Can someone explain why we would use a 1khz tone to calibrate instead of white noise? As All frequencies would affect the compressor differently? Just curious as to the logic behind this.
As I get slowly closer to running up my new PC with Studio One, I am getting the ideas together on how I want to run from the beginning. I had a try of Brauerising on Logic Pro X. This explanation of yours is nice and clear, and of course being for Studio One will help me a lot. Thank you :). BTW, Nice song, nicely mixed.
Nice clear video. Good delivery. In your opinion, is the success of brauerizing more due to the separation of similar sounds into ABCD and separating vocals rather than the specific use of named compressors. For example can you get a good sound from using same generic compressor on ABCD and vocals so that the compressor can react in different ways to the different sound classes? . Is it the routing or use of specific compressors that gives a good sound . I’m sure both are important but what contributes the most benefit ? In other words with this routing could I brauerize if I only possess one compressor ? Thanks .
I find your explanation refreshing because you are finding your own way with the multibus concept which we really all should. The vocal part is the only part i have questions about. I get the main vocal is on 5 different busses. Im assuming you are doing this as a parallel? vs duplicating the main vocal 5 times. I dont use studio one but understand the idea you are doing. After that What i want to know is are you leaving the faders at unity or are you resetting the faders of the 5 vocal busses to get the mix you want? I get i can try that im just trying to understand how you were and are seeing it. Maybe today is the right day and i came across the right video but your video is talking to me! Thanks again!
Is there a reason why you insert the compressor buses as "sends" on the individual instrument tracks? Why don't you group let's say the drum elements and send the output of that group to the compressor bus (let's say B for this)?
a quick Studio One tip for you, go to File > Save as Template, that way you can save your configured song as a template. When you start a new Song simply click User from the pop up and you'll see your recently created template as an option.
Can someone explain why we would use a 1khz tone to calibrate instead of white noise? As All frequencies would affect the compressor differently? Just curious as to the logic behind this.
Thanks for sharing your knowledge 🎚🤟
Great Tutorial ! thank you !
maybe can you share the template on studio one in order for everyone to strat with some very string bases ?
Thank you !
Cool!
Thanks Tobi!
As I get slowly closer to running up my new PC with Studio One, I am getting the ideas together on how I want to run from the beginning. I had a try of Brauerising on Logic Pro X. This explanation of yours is nice and clear, and of course being for Studio One will help me a lot. Thank you :). BTW, Nice song, nicely mixed.
Thank you Tony!
great tutorial, learned alot....great tune BTW1
Thanks a lot John! You can download our CD for free here: www.dropbox.com/s/n4kcjdrseahrae4/Beardland%20CD%20MASTER.zip?dl=0
Nice clear video. Good delivery. In your opinion, is the success of brauerizing more due to the separation of similar sounds into ABCD and separating vocals rather than the specific use of named compressors. For example can you get a good sound from using same generic compressor on ABCD and vocals so that the compressor can react in different ways to the different sound classes? . Is it the routing or use of specific compressors that gives a good sound . I’m sure both are important but what contributes the most benefit ? In other words with this routing could I brauerize if I only possess one compressor ? Thanks .
Hi can you put template please thanks
I find your explanation refreshing because you are finding your own way with the multibus concept which we really all should. The vocal part is the only part i have questions about. I get the main vocal is on 5 different busses. Im assuming you are doing this as a parallel? vs duplicating the main vocal 5 times.
I dont use studio one but understand the idea you are doing. After that What i want to know is are you leaving the faders at unity or are you resetting the faders of the 5 vocal busses to get the mix you want? I get i can try that im just trying to understand how you were and are seeing it.
Maybe today is the right day and i came across the right video but your video is talking to me!
Thanks again!
Is there a reason why you insert the compressor buses as "sends" on the individual instrument tracks? Why don't you group let's say the drum elements and send the output of that group to the compressor bus (let's say B for this)?
And I'm pretty sure he makes 5 fx channels for vocal compressors, and uses them as a send I guess...
Great video. Thanks!
you are not explaining rhis correctly
a quick Studio One tip for you, go to File > Save as Template, that way you can save your configured song as a template. When you start a new Song simply click User from the pop up and you'll see your recently created template as an option.
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