Handel: Nabal (oratorio) COMPLETE
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- เผยแพร่เมื่อ 14 พ.ค. 2024
- Nabal, an oratorio-pasticcio (1764) compiled from the works (arias, choruses) of George Frideric Handel by John Christopher Smith.
Part I 00:00
Symphonia
Recitative: Here in the Wilderness of Paran (David)
Chorus: The righteous shall be had in everlasting rememberance
Accompagnato: Have mercy on us, Lord (David)
Air: Food they ask'd (David)
Recitative: No doubt (Asaph)
Air: The Lord, our guide (Asaph)
Chorus: The Lord, our guide
Recitative: How hard the woman's fate (Abigail)
Air: Free from discord (Abigali)
Recitative: Avaunt, unpleasing wretch (Nabal)
Air: Still fill the bowl (Nabal)
Ballo and Minuet
Gavotte
Siciliana
Air: Gay and light as yonder sheep (Shepherd)
Chorus: Gay and light as yonder sheep
Recitative: 'Tis Carmel's annual holiday (Nabal)
Chorus: Happy, while we reign in pleasure
Part II 41:43
Recitative: Asaph, 'tis well advis'd (David)
Air: Great Creator (David)
Chorus: God, who in thy heav'nly hand
Recitative and Accompagnato: Thus saith my Lord (Asaph)
Air: Grateful hearts enjoy the blessing (Asaph)
Recitative: Who is this David? (Nabal)
Air: With harps new strung (Nabal)
Solo and Chorus: Come! Come! Live with pleasure (Shepherd)
Air and Chorus: Sing we the feast (Shepherd, Chorus)
Chorus: Crown with festal pomp the day
Accompagnato: Thrice happy sheep (Abigail)
Air: Mind eternal (Abigail)
Recitative: Fly my good mistress (Shepherd, Abigail)
Accompagnato: Fell monster! (David)
Air: Fury in all thy terrors rise (David)
Accompagnato: On me, my Lord, on me (Abigali)
Air: Mercy, thou heavn'ly cherub (Abigail)
Accompagnato: Blessed be the Lord (David)
Chorus: All creatures upon God depend
Part III 01:26:29
Interludes
Accompagnato: Ah! Whence this sudden dread (Nabal)
Air: Oh! Who can tell the terrors? (Nabal)
Recitative: How soon the scene is chang'd (Shepherd)
Chorus: By slow degrees the wrath of God
Recitative: A messenger, my Lord (Asaph)
Air: When beauty sorrow's livery wears (Asaph)
Recitative: True is your observation (David)
Air: Lovely beauty (David)
Recitative: Behold! Thine handmaid (Abigail)
Air: Come ye smiling hours (Abigail)
Accompagnato: Guardian angels (Shepherd)
Duet: Thrice happy pair (Shepherd, Asaph)
Solo and Chorus: Still caressing (Shepherd, Chorus)
Recitative: In praise, to great Jehovah (Abigail)
Duet: Thoughts sublime (Abigail, David)
Chorus: O glorious prince
Stephan MacLeod, bass
Maya Boog, soprano
Knut Schoch, tenor
Francine van der Heijden, soprano
Linda Perillo, soprano
Junge Kantorei
Frankfurt Baroque Orchestra conducted by Joachim Carlos Martini - เพลง
Thank you for sharing this wonderful Oratorio
Chorus: The righteous shall be had in everlasting remembrance 5:02
Chorus: The Lord, our guide 21:45
Chorus: Happy, while we reign in pleasure 39:38
Chorus: Come! Come! Live with pleasure (Shepherd) 56:03
Chorus: Sing we the feast (Shepherd, Chorus) 1:02:59
Chorus: Crown with festal pomp the day 1:03:51
Chorus: By slow degrees the wrath of God 1:37:03
“Nabal”.....Terrific, a wonderful work I’ve never heard before from Mr Magnificent. Time to pay him another visit to genuflect at his grave in Westminster Abbey.
Un'esecuzione superlativa: cantanti, orchestra soprattutto, direzione; il tutto curato nei dettagli e mai abborracciato.
Never heard of this before, it's great, but then again it's Handel!
Händel still ist capable to impressed, even more than 200 years of this passing.
Gran interpretación. Gracias.
DIEU ACCUEILLEZ DANS VOTRE PARADIS MONSIEUR DE HAENDEL !!!💛🌿✝️🌿💛🎼🎶🎻🎶🎼💛🌿🧖♂️🐇
All arias are beautiful. Great performance. Great voices. The great Handel (!) Extra bellissimo: 26:41 32:23 .....
It has no catalog number of Händel's works. Nabal is a pastoral oratorio compiled from Handel's doubles in 1764 by John Christopher Smith. It was premiered on March 16, 1764 in Covent Garden, London. The recitatives are probably Smith's work, while the arias are largely borrowed from Handel's operas, oratorios, anthems, and cantatas. John Christopher Smith, was the son of Handel's lead copyist - was enthusiastic about music from a young age and left school at the age of thirteen to become a student of Handel. In 1727 he was a violist in Handel's orchestra. In 1750, Smith assisted the already ill composer in the performances of his oratorios and was himself a valued musician, being organist and principal conductor of Foundling Hospital.
Smith oratorios: Rebecca, Nabal, Tobit and Gideon, all arrangements of Handel's music with new libretti and performed in the Royal Theater, Covent Garden in the 1760s. In 1998 an oratorio Redemption (libretto William Coxe) was discovered in the Paris National Library. 1740 to 1749 (and at Handel's encouragement) with his own opera compositions - Rosalinda (libretto John Lockman, first performance January 4, 1740 in Hickford's Rooms in London), Issipile (1743, libretto Pietro Metastasio), Il Ciro riconosciuto (1744, libretto Metastasio ), Dario (1746, lost), Demofonte (1747, libretto Metastasio, lost), Artaserse (1749, libretto Metastasio, lost). His best Oratori is "Paradise Lost".
Handel is where my soul rests
That what im saying bro his music brought me closer to christ
@@david9531
Thankyou
your comment
From
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The Cherry Blossoms in full bloom in Tokyo is starting to fall
The roads, rivers, streams parks ponds are covered with pale pink Cherry Blossom petals
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Amazing stuff.
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This work is a Handel compilation and not a work written as a unified piece. Christopher Smith compiled the Handel music in 1754
Dear all, I am at the origin of this revival. While working for the late J. C. Martini to find some original manuscript at the Bibliothèque nationale de Paris from Delalande and other french baroque composers, I stumbled upon three pasticcii by JC Smith,Handel's copyist that were saved by V. Schoelcher from certain loss. It must be known that those 3 autograph manuscripts were not bought by Chrysander from Schoelcher's contact in Bristol who had this chest full of andwritten scores from Handel that survived all the vicissitudes of unprotected patrimonial wealth. It is therefore by chance that they ended up in Paris after the demise of Schoelcher and survived the disdain of many sponsors for "unoriginal" pieces of work. I remember those days in the early 2000 when me, Jochen and his wife Judith Freise visited the section musique of the Bibliothèque Nationale to check the originals out, how we were stunned by the history of these documents written from the hand of the closest coworker of Handel, the man who new the best the style, the ways and means of Handel. I spent wonderful days with Jochen and Judith in Paris. As always during this period, this until 2006, I am also part of this recording as a bass singer in the chorus. This Pasticcio was obviously given twice in 1761-1764 for the celebration of Handel's memory and work. There is a excellent study of those 3 pasticci by a US academic we invited to a special event in Frankfurt to hold a speech on these works. Consider Nabal as an important proof of the genius of Handel.
I never heard this work and i think it's a wonderful work beautiful voices .I heard the messiah and Israel in Egypt and Saul but here there is something better I can't explain what it means it's just my ears and my heart is beating more than others work of haendel. This work make me feel good such knocking at heaven's doors . To praise the Lord of universe JEHOVAH. Thank you haendel for this work full of feelings and sweetness work I feel like a bird flying in the sky . RICHARD ALVENTOZA
Me cuesta acosgumbrarme al sonido metálico "a lata" de los llamados "instrumentos originales".
Came across this wonderful music on 17/05/2020 for the first time. What else was old Handel up to?
Photo: David Meeting Abigail, Peter Paul Rubens, Oil on canvas, 1620's
please does someone has the sheets of this orotario of handel ? i'm desperatly looking for it peaaaase
It's spurious. It's just a collection of Handel works (and some not Handel works) thrown together and given the name Nabal. I've no idea who put together the labretto, but many of the words are the same as they were in the originals. Those which have been reworked sound clumsy and decidedly un-Handelian. I doubt very much that you will find sheet music for this since it is not truly an authentic Handel Oratorio and was only thrown together for the purposes of making this recording. It was assembled and the libretto written in the late 1970's, so just a bit too late to be Handel.
I do have them...but on paper print...very heavy. I assume you can get the original microfilm for the bibliothèque national de Paris. Joachim Martini and I deposited a copy of the score and of this audio recording to the chairwoman of the music department of the library in question.😉
@@jakzatchin4269 Don't waste your money, all the pasticcios by Smith have been digitized on Gallica !
@@tenor-haute-contre are they openly available in the pdf format ?
12:13
It's from "The way of Zion do mourn"
47:33
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23:55
57:13