This was SO fun to film!!! Thank you so much for such a fun prompt word and I absolutely love the spin you put on yours with the word I gave you - it turned out amazingly!!
An underwater scene would be stunning with this medium. You would be able to make different types of sea creatures at different depths and really illustrate sun coming through the water.
That turned out so good!! You can really see the 3D effect with the motif you chose too! Amazing, hope you do another one 👏 And that intro had us dead 😂
OK but imagine how cool a battle scene would be on the layered resin? Especially with fantastical elements, y'know dungeons and dragons type scene. That would be so epic in this form. Plus, it's been a hot minute since Jazza has given us a dramatic battle scene or a dragon lol.
Hi Jazza! I think 2 part epoxy is definitely the right way to go! Some of the UV resins I've used in the past are designed to pull up from the edges as they cure to create a dome effect and I think that's why you were getting the warping. These 3d resin paintings look so cool and I really want to have a go! If you do a bigger piece I bet it would look super cool as a huge mural and if anyone can pull it off I know it's you! Something from RPGs/tabletop games would be an awesome subject too!
I always love seeing these 3D paintings! As a resin artist myself, I'd like to offer up if I may some tips that might help next time. First 3D printing UV resin tends to be softer than other UV resins and boils/burns if your UV lamp is too intense which is where some of your warping may be coming from. Second, oil and resin do not mix so if your oil paints are not fully cured your resin will not want to cure over top of them I would highly recommend opting for acrylics or painting with pigments while the surface is still tacky. Keep in mind when dropping alcohol inks on resin's surface that you need to give the alcohol time to dissipate before torching to avoid flames and work in thinner layers. Resins cure by a thermogenic reaction and can produce very high levels of heat. Lastly a good vacuum chamber can pull bubbles out of your UV resins while a pressure pot tends to be better for bubbles in 2 part resins (because of time). P.S Thank you for the always wonderful content and for being an amazing human being!
I was so curious about the oil paint vs an acrylic! Thanks for your input as a resin artist. I do not currently work with resin but I love learning about all mediums.
Indeed! A two-part epoxy resin would work much better for this application. 3D resins are designed for curing micrometres at a time. Also, for those of us with limited funds, that much 3D printer resin would be exorbitant!
I was thinking the whole time that oils might not be the best paint to use with resins from what I have seen other artist use when doing resinworks. For example Peter Brown just made a resin pour vid over pizza and said in that vid that oils in liquid form does not mix well with resin & often makes the resin warp or not set properly & sometimes leave part of it soft and not set all the way. Maybe acrylics would have been a better medium to use with resin.
I can totally see you doing a miniature scene with battle effects suspended in the resin! Also I love Zelda so I was immediately excited to see what you did with 'moon'! Loved it!
Imagine a glass table top or the glass panels in a door with a design like that. That would be so cool. This vid has totally opened my eyes to how creatively resin can be used. :)
Another way to achieve this effect is to buy picture frames from the dollar store and remove the panes of glass You can paint on the back of the glass and stack the layers It’s a much cheaper and more approachable way to achieve a very similar affect
Yes! I watched an old Disney documentary about a Multi-plane camera where this was how they achieve the opening forest scene in Bambi. Huge pieces of glass painted and stacked on top of each. It creates a lot of depth, very cool.
2 tips if you re-do: 1 - Put the resin in a warm water bath to make it a bit more liquidy. It will self-level better. 2 - Don't put your light right on top of the mold, It's too close. With how big it is, it can be 1-2ft away. How you have it on the movable arm at the end is the best I think.
A couple of things about resin: thicker pours=more heat, keep layers thin to avoid heat warping a plastic frame. If you look at the nerd forge video, she leaves an empty border around her painting with masking tape. That keeps the layers from separating If you use a pressure pot, you can guarantee there will be no bubbles. Pressure shrinks the bubbles so they are invisible.
Also slower curing resin will produce less heat. And I found IPA in a spray bottle is great for removing surface bubbles. And for tricky pours with lots of corners that can trap air bubbles I spray the mold with IPA just before pouring. The IPA will get in the corners, and mix readily with the resin, and be evaporated long before resin sets.
This would be amazing if you did a window sized piece for your studio! You could put some lights behind it to show through to the other room. Bonus points if you can make one 2 sided so it looks good in both rooms! 😉
For anyone who's into this kind of artwork, I highly suggest checking out the works of Dustin Yellin. He makes large scale sculptural pieces of ink and paint in layered resin. Things like a life sized model of a human skeleton and blood vessel system, standing upright so you can walk around it, or abstract color nebula or weird amoeba pyramids. He's stopped working on resin, apparently because he was using so much of it that fumes were having a noticeable effect on his health, but his earlier stuff is just unlike anything else out there, especially if you ever get the chance to see it in person.
@@gamesgames2389 He switched over to doing works with glass. Now he sandwiches layers of glass together with colors and such embedded between them. I haven't actually seen the glass pieces in person, but I watched a studio interview with him where he was talking about it, and they look very similar to what he used to be doing, I can just imagine some of the processes he used to do aren't possible anymore, (like he was clearly injecting color into wet resin, or placing objects that were suspended in the final piece.) It does make a lot of sense though. I mean you can see how much the piece Jazza was working on fumed while it was curing. Now imagine doing that with pieces that have probably 20 times or more surface area curing like. Even in a custom built studio that's a lot of to deal with, ventilation wise.
Here's an idea. You know how some dentists' and doctors' offices have a fish tank built into the wall that allows you to see through the fish scenery to the next room? What if you built a solid resin window (or even layered glass 👀) using this same layered painting technique to create a scene that you can enjoy from both sides... THAT I would love to see!
What dentists and doctors are you going to that have that? That sounds fancy. The only place I’ve seen something like that was at a Japanese restaurant.
gawd I just admire jazza's determination and courage, if I messed up the beginning, when I restart the piece I would feel rushed and pressured, most possibly won't even try it once again
Rather than big in terms of "page size" id love to see a version that really pushes the depth. How many layers can you do? Can you make it so something on one layer is hidden behind another in the forefront but still visible? What other tricks can you try? That's what I'd love to see.
I think old time Middle Eastern scene with layers of sand/lime-stone buildings, falcons, sand, sand mist, fruits, etc, would be a great fit for large scale project with 3D effect!
I love how even though Jazza is an experienced artist who has been doing professional art for a living many years, his channel is all about taking risks, experimenting with new things and trying different art mediums that he has zero experience in. He’s not afraid to show us all the chaos, mistakes and hiccups in the process. It also puts into perspective and assures amateur artists that even the most talented people are beginners at something!
if youre gonna do this again: id definitely suggest using two-part resin for the whole thing, as for what, underwater scapes seem to lend themselves very well to this kinda stuff I like how you managed to pull it together in the end! looks great
I'd agree with this suggestion. Yes it will take longer to do the overall creation due to cure timers, but in the end I feel like the warping issue would be resolved. UV resin is pretty fickle with the light's power and layer depth in my experience. Epoxy and Polyurethane resins have limits as well, so check up on ratios, cure times, and pour depths before picking out a resin.
So excited to see this scaled up to a Jazza scale! Just a tip, if you do go “Jazza Big,” you may want to consider slow - curing resin. It will take ages with all the layers but the bigger the batch of resin, the faster it kicks, and the faster it kicks, the hotter it gets, which can lead to shrinkage, warping, and yellowing. Majora looks amazing! Can’t wait to see what’s next ☺️
YES! Majoras Mask needs that representation! 2.1 million views too! You are doing Hylia's work my man! One of the best games ever made and sadly often overshadowed by Ocarina of time (Which obviously is a masterpiece as well). Glad I found this despite being a year late.
You both did SUCH a good job of this challenge! It’s was very cool to see the whole process and see how you both approached it. And the final results… WOAH 😳
Beautiful work! A couple of tips here: Use thinner layers and keep the light further away from the piece for the first couple minutes of curing then move closer towards the end of curing. Also try using acrylic paint between the layers.
One thing I have not seen on youtube is multi-layered 3D epoxy Tabletop... Painted and above flat tabletops that would work with wall or entertainment with awesome detail like you do. I thank you Jazz you have helped me evolve my daughters art abilities.
I feel like there are other resins that would be easier to work with than UV resin. I use resin at work and there are lots of clear resins with different cure times meant for different thicknesses. Also, usually if resin is smoking it means you’re casting too thick. Smooth on makes a product called Crystal clear 202 for example, that is for 1/6th”-1/2” castings and has a 9 minute pot life with a 90 minute demold time. It would probably heat up and warp less, and you probably wouldn’t have to wait the full 90 minutes between layers (especially once you get a few layers on and the whole thing is warm). Also, I think you’re getting that layer separation because of the oil paint. Like you said, it’s not having time to fully dry so it would be difficult for the resin to adhere to it. Also, oil paint is not a heat cure, it dries by reacting with oxygen in the air, so I think once you trap it it likely won’t dry. You might have more luck with acrylic paint since it dries quickly and once it dries the resin should stick to it as well as it sticks to itself (since resin sticks to almost everything). The piece looks great though! I love watching Nerdforge do these and my husband loves Zelda. Can’t wait to see the next one! :)
I hope jazza sees this because his peace would be much easier to do with this information it's good that people like you are around helping spread the knowledge and experience to others ☺️
Glad to see a good comment :) From my self I can add that, oil paints may work like release agent. You should definitely try acrylics or alcohol based paints. Warping is caused by the resin. Each resin have different shrinkage and usually faster curing resins will shrink more. For deeper layers use slow cure resin and for shallow ones you can use fast curing ones. You can check shrinkage rate in the resin data sheet. Also not every resin have UV protectection additives. You can put UV resistant lacquer on top and it shouldn't get yellow over time or exposure to sun.
I agree I think table top self leveling resin would be easier to work with but would take alot more time because of curing also by lightly sanding each layer it will adhere the layers of resin together without lifting.
UV resin also just Sucks at Curing flat and big. I tried to make very thin bookmarks and Binder covers with UV and it curls every time. Epoxy is really the best way, I'm honestly surprised he got these results. But honestly Jazza is determined and good at what he does and with good materials he had more in his favor than against him. This looks fantastic and I agree, a quickset resin would probably be the best even if its still a wait. also maybe a sanding tool between layers? would make the paints stick better with while honestly not making a difference to texture since when more resin is poured on it will probably remain clear.
The UV resin is alright for small stuff, but when there is so much of it in each layer it gets way to hot. 2 part epoxy is way better for a project like this. But the finished project looked great :)
Two part epoxy that's also a slow overnight cure made for very thick castings. But Even then.. .. paint on thin layers with glass or acrylic panels in between for depth using absolute minimumal epoxy
I agree with you on this one. Right resin for the job. I did cringe a bit at how much UV resin he was using. Even though the end product turned out well.
A Hogwarts scene with the first years arriving on the boats (á la Philosopher’s Stone) would be wicked with this layering technique. It would be good for practising light, depth, landscapes and the intricacies of the castle.
Hi! I have a few tips! 1: dont use acrylic/digital acrylic to make the mold, i recommend a material called dibond as its a metal substrate that wont warp. Usually acrylic/digital acrylic are used in thermal forming and that in itself is fun. 2. If u can adjust ur lamp, turn the % of power down or if u cant, move the lamp more so itll take a tiny bit longer to cure but it will b more even and u can catch warping if it happens 3. Ive heard people had better luck with acrylic paint, so that might help towards the bottom o ur piece This was awsome to see u do! I hope i can see u do an even bigger one
I think it would be SUPER awsome if you did a DnD/ Fantasy war esc scene. You could really make use of perspective and different "layers" or areas of the battle. Also, with the 3D aspect, you could do amazing layering effects to really make spells pop! Of course you would have to do it absolutely massive in true Jazza style!
Please do a collab with Evan and Katelyn! They LOVE resin and they do a lot of really cool projects with it, I would love to see you guys do this, only in a giant mold😱🙏🏻❤️
I've always wanted to try this. The first time I saw this done was an artist who painted goldfish in small boxes and bowls. It absolutely blew my mind.
Oh I was thinking of underwater also. But like the abyss. Creatures and a city . Like a whole world under our world. I love to watch you create. You are so gifted.
if it is bigger, the warping will be worse so I would be careful not to go too big. Also maybe do thinner layers of resin. The oil paint doesn't seem to stick well to the surface so I was thinking maybe the surface should be sanded a tiny bit to make it more rough, like the parts you're going to paint. It will go back to clear when more resin is on top
Majora's Mask was an excellent choice for this, it turned out great! This medium would be perfect for a Hollow Knight artpiece, since that game has such a layered feeeling to it already.
I love that you blurred her image to make us go watch her video! Amazing!!! I do mean that you genuinely are trying to help another creator and I love that!
Most of your issues were from how much resin you were using per layer. For UV resin max pour depth is usually about 1mm. Over pouring will cause the smoking,overheating,discoloration and warping. Rough eyeball estimate of the final piece I would say it should've been about 30+ layers for that final thickness. But all the same gorgeous piece.
Definitely an ocean theme for the next one! You can really play with the depth and make an amazing art piece out of it. Not to mention if bubbles happen in the resin you can get away with it easier. Lol.
I’m in my 20s and I’ve been watching since before high school and I have to say, this is one of the prettiest things you’ve mad!! I can’t wait to see what else you make!
Cool work. I’d suggest adding a sidelight (maybe a diffused LED lamp). Also on the opposite side put an angled plane that will reflect the light forward and outwards across the picture plane.
OMG this was such a cool introduction to resin layered art! Your piece was rather well put together despite the hiccups. As for the question of another piece, I think either an underwater scene or a battle would look really amazing in this medium.
This was a fun video - it would be cool to see Jazza try it again in future videos, especially w/ different themes & styles (e.g. more animated, lighting, glow-in-the-dark, neon, monsters, etc).
I think if you're going really big, a type of fantasy or underwater city could be really cool. Something busy that let's you take full advantage of the layers (although it most likely would drive you insane because it's something where it's the most fun with alot of small details and Easter eggs. So maybe a collabing with other artists, where everyone helps with one layer, would be the best way of achieving that detail without going insane) Also A3 or A2 would already be enough, I'd imagine that anything bigger wouldn't work well with the resin and that something really wouldn't be worth it
Hey, Just discovered you Via Chloes video... Wow man, you are really talented, I hope you do well in the future..... LOL Seriously Bro, The moment, I saw you using a Cutter and Professionally crafting, why you so kewl!!! Both results!! I can't even! You guys are too talented, I'm angered HAHA But Love ya too so.... Hmm.. Awesome Collab guys!
you should do one ADC...... an MCU time portal thing or something. it would look awesome. Could have people disappearing in the background and what not. Love your colouring book series. It has really helped me, a complete landscape and nature artist to get into illustration. I wanted to get into it ever since I found Jazza's channel. However, looking at his great results, I didnt know how to even begin approaching it. After watching your series I started using colouring books as a bridge. I had some painting skills, and I started applying it to painting blue and red muscles. Then progressed to adding knicks and knacks in the pieces. Now I am confortable making basic illustration. Will keep going, So thanks. @Jazza collab with this dude too. Hit him up with a request for collab, Im sure Jazza will be happy to do one with you.
I’m so glad you gave this a go! The effect is incredible! As you mentioned, Nerdforge has done some amazing pieces. Her underwater mermaid scene was awesome! I could see you doing something underwater as well...maybe Cthulhu inspired.
This is genuinely so fun to watch!!! I love a painter like you. An experimenter! Just like a scientist that tries different things out not knowing how the end will look. My favorite kinds of paintings!!!
I've never done this myself, so someone correct me if my assumptions are wrong, but one of the biggest things that frustrate me when it comes to these art pieces, is how THICK the layers of resin are that people put down between paint layers. The reason being: if you work *like a [3D] printer* and you lay down thinner layers, you should, in theory, get a much better 3-Dimensional result. For instance, you mentioned that the clouds at the top were intended to be further away than the clouds at the bottom, so you painted them with a highlight to push them back. You were thinking two-dimensionally, forgetting that you had a 3-dimensional space to paint in. If you had painted the clouds at the top on the lower layers, and the clouds at the bottom on the upper layers, you would have a literal 3-dimensional cloud wrapping around the moon. The thinner the layers, the more layers you have to paint, sure, but also the better the result will be in a 3-dimensional space, and less warping you'll get in the resin (theoretically) since resin heats up by volume. That's why if you mix epoxy resin and split it off into two batches--one a few dozen millilitres and the other a few hundred--the resin with the larger volume will cure first, and releases a lot of heat in doing so. Even though they were both poured from the same cup. The more area, the more heat. In short, I would LOVE to see you do this again, but this time (and especially if you go larger) use less resin in each layer.
Jazza, I own a business that works with epoxy everyday. To get away from the warped edges, I would recommend using melamine to build your form. Caulk all the edges, and you will be good to go.
That is so cool. Please go bigger. I like seeing how you overcome the problems. A lot of artists would cut that out but when you keep it in we learn with you. I gotta say if I had tried it and got to the second attempt and had problems I probably would have given up. I'm trying to overcome the need for my work to be perfect and you really help by showing that you make mistakes and work with them instead of giving up. Thanks Jazza. Gonna go check out Chloe's now.
It would be amazing to see something similar to the thrift shop dragon painting and the follow up painting to that in layered resin! That 3d effect would look so cool on a dynamic piece like that and really give it more depth than it already had.
Hey Jazza, I recently heard about an app called "Mental Canvas' that's all about drawing on different layers and creating a perspective. The best part, it has no limitations to just making perspective on one view, you can make an illusion that there are drawings underneath your layered painting. I think you would find this really fun to try out because of your digital art experience.
Using phosphorescent paint and some leds along with this method could end up in something truly unique. Getting the layers to cast little shadows on eachother could add a whole new layer of depth. Meanwhile though love what ya did here.
Maybe a sci-fi city scene, I can imagine that could look super cool, you could even work with neon paints or glow-in-the-dark neon stuff? I know you'd create an incredibly stunning artwork either way though, no matter what you end up taking as prompt
I don’t know how this would work in practice but maybe a piece showing the ship of Theseus thought experiment, like it slowly having its parts replaced but still keeping its original identity as shown in the earliest layers, at the very least it sounds interesting imo
I've been watching since Jazza was doing tutorials and its good to see how far he branched out! His old tutorials inspired me to create my first animation =3
Oh my goodness, this came out amazing! Also, Evan&Katelyn are quite experienced with epoxy (and UV) resin; perhaps you could ask them for advice or even a collab =)
absolutely, you should watch and contact Evan and Katelyn for advice. I’m amazed you managed to get such thick UV resin layers to cure at all, but UV resin will yellow a lot over time. All resin will yellow, but UV is worse. You should adopt nerdforge’s technique of mostly epoxy two part resin and then use UV to build up some elements with more layers within that. It’ll be cheaper, more durable, less prone to yellowing and most importantly won’t warp. UV resin should absolutely NOT be smoking and off gassing like you showed. It wasn’t the alcohol inks IMO, it was a DANGER SIGN of how hot it was getting.
Excellent work Jazza, can't wait for the second try! Two things that I think would have worked better, using a different resin other than UV and using acrylic paint instead of oil. I think that because it ends up making it difficult for the layers to adhere. Anyway, the final result was amazing!
Do you remember when you did the dragon how tiny you could go? I think seeing a massive piece with all the dragons in different sizes would be amazing!
To really utilize the depth those layers of resin are providing, I'd recommend an art piece in MC Escher style. Strange buildings and structures at different depths. That would be badass.
This is the only way to do a collab with another artist! It includes respect, kindness, fun and appreciation. Was very fun to watch and also I'm honored to be part of this great community!
Me: * See The Moon in the thumbnail * "Oh cool didn't know Jazza was a Zelda fan" Jazza: * Calls Termima Hyrule, calls Tatl Navi * Me: "Ah, well it'll look cool either way!!"
Can we take a moment to appreciate the fact that you show your learning process? It really helps people like me who may be interested. I’m too broke, but still 😂 thank you
I feel like a really cool piece that would look amazing in this medium would be Captain Jack Sparrow facing the Kraken…or something with that vibe. Nonetheless; amazing work as always, Jazza!
I mean that sounds cool. I was thinking something with a Viking siege because he could really play around with the 3D effects that come naturally with resin artwork. He could have the fire, the water, the clouds and ships all interweaving with each other and I really think Jazza could pull off something brilliant with this.
This is such a cool piece. When you do his again. I'd like to suggest combining it with miniature painting in some way. Using the resin to not only provide a seal for the mini's but also as a layerd surface to paint on.
My advice for you if you go bigger or want thicker pours is invest in a good deep pour low temperature setting resin. They usually take an age to cure, so might be a long one, but it'll avoid having to do lots and lots and lots of tiny layers as well as risking cracking and huge warps. I think a bigger one would be awesome just cos you'll get so much more of the different parallax on each layer. This one looked great when link doesn't move much, but everything behind does. I'm imagining a piece which does that but when you walk past it, so cool! Amazing piece, can't wait to see more :)
When I paint with oil paint on resin, I add a little drops of the resin in the ink and mix it. Than when out the lamp, it cures.. You're the art scientist. It's so cool🌹
This was SO fun to film!!! Thank you so much for such a fun prompt word and I absolutely love the spin you put on yours with the word I gave you - it turned out amazingly!!
How do you collab with another creator? I'm trying to figure out how to do it on my channel.
@@ChrisKempter I'd say contact them (like DM them) and ask to collab but I wouldn't know I'm not an artist
@@I_forgot_my_password
True.
Hi Chloe
I love it when Jazza does collabs. He always introduces us to some awesome artists.
An underwater scene would be stunning with this medium. You would be able to make different types of sea creatures at different depths and really illustrate sun coming through the water.
In Chloe’s video she painted an underwater scene!! It looks super cool!
Her original video does just that
Exactly what I thought too!
The hammerhead migration would make a cool subject for this 😁
Go to nerd forges chanel she did an underwater one!
That turned out so good!! You can really see the 3D effect with the motif you chose too! Amazing, hope you do another one 👏 And that intro had us dead 😂
Skjela Bajella 🤣
I looped that intro so many times xD
@@commander-fox-q7573 same lol 🤣
Love you Nerdforge you’re the bomb diggity at everything
Is that not what you say lol?
OK but imagine how cool a battle scene would be on the layered resin? Especially with fantastical elements, y'know dungeons and dragons type scene. That would be so epic in this form. Plus, it's been a hot minute since Jazza has given us a dramatic battle scene or a dragon lol.
Agreed
Those were exactly my thoughts!!!
Yes, this!
I was thinking the exact same thing!
Like maybe the dragon about to blow fire, and the neck is shows the fire about to come out ?
@@neonbuns8584 draw it out and i will paint it myself (on resin)
Hi Jazza! I think 2 part epoxy is definitely the right way to go! Some of the UV resins I've used in the past are designed to pull up from the edges as they cure to create a dome effect and I think that's why you were getting the warping. These 3d resin paintings look so cool and I really want to have a go! If you do a bigger piece I bet it would look super cool as a huge mural and if anyone can pull it off I know it's you! Something from RPGs/tabletop games would be an awesome subject too!
I agree…also the thickness creates more heat. Thinner layers
I always love seeing these 3D paintings! As a resin artist myself, I'd like to offer up if I may some tips that might help next time. First 3D printing UV resin tends to be softer than other UV resins and boils/burns if your UV lamp is too intense which is where some of your warping may be coming from. Second, oil and resin do not mix so if your oil paints are not fully cured your resin will not want to cure over top of them I would highly recommend opting for acrylics or painting with pigments while the surface is still tacky. Keep in mind when dropping alcohol inks on resin's surface that you need to give the alcohol time to dissipate before torching to avoid flames and work in thinner layers. Resins cure by a thermogenic reaction and can produce very high levels of heat. Lastly a good vacuum chamber can pull bubbles out of your UV resins while a pressure pot tends to be better for bubbles in 2 part resins (because of time). P.S Thank you for the always wonderful content and for being an amazing human being!
I was so curious about the oil paint vs an acrylic! Thanks for your input as a resin artist. I do not currently work with resin but I love learning about all mediums.
Indeed! A two-part epoxy resin would work much better for this application. 3D resins are designed for curing micrometres at a time. Also, for those of us with limited funds, that much 3D printer resin would be exorbitant!
I was thinking the whole time that oils might not be the best paint to use with resins from what I have seen other artist use when doing resinworks. For example Peter Brown just made a resin pour vid over pizza and said in that vid that oils in liquid form does not mix well with resin & often makes the resin warp or not set properly & sometimes leave part of it soft and not set all the way. Maybe acrylics would have been a better medium to use with resin.
Jazza you should try making a bob ross painting using the depth of the resin! it would be so cool!
yesss.
We need this
Evan and Katlyn have done something like this and it turned out so rad! I think Jazza would have such a good time with it.
Dam it just said thr exact same thing should have read the comments first
@@carveylover Love Evan and Katlyn! good chanell also.
I can totally see you doing a miniature scene with battle effects suspended in the resin! Also I love Zelda so I was immediately excited to see what you did with 'moon'! Loved it!
He should make a 🚪 Door.
i totally agree these 2 games where my child hood
My jaw literally dropped reading this comment, what a cool idea!!
his determination is unreal 😅 i would have cried and gave up after the first fail 😭 + resin costs so much
Imagine a glass table top or the glass panels in a door with a design like that. That would be so cool. This vid has totally opened my eyes to how creatively resin can be used. :)
A friend painted a table top using this technique. Its a good one if you do it properly.
Another way to achieve this effect is to buy picture frames from the dollar store and remove the panes of glass
You can paint on the back of the glass and stack the layers
It’s a much cheaper and more approachable way to achieve a very similar affect
Hey thanks! I’m allergic to epoxy resin so I can’t use it, but I love the looks that people get from it. Now I can maybe dabble too!
This is a super cool idea for people who can’t do/can’t afford resin! I… really wanna try this now- thanks for the tip!
Oh, that’s an awesome tip. I’m so going to try this!
@@OkiSmokey glass is more expensive than UV epoxy resin 1 kg is about 30$AUD
Yes!
I watched an old Disney documentary about a Multi-plane camera where this was how they achieve the opening forest scene in Bambi.
Huge pieces of glass painted and stacked on top of each.
It creates a lot of depth, very cool.
Thank you for collaborating with Chloe. She deserves more followers and so do you. This channel deserves to be at 10 mil by now.
2 tips if you re-do:
1 - Put the resin in a warm water bath to make it a bit more liquidy. It will self-level better.
2 - Don't put your light right on top of the mold, It's too close. With how big it is, it can be 1-2ft away. How you have it on the movable arm at the end is the best I think.
Isn't UV resin supposed to go on in thin layers as well?
He literally used the wrong resin for this with some real bad practises.. your tips would work for epoxy bit for UV.. no.
Also probably should've used acrylics rather than oil paint
A couple of things about resin:
thicker pours=more heat, keep layers thin to avoid heat warping a plastic frame.
If you look at the nerd forge video, she leaves an empty border around her painting with masking tape. That keeps the layers from separating
If you use a pressure pot, you can guarantee there will be no bubbles. Pressure shrinks the bubbles so they are invisible.
Also slower curing resin will produce less heat. And I found IPA in a spray bottle is great for removing surface bubbles. And for tricky pours with lots of corners that can trap air bubbles I spray the mold with IPA just before pouring. The IPA will get in the corners, and mix readily with the resin, and be evaporated long before resin sets.
@@JCGver Indian pale ale?
@@BigJordo95 IsoPropanol Alcohol
This would be amazing if you did a window sized piece for your studio! You could put some lights behind it to show through to the other room. Bonus points if you can make one 2 sided so it looks good in both rooms! 😉
That is such a wild challenge, 2 sides! I hope he does it!
2 sided piece has to be a must have, for size in feet, 2 1/4 x 3 or if he wants to go really wild, 5 x 7 1/2
Yessss
I would love to see you do Vincent van Gogh’s Stary Stary Night in a large scale! I think it would look awesome in this medium.
For anyone who's into this kind of artwork, I highly suggest checking out the works of Dustin Yellin. He makes large scale sculptural pieces of ink and paint in layered resin. Things like a life sized model of a human skeleton and blood vessel system, standing upright so you can walk around it, or abstract color nebula or weird amoeba pyramids. He's stopped working on resin, apparently because he was using so much of it that fumes were having a noticeable effect on his health, but his earlier stuff is just unlike anything else out there, especially if you ever get the chance to see it in person.
thanks!
That sounds really cool
O that sounds cool also kinda sad
@@gamesgames2389 He switched over to doing works with glass. Now he sandwiches layers of glass together with colors and such embedded between them. I haven't actually seen the glass pieces in person, but I watched a studio interview with him where he was talking about it, and they look very similar to what he used to be doing, I can just imagine some of the processes he used to do aren't possible anymore, (like he was clearly injecting color into wet resin, or placing objects that were suspended in the final piece.)
It does make a lot of sense though. I mean you can see how much the piece Jazza was working on fumed while it was curing. Now imagine doing that with pieces that have probably 20 times or more surface area curing like. Even in a custom built studio that's a lot of to deal with, ventilation wise.
Dude his stuff is next level god bless
I’d love to see a resin dragon painting. A dragon breathing fire would look amazing.
I'd love to see that too
how about an office desk made from resin, and the art can be a whole story of a dragon, I leave the rest for Jazza to figure out ;)
A full table with a fantasy scene would be awesome.
🔥🐲👀
Here's an idea. You know how some dentists' and doctors' offices have a fish tank built into the wall that allows you to see through the fish scenery to the next room? What if you built a solid resin window (or even layered glass 👀) using this same layered painting technique to create a scene that you can enjoy from both sides... THAT I would love to see!
very good idea ! Imagine that with and underwater scene !
What dentists and doctors are you going to that have that? That sounds fancy. The only place I’ve seen something like that was at a Japanese restaurant.
Yes, Love this idea!!
gawd I just admire jazza's determination and courage, if I messed up the beginning, when I restart the piece I would feel rushed and pressured, most possibly won't even try it once again
Your patience to restart twice 😭😭😭 I’d love to see you push the next one with how many layers you can do but this one came out awesome 🔥🔥
Hello! Your art really inspires me and I love it! It has taught me many stuff about drawing! And it has helped me a lot, thank you
Hi temi!
I love how he is always pushing the bounds and trying new things! The creativity on this channel is so inspiring!
Rather than big in terms of "page size" id love to see a version that really pushes the depth. How many layers can you do? Can you make it so something on one layer is hidden behind another in the forefront but still visible? What other tricks can you try? That's what I'd love to see.
YES!! I was just thinking the same thing, I think you could make some incredible and unique perspectives with this medium
Yes I would love to see how much more 3D he can make it.
I think old time Middle Eastern scene with layers of sand/lime-stone buildings, falcons, sand, sand mist, fruits, etc, would be a great fit for large scale project with 3D effect!
I love how even though Jazza is an experienced artist who has been doing professional art for a living many years, his channel is all about taking risks, experimenting with new things and trying different art mediums that he has zero experience in. He’s not afraid to show us all the chaos, mistakes and hiccups in the process. It also puts into perspective and assures amateur artists that even the most talented people are beginners at something!
if youre gonna do this again: id definitely suggest using two-part resin for the whole thing, as for what, underwater scapes seem to lend themselves very well to this kinda stuff
I like how you managed to pull it together in the end! looks great
I'd agree with this suggestion. Yes it will take longer to do the overall creation due to cure timers, but in the end I feel like the warping issue would be resolved. UV resin is pretty fickle with the light's power and layer depth in my experience. Epoxy and Polyurethane resins have limits as well, so check up on ratios, cure times, and pour depths before picking out a resin.
So excited to see this scaled up to a Jazza scale! Just a tip, if you do go “Jazza Big,” you may want to consider slow - curing resin. It will take ages with all the layers but the bigger the batch of resin, the faster it kicks, and the faster it kicks, the hotter it gets, which can lead to shrinkage, warping, and yellowing. Majora looks amazing! Can’t wait to see what’s next ☺️
Also he might be able to mix color with the resin or push pigment through the resin to get not just layers 🤔
May I also suggest using a vacuum chamber?
It doesn't need to be the best vacuum, and it's safer that using flames.
YES! Majoras Mask needs that representation! 2.1 million views too! You are doing Hylia's work my man! One of the best games ever made and sadly often overshadowed by Ocarina of time (Which obviously is a masterpiece as well).
Glad I found this despite being a year late.
You both did SUCH a good job of this challenge! It’s was very cool to see the whole process and see how you both approached it.
And the final results… WOAH 😳
@Mom By The Sea thank you!
Pro tip from Nerd E Crafter : use VERY THIN LAYERS of resin and make sure each one is fully cured before pouring the next one
I agree I personally love watching nerd e crafter
Even when using UV resin. I tried that stuff. It's noxious. Jazza be brave.
Beautiful work! A couple of tips here: Use thinner layers and keep the light further away from the piece for the first couple minutes of curing then move closer towards the end of curing. Also try using acrylic paint between the layers.
That Nerdforge intro tho 🤣 gotta love how Jazza loves everyone in his community
One thing I have not seen on youtube is multi-layered 3D epoxy Tabletop... Painted and above flat tabletops that would work with wall or entertainment with awesome detail like you do. I thank you Jazz you have helped me evolve my daughters art abilities.
City scape or bonsai abilities on the side.
I feel like there are other resins that would be easier to work with than UV resin. I use resin at work and there are lots of clear resins with different cure times meant for different thicknesses. Also, usually if resin is smoking it means you’re casting too thick.
Smooth on makes a product called Crystal clear 202 for example, that is for 1/6th”-1/2” castings and has a 9 minute pot life with a 90 minute demold time. It would probably heat up and warp less, and you probably wouldn’t have to wait the full 90 minutes between layers (especially once you get a few layers on and the whole thing is warm).
Also, I think you’re getting that layer separation because of the oil paint. Like you said, it’s not having time to fully dry so it would be difficult for the resin to adhere to it. Also, oil paint is not a heat cure, it dries by reacting with oxygen in the air, so I think once you trap it it likely won’t dry. You might have more luck with acrylic paint since it dries quickly and once it dries the resin should stick to it as well as it sticks to itself (since resin sticks to almost everything).
The piece looks great though! I love watching Nerdforge do these and my husband loves Zelda. Can’t wait to see the next one! :)
I hope jazza sees this because his peace would be much easier to do with this information it's good that people like you are around helping spread the knowledge and experience to others ☺️
Glad to see a good comment :)
From my self I can add that, oil paints may work like release agent. You should definitely try acrylics or alcohol based paints.
Warping is caused by the resin. Each resin have different shrinkage and usually faster curing resins will shrink more. For deeper layers use slow cure resin and for shallow ones you can use fast curing ones. You can check shrinkage rate in the resin data sheet.
Also not every resin have UV protectection additives. You can put UV resistant lacquer on top and it shouldn't get yellow over time or exposure to sun.
I agree I think table top self leveling resin would be easier to work with but would take alot more time because of curing also by lightly sanding each layer it will adhere the layers of resin together without lifting.
UV resin also just Sucks at Curing flat and big. I tried to make very thin bookmarks and Binder covers with UV and it curls every time. Epoxy is really the best way, I'm honestly surprised he got these results. But honestly Jazza is determined and good at what he does and with good materials he had more in his favor than against him. This looks fantastic and I agree, a quickset resin would probably be the best even if its still a wait. also maybe a sanding tool between layers? would make the paints stick better with while honestly not making a difference to texture since when more resin is poured on it will probably remain clear.
The UV resin is alright for small stuff, but when there is so much of it in each layer it gets way to hot. 2 part epoxy is way better for a project like this. But the finished project looked great :)
Two part epoxy that's also a slow overnight cure made for very thick castings.
But Even then..
.. paint on thin layers with glass or acrylic panels in between for depth using absolute minimumal epoxy
I agree with you on this one. Right resin for the job. I did cringe a bit at how much UV resin he was using.
Even though the end product turned out well.
@@cyzzane I thought I was going to faint when I saw all that uv resin. It did come out well though.
A Hogwarts scene with the first years arriving on the boats (á la Philosopher’s Stone) would be wicked with this layering technique. It would be good for practising light, depth, landscapes and the intricacies of the castle.
this is GREAT !!!
holy yes
YES
Would be perfect for 20th Anniversary as well. :D
@@justintime3384 oh yeah even better 🥲
Gotta love the majors mask art!!!!! Awesome to see some amazong creativity being displayed for such creatively made and inspiring games!
The Nerd Forge reference at the beginning gives me creative life lol, I am so excited for this! :D
Hi! I have a few tips!
1: dont use acrylic/digital acrylic to make the mold, i recommend a material called dibond as its a metal substrate that wont warp. Usually acrylic/digital acrylic are used in thermal forming and that in itself is fun.
2. If u can adjust ur lamp, turn the % of power down or if u cant, move the lamp more so itll take a tiny bit longer to cure but it will b more even and u can catch warping if it happens
3. Ive heard people had better luck with acrylic paint, so that might help towards the bottom o ur piece
This was awsome to see u do! I hope i can see u do an even bigger one
I think it would be SUPER awsome if you did a DnD/ Fantasy war esc scene. You could really make use of perspective and different "layers" or areas of the battle. Also, with the 3D aspect, you could do amazing layering effects to really make spells pop! Of course you would have to do it absolutely massive in true Jazza style!
Resin fumes are toxic - make sure you do this in a WELL VENTED AREA. Awesome vid!~
Please do a collab with Evan and Katelyn! They LOVE resin and they do a lot of really cool projects with it, I would love to see you guys do this, only in a giant mold😱🙏🏻❤️
My immediate thought! Totally expecting some Kevins here😊
That would be amaziiiing! I love them so much.
Evan and Katelyn gang!!!!! xD
I opened the comments to say the same thing! They could give a lot of helpful tips!
I was gonna say this. the whole time i was like omg noooo Evan and Katelyn could've warned him!!!
I've always wanted to try this. The first time I saw this done was an artist who painted goldfish in small boxes and bowls. It absolutely blew my mind.
I've seen those videos too! Absolutely mesmerizing
As someone who’s grown up with LoZ being a big part of their life- this is absolutely amazing! You are definitely someone I look up to in art 💜
Oh I was thinking of underwater also. But like the abyss. Creatures and a city . Like a whole world under our world. I love to watch you create. You are so gifted.
if it is bigger, the warping will be worse so I would be careful not to go too big. Also maybe do thinner layers of resin. The oil paint doesn't seem to stick well to the surface so I was thinking maybe the surface should be sanded a tiny bit to make it more rough, like the parts you're going to paint. It will go back to clear when more resin is on top
Might also want to use a less powerful UV light to help prevent excess heat during curing.
Probably acrylics would be better as they dry quickly
I would love to see a Mass Effect 3D resin painting. I think the Sci-Fi aesthetic would really lend itself well to this!
I love Mass Effect so I would be so down for that
Majora's Mask was an excellent choice for this, it turned out great! This medium would be perfect for a Hollow Knight artpiece, since that game has such a layered feeeling to it already.
If Jazza did a Hollow Knight piece I would die happy
If Jazza did like, Greenpath or Queen's Gardens like this especially it would be absolutely gorgeous holy shit man
@@luci_datum Definitely! Greenpath is one of the most beautiful places I've ever seen in a game, it's so atmospheric and lively.
I love that you blurred her image to make us go watch her video! Amazing!!! I do mean that you genuinely are trying to help another creator and I love that!
Most of your issues were from how much resin you were using per layer. For UV resin max pour depth is usually about 1mm.
Over pouring will cause the smoking,overheating,discoloration and warping.
Rough eyeball estimate of the final piece I would say it should've been about 30+ layers for that final thickness.
But all the same gorgeous piece.
I had no idea but I did thought each resin layers were too thick.
Definitely an ocean theme for the next one! You can really play with the depth and make an amazing art piece out of it. Not to mention if bubbles happen in the resin you can get away with it easier. Lol.
As a long time legend of zelda fan, I have to say that you absolutely killed this piece! Absolutely beautiful!
I’m disappointed he called Termina Hyrule tho :/
I’m in my 20s and I’ve been watching since before high school and I have to say, this is one of the prettiest things you’ve mad!! I can’t wait to see what else you make!
Got really excited when I heard that it is a collab with Chloe, but it’s also Zelda themed artwork, my goodness what a treat!
For the warping, use wood covered in a tape (look at Evan and Kay lens channel). It won’t warp like plastic
I would love to see him do this again but with evan and Katelyn
YESSSSS. do doo doo do resin time
E&K, and Nerd Forge should be added for the next one.
They are the obvious choice if he wants to learn how to do resin art.
Cool work. I’d suggest adding a sidelight (maybe a diffused LED lamp). Also on the opposite side put an angled plane that will reflect the light forward and outwards across the picture plane.
that sounds really cool tbh
Angled plane can be a miter/saw cut since it will provide a reflective surface.
OMG this was such a cool introduction to resin layered art! Your piece was rather well put together despite the hiccups. As for the question of another piece, I think either an underwater scene or a battle would look really amazing in this medium.
Yes ❤️
Love the way this makes landscapes look. A huge landscape with a castle and a dragon wrapped out it would look siiiiick
This was a fun video - it would be cool to see Jazza try it again in future videos, especially w/ different themes & styles (e.g. more animated, lighting, glow-in-the-dark, neon, monsters, etc).
love seeing jazza collab with other artists. it's so wholesome to see jazza appreciating other artists' work and vice versa
I think if you're going really big, a type of fantasy or underwater city could be really cool. Something busy that let's you take full advantage of the layers (although it most likely would drive you insane because it's something where it's the most fun with alot of small details and Easter eggs. So maybe a collabing with other artists, where everyone helps with one layer, would be the best way of achieving that detail without going insane)
Also A3 or A2 would already be enough, I'd imagine that anything bigger wouldn't work well with the resin and that something really wouldn't be worth it
Hey, Just discovered you Via Chloes video... Wow man, you are really talented, I hope you do well in the future..... LOL
Seriously Bro, The moment, I saw you using a Cutter and Professionally crafting, why you so kewl!!!
Both results!! I can't even! You guys are too talented, I'm angered HAHA But Love ya too so.... Hmm..
Awesome Collab guys!
Hi adc ur a very underrated content creator :)
ADC, ur an underrated comment creator :)
you should do one ADC...... an MCU time portal thing or something. it would look awesome. Could have people disappearing in the background and what not. Love your colouring book series. It has really helped me, a complete landscape and nature artist to get into illustration. I wanted to get into it ever since I found Jazza's channel. However, looking at his great results, I didnt know how to even begin approaching it. After watching your series I started using colouring books as a bridge. I had some painting skills, and I started applying it to painting blue and red muscles. Then progressed to adding knicks and knacks in the pieces. Now I am confortable making basic illustration. Will keep going, So thanks. @Jazza collab with this dude too. Hit him up with a request for collab, Im sure Jazza will be happy to do one with you.
Acdc
You're also very talented man :)
I’m so glad you gave this a go! The effect is incredible! As you mentioned, Nerdforge has done some amazing pieces. Her underwater mermaid scene was awesome! I could see you doing something underwater as well...maybe Cthulhu inspired.
Yes, and somehow add a flayed body so we can see layers of flesh and bone. Yippee!
This is genuinely so fun to watch!!! I love a painter like you. An experimenter! Just like a scientist that tries different things out not knowing how the end will look. My favorite kinds of paintings!!!
Being a Zelda nerd I did scream “Tatl!” When Jazza said Navi. I also screamed “Termina!” When he said Hyrule. Atleast he corrected Tatl. Lol
*Hyrule
I did the same thing. 😂
Omg same
@@Rat_Conjoe shut up
@@clapzgaming2512 dont gotta be so mean to him.. -_-
I've never done this myself, so someone correct me if my assumptions are wrong, but one of the biggest things that frustrate me when it comes to these art pieces, is how THICK the layers of resin are that people put down between paint layers. The reason being: if you work *like a [3D] printer* and you lay down thinner layers, you should, in theory, get a much better 3-Dimensional result.
For instance, you mentioned that the clouds at the top were intended to be further away than the clouds at the bottom, so you painted them with a highlight to push them back. You were thinking two-dimensionally, forgetting that you had a 3-dimensional space to paint in. If you had painted the clouds at the top on the lower layers, and the clouds at the bottom on the upper layers, you would have a literal 3-dimensional cloud wrapping around the moon. The thinner the layers, the more layers you have to paint, sure, but also the better the result will be in a 3-dimensional space, and less warping you'll get in the resin (theoretically) since resin heats up by volume. That's why if you mix epoxy resin and split it off into two batches--one a few dozen millilitres and the other a few hundred--the resin with the larger volume will cure first, and releases a lot of heat in doing so. Even though they were both poured from the same cup. The more area, the more heat.
In short, I would LOVE to see you do this again, but this time (and especially if you go larger) use less resin in each layer.
Jazza, I own a business that works with epoxy everyday. To get away from the warped edges, I would recommend using melamine to build your form. Caulk all the edges, and you will be good to go.
I think the more you go foreground the more layers they need to be, for example the trees should be each on their own. But this is spectacular!
I think something Studio Ghibli related would look awesome in this style. Already looking forward to your next video like this :)
That is so cool. Please go bigger. I like seeing how you overcome the problems. A lot of artists would cut that out but when you keep it in we learn with you. I gotta say if I had tried it and got to the second attempt and had problems I probably would have given up. I'm trying to overcome the need for my work to be perfect and you really help by showing that you make mistakes and work with them instead of giving up. Thanks Jazza. Gonna go check out Chloe's now.
Your moon looks amazing! Terrifying but amazing! This is my favorite Zelda game, so it is always nice to see it get some love.
This whole art form reminds me of the Doctor who 50th special with the 3D paintings. Absolutely stunning art with an absolutely stunning effect.
It would be amazing to see something similar to the thrift shop dragon painting and the follow up painting to that in layered resin! That 3d effect would look so cool on a dynamic piece like that and really give it more depth than it already had.
Tip: to preserve sharp details with oil, start with darker paints and move up to light so they don’t mix or become muddy!
Hey Jazza, I recently heard about an app called "Mental Canvas' that's all about drawing on different layers and creating a perspective. The best part, it has no limitations to just making perspective on one view, you can make an illusion that there are drawings underneath your layered painting. I think you would find this really fun to try out because of your digital art experience.
This is definitely one of the coolest things I have ever seen!!! SO Sick!!
Using phosphorescent paint and some leds along with this method could end up in something truly unique. Getting the layers to cast little shadows on eachother could add a whole new layer of depth. Meanwhile though love what ya did here.
Maybe a sci-fi city scene, I can imagine that could look super cool, you could even work with neon paints or glow-in-the-dark neon stuff? I know you'd create an incredibly stunning artwork either way though, no matter what you end up taking as prompt
Yesss a cyberpunk aesthetic would look incredible
Id love to see a larger scale ghibli inspired resin painting, something like Mononoke or Nausica Valley of the Wind!
Yesssss!!!! Bigger, badder, and scarier 👹. I would be so excited to see THAT!! 😊🇨🇦
Every time Jazza does a resin project, I get my hopes up for a collab with Evan & Katelyn.
(A Nerdforge collab would also be amazing)
I don’t know how this would work in practice but maybe a piece showing the ship of Theseus thought experiment, like it slowly having its parts replaced but still keeping its original identity as shown in the earliest layers, at the very least it sounds interesting imo
that sounds amazing!!
oh my god i love the ship of theseus thought experiment- that would be so cool
I've been watching since Jazza was doing tutorials and its good to see how far he branched out! His old tutorials inspired me to create my first animation =3
I wish I too was bursting with amazing talents like these nice people. Back to the drawing board to practice with me.
Oh my goodness, this came out amazing!
Also, Evan&Katelyn are quite experienced with epoxy (and UV) resin; perhaps you could ask them for advice or even a collab =)
absolutely, you should watch and contact Evan and Katelyn for advice. I’m amazed you managed to get such thick UV resin layers to cure at all, but UV resin will yellow a lot over time. All resin will yellow, but UV is worse. You should adopt nerdforge’s technique of mostly epoxy two part resin and then use UV to build up some elements with more layers within that. It’ll be cheaper, more durable, less prone to yellowing and most importantly won’t warp. UV resin should absolutely NOT be smoking and off gassing like you showed. It wasn’t the alcohol inks IMO, it was a DANGER SIGN of how hot it was getting.
I love that he chose to do Majora’s Mask for his “moon” theme. However, the town he drew is Termina, not Hyrule
Yes
Actually termina is the whole land. The town is the clock town right?
@@patoblando yes
And he would be correct in drawing Termina
And he’d be right in doing so, the events of Majors Mask take place in Termina
Excellent work Jazza, can't wait for the second try! Two things that I think would have worked better, using a different resin other than UV and using acrylic paint instead of oil. I think that because it ends up making it difficult for the layers to adhere. Anyway, the final result was amazing!
Legitimately one of the coolest things ever!
Do you remember when you did the dragon how tiny you could go? I think seeing a massive piece with all the dragons in different sizes would be amazing!
To really utilize the depth those layers of resin are providing, I'd recommend an art piece in MC Escher style. Strange buildings and structures at different depths. That would be badass.
You should definitely do a scene dual sided scene, so that viewing the piece from all sides makes sense.
Also, table sized would be dope.
Or wall seized...
@@a_utuba Yes! That would be fantastic!
This is the only way to do a collab with another artist! It includes respect, kindness, fun and appreciation. Was very fun to watch and also I'm honored to be part of this great community!
Me: * See The Moon in the thumbnail * "Oh cool didn't know Jazza was a Zelda fan"
Jazza: * Calls Termima Hyrule, calls Tatl Navi *
Me: "Ah, well it'll look cool either way!!"
my thoughts exactly haha
hyrule.... thats termina.... NAVI THATS TATL Nuuuu mood
Evan and Katelyn watching this be like " BUT THERES BUBBLES!!!!!!!!!!"
who?
do we all watch the same channels here?
@@CarissaWyles yes
I was like USE MOLD RELEASE
Both of these were just outstanding.
I'm out of resin right now, but dang this makes me want to create tonight!
Can we take a moment to appreciate the fact that you show your learning process? It really helps people like me who may be interested. I’m too broke, but still 😂 thank you
I feel like a really cool piece that would look amazing in this medium would be Captain Jack Sparrow facing the Kraken…or something with that vibe.
Nonetheless; amazing work as always, Jazza!
I mean that sounds cool. I was thinking something with a Viking siege because he could really play around with the 3D effects that come naturally with resin artwork. He could have the fire, the water, the clouds and ships all interweaving with each other and I really think Jazza could pull off something brilliant with this.
This is such a cool piece.
When you do his again. I'd like to suggest combining it with miniature painting in some way. Using the resin to not only provide a seal for the mini's but also as a layerd surface to paint on.
My advice for you if you go bigger or want thicker pours is invest in a good deep pour low temperature setting resin. They usually take an age to cure, so might be a long one, but it'll avoid having to do lots and lots and lots of tiny layers as well as risking cracking and huge warps.
I think a bigger one would be awesome just cos you'll get so much more of the different parallax on each layer. This one looked great when link doesn't move much, but everything behind does. I'm imagining a piece which does that but when you walk past it, so cool!
Amazing piece, can't wait to see more :)
When I paint with oil paint on resin, I add a little drops of the resin in the ink and mix it. Than when out the lamp, it cures.. You're the art scientist. It's so cool🌹