I really enjoyed your performance of the sonata, specially first movement, very challenging piece for the traverso, also outstanding video, congratulations, it was very beautiful, some day I hope to have videos of this quality Again, all my respect and congratulations for the work again
I’ve contributed at least a dozen of the views on this video (and more to follow). A great video, the setting, etc., but the playing is phenomenal, especially the powerful low notes in the first mvt. Not easy to do on that instrument. Wonderful, thank you.
Lovely!!! Plus it must be a real treat to play solo in that huge acoustic space. Too bad the mics are able to catch only part of the natural reverb and self-harmonics that you can hear in person.
This is a vivid and lucid performance, providing me with a thread of brilliant, resonant and clear sounds, which also make me aware of the impressions of the rendition of the flute, in words such as purity, sanctitude, grace, innocence and serenity. Although my experience with C. P. E. Bach's instrumental works has been infrequent, it appears that the flutist delivers a comprehensive and commendable artistic experience.
It’s strange to read your comment today, because it’s almost word for word (“she” changed to “he”) the thought I had a couple days ago listening to Hariprasad Chaurasia!
I really enjoyed your performance of the sonata, specially first movement, very challenging piece for the traverso, also outstanding video, congratulations, it was very beautiful, some day I hope to have videos of this quality
Again, all my respect and congratulations for the work again
I’ve contributed at least a dozen of the views on this video (and more to follow). A great video, the setting, etc., but the playing is phenomenal, especially the powerful low notes in the first mvt. Not easy to do on that instrument. Wonderful, thank you.
Lovely!!! Plus it must be a real treat to play solo in that huge acoustic space. Too bad the mics are able to catch only part of the natural reverb and self-harmonics that you can hear in person.
0:18 I Poco Adagio
4:56 II Allegro
8:41 III Allegro
What a superb performance. So well played. Thanks Alice.
Thank you Charlotte for your nice words ! 😊🙏
Amazing performance! It just occurred to me this how they back them expected the flute to sound. Divine. She is an angel.
Incroyablement beau !
Beautiful!!! Love CPE Bach soooo much!!!!! Bravo!!!!! 👏👏👏👏👏🥰🥰🥰🥰🥰🎶🌷🎶🌷🎶🌷🎶💖💖💖🙏🙏🙏🙏🙏💐💐💐💐💐
thank you for sharing... absolutely stunning place to play this... CPE would have been proud...
Peace ✌️
Thanks a lot Richard 🙏
Fabulous! And wonderful to hear it with all the bloom from the church acoustics!
c'est très beau ! merci
Merci à vous
superbe
C'est exceptionnel ! Je suis très impressionnée...
Lewis Scott Perez George Harris Maria
This is a vivid and lucid performance, providing me with a thread of brilliant, resonant and clear sounds, which also make me aware of the impressions of the rendition of the flute, in words such as purity, sanctitude, grace, innocence and serenity. Although my experience with C. P. E. Bach's instrumental works has been infrequent, it appears that the flutist delivers a comprehensive and commendable artistic experience.
Superbe 😮
Les Palanca sont mes traverso préférés 😻
Lovely playing
Bravissimo! LOVE traverso
Belle performance !
👍❗👍 Спасибо за доставленное удовольствие!
Привет из Киева.
So honored that my music sounds in Kiev 🙏
🌿🌏🌾
It's real magic! Thank you!!!
Superb. Which microphone was used to record this?
👏👏👏👏👏👏
Thank you. What flute is that?
It's a Palanca.
I can't believe she's playing a hollow stick with a few holes in it... Wonderful...
It’s strange to read your comment today, because it’s almost word for word (“she” changed to “he”) the thought I had a couple days ago listening to
Hariprasad Chaurasia!
The contrapuntal voices, the abrupt and dramatic changes in affect, the “Sturm and Drang”….where are they?