This tutorial is one of the best about keying green screen on the internet so far, you explained about it in a very detail and specific way to utilize the fundamental skills and mindset of new users when using and dealing with the software and situations that they are having. Thanks a lot for your works so far. Appreciate !! If can I hope that you can make more about VFX with fusion and the process from start to end. Your tutorials are really helpful
Amazing tutorial. Best TH-cam tutorial on green screens and keying by a long shot. Thank you for the in depth approach and explaining how tools operate and why you use them. There are many creators out there that only state what tool they use but not why - either because they don't see it necessary or because they themselves don't understand the tool. You go above and beyond sir! Subscribed and look forward to viewing more of your content. Thank you
1) the Bspline node and the 2) MediaOut2 for color grading were HUGE tips that I've been looking for for a long time and I wasn't expect you to include that in this video. Thanks for making this!
Really it is an excellent tutorial for a beginner like me. I have seen so many tutorials, but yours is the very explanatory with a lot of patience and narrative . Thanks
I have watched a lot of greenscreen tutorials. This is the first time I have seen it explained so well. I have always thought what are the other tabs in delta keyed, now I know. Thanks
This is the best keying tutorial I’ve ever seen! I’ve been trying to find how to stop using after effects for my green screen work because it takes years to render out but I hadn’t been able to achieve a good key with Davinci resolve, that’s changed today! 👏👏👏 thank you so much!
Fantastic in-depth explanation which was super clear and reasoned. This is by far the very best, definitive, explanation of green screen masking for me. Thank you.
Thank you so much! By far the best delta key video I've watched! You got any videos on the 3D keyer? I'd love to see that! The only thing I did differently (because I don't need to color correct my video) is used a "Despill" node instead of a color corrector node to get rid of the remaining green spill. Thanks again! I just subbed!
We need a tutorial on how you made the selfie shot. Super colors, super light, super definition, i had never seen anything like that. This looks like a shot from an epic movie
Incredible tutorial. I have a few questions that came up as I was following along: 1. How do I resize the foreground (the guitarist) image if needed when all is said and done? 2. How do I control the color-grading of the background? 3. How do I control the color-grading of the image as a whole? 4. What if I wanted to make changes to the length of either the foreground or background, how do I control them separately? Because the track in the editing page only shows the two images stacked. 5. What if I wanted to key frame the foreground to move across the screen? How do I have speed gate control of that?
Hey mate. 1. You can resize the foreground image in the Edit page using the Inspector panel. Select the foreground clip (the guitarist), and adjust the Zoom or Position parameters to resize or reposition it. If you're working in the Fusion page, you can adjust the size using the Transform node after the keying process. Resizing does not affect the green screen keying itself, as long as the keyed-out area remains intact. 2. If you're working in the Fusion page, add a Color Corrector node or a Grading node directly to the background clip. If you're on the Color page, you can grade the background layer separately by selecting it in the timeline. Since the background is placed on its own track or node (separate from the keyed foreground), you can apply color adjustments independently without affecting the foreground. 3. To grade the entire composition (foreground and background together), you can do one of the following things - Add a Timeline Grade in the Color page. This applies a grade to everything on the timeline. Or Use an Adjustment Clip in the Edit page, positioned over your entire composition. Apply your color grade to the adjustment clip, which will affect everything beneath it. Or Alternatively, in the Color page, use a Post-Clip Grade for uniform adjustments across the timeline. 4. You can control the length of each layer individually on the Edit page. Ensure you’ve placed the foreground (keyed clip) and the background on separate tracks. Simply trim, retime, or extend each layer as needed using the Trim or Retime tools. If the tracks are stacked and grouped, unlink them first by right-clicking and selecting Decompose in Place (if applicable) to ensure independent control. 5. To animate the foreground Go to the Edit page, select the foreground clip, and open the Inspector panel. Use the Position controls to set keyframes for the starting and ending positions of the movement. To refine the speed and smoothness, open the Keyframe Editor or Curve Editor (accessible from the timeline toolbar). Here, you can adjust the interpolation of the keyframes, using easing options to create smooth motion. Alternatively, if you’re in the Fusion page, use a Transform node connected to the foreground and keyframe its position directly within Fusion’s timeline.
your amazing the only issue I have is during your explanation of adding the background you skip to spill suppression with your background up already. I guess a lot of your viewer figured that part out but I was still never able to get my separate image to show up as my background.
Thanks for watching. I am glad the video was helpful. Regarding the background, I thought I did mention that. It starts at 14:00. It really is just about adding the background to a merge node. If you are finding that step hard, please send me the node structure, and I'll take a look and let you know.
I was using ultra key before as I figured ‘ultra’ meant it was the best option in davinci, I saw many others using delta keyer and it’s way better, switched to this as my go to keyer now
wow, this explained so much more than i expected. I've watched hours of tutorials on davinci resolve and i usually end up feeling so overwhelmed and even more confused, but i feel relieved after watching this one and i learned a lot. thank you SO much, this is such a fantastic tutorial. please keep making davinci tutorials, you're a great teacher!
Thank you for this. However, I'm an absolute beginner. I struggled to find the delta keyer and how you got those two screens. I feel had you mentioned it step-by-step, I wouldn't have considered switching to another video.
Netflix actually just came out with a technology using magenta. They magenta wash the subjects with lights while shooting. The green screen stays green, but subjects are completely magenta. Then they color correct after keying.
if we use red screen, it's too common as it might interfere with the subject as it's a common color and it will make some parts of the subject transparent if there is red in the subject
Outstanding technique and explanation, thank you! But say instead of "Perfect Green Screening Keying...," I needed only "Semi-Perfect Green Screen Keying...," would Magic Mask with Tracking & a new Bkgd work fairly well? Since I would be in the Color page anyway, I could still reduce greens and yellows as a last step, like you did at 15:05, right? Sorry, I don't mean to detract from your awesome video here, and it is awesome, there is just a huge amount of knowledge required to make videos and all the options are often confusing. Thanks for sharing your knowledge!
Hi Jer. Hope you have been well. Yes, for semi perfect keying, and for simple foregrounds (like the one in this video), the magic mask would work well. But consider a shot where you have many characters moving around (like some of the examples from the movies that I showed at the start of the video), that would be very hard to achieve using just a magic mask and tracking. Ultimately with anything in postprocessing, it helps to know all the tools we have access to, so that when it comes to completing a task, we can pick the best tool for the job. :) Thanks for watching! :)
@@coffeebeanstudio Hey, great to know some differentiation between these 2 methods, thanks. You make good points and now I know what to consider when deciding on which tool to use. 👏
super thoughtful and well-paced tutorial, thank you! is it normal to do the manual rotoscoping? it made a lot of sense in the context of your demo/short clip, but wouldn't that get overwhelming for longer clips? thanks!
Rotoscoping is a good skill to learn, but modern tools help simplify it. There are auto-roto tools, and the Magic mask for example which can automate the roto. I kept it basic so that it's understandable, but you'd normally want to make use of one of the other tools to help with roto.
I have a question: is there any chance we can apply chromakey removal settings to an adjustment clip to remove the green background from multiple clips at once in one timeline?
Not sure why but the color picker is non-responsive on my MacBook. In the system settings I've gone to Privacy and Security and allowed Screen & System Recording for DaVinci Resolve but that didn't seem to do it. Any other ideas? Many thanks for your great tutorials. One suggestion/request. Could you turn on the feature that shows your keyboard strokes in your screen recording? You use shortcuts that I often need to go search and figure out how to do. Simple things like Shift + Space bar to search for a tool. Many thanks.
My background image won't go into the background of my green screen video. It's showing in front of my character instead. How should I put the image in the background? Why did you skip the process?
Great tutorial! How does this compare to the 3D Keyer in the color page? I’ve noticed that footage keyed in the color page plays back much faster than the same footage keyed in fusion. Are there pros/cons to one method over the other?
The fusion one is a lot more powerful. Try cache rendering the nodes in fusion to get the playback faster. As always if all you need is a quick key , the colour page is not a bad alternative. Just depends on how accurate you need the key to be.
@@coffeebeanstudio As of today, July 25 2024, using Davinci Resolve 19, do you recommend this technique as the best way to still do Green Screening? Thank you
great tutorial, lots of information, but!!! How do you change the size of the elements? I have a huge character in a small background, that doesn't fit the screen. How do you change their sizes and make it look right in the scene?
In fusion? Or in the edit page? If it’s fusion, you’ll need to add a Transform node after the element to change the size. In the edit page you can change the scale on the inspector on the right.
Hi Thank you for the clear green screen keying video. However I do have more question what if the video cam moves during the green screen shoot? has it got to do with planar tracker. Urgently need your response on this and do let me know how I could contact you and assist me on this. I don’t mind paying for your time on teaching on my personal project. 👌🏽
Hi Javier. Thanks for following along. Apologies for rushing through that step. To merge with the delta keyer, you need to use a Merge Node. The inputs to the merge nodes will be the outputs of the Delta Keyer and the Footage node.
Talk about timing. I’m doing this very thing for a friend. But he has a black guitar. I expect I’m going to have some struggles to get a good mat? Any suggestions ? Thanks
You tell us not only how, but WHY we should use a setting. Thank you!
Thanks for watching and taking the time to comment! :)
This tutorial is one of the best about keying green screen on the internet so far, you explained about it in a very detail and specific way to utilize the fundamental skills and mindset of new users when using and dealing with the software and situations that they are having. Thanks a lot for your works so far. Appreciate !!
If can I hope that you can make more about VFX with fusion and the process from start to end. Your tutorials are really helpful
Thank you very much 🙂
Not red Screen because it's too close to our skin tone
You got it right ☺️
Sir you're not only good at explaning but you're also so generous that you have replied to every comment on this video. Lots of respect for you.
You’re most welcome 🙏
This is the best green screen tutorial on Resolve that I have found on the internet. Thanks!
Thanks mate. I’m glad that it helped. ☺️
Amazing tutorial. Best TH-cam tutorial on green screens and keying by a long shot. Thank you for the in depth approach and explaining how tools operate and why you use them. There are many creators out there that only state what tool they use but not why - either because they don't see it necessary or because they themselves don't understand the tool. You go above and beyond sir! Subscribed and look forward to viewing more of your content. Thank you
Oh thank you so much for the compliments, Elliott. I am glad you found the video useful. And thanks a lot for the coffees! :)
This is a perfect tutorial, no bs, well presented
Thanks John.
1) the Bspline node and the 2) MediaOut2 for color grading were HUGE tips that I've been looking for for a long time and I wasn't expect you to include that in this video. Thanks for making this!
Glad it was helpful!
Really it is an excellent tutorial for a beginner like me. I have seen so many tutorials, but yours is the very explanatory with a lot of patience and narrative . Thanks
I’m glad it helped. Cheers. 😌
This is the most amazing green screen guide on TH-cam for davinci resolve.
You should post more.
And with Miss frequency man.
Don't stop.❤❤❤
Thanks, will do! :)
This have to be the best Keying tutorial for Davinci all over TH-cam, thank you so much for this awesome tutorial!!!!!
Wow, thanks! :) Appreciate the support! :)
I have watched a lot of greenscreen tutorials. This is the first time I have seen it explained so well. I have always thought what are the other tabs in delta keyed, now I know. Thanks
You are so welcome! Thanks for watching! :)
After months of searching, this is the only best tuto not only showing the utils but explaining their roles.
Thank you very much! :)
Woah this was incredible definitely the best video about keying I've seen on youtube. Thank you for providing us with such value.
Glad it was helpful! 😊
I've been using Resolve weekly on my YT channel for nearly two years now, and I'd no idea this process even existed. Brilliant tutorial 🖐️
You're very welcome! :)
Incredible tutorial. Many thanks!
You’re welcome
Hands down, THE BEST GREEN SCREEN TUTORIAL ON YT. I would love to see a follow up video on motion tracking a green screen for a moving background.
Thank you so much 😊. I’ll make one on motion tracking soon. Cheers.
WOW! I have been taking Fusion class but your tutorial is at /on the other level. Thank you so much.
You’re very welcome ☺️
This is the best keying tutorial
I’ve ever seen! I’ve been trying to find how to stop using after effects for my green screen work because it takes years to render out but I hadn’t been able to achieve a good key with Davinci resolve, that’s changed today! 👏👏👏 thank you so much!
Glad it helped!
Fantastic in-depth explanation which was super clear and reasoned. This is by far the very best, definitive, explanation of green screen masking for me. Thank you.
Glad you enjoyed it!
I've watched a few of these today. This is by far the most complete!
The absolute best green screen tutorial I've seen on here. Thank you.
Glad it was helpful! Thank you very much! :)
This is a great tutorial for a beginner
I still watched this entire video being an advanced user
Really nice! Hats off, excellent explanation ❤
Awesome, thank you!
That is freaking awesome. Perfect tutorial for what I have in mind for my video. Thanks
Thank you so much Stuart. I am glad it helped! :)
This is the best guide for understanding the delta keyer function. Just great. :))
Great tutorial, I didn't know about the 2nd media out and adding another source in colour tab! Thanks!
Glad it was helpful!
Thank you for an outstanding tutorial. Really clear and thorough.
You're very welcome!
wow, you totally deserver more subs, man. The way you present and explain it, is pure masterclass!
Thanks! 😃
Thank you so much! By far the best delta key video I've watched! You got any videos on the 3D keyer? I'd love to see that!
The only thing I did differently (because I don't need to color correct my video) is used a "Despill" node instead of a color corrector node to get rid of the remaining green spill.
Thanks again! I just subbed!
I would love to see videos on doing green screens with camera movements similar to the examples in the beginning.
Ok cool. That’ll not just involve greenscreening but also tracking. I’ll prep something. Cheers
We need a tutorial on how you made the selfie shot. Super colors, super light, super definition, i had never seen anything like that. This looks like a shot from an epic movie
Which one are you referring to? Timestamp please?
Please keep making videos! They are very helpful
More to come!
thank you sir your videos are the backbone of my video editing career literally
Thanks mate. All the best for your career! :)
@@coffeebeanstudio9ò1oòp0ooo
Incredible tutorial.
I have a few questions that came up as I was following along:
1. How do I resize the foreground (the guitarist) image if needed when all is said and done?
2. How do I control the color-grading of the background?
3. How do I control the color-grading of the image as a whole?
4. What if I wanted to make changes to the length of either the foreground or background, how do I control them separately? Because the track in the editing page only shows the two images stacked.
5. What if I wanted to key frame the foreground to move across the screen? How do I have speed gate control of that?
Hey mate.
1. You can resize the foreground image in the Edit page using the Inspector panel. Select the foreground clip (the guitarist), and adjust the Zoom or Position parameters to resize or reposition it. If you're working in the Fusion page, you can adjust the size using the Transform node after the keying process. Resizing does not affect the green screen keying itself, as long as the keyed-out area remains intact.
2. If you're working in the Fusion page, add a Color Corrector node or a Grading node directly to the background clip. If you're on the Color page, you can grade the background layer separately by selecting it in the timeline. Since the background is placed on its own track or node (separate from the keyed foreground), you can apply color adjustments independently without affecting the foreground.
3. To grade the entire composition (foreground and background together), you can do one of the following things - Add a Timeline Grade in the Color page. This applies a grade to everything on the timeline. Or Use an Adjustment Clip in the Edit page, positioned over your entire composition. Apply your color grade to the adjustment clip, which will affect everything beneath it. Or Alternatively, in the Color page, use a Post-Clip Grade for uniform adjustments across the timeline.
4. You can control the length of each layer individually on the Edit page. Ensure you’ve placed the foreground (keyed clip) and the background on separate tracks. Simply trim, retime, or extend each layer as needed using the Trim or Retime tools. If the tracks are stacked and grouped, unlink them first by right-clicking and selecting Decompose in Place (if applicable) to ensure independent control.
5. To animate the foreground Go to the Edit page, select the foreground clip, and open the Inspector panel. Use the Position controls to set keyframes for the starting and ending positions of the movement. To refine the speed and smoothness, open the Keyframe Editor or Curve Editor (accessible from the timeline toolbar). Here, you can adjust the interpolation of the keyframes, using easing options to create smooth motion. Alternatively, if you’re in the Fusion page, use a Transform node connected to the foreground and keyframe its position directly within Fusion’s timeline.
You're a great teacher! Thank you...
You're very welcome! :)
By far the best tutorial on the subject!!! Subscribing now...
Thank you so much
what information. Unbelievable that this is for free...keep it up mate.🙏🏼🙏🏼🙏🏼
Thanks, will do!
your amazing the only issue I have is during your explanation of adding the background you skip to spill suppression with your background up already. I guess a lot of your viewer figured that part out but I was still never able to get my separate image to show up as my background.
Thanks for watching. I am glad the video was helpful. Regarding the background, I thought I did mention that. It starts at 14:00. It really is just about adding the background to a merge node. If you are finding that step hard, please send me the node structure, and I'll take a look and let you know.
Wonderful Tutorial. Thank you very much! 🙏👍
You're very welcome!
What a great video! Well explained, easy to follow and a great voice
Glad you liked it! :)
Excellent, clear and detailed, thanks a lot.😀
Fantastic! Really well explained, Thank you again!
You're very welcome! Hope you are well! :)
Such a great tutorial. Thank you! Subscribed and shared.
Awesome, thank you!
Very clear and helpful! Thanks. Well done tutorial
Thank you so much! :)
This tutorial is really good for understanding keying a green screen. :))
Thanks for watching! :)
By far the best tutorial out there!
COOL Video Im extremely new to davinci but have so many cool ideas with editing.
Happy to help!
Such a good tutorial! Thank you so much!
Glad it was helpful! :)
Explained super. One of the best chroma key green screen remover.Thanks a lot for your work.
A very informative tutorial. Thank you.
Glad it was helpful!
I was using ultra key before as I figured ‘ultra’ meant it was the best option in davinci, I saw many others using delta keyer and it’s way better, switched to this as my go to keyer now
Thanks for watching! :)
wow, this explained so much more than i expected. I've watched hours of tutorials on davinci resolve and i usually end up feeling so overwhelmed and even more confused, but i feel relieved after watching this one and i learned a lot. thank you SO much, this is such a fantastic tutorial.
please keep making davinci tutorials, you're a great teacher!
Glad it helped! 😊 and thanks for the encouragement. I appreciate it.
What a tutorial! Hope you post more frequently.
Thanks Manoj.
Thank you for this. However, I'm an absolute beginner. I struggled to find the delta keyer and how you got those two screens. I feel had you mentioned it step-by-step, I wouldn't have considered switching to another video.
coffee bean rock👏, green screen shock, Thankyou for sharing
Thanks for watching!
Thank you for this tutorial, very well done!
Awesome video 👌
Thanks 😀
your videos always awesome. thank you!
So nice of you
Awesome tutorial. Can you do a tutorial on tracking a green screen to match the footage ?
Great suggestion!
Using the magic mask then dilating the created mask a lot can be a quick way to make the garbage matte
Yup, agreed. That's a good idea!
This video is *insanely* helpful. Thank you.
i really love this guy best teaching so far. just subscribe for u.
Excellent tutorial, thank you
You're welcome! :)
Thank you this was extremely helpful!
Excellent video - thank you
Can’t wait to try it out.
Lengthy process though 🙄
You can do it! You'll get used to it very soon.. Should take more than 2 minutes to do once you are used to it.
this man is the best
Thank you! :)
This tutorial is so good!
Thank you!! :)
Some noise comes in black costumes why how to fix it sir
Thanks so much for this 😀
You are very welcome! :)
thank you sir 🥰😍🤩🤍🤍🤍🤍🤍
Need a video on all the keyer nodes, Gurujii.. ❤ infact all the nodes in fusion, one by one..
Sure 😊
excellent explanations, thx!
Glad it was helpful!
Great video. Thank you.
Glad you liked it!
Netflix actually just came out with a technology using magenta. They magenta wash the subjects with lights while shooting. The green screen stays green, but subjects are completely magenta. Then they color correct after keying.
Oh, that's very interesting. Do you have a link to where I can read up about that?
@@coffeebeanstudio th-cam.com/video/jY3-sxU09wc/w-d-xo.html
It’s a great idea, and makes so much sense!
if we use red screen, it's too common as it might interfere with the subject as it's a common color and it will make some parts of the subject transparent if there is red in the subject
Bingo 😀
Outstanding technique and explanation, thank you! But say instead of "Perfect Green Screening Keying...," I needed only "Semi-Perfect Green Screen Keying...," would Magic Mask with Tracking & a new Bkgd work fairly well? Since I would be in the Color page anyway, I could still reduce greens and yellows as a last step, like you did at 15:05, right? Sorry, I don't mean to detract from your awesome video here, and it is awesome, there is just a huge amount of knowledge required to make videos and all the options are often confusing. Thanks for sharing your knowledge!
Hi Jer. Hope you have been well. Yes, for semi perfect keying, and for simple foregrounds (like the one in this video), the magic mask would work well. But consider a shot where you have many characters moving around (like some of the examples from the movies that I showed at the start of the video), that would be very hard to achieve using just a magic mask and tracking. Ultimately with anything in postprocessing, it helps to know all the tools we have access to, so that when it comes to completing a task, we can pick the best tool for the job. :) Thanks for watching! :)
@@coffeebeanstudio Hey, great to know some differentiation between these 2 methods, thanks. You make good points and now I know what to consider when deciding on which tool to use. 👏
thank you so much dude
You’re welcome mate.
Well explained, dude.
Thanks mate
And now subscribed. I've been getting the best green screen results from your method over any other method. Again, top work.@@coffeebeanstudio
super! grats !
super thoughtful and well-paced tutorial, thank you! is it normal to do the manual rotoscoping? it made a lot of sense in the context of your demo/short clip, but wouldn't that get overwhelming for longer clips? thanks!
Rotoscoping is a good skill to learn, but modern tools help simplify it. There are auto-roto tools, and the Magic mask for example which can automate the roto. I kept it basic so that it's understandable, but you'd normally want to make use of one of the other tools to help with roto.
I have a question: is there any chance we can apply chromakey removal settings to an adjustment clip to remove the green background from multiple clips at once in one timeline?
thanks! This is brilliant.
Not sure why but the color picker is non-responsive on my MacBook. In the system settings I've gone to Privacy and Security and allowed Screen & System Recording for DaVinci Resolve but that didn't seem to do it. Any other ideas? Many thanks for your great tutorials. One suggestion/request. Could you turn on the feature that shows your keyboard strokes in your screen recording? You use shortcuts that I often need to go search and figure out how to do. Simple things like Shift + Space bar to search for a tool. Many thanks.
Clear knowledge
Thank you! :)
but what about the white outline on the pants??
I would love to see your work of wyngx here
My background image won't go into the background of my green screen video. It's showing in front of my character instead. How should I put the image in the background? Why did you skip the process?
I'm trying to use Davinci resolve 19 but I can't follow as my screen looks totally different to yours. I can't find the things you click on.
Thank you so much sir.
Most welcome :)
Thanks a lot sir
Great tutorial! How does this compare to the 3D Keyer in the color page? I’ve noticed that footage keyed in the color page plays back much faster than the same footage keyed in fusion. Are there pros/cons to one method over the other?
The fusion one is a lot more powerful. Try cache rendering the nodes in fusion to get the playback faster. As always if all you need is a quick key , the colour page is not a bad alternative. Just depends on how accurate you need the key to be.
Great video - THANK YOU!
You are welcome!
@@coffeebeanstudio As of today, July 25 2024, using Davinci Resolve 19, do you recommend this technique as the best way to still do Green Screening? Thank you
@@brandonwatsonmedia Yes, this is still the best way. :)
@@coffeebeanstudio Thank you, again!
great tutorial, lots of information, but!!! How do you change the size of the elements? I have a huge character in a small background, that doesn't fit the screen. How do you change their sizes and make it look right in the scene?
In fusion? Or in the edit page? If it’s fusion, you’ll need to add a Transform node after the element to change the size. In the edit page you can change the scale on the inspector on the right.
Hi Thank you for the clear green screen keying video. However I do have more question what if the video cam moves during the green screen shoot? has it got to do with planar tracker. Urgently need your response on this and do let me know how I could contact you and assist me on this. I don’t mind paying for your time on teaching on my personal project. 👌🏽
Hi. I'll need to see the footage before I can assist. Please reach out by email. You'll fine my contact in the About section of this channel! :)
I was following you perfectly up to minute 14:10 where you say to “merge it to the delta keyer” how do I do that?
Hi Javier. Thanks for following along. Apologies for rushing through that step. To merge with the delta keyer, you need to use a Merge Node. The inputs to the merge nodes will be the outputs of the Delta Keyer and the Footage node.
Helpful
Best explanation of DaVinci Resolve's Delta Keyer that I've seen. Great job - Thank you!
You're very welcome!
thank you so much
You're welcome!
Now that Resolve 19 is out, is there anything you would change about this tutorial?
No. I think the process remains exactly the same.
Talk about timing. I’m doing this very thing for a friend. But he has a black guitar. I expect I’m going to have some struggles to get a good mat? Any suggestions ? Thanks
It’ll be easier with a black guitar. Don’t worry.