This version does not sound like the studio version though. The mix is entirely different, the vocals are a different recording than than the studio version aswell.
@@MegaArchiebald,I agree. Both concerts were great, but I heard Delicate Sound Of Thunder first, and loved it, especially that version of The Big Gig In The Sky... Hands down the best version.
@MegaArchiebald it certainly became a favorite of David's over the years.. his performance of Turning Away though from DSOT.. maybe not only my all time PFS performance with or without Roger. I'd say Turning Away from DSOT maybe one of my favorite all time performances by anyone I've ever heard. His solos from Sorrow, Coming back to life and High Hopes are almost on DSOT Turning Away, but not quite..
On the Turning Away is excellent. Momentary Lapse of Reason is really the one Pink Floyd album that feels more like a David Gilmour solo album. The same way that The Final Cut really feels more like a Roger Waters solo album.
What you said here about demonizing those who suffer and the actual political situation sadly is so true. Growing up in the 70s to 90s I always had the feeling that society was getting better each day. We overcame barriers and walked towards each other. Since then it feels like we're constantly moving in the wrong direction, gettng back to behaviours we had already identified as false. "If you got empathy that's in you it makes it very tough to live among the daily headlines" - you speak from my heart!
It is kinda funny to me when you mention that you felt as if in the 70s to 90s society was getting better, when that is the period when we got fascists like Thatcher and Reagan in the UK and US respectively. This is when the global neoliberal political movement began to take its roots. Politicians in every country started smashing welfare, smashing the labor movement and austerity became the name of the game. The only major thing that did get better from the 70s and onwards was equality, especially for LGBTQ people. But class transcends sexuality, and the working class has been decimated since the 70s because of figures like Reagan, we're only now seeing a strengthened labor movement again.
@@DonHakaYeah, no. 70s-90s had problems, sure, but there was a true effort towards coming together as humans, forgetting our pasts to look towards our futures, and not classifying people into rote identities. The vocabulary you’re using in these statements are exactly what he’s talking about: we’re turning against each other over the narcissism of small differences. We will always have differences. We will always have mistakes. It’s the overall goodness and effort towards bettering ourselves as a nation and people that makes it all better in the end.
@@hotshtsr20 "there was a true effort towards coming together as humans" That doesn't matter at all. No matter how much we "come together as humans", we can never fix any of the serious problems if we don't deal with the root of said problems. The root of most of our problems today is capitalism. War, poverty, homelessness, unemployment and climate change are all consequences of capitalism. This notion of "coming together as humans" as if that would solve any issues in our current system, is incredibly idealistic. As long as we're ruled by the bourgeoisie we will never, ever, be able to "come together as humans". "The vocabulary you’re using in these statements are exactly what he’s talking about: we’re turning against each other over the narcissism of small differences." The vocabulary I am using in my statements is the vocabulary of reality, its the vocabulary of class struggle. Im not turning against anyone over small differences. Im turning against the bourgeoisie, the exploiter class in our capitalist society. They are the minority, who oppress and exploit the international proletariat, who are the vast majority. This small group of people own everything. If we are to truly come together as humans, we first need to smash the capitalist system and abolish classes. "We will always have differences. We will always have mistakes." Yes, we will always have differences, that is, humans are different from one another. Other differences like class differences will not always exist. We will indeed always have mistakes, we are human after all. "It’s the overall goodness and effort towards bettering ourselves as a nation and people that makes it all better in the end." No. While I very much commend kindness and "goodness", those are good values but in the end it still wont change anything, and I am tired of acting like we can change anything just by being kind to each other. Goodness won't stop wars, unemployment, poverty, homelessness and climate change.
@@DonHaka Root of it is Capitalism? Thats an economic system. No matter which one we have, there will always be people who end up on top. The less individual control there is, the less freedom those not on top will have. There will ALWAYS be elites that game the system. The more power we give the govt to “combat” them, the more they become a part of the elite. The government that has the power to give you anything you want, has the power to take everything you have. Democracy/capitalism is a terrible system of government, but it’s the best one we have for presiding over unruly monkeys. 😂
@Monster12367 I didn't "liken" them to fascists, I was pointing out that they in fact were, fascists. Their anti-worker policies completely back that up. What is the specific thing that distinguishes fascism from other politico-economical strains? The single thing that distinguishes fascism from all other politico-economical strains is extreme anti-communism. Anti-communism in and of itself is fascist. The communist movement is the movement of the revolutionary proletariat, therefore anti-communist policies are also anti-worker policies.
Such an awesome tune. When I saw the video a few weeks after the album was released I was mesmerized by this track. Gilmour's solo is so good: pure feeling!!!! Stunning!!!!
100% agree with your views Doug, well said! Great review as usual, of a great song. This was a solid album so have fun exploring it. Learning to Fly is superb but Sorrow is the stand out track for me, enjoy!
I agree - everything suggests all these guests should lift the track but the live versions were played once the new line-up had really settled in. It sounds more like a band and the awesome Guy Pratt really started to find his place on bass.
This album was my gateway into Pink Floyd. I was 15 when this came out and pulled me into the rabbit hole. This song, and also "Sorrow", which closes the album are imho the best songs the band recorded after Roger left and their message is timeless and universal.
I am one of the few who doesn't like Sorrow. I think it's monotonous, dragging along, not much melody (which is otherwise Pink Floyd's strength). Paradoxically I always felt this song was the only filler on the album (without them admitting it). Saw them 3 times in 1988 (Vienna), 1989 (Linz) and Basel (1994) and my impression was the audience rather sat (or stood) this song through, not showing any excitement. But that is only my opinion so very subjective!
@@DaddyDoom I can agree - one has to let oneself into this song to be able to enjoy it. Though it's not one that touches me like others of theirs I can still enjoy it somehow (and I think it's a thousand times better than any "dark" song by eg Depeche Mode), and even more paradoxical, though I perceived it as a filler I couldn't imagine any other song in its place sitting there at the end of this gorgeous album! I could imagine you liked "Yet Another Movie" as well for its eeriness - that definitely was one of my favorites...
I was fortunate to hear this performed live in Philadelphia in 1989 with an invite from their front of house mixer to sit with him at the mix position. One memory I am left with is the sheer power, the volume was stunning. No other word for it. During soundcheck the bass drum put wind in my hair at a distance of 180’ and an absolute lack of distortion. It is no small trick to attain that level with total clarity, no cancellation while moving in the soundfield. I will never forget that stunning display of loudness without discomfort.
If you like this song, please react to David's solo album "On an Island", or at least it's title track. The age in his voice, the wisdom in his delivery, and the lyrics from his wife, poet Polly Samson make it a beautiful reflection of life from a couple as in love as kids getting the first taste of love...with the reflection of a couple in their autumn years. It's magical, beautiful, and sweet.
I saw them in 88 as they toured to support this album. It was fantastic! A few friends and I made a road trip from southern Spain where we were stationed up to Madrid for it. Good times!
“Give me your tired, your poor, your huddled masses yearning to breathe free, the wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!” I have many favorite Pink Floyd songs but this is ONE of my favorite.
Seriously, Doug, Pink Floyd's Pulse album is the absolute best live recording I've ever heard, in my 51 years. Highly recommend you spend some time with it.
Doug, thank you for spending so much of your reaction talking about what the song is actually about and its relevance to today's world. Your comments are much appreciated.
Doug... You say that you never get tired of listening to a David solo... I wonder if it's because he uses the WHOLE of the fretboard.. every time... never stuck in one place. It's what I like about his soloing... it's deep.
Personally I don't care what he does or how he does it, I just like it because it's beautiful. Having said that, the solo on Delicate Sound of Thunder is better.
It is such a brilliant track... thanks for highlighting it Doug... i had totally forgotten that Levin & Keltner played on that album until you mentioned them at the beginning... brilliant musicianship all over.
You are a good and kind man Doug Helvering - your humanity shines through each episode. I have found that your compositional knowledge has helped me understand WHY so much of my favourite music has touched me. Thank you so very much.
I’m an Aussie and had this on cassettes, which melted in my car during our summer, so it was replaced 2 more times. I now have it on cd, I adore this album!!!
As a generalization nonpartisan look to modern politics you are spot on Doug. Still true 36 years later. We do need to move forward, but it is difficult with the mass consumerism of technology and social media causing people to "dig in". Highly recommend Riverside - ID.Entity album for a modern look at how we should question our humanity.
I'm thrilled to hear you listening to these newer songs. There are many greats in both Devision Bell and Momentary laps. But PLEASE listen to The Final Cut. It's very underrated and takes you on an emotional journey like very few bands can.
I've always thought of this as having been more specifically about homeless folks. It's nice to hear David and you expand that to a broader context of turnings away that happen. Let's cultivate solidarity, y'all.
P.S. 12:37 - well, you're in for... a treat, I want to say, except, uhh... the second side is pretty darn melancholy, so, it's a _certain kind_ of treat, I guess. It's amazing stuff, just... well... full of Sorrow, I guess one could say. This is probably my favorite album of theirs, though, at least when I'm in that sort of mood.
One of my favorite Pink Floyd tracks. Well done on the song choice! Also, I am in total agreement with your analysis and perspective! Thank you for a great reaction, Doug! ✌💙✌
I never got to see Pink Floyd live (too young) but if anyone wants to have that Pink Floyd experience…… check out Brit Floyd! They put on an AMAZING show. You almost forget that it’s not the original band.
Hey Doug, new to the channel but I absolutely love your comments that you add. Most reactors have no idea what they’re talking about, and the fact you use theory, solfege, and other musical concepts is awesome! So thank you! If you happen to read this, I’d like to suggest Roger Waters- The Wall Live in Berlin. He builds an IMMENSE wall on stage where the Berlin Wall stood and tears it down by the end. He invites guests artist like Van Morrison, Bryan Adams and even Sinead O’Conner to sing songs off the wall with a semi-live play with Tim Curry. It’s amazing and I think you’d dig it a lot. Maybe for a live stream or something…? Anyway, thanks for the vids and keep up the great work!
@5jerry1 you should play a roll in Waters' new production. I'll right a roll for you right now. Well call you, Grammar Police 🚔 wee you wee you wee you
Hello Doug!! I implore you. I humbly beg you.. please review the live version of On the Turning Away from this Tour. It is from the double album Delicate Sound of Thunder. The studio version of On the Turning Away is 8/10. The live version, specifically from DSOT, is an 11/10. There is no finer performance not only by David Gilmours' solos but the band and his back up singers. It may be one of the greatest songs youll EVER hear. The back up Keys during his solo are mostly replaced by a trio of singers which without question absolutely destroys this one. I guarantee youll be floored by the entire production of DSOT.
Doug, the live version from 1987-88 (available on Delicate Sound of Thunder) starts with a more developed requiem-style chord progression on synth pads and the middle section (final verse) is a spine-tingling a cappella break with 9-11 vocalists. Just appended. Oh and yes a very extended guitar-led full band outro.
They shat on it because morons think Pink Floyd can only be Pink Floyd if Roger is included. Which is ridiculous, they wrote some of their best songs after The Wall.
I was lucky enough to see them on this tour. The show and setlist were absolutely amazing. This was the last tune they played before the intermission. As far as I know, they didn't use any backing tracks, but they DID have approximately 14 people on stage to reproduce all the sounds. The live version linked is absolutely amazing. I was at this show. th-cam.com/video/Ery99VyPCuc/w-d-xo.html
Since you did High Hopes, I figured you could actually do the entirety of The Division Bell. It's the nicest sounding Pink Floyd album with a lot more Richard Wright on it.
I always felt The Division Bell was the album that brought the fans back to when it was about the music and not the narrative. It feels like Wish You Were Here in a way, where it was back to being a collaboration without ego.
After all the years of listening to Pink Floyd, when I heard this song for the first time, it instantly became one of my favorite tracks they ever released. Just great musically but the message is the song. It’s telling the fortunate to reach out and help the unfortunate, and don’t just turn away from people that need help!
I think this must be a remastered version. Nothing wrong with it though and in fact, the extra reverb on the vocals is very nice. When this album was released someone told David that this song sounded like a hymn, and he took that as a complement. I agree, so when I added a digital soundfield processor to my audio system, I mad sure to listen to this song with the cathedral setting, and it was absolutely fantastic.
It's nice to see a reaction to the 2019 re-edit/re-release. The band redid this whole album to sound more like a classic Pink Floyd album and "take the 80s out of it". Some parts were remixed, some parts were redone, some of Rick's parts were taken from live recordings. It works in most cases, but not as well in others. I happen to prefer the original version of One Slip, for example. Great reaction, Doug! Looking forward to more.
Someone MUST have mentioned this by now but this actually isn't the original version from A Momentary Lapse of Reason (1987). It's from the 2021 remix which has a LOT of changes to it - mainly the removal of the gated reverb on the drums. The only way to do it was to re-record the drums as the original tracks had the reverb mixed in permanently. So Nick hit the studio and re-recorded the drums (so this actually IS him in this version). Also the delay and reverb on David's guitar outro have been toned down a LOT... almost removed completely. The drums are clean, the guitar is raw & in your face, and Rick's Hammond organ is either a different take or lifted from one of the shows during the tour as his Hammond playing on the album was actually quite limited.
@@Tsilderikov Yes I noticed that. I think there was one line (or word) added in Learning To Fly at the beginning. Yup. "Standing alone AS my senses reel". Plus some guitar though a rotary speaker in One Slip. Little touches that make big differences. I love both versions!
The live version is just amazing, the studio version is fantastic. Its a very poignant song, still relevant today💙💙💛💛 Its a vey good album, I was glad at the time that Roger Waters is no longer involved, this is so much better than The Final Cut. This will be my earworm for a few days, thanks Doug!
There's a beautiful moment on the live Gdańsk record where David's voice cracks on one of the lyrics and the whole crowd rises up to sing the missing line. You can hear the broad smile in Gilmour's voice as he comes back in and everyone finishes the verse together.
When this album was released many people that loves Pink Floyd simply reject it. They said that without Roger Waters the band will never be the same. Maybe they were right but they don't give this album an opportunity. Many years have passed and I still believe that is a good work and have very good tracks.
Pretty sure this is the 2019(18?) re-jigged version with Nick now on drums and with Rick's organ and Dave's lead vocal taken from a great live version. All said: it doesn't sound much different than the original.
@@jyutzler really? We don’t just watch for his reactions? He doesn’t ever pretend to be an expert on who’s playing what etc etc. If that’s what you want: this is the wrong place.
I live a couple of miles away form where the Picture was taken for the album cover, a place called Saunton Beach, in North Devon. I was about 10 years old and i remember a whole bunch of trucks driving through the village carrying all the beds that they laid out on the beach. They used the other end of that beach for a lot of the War shots used in The Wall Film also.....Fun fact about that, the far end of Saunton Beach is where the WW2 G.I.s practised the D Day landings, the beach has the same topography as the Omaha Beach. There is still Concrete structures there in the shape of the Landing Craft where the G.I.s had to practise storming the beach under live fire. Also the dunes you see to the left is where "Robbie Williams - Angel" was shot as well :)
To add to these comments from you about this song ( On the Turning Away) , check out from David Gilmour live in Pompeii 2016 ,track 10, ' In One Tongue '. It reinforces what you said about not learning from war. An absolute masterpiece that compliments 'On the turning away'. If only humanity would listen.
When I graduated high school in 1973, Dark side of the Moon was the big thing, having just been released. But me and my friends had been into Pink Floyd for years prior. I own everything they have released, on vinyl and CD. Atom Heart Mother and Meddle are 2 of my favorites. The Division Bell is also a masterpiece.....
I forgot entirely that Tony Levin played on this. The dude has quite the discography. I remember when this came out, being surprised at how much it sounded like PF, despite the absence of half the band. If you haven’t already, you should check out some of the solo albums from both Gilmour and Waters from this same time period.
Love this song. Thank you for bringing it to the fore. You say that the sentiment is one that you share. The sentiment is one that is, quite frankly, patently obvious unless your vision is one of denial.
Great to see this! This song has been in my top 10 since 1986. What a fantastic song! You really need to review the Winery Dogs ...pick any song. They are a beast of a group!
@Mr_Doug_Helvering_. Some background on this great piece. David Gilmour explained to The Sun the meaning of this song, which contains anti-war lyrics penned by his novelist wife Polly Samson. "It's about the futility of it all with part of it people who are sitting here in the UK or the States flying drones over other parts of the world," he said. "They're sitting in the comfort of a little control room, playing with a joystick and then going home and having a curry." "I can't imagine what goes through their minds when they get home, whether they're convinced of the correctness of what they're doing or whether they have some regrets.," Gilmour added. "They're brilliant words by Polly. The pain, the sorrow, the regrets are everywhere for everyone on every side of this multi-sided coin." One of David and Polly's four sons, Gabriel, makes his recording debut playing piano on this song, but he's not following in his father's footsteps. "He's a beautiful piano player and he learned things by ear and plays the entire Dr. Who songbook but he has such a lovely touch and plays so beautifully that I asked him to play on this track," Gilmour told the Canadian Postmedia Network. "(But) he wants to do something else in life. He's into stage design and set design and he'll be somewhere in the theatre and film industry I guess."
It's worth checking out the live Pulse concert recording as well, as is usual with Pink Floyd. Especially for late Pink Floyd works, the Pulse live versions are very close to the studio ones, but somehow even better. The live presentation pulls you more in, with great visuals to complement the music. The Pulse concert is just a masterpiece, you don't often get such consistent high quality from a live concert.
I was privileged to have been able to see two concerts on the "A Momentary Lapse of Reason" tour, at the Orange Bowl in Miami and the Citrus Bowl in Orlando. Both concerts were in the pouring in rain, lol. Great concerts, though.
Such an awesome life long PF experience i have had with the band. they were awesome live with TMLOR tour. and as a humanist, socialist and beyond; i completely agree with your values and David Gilmours on this!
Doug you really need to listen and see pink floyd perform 'Cymbaline' from 1970 San francisco th-cam.com/video/wsxMbNuSJhI/w-d-xo.html The lyrics include a reference to the character Doctor Strange, who was popular at the time due to the psychedelic nature of his adventures, not to mention because Pink Floyds music is 'always changing size' ........ features a sparse arrangement of nylon-string guitar, bass, piano, drums, bongos, and Farfisa organ entering when Gilmour does a scat solo.(actually describing it like that doesnt do it any justice since that refers to some lame jazz thing) this is more like you won't ever forget the tome he gets out of his guitar, then goes to another level. Gilmour purposely chooses a quieter tone in his first solo, so is to make the last solo so much bigger to which it is.
The live version is simply mind blowing! It has in my opinion David's greatest guitar solo ever...even better than Comfortably Numb.
I agree.. the live versions however. High Hopes and Coming Back to Life from 2006 Albert Hall are in the running as well.
Oh man, I was hoping for the live version. The studio version is great as well, but the live version is sensational.
Totally agree and the guy who remastered this version did a superb job
th-cam.com/video/jJ0Lo0lURyc/w-d-xo.html
Yes the live version is much better.
This version does not sound like the studio version though. The mix is entirely different, the vocals are a different recording than than the studio version aswell.
You are absolutely right @@DonHaka
yes, the final cut tour in 1988, thats a good version@@davidwall4949
Learning to Fly, Dogs of War & Sorrow are just amazing tracks. Sorrow is brilliant on the Pulse concert.
I prefer the Delicate Sound of Thunder version of Sorrow.
Dogs of War? Are you serious? It's borderline-unlistenable.
@@MegaArchiebald,I agree. Both concerts were great, but I heard Delicate Sound Of Thunder first, and loved it, especially that version of The Big Gig In The Sky... Hands down the best version.
@MegaArchiebald it certainly became a favorite of David's over the years.. his performance of Turning Away though from DSOT.. maybe not only my all time PFS performance with or without Roger. I'd say Turning Away from DSOT maybe one of my favorite all time performances by anyone I've ever heard. His solos from Sorrow, Coming back to life and High Hopes are almost on DSOT Turning Away, but not quite..
And Yet Another Movie… ❤
On the Turning Away is excellent. Momentary Lapse of Reason is really the one Pink Floyd album that feels more like a David Gilmour solo album. The same way that The Final Cut really feels more like a Roger Waters solo album.
David Gilmour, a master of tone and the best string bender in all of musicdom.
Amen!!!!!
You're not wrong
What you said here about demonizing those who suffer and the actual political situation sadly is so true. Growing up in the 70s to 90s I always had the feeling that society was getting better each day. We overcame barriers and walked towards each other. Since then it feels like we're constantly moving in the wrong direction, gettng back to behaviours we had already identified as false. "If you got empathy that's in you it makes it very tough to live among the daily headlines" - you speak from my heart!
It is kinda funny to me when you mention that you felt as if in the 70s to 90s society was getting better, when that is the period when we got fascists like Thatcher and Reagan in the UK and US respectively. This is when the global neoliberal political movement began to take its roots. Politicians in every country started smashing welfare, smashing the labor movement and austerity became the name of the game.
The only major thing that did get better from the 70s and onwards was equality, especially for LGBTQ people. But class transcends sexuality, and the working class has been decimated since the 70s because of figures like Reagan, we're only now seeing a strengthened labor movement again.
@@DonHakaYeah, no. 70s-90s had problems, sure, but there was a true effort towards coming together as humans, forgetting our pasts to look towards our futures, and not classifying people into rote identities. The vocabulary you’re using in these statements are exactly what he’s talking about: we’re turning against each other over the narcissism of small differences.
We will always have differences. We will always have mistakes. It’s the overall goodness and effort towards bettering ourselves as a nation and people that makes it all better in the end.
@@hotshtsr20 "there was a true effort towards coming together as humans"
That doesn't matter at all. No matter how much we "come together as humans", we can never fix any of the serious problems if we don't deal with the root of said problems. The root of most of our problems today is capitalism. War, poverty, homelessness, unemployment and climate change are all consequences of capitalism.
This notion of "coming together as humans" as if that would solve any issues in our current system, is incredibly idealistic. As long as we're ruled by the bourgeoisie we will never, ever, be able to "come together as humans".
"The vocabulary you’re using in these statements are exactly what he’s talking about: we’re turning against each other over the narcissism of small differences."
The vocabulary I am using in my statements is the vocabulary of reality, its the vocabulary of class struggle. Im not turning against anyone over small differences. Im turning against the bourgeoisie, the exploiter class in our capitalist society. They are the minority, who oppress and exploit the international proletariat, who are the vast majority. This small group of people own everything. If we are to truly come together as humans, we first need to smash the capitalist system and abolish classes.
"We will always have differences. We will always have mistakes."
Yes, we will always have differences, that is, humans are different from one another. Other differences like class differences will not always exist.
We will indeed always have mistakes, we are human after all.
"It’s the overall goodness and effort towards bettering ourselves as a nation and people that makes it all better in the end."
No. While I very much commend kindness and "goodness", those are good values but in the end it still wont change anything, and I am tired of acting like we can change anything just by being kind to each other. Goodness won't stop wars, unemployment, poverty, homelessness and climate change.
@@DonHaka Root of it is Capitalism? Thats an economic system. No matter which one we have, there will always be people who end up on top. The less individual control there is, the less freedom those not on top will have.
There will ALWAYS be elites that game the system. The more power we give the govt to “combat” them, the more they become a part of the elite.
The government that has the power to give you anything you want, has the power to take everything you have.
Democracy/capitalism is a terrible system of government, but it’s the best one we have for presiding over unruly monkeys. 😂
@Monster12367 I didn't "liken" them to fascists, I was pointing out that they in fact were, fascists. Their anti-worker policies completely back that up.
What is the specific thing that distinguishes fascism from other politico-economical strains? The single thing that distinguishes fascism from all other politico-economical strains is extreme anti-communism. Anti-communism in and of itself is fascist. The communist movement is the movement of the revolutionary proletariat, therefore anti-communist policies are also anti-worker policies.
The live version is beyond wonderful..This PinkFloyd song is one of there best. Thank you for sharing.
Such an awesome tune. When I saw the video a few weeks after the album was released I was mesmerized by this track. Gilmour's solo is so good: pure feeling!!!! Stunning!!!!
The live version from the Delicate Sound Of Thunder Concert is the best, He just extends that solo and just goes off ! :P
What he hoped could happen live, is exactly what happens live, and that's the best one?
100% agree with your views Doug, well said! Great review as usual, of a great song. This was a solid album so have fun exploring it. Learning to Fly is superb but Sorrow is the stand out track for me, enjoy!
Live version from delicate sound of thunder is much better
Came here to say this. One of my go to Pink Floyd vids. Watched it so many times!
Totally agree - DSOT LIVE.
Also, one of my favourite Floyd lyrics; “where the speechless unite in a silent accord…”
I agree - everything suggests all these guests should lift the track but the live versions were played once the new line-up had really settled in. It sounds more like a band and the awesome Guy Pratt really started to find his place on bass.
With Rachel Fury!!!!
Yes, it's amazing how many of us doubters may have been swayed by Rachel!
Thanks Doug for helping me to understand why I love the music that I love. I apprectate your efforts
You always leave me appreciating the music I love at a much deeper level.
I am blessed again in finding your channel.
This album was my gateway into Pink Floyd.
I was 15 when this came out and pulled me into the rabbit hole.
This song, and also "Sorrow", which closes the album are imho the best songs the band recorded after Roger left and their message is timeless and universal.
I am one of the few who doesn't like Sorrow. I think it's monotonous, dragging along, not much melody (which is otherwise Pink Floyd's strength). Paradoxically I always felt this song was the only filler on the album (without them admitting it). Saw them 3 times in 1988 (Vienna), 1989 (Linz) and Basel (1994) and my impression was the audience rather sat (or stood) this song through, not showing any excitement.
But that is only my opinion so very subjective!
@@tho2295 I'm a sucker for Doom metal, which is exactly that so, Sorrow is right down my alley ;)
@@DaddyDoom I can agree - one has to let oneself into this song to be able to enjoy it. Though it's not one that touches me like others of theirs I can still enjoy it somehow (and I think it's a thousand times better than any "dark" song by eg Depeche Mode), and even more paradoxical, though I perceived it as a filler I couldn't imagine any other song in its place sitting there at the end of this gorgeous album!
I could imagine you liked "Yet Another Movie" as well for its eeriness - that definitely was one of my favorites...
Having being lucky enough to see both the original lineup and the Pulse concert live, I count myself blessed.
I was fortunate to hear this performed live in Philadelphia in 1989 with an invite from their front of house mixer to sit with him at the mix position. One memory I am left with is the sheer power, the volume was stunning. No other word for it. During soundcheck the bass drum put wind in my hair at a distance of 180’ and an absolute lack of distortion. It is no small trick to attain that level with total clarity, no cancellation while moving in the soundfield. I will never forget that stunning display of loudness without discomfort.
If you like this song, please react to David's solo album "On an Island", or at least it's title track. The age in his voice, the wisdom in his delivery, and the lyrics from his wife, poet Polly Samson make it a beautiful reflection of life from a couple as in love as kids getting the first taste of love...with the reflection of a couple in their autumn years. It's magical, beautiful, and sweet.
I saw them in 88 as they toured to support this album. It was fantastic! A few friends and I made a road trip from southern Spain where we were stationed up to Madrid for it. Good times!
This is my absolute favorite Pink Floyd song!! I discovered it at 16 years old when they went on tour in 95. I’m so happy you’re reviewing this!!
~ They toured in '94.
@@5jerry1 I knew it was in one of those years. I know I was 16 😂.
I saw it live in 1987/1988 and in 1994.... Still bring tears to my eyes.
Such an awesome tune, love your input Doug. I only last week shared this song on my Facebook group. Thanks.
“Give me your tired, your poor, your huddled masses yearning to breathe free, the wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!” I have many favorite Pink Floyd songs but this is ONE of my favorite.
Seriously, Doug, Pink Floyd's Pulse album is the absolute best live recording I've ever heard, in my 51 years. Highly recommend you spend some time with it.
Doug, thank you for spending so much of your reaction talking about what the song is actually about and its relevance to today's world. Your comments are much appreciated.
The live version is amazing as well
You need to watch DSOT version of this master piece... The solo is epic.
Doug... You say that you never get tired of listening to a David solo... I wonder if it's because he uses the WHOLE of the fretboard.. every time... never stuck in one place. It's what I like about his soloing... it's deep.
David is one of the greatest guitarists. Slow, steady, and flawless.
Personally I don't care what he does or how he does it, I just like it because it's beautiful. Having said that, the solo on Delicate Sound of Thunder is better.
It is such a brilliant track... thanks for highlighting it Doug... i had totally forgotten that Levin & Keltner played on that album until you mentioned them at the beginning... brilliant musicianship all over.
I think "One Slip" is my favorite song on this album...the title of the album is a lyric in this track
One Slip is like "Time" revisited. I love it!
A momentary lapse of reason combines a life to life.....
Great choice and another wonderful reaction. Thanks Doug! One of my favorite Floyd songs. No more turning away. Y'all stop that now.
Other high points from the album (for me) would be Dogs of War and Sorrow.
🤘🧙♂️🤘
I agree...also Yet Another Movie.
Interesting to see support for DoW on this channel as this routinely shows up near the bottom of the list for most Floydians.
@@jyutzler yeah, I'm weird.
"Dogs of War" is utter crap.
@mournblade1066 love unsolicited negative comments.
Go crap in your own bed junior.
You are a good and kind man Doug Helvering - your humanity shines through each episode. I have found that your compositional knowledge has helped me understand WHY so much of my favourite music has touched me. Thank you so very much.
I’m an Aussie and had this on cassettes, which melted in my car during our summer, so it was replaced 2 more times. I now have it on cd, I adore this album!!!
As a generalization nonpartisan look to modern politics you are spot on Doug. Still true 36 years later. We do need to move forward, but it is difficult with the mass consumerism of technology and social media causing people to "dig in". Highly recommend Riverside - ID.Entity album for a modern look at how we should question our humanity.
or lack of it.. because it doesn't exist.
Pink Floyd's 'Come in Number 51, your time is up' is worth checking out. Nobody has reacted to it yet!!!
I'm thrilled to hear you listening to these newer songs. There are many greats in both Devision Bell and Momentary laps. But PLEASE listen to The Final Cut. It's very underrated and takes you on an emotional journey like very few bands can.
I've always thought of this as having been more specifically about homeless folks. It's nice to hear David and you expand that to a broader context of turnings away that happen.
Let's cultivate solidarity, y'all.
P.S. 12:37 - well, you're in for... a treat, I want to say, except, uhh... the second side is pretty darn melancholy, so, it's a _certain kind_ of treat, I guess. It's amazing stuff, just... well... full of Sorrow, I guess one could say. This is probably my favorite album of theirs, though, at least when I'm in that sort of mood.
One of my favorite Pink Floyd tracks. Well done on the song choice! Also, I am in total agreement with your analysis and perspective! Thank you for a great reaction, Doug! ✌💙✌
I never got to see Pink Floyd live (too young) but if anyone wants to have that Pink Floyd experience…… check out Brit Floyd! They put on an AMAZING show. You almost forget that it’s not the original band.
Hey Doug, new to the channel but I absolutely love your comments that you add. Most reactors have no idea what they’re talking about, and the fact you use theory, solfege, and other musical concepts is awesome! So thank you! If you happen to read this, I’d like to suggest Roger Waters- The Wall Live in Berlin. He builds an IMMENSE wall on stage where the Berlin Wall stood and tears it down by the end. He invites guests artist like Van Morrison, Bryan Adams and even Sinead O’Conner to sing songs off the wall with a semi-live play with Tim Curry. It’s amazing and I think you’d dig it a lot. Maybe for a live stream or something…? Anyway, thanks for the vids and keep up the great work!
One of my favorites. The live version is my 2nd favorite Gilmore solo behind Comfortably Numb. Amazing.
~ Gilmour, not "Gilmore." If you are even a tepid fan, you'd know this.
@5jerry1 you should play a roll in Waters' new production. I'll right a roll for you right now. Well call you, Grammar Police 🚔 wee you wee you wee you
@@Karmakatt6 ~ Role, not roll.
Love you, man! Always watch your videos as soon as I see you have a new one, sometimes watch my favorites over and over again!
I couldn't stop playing this album when it came out.
Hello Doug!!
I implore you. I humbly beg you.. please review the live version of On the Turning Away from this Tour. It is from the double album Delicate Sound of Thunder. The studio version of On the Turning Away is 8/10. The live version, specifically from DSOT, is an 11/10. There is no finer performance not only by David Gilmours' solos but the band and his back up singers. It may be one of the greatest songs youll EVER hear. The back up Keys during his solo are mostly replaced by a trio of singers which without question absolutely destroys this one. I guarantee youll be floored by the entire production of DSOT.
Beautiful song with beautiful message.
Doug, the live version from 1987-88 (available on Delicate Sound of Thunder) starts with a more developed requiem-style chord progression on synth pads and the middle section (final verse) is a spine-tingling a cappella break with 9-11 vocalists. Just appended. Oh and yes a very extended guitar-led full band outro.
I've enjoyed listening to this song for over 2 decades and never knew it was a protest song 🤣 this is why I love watching your channel!
I Hope the critics who underrated this albums are having regrets, it’s a masterpiece.
They shat on it because morons think Pink Floyd can only be Pink Floyd if Roger is included. Which is ridiculous, they wrote some of their best songs after The Wall.
I was lucky enough to see them on this tour. The show and setlist were absolutely amazing. This was the last tune they played before the intermission. As far as I know, they didn't use any backing tracks, but they DID have approximately 14 people on stage to reproduce all the sounds. The live version linked is absolutely amazing. I was at this show.
th-cam.com/video/Ery99VyPCuc/w-d-xo.html
I am so glad you do more of a "critique" than a straight reaction like so many on TH-cam. Thank you for what you do!!
yes! more great tracks to come. this is great floyd. part of my personal soundtrack in the late 80s through the 90s.
Since you did High Hopes, I figured you could actually do the entirety of The Division Bell. It's the nicest sounding Pink Floyd album with a lot more Richard Wright on it.
I always felt The Division Bell was the album that brought the fans back to when it was about the music and not the narrative. It feels like Wish You Were Here in a way, where it was back to being a collaboration without ego.
Yes !!!!!!
Your so right about society, sadly many people never think to look beyond themselves.
On the Turning Away!!!! I absolutely love this song
Love to see a Daily Doug Video about it
I'm glad you enjoyed this... it's been a powerful staple since '87.
After all the years of listening to Pink Floyd, when I heard this song for the first time, it instantly became one of my favorite tracks they ever released. Just great musically but the message is the song. It’s telling the fortunate to reach out and help the unfortunate, and don’t just turn away from people that need help!
One of my Pink Floyd favorites ❤️❤️
I think this must be a remastered version. Nothing wrong with it though and in fact, the extra reverb on the vocals is very nice. When this album was released someone told David that this song sounded like a hymn, and he took that as a complement. I agree, so when I added a digital soundfield processor to my audio system, I mad sure to listen to this song with the cathedral setting, and it was absolutely fantastic.
It's nice to see a reaction to the 2019 re-edit/re-release. The band redid this whole album to sound more like a classic Pink Floyd album and "take the 80s out of it". Some parts were remixed, some parts were redone, some of Rick's parts were taken from live recordings. It works in most cases, but not as well in others. I happen to prefer the original version of One Slip, for example. Great reaction, Doug! Looking forward to more.
Someone MUST have mentioned this by now but this actually isn't the original version from A Momentary Lapse of Reason (1987). It's from the 2021 remix which has a LOT of changes to it - mainly the removal of the gated reverb on the drums. The only way to do it was to re-record the drums as the original tracks had the reverb mixed in permanently. So Nick hit the studio and re-recorded the drums (so this actually IS him in this version). Also the delay and reverb on David's guitar outro have been toned down a LOT... almost removed completely. The drums are clean, the guitar is raw & in your face, and Rick's Hammond organ is either a different take or lifted from one of the shows during the tour as his Hammond playing on the album was actually quite limited.
another change of this 2019 remix (vs the 1987 original) is also Dave's vocal, that is lifted from a live version, the a capella intro in particular.
@@Tsilderikov Yes I noticed that. I think there was one line (or word) added in Learning To Fly at the beginning. Yup. "Standing alone AS my senses reel". Plus some guitar though a rotary speaker in One Slip. Little touches that make big differences. I love both versions!
The live version is just amazing, the studio version is fantastic.
Its a very poignant song, still relevant today💙💙💛💛
Its a vey good album, I was glad at the time that Roger Waters is no longer involved, this is so much better than The Final Cut.
This will be my earworm for a few days, thanks Doug!
I saw them on this tour and THIS was the song that blew me out of my seat. 👍
When in the car, and thi song rndomly pops up in my shyuffled playlist, windows go open and volume to 30 when the last guitarsolo starts :D
This version is the remix/re-record released in 2019 with Nick on drums and some of the 80s-ness removed.
Yeah makes sense now cause it definitely sounds different than the original studio version
There's a beautiful moment on the live Gdańsk record where David's voice cracks on one of the lyrics and the whole crowd rises up to sing the missing line. You can hear the broad smile in Gilmour's voice as he comes back in and everyone finishes the verse together.
boy i want to see that one
Gotta do the live version!
When this album was released many people that loves Pink Floyd simply reject it. They said that without Roger Waters the band will never be the same. Maybe they were right but they don't give this album an opportunity. Many years have passed and I still believe that is a good work and have very good tracks.
Excellent work, as always; in particular, I appreciate your thoughts about the lyrics and their relevance to all of us.
Wow eerie timing Doug I was just working on a guitar cover of this great track!
The live version is even better
Pretty sure this is the 2019(18?) re-jigged version with Nick now on drums and with Rick's organ and Dave's lead vocal taken from a great live version. All said: it doesn't sound much different than the original.
Correct. Surprising oversight by our host.
@@jyutzler Nah! If he’s unfamiliar with the album to begin with, it’s an easy mistake to make.
@@jhutch888 It is literally his job to know what he is doing. That's why we watch.
@@jyutzler really? We don’t just watch for his reactions? He doesn’t ever pretend to be an expert on who’s playing what etc etc. If that’s what you want: this is the wrong place.
I live a couple of miles away form where the Picture was taken for the album cover, a place called Saunton Beach, in North Devon. I was about 10 years old and i remember a whole bunch of trucks driving through the village carrying all the beds that they laid out on the beach. They used the other end of that beach for a lot of the War shots used in The Wall Film also.....Fun fact about that, the far end of Saunton Beach is where the WW2 G.I.s practised the D Day landings, the beach has the same topography as the Omaha Beach. There is still Concrete structures there in the shape of the Landing Craft where the G.I.s had to practise storming the beach under live fire.
Also the dunes you see to the left is where "Robbie Williams - Angel" was shot as well :)
The lyrics are everything in this song....
Perfect response and ethical commentary - every word, Dr H. every word. I Stevenson
I totally agree with your thoughts. Let's hope that sense and empathy will win the day. Don't hold your breath.
The backing vocals to the "Delicate Sound of Thunder" recording is otherwordly
To add to these comments from you about this song ( On the Turning Away) , check out from David Gilmour live in Pompeii 2016 ,track 10, ' In One Tongue '. It reinforces what you said about not learning from war. An absolute masterpiece that compliments 'On the turning away'.
If only humanity would listen.
When I graduated high school in 1973, Dark side of the Moon was the big thing, having just been released. But me and my friends had been into Pink Floyd for years prior.
I own everything they have released, on vinyl and CD.
Atom Heart Mother and Meddle are 2 of my favorites.
The Division Bell is also a masterpiece.....
Great analysis of one of my favorites. Thanks Doug 🎉
I forgot entirely that Tony Levin played on this. The dude has quite the discography. I remember when this came out, being surprised at how much it sounded like PF, despite the absence of half the band. If you haven’t already, you should check out some of the solo albums from both Gilmour and Waters from this same time period.
Love this song. Thank you for bringing it to the fore. You say that the sentiment is one that you share. The sentiment is one that is, quite frankly, patently obvious unless your vision is one of denial.
This is a beautiful song. And so fitting these days.
Great to see this! This song has been in my top 10 since 1986. What a fantastic song!
You really need to review the Winery Dogs ...pick any song. They are a beast of a group!
Great music and great comments.
Yes, I enjoy the comments, and learn from them, too!
Yet Another Movie, Learning to Fly, One Slip and Sorrow are the standout tracks on this album for me.
Yet Another Movie is so underrated! Awesome tune, very unique.
Great commentary. I like you even more Doug.
The, "a momentary laps of reason" is actually from the song , One slip, which is also on this album.
The song, the message are spot on! Thank you Doug. Great job as usual.
FYI I believe that "a momentary lapse of reason" is British for "temporary insanity".
thanks for the thoutghts about the social and political meaning of this song
Spot on reaction Doug! Love to hear you react to “ In any Tongue “ (live in Pompeii 2016)
@Mr_Doug_Helvering_.
Some background on this great piece.
David Gilmour explained to The Sun the meaning of this song, which contains anti-war lyrics penned by his novelist wife Polly Samson. "It's about the futility of it all with part of it people who are sitting here in the UK or the States flying drones over other parts of the world," he said. "They're sitting in the comfort of a little control room, playing with a joystick and then going home and having a curry."
"I can't imagine what goes through their minds when they get home, whether they're convinced of the correctness of what they're doing or whether they have some regrets.," Gilmour added. "They're brilliant words by Polly. The pain, the sorrow, the regrets are everywhere for everyone on every side of this multi-sided coin."
One of David and Polly's four sons, Gabriel, makes his recording debut playing piano on this song, but he's not following in his father's footsteps. "He's a beautiful piano player and he learned things by ear and plays the entire Dr. Who songbook but he has such a lovely touch and plays so beautifully that I asked him to play on this track," Gilmour told the Canadian Postmedia Network. "(But) he wants to do something else in life. He's into stage design and set design and he'll be somewhere in the theatre and film industry I guess."
It's a shame that this song never went anywhere. Sorely underappreciated in my view.
It's worth checking out the live Pulse concert recording as well, as is usual with Pink Floyd. Especially for late Pink Floyd works, the Pulse live versions are very close to the studio ones, but somehow even better. The live presentation pulls you more in, with great visuals to complement the music. The Pulse concert is just a masterpiece, you don't often get such consistent high quality from a live concert.
LOS JAIVAS - "Alturas de Machu Picchu" Full album is a *masterpiece*
I was privileged to have been able to see two concerts on the "A Momentary Lapse of Reason" tour, at the Orange Bowl in Miami and the Citrus Bowl in Orlando. Both concerts were in the pouring in rain, lol. Great concerts, though.
This sounds different than the original version I remember
It’s the 2019 remix of Momentary Lapse of Reason.
Maybe Dr. Doug will do the orginal verson in an extended play lounge.
You are a very wise man, Doug.
Even better live, David Gilmour extends the guitar outro
I never get tired of Pink Floyd.
I heard this song dome at an Irish pub by some musical geniuses truly nailed it.
Such an awesome life long PF experience i have had with the band. they were awesome live with TMLOR tour. and as a humanist, socialist and beyond; i completely agree with your values and David Gilmours on this!
Doug you really need to listen and see pink floyd perform 'Cymbaline' from 1970 San francisco th-cam.com/video/wsxMbNuSJhI/w-d-xo.html The lyrics include a reference to the character Doctor Strange, who was popular at the time due to the psychedelic nature of his adventures, not to mention because Pink Floyds music is 'always changing size' ........ features a sparse arrangement of nylon-string guitar, bass, piano, drums, bongos, and Farfisa organ entering when Gilmour does a scat solo.(actually describing it like that doesnt do it any justice since that refers to some lame jazz thing) this is more like you won't ever forget the tome he gets out of his guitar, then goes to another level. Gilmour purposely chooses a quieter tone in his first solo, so is to make the last solo so much bigger to which it is.