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1959 U.S. ARMY TRAINING FILM “ CODE OF CONDUCT " NEVER SURRENDER / STAND FIRM 30734
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- เผยแพร่เมื่อ 19 ก.พ. 2021
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One of a series of training films made by the U.S. Army about the Code of Conduct, this film focuses on the "never surrender" concept, presenting a scenario which trainees could discuss. It depicts a squadron in desperate combat, running out of ammunition, and what they do afterwards. This particular segment shows the precept of ‘standing firm’. The film begins with a portion of the Code of Conduct being read over a photograph of a solider holding a rifle and pointing it outwards (:42). Characters are introduced; one is a young soldier who is down trodden and fearful of the proposition that the squad is about to run out of ammunition (1:03). The other, standing just near him is a veteran soldier seen chewing on a cigar butt (1:21) and the final man who joins them is the Sergeant. The Sergeant and the seasoned soldier demonstrate boosting of one another’s morale as they ensure the young soldier they will not get captured (1:32). As they go over remaining weaponry, the Sergeant pulls out his own ammunition and leaves it with the other two men (1:42). Soldiers wait in trenches with machine gun barrels poking out (2:08). The enemy forces attack and explosions erupt all around the trenches (2:17) as the friendly forces fire back (2:24). Rounds are loaded into mortars (2:54) and the Captain is radioed as they load the final round (3:18). The radio man and the Captain are seen taking the call (3:24). The Captain directs the two squadrons to move towards the Third Platoon to provide them with support (3:29). The young soldier is seen firing the last of his ammunition (3:53) and the seasoned soldier also runs out (3:58). As enemy fire continues, the men sit down within the trenches for cover (4:16). An order is given for the men to fall back (4:33) and a few are seen running towards the woods (4:44). Some of the men were forced to cross a treacherous river as it stood between them and the reserves to the south (5:15). The veteran soldier ditches his rifle and hides his supplies so enemy forces cannot use them to their own advantage (5:32) and heads towards the river the cross. The Sergeant is seen wading through the waters holding onto a log (5:45). The young soldier runs through the woods (6:00). As the three are nearly united, the Sergeant orders the young and the seasoned soldier to take off. A dirt road lay between the three of them and the enemy forces were heading their way (6:56). Soldiers sprint across an open field and one of them is hit in the leg (7:21). The experienced soldier collapses in the woods from exhaustion (7:47) though he begins to crawl forward on his stomach from here. The young soldier does the same (8:32) and as he spots enemy movement, he grabs a pointed stick to use as a weapon (9:17) and the image of the soldier from the beginning reappears as the Code of Conduct is read again (9:48).
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This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit www.PeriscopeFi...
This is more like an actual film than like a training film
January 30, 1974 US ARMY Basic.
I was 3 months ahead of you.
5 October 1973, boot camp Parris Island. Where did you do basic training?
05 JAN 2005 FT Benning, GA. US Army Infantry.
👍
@@usmc-veteran73-77. April 1964 Parris Island 3Rd Battalion. I still remember this one the same way I still remember my Drill Instructors. Semper Fi.
@@davidfrehlini968 Im a little younger, I went to boot camp Parris Island Oct-Dec 73. I too was in 3rd Bn India Co Plt 395. Semper Fi Marine
First order I would make in that situation is all machine guns, set on single fire.
Thats why i know you never served
I'd be ignoring an order
"while they still have the means to resist". But if you lost your life, the orange chicken would call you a "loser".
Stand Firm yall
In the other films of the Code, one of the soldiers is a young Lou Gossett, Jr.
Looks like not much has changed... We still use the same tactics today.
Given the tech non-linear editors have at our fingertips, I am surprised that Periscope Films doesn’t restore the telecine digital files.
I’ve done my share of restorations, and appreciate how lengthy a process this used to be (and still can be, given excessively poor quality source material). While AVID is overkill (we’re not editing LOTR), there are a whole host of plugins dedicated to film and photo restoration, most of which are available for both FCP (X) and Adobe™ Premiere Pro (as well as Photoshop) that greatly speed up the process.
Many newer plugins use AI to handle the basic cleanup. Being a bit more careful and wanting a better outcome, I limit the use of full-on AI, and do much of the work manually. After ridding the video copy of annoying damage and audio dropouts, it’s not terribly difficult to do some minor corrections. For archive quality video, many frames make a round trip to and from Photoshop. The goal (for me) isn’t to go all Ted Turner and make a 1940s B&W film look as if it were shot on an ARRI Alexa… I like to see how the film looked the first time it was played, which requires a few proprietary tricks to pull out as much dynamic range as is possible.
Though I have more experience in Premiere Pro, I find that FCP (X), using the same plugins, is a far better choice when excellent results and fast turnaround is a must. Its real-time (non-proxy) correction and insanely fast render times allow me to repair, clean and render three or four 15- to 20-minute films in the time it takes Premiere to finish a single 15-minute project.
Mac only FCP (X) doesn’t operate like the 40+ year-old AVID software or the similarly developed Premiere Pro. Timelines, plugins and edits are much more intuitive. It took me two weeks to learn to clean, edit, transcode and render an FCP (X) film that is equal to what I can do with AVID or Premiere Pro. I typically use Logic Pro for audio clean-up.
Most well shot 8mm and super 8 films can be output at 1080p, but unless they’re razor sharp and in excellent condition, 720p works best for me. 16mm is easy 2K material, with 35mm capable of true 4K, given with ample space on fast SSD NvME m.2 drives.
Great library!
We have enemy forces to our front and our rear and we are flanked on both sides. They can't get away from us now!
Classic 😎
My first question is how are soldiers deployed so far from friendly forces to begin with? Why are they not in contact with them on flanks at zones or responsibility? Is a retreat just a disorganized rout? Or can it be done in good order, maintaining equipment and unit cohesion?
So many failures of command here.
Of course, the abysmal mistakes in Korea are evidence of that. Isolated outposts easily overrun and with no intention of being reinforced.
You don't unfortunately get to pick your generals and battalion commanders...
It's been 11 months, but i was curious about the differences you noticed here in organization and cohesion between 1959 and the current year. What do you see here with your military eyes that I'm not likely to notice?
June 30th 2008 sniper school then fallujah.
Nice movie. But who is the enemy? The soviets? Is this a prequell to "Red dawn" (1984)?
@@rottingravensblood9106 This is WW2. The enemy is Germany. It's said by one of the Sgts. or the older guy. He uses the term Krauts which is what GI's called the Germans.
Im pretty sure he said 'cruds' not 'krauts'.
Most likely koreans
I think they kept it unclear because of its general message. The battle scenes are fictional anyway.
@@denniswhite166 it's 1959 it's not the Germans
I actually found myself rooting for the lost soldiers.
7:20 SQID GAMES?!?!?! 😱😱😱
Never surrender
Ummm sorry but I'm french
Sup Phin. Oh please trust us. We do understand. Now where is the White Flag?
Ya u guys can't help it lol
So uhm MacArthur didnt see this film huh?