
There are some existing stereo trem options out there but they all have different flaws. SD Shape Shifter has no level knob. Super Pulsar is enormous and powerful but confusing. Supa-Trem2 has a mix knob but not separate depth and level knobs. Strymon Flint does stereo but controls are super limited.
In other words, I'd love to see a Latitude Stereo. It'd have: (1) 2 switches - tap and bypass, (2) depth, (3) rate, (4) shape (sine/square/triangle), (5) phase, and (6) stereo ins/outs. All in an enclosure the size of the Latitude Deluxe or smaller. I'd pay $250 for that. Subdivisions would be swell (see what I did there) but not at the cost of size or any of the priority features listed above.
Christopher Courtney get some rack processor action
The newer generation SD Shape Shifter has all your wishes. I have it and it works great with two amps
Pretty sure the Arion works like the Boss CE-3 where one side is Mixed wet/dry and the other side is 100% wet so... it’s Vibrato. (Note: this could all be smoke coming out my Arse) great video as always.
I don't think so. I checked each channel L/R and it didn't seem to be the old wet/dry vibrato trick. Otherwise, what's the point of the dry/stereo switch? Ofc, that could also be smoke coming out of my bunghole so who knows.
I think I will just buy one and see what happens.
Great Tones
The doubling from the mimic was FAR better than the chorus. The chorus was a giant phase issue like you said
Another thing about stereo, is the cool blends you can get with 2 different amps.
The direct stereo switch sounds more like a phase switch. In phase(direct), out of phase(stereo)
Well, there is ONE way to get stereo sound from a single speaker: Aspen Pittman Designs Spacestation v3. I use one with an amp emulators stereo out into a little cheap mixer. Then with couple little adjustment tricks and I get a Wall-of-Sound sound.
I also enjoyed listening to the podcast on Spotify aswell
Playing in STEREO is AWESOME (I do it, too), BUT... I think it's only and really plausible if you are a singer-songwriter, a "live-looping" artist and/or the only guitar player in your band. Otherwise, if you play in band with two guitar players, you are forced to play on one side of the L-R spectrum (and your bandmate on the other side) to maintain a balance in the mix, so the stereo rig no longer makes sense...
Brian build a stereo pedal platform amp with stereo fx loop in, and it will sell 😉
I built a faux amp head in stereo, Using a Tube Works Real Tube II preamp, MosValve, and ADA Microcab II. This allows me to play in stereo loud, or silent. I am going to upgrade the preamp and power amp with Synergy Amplification eventually.
An orange rocker 32? But wampler? Nice.
JRPowell3_Music
That sounds terrible. You should probably just sell it. To me.
Daniel Martínez Giraldo
Man I wanted to like that amp so much. It's almost perfect, but alas...EL84s will always suck. Unless you like sounding like bees. Great in the studio tho, where at least you can trim off that fizz in post.
Great video! What is your signal chain? It looks like both TC pedals have two inputs - are both being used? I am unable to tell. Thank you
Brian.... It's kinda coincidental, I was just thinking about how I wish you'd release a Pinnacle as a deluxe deluxe deluxe version with the same routing as the dual fusion and Paisley deluxe for stereo. I would probably buy 3. I think a focused JCM sound on one side and a focused Plexi on the other... Man. By the way, the Paisley deluxe is absolutely incredible.
Cool tips!
Brian... Great sounding instructive video. I wonder if the Mimiq and reverb could sound somewhat as good when you (anybody) would have the two amps forced to be literally side by side... as is usually the case when the whole band is playing on smaller stages? For most of us, that's around 90% of the time and as much as I'd like to go stereo, and with the space restrictions, I think that this kind of stereo spread can only be achieved in using in-ear monitoring in a band setting. I wonder what your thoughts on this might be.
People run stereo in a single cabinet. Left speakers and right speakers. It's not not as effective as putting physical space between cabinets, but it most certainly makes the sound much bigger than a mono cabinet.
Many Marshall 1960a and B cabinets are stereo. They have two jacks on each cabinet, and a switch to toggle between stereo and mono within the amp.
Whenever you see two Marshall heads on top of a single cabinet, it's a stereo setup. or even two heads on a stack of cabinets.
Many horizontal 2x12 cabs are also stereo capable, but again, need two amp heads.
So yes, absolutely running two amps right next to each other will create stereo imaging.
@@ryans9029 Thanks, Ryan. I actually have one of those cabs. Have not tried it in true stereo on stage but it's something worth trying for space-restricted gigs.
I’m not gonna lie... it’s still weird watching you play a PRS. But I love that color!
Can tell you’re liking the new PRs you got. Haha
I used to own the Arion Stereo Chorus. Currently, I run a TC Electronics Nova Dual modulator. That is where my stereo signal begins, from there it goes to an Eventide Pitch Factor, TC Electronics Nova Delay, then BiYang Baby Boom Stereo Reverb. I use the Boss MS3 switcher to manage loops in front of my Mesa Boogie Nomad 100. The left half of my stereo fx is in the loop of the Mesa. The Right goes straight into my Musicman HD 150. My rig is not complicated. The Mesa Nomad 100 is the master and the Music Man HD 150 is the slave. Wish, it had an fx loop. I talked with Bruce Egnater about modifications for it. It would be trickier since it is a solid state preamp. Both amps use 6L6 power tubes at half power. I am a big a fan of stereo in and outputs for time based effects. I want a pedal that sounds analog with longer tape delays and a Reverb built in for another rig. When you run in stereo, the point where your first stereo fx is important, as to add other stereo fx devices that must have stereo inputs and outs. Thanks for doing this, I feel that stereo is really great for the lone guitarist. Another trick I do is blend the piezo signal panned slightly over with stereo clean guitar parts.
mimiq + 2 mooer micro preamp pedals
sounds good i guess for home recording right?
Eric Johnson mode engaged
Hi Brian, first I have to say you made amazing pedals, I do have the Slortion in my chain and it is amazing. I will like to know if is possible to combine two different amps brands with two different wattage. I have a Fender Deville 2x12 and a Archon 50 watts with a Marshall 4x12 cab, my last pedal in chain is and H9, both amps in clean directly into the input.
I always wonder how it will sound if there are 2 different running signals from each pick up.
Stereo guitars were made decades ago, back in the 60s and 70s. Needed doubled ended cords.
@@ryans9029 never found a video on TH-cam
I really like to use your idea with a Uni-vibe for a Hendrix flavor.
I wish someone would come out with a pedal like the mimiq that was also a stereo graphic eq. Also I'm fairly certain the Hall of Fame isn't "true stereo". AFAIK only TC's Helix phaser is actually stereo and not dual mono.
Love the channel thank you.
Plugging the stereo reverb in stereo would help too
Sounds fantastic! What tuning are you in?
What about a stereo overdrive?
This is a old video, so you'll probably not see or answer this but if so: What if I use a stereo amp for the mimiq doubler? Would that work? - Nice vid btw, love your work
Strymon Deco does this kinda thing too.
I can't believe someone thought you could get stereo from one amp/speaker. 🤣🤣🤣🤣
I have been considering the mimc, I already have super wide stereo tone. I use 4 stereo fx blocks. A 5th one may be too much.
something seems out of phase to me. is it just me?
Sounds really awesome. What is the placement of the amps? Are they together or on opposers sides of the room (and does it matter)?
Brian, why don’t you create your own Mimiq/doubler pedal? I have the mimiq and don’t like it at all as it sucks tone.
Habe you ever thought of building a brownface amp in a box pedal
ARION pedals sound fine on but in bypass one of the signals out of phase which kind of isolates the signal... had the same problem
If you want true stereo the TC Stereo Chorus Flanger is the ONLY choice. Just ask EJ.
I have a question Brian, I am running into the mono side of a TC Petrucci chorus and out of it stereo into a flashback and stereo out of the flashback into a HOF and out of that stereo to my amps. Is this still dual mono?
Mr Wampler! Very interesting video as usual. I noticed when listening to the video with my headphones that the TC Mimiq seems to lose a bit of volume when turned on. It reacts exactly the same for me. I have a widespread great sound but I always have the feeling that my low end reduces a bit and the volume in general decreases a bit. Is this normal ? Is this what we call the out of phase issues? Thank you
Inn the beginning of the video the volume was louder but when you switch the Arion to stereo the volume drops which leads me to think there is some comb filtering going on.
So I have a stereo delay pedal but delay sounds trash in front. Are u suggesting I use a stereo chorus to go into the fronts of both amps and set them individually? I'm trying to get a cantrell sound out of two 6505+112c amps. I know jerry has two amps one set dirtier than the other. My delay in the fx loop connected to the other amps fx in sounds great but I want a different preamp tone.
Welcome back normal eyebrows Brian.
Hit like, sub for long time, everything uv posted has been helpful, thx for the free education.
Have tried the hall of fame for stereo?
It's going out of phase the left channel in my ears is the switching side with the stereo chorus.... The stereo doesn't translate well at all. The mimiq does the thing properly. I'd throw that first pedal in the trash.... Or use a very much smaller amp for the second channel as it's cancelling anyhow...
In order to hook both amps together like you do, is the only thing your using is a Y cable from the output of the effects?
If you want to take advantage of pedal that deals with stereo effects(some has dry signal in stereo output and only pitch changed in mono), you can use two amp with fx loop and matched output watts for cabinet/speakers. So you put your effects in fx loop of amp that your guitar is plugged, and plug the stereo signal from pedals on return section of other amp fx loop then turn up volume of both power amp at same level. Now you have a stereo system.
Stereo is obviously much better for recording purposes, but what about live? How does it sound in the room compared to a mono set up?
Brody Swisher been doing stereo live for 25 years.
When I use a mono rig, it sounds blan , but stereo
Only sounds really good it you have the stage room
To have your cabs 2 or 3 feet apart. Sometimes
Real estate on stage can be scarce . If you mic your
Rig that's a problem too. Need 2 channels. But the
Sounds behind you is pure studio tone!
Mimiq is fantastic but I can't decide whether to put it before or after my last effect which is a Ventris stereo reverb. My board lays out better with the Ventris as the final, but if there's a good reason to use Mimiq as the final (yes feeding 2 amps), I'd reconfigure the board. Any answers out there? Thanks, Doug
About to run a my stereo signal through a prs archon 50 w/ 2x12 Mesa v30s & fender bassbreaker 15 combo w/Celestion G12V-70. Both amps with be separately mic'd and ran to the audio board. What issues might I have and how do I solve them. My final three pedals are stereo - TC Corona Chorus. BOSS DD200, Strymon Flint
Is all this while having to use an effects loop amp?
So I tried running my Eventide time factor into the FX loop of my Boogie Lonestar. It has stereo outs so can’t I run into the effect in of my other amp, a Blackstar studio 10? I connected it and only the delay from the Boogie. No sound from the Blackstar. What am I doing wrong?
Also, what do you have sitting on top of both amps??
hey man! how are you liking that prs SE model? Any quality issues or is it great?
Using an amp that has 2 instrument inputs on the front. I plug guitar in 1 input and the 2nd input goes to a couple pedals and into the front of a 2ond amp. That way 1 amp gets only guitar the other gets guitar with fx. Ok is that called stereo or what would that b called.
That’s not stereo usually. Generally the two inputs are a low and high. The low is cutting the signal back a bit. They are in parallel, hitting the same circuit in the exact same place. So running two signals into those two inputs simply runs them in parallel, and ultimately mono. For stereo you will need two different amplifiers.
Just came across your video awesome sound, I question on stereo. I have a harley benton 2x12 cab that has to vintage 30 speakers, one input is 8ohm mono or 16 ohm stereo with a switch that selects either. My question is how do i use the cab in stereo? Cheers
You may not be able to with that cab without requiring it and also using a separate amplifier, one for each speaker.
What would happen if you added a 2nd mimiq pedal in the effects loop ?
I have the jazz chorus 40 ... 2 speakers with L/mono and R input and a lineout L/mono R.... is it possible sound in stereo with some TRS Y cable, etc ....?
i bought the HOF reverb for the loop of both of my amps. but that HOF sends the same signal to both amps making it dual mono
It's reverb. Of course its dual mono, there is no motion in reverb. The point of the two outputs is so that you can use it in a two amp setup if wanted. So that a single pedal can supply both signals with reverb, and since reverb usually comes last in the chain, you can't "split" the signal after the reverb. It NEEDS to go in and come out of the reverb in two separate signals, so as to not mess with any choruses or delays, or other modulation effects that are separate and BEFORE the reverb pedal.
It allows two separate signal paths to both get reverb, without mixing the two signals
The bottom sounds muffled..
Is the Arion a sch-1 or z model?
No ABY switch?
You can, but it won’t give a wide stereo spread of that’s what is desired
Question please,so if I have a multi-effects pedal that is stereo and a reverb pedal after it that is also stereo, do I only have to go mono out of the effects pedal tamano in the reverb and then stereo out of the reverb to my speakers?or do I have to go stereo out of the effects pedal to stereo inn on the River band stereo out of the reverb I guess my question is if I go mono outtu Mano en of any stereo pedal and just go stereo out of the pedal it will be stereo? My multi FX does ping pong delays etc but i dont see how going mono out of it will deliver stereo effects as long my end of chain is stereo out, is that how it works, thanks in advance!!
Use stereo inputs and outputs for both. So stereo out of multi into stereo in of reverb
I think it would have been better if you recorded it it doubly. Huh...? Oh, Dolby
anybody know what that "stereo" switch actually does?
THAT is the question.