To the readers: I heard Ingrid Bjoner at The Mann Music Center in Philadelphia- Summer 1977. Because I was so far away and because it's an outdoor arena, it was difficult to fully appreciate her remarkable voice. I loved Nilsson- who didn't. But Bjoner's instrument was unique. She never lost her upper register notes as Flagstad did later in her career. Her voice was so much like Flagstad's in her velvety edges. Her timbre in the lower and upper registers were so smooth. As the years go by, her recordings are vanishing. She was in my opinion THE WAGNERIAN SOPRANO WHO NEVER WAS, since Nilsson overshadowed her. How sad.
@@goodandplenty508 "Because I was so far away and because it's an outdoor arena, it was difficult to fully appreciate her remarkable voice. I loved Nilsson- who didn't." Perhaps I misunderstood. What was it that Nilsson didn't? Thought you meant that she didn't appreciate Bjoners voice.
Ich hatte das große Vergnügen Frau Bjoner als Leonore Darstellerin in Fidelio zu haben. Ich sang damals den Don Pizarro. Denke gern daran zurück.. Adio del passato
The digital sound processer you mentioned is a great idea. You may be interested to know that this was a studio recording on a 45 RPM disc, with the Cradle Song on one side and Solveig's Lied on the other. I have one I bought years ago. I sent it out to be "repaired" and even with the repair, it still has lots of pops and cracks. The label has no copyright date or date of issue.
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To the readers: I heard Ingrid Bjoner at The Mann Music Center in Philadelphia- Summer 1977. Because I was so far away and because it's an outdoor arena, it was difficult to fully appreciate her remarkable voice. I loved Nilsson- who didn't. But Bjoner's instrument was unique. She never lost her upper register notes as Flagstad did later in her career. Her voice was so much like Flagstad's in her velvety edges. Her timbre in the lower and upper registers were so smooth. As the years go by, her recordings are vanishing. She was in my opinion THE WAGNERIAN SOPRANO WHO NEVER WAS, since Nilsson overshadowed her. How sad.
You are so right. She is fantastic! You were honored to listen such a great singer live.
Didn't know that Nilsson didn't appreciate her. She speaks well of her in her memoirs, although she seemed to be closer to Aase Lövberg- Nordmo.
@@dubbelhenke854 I don't understand. I never said or implied that she didn't like or appreciate Bjoner.
@@goodandplenty508 "Because I was so far away and because it's an outdoor arena, it was difficult to fully appreciate her remarkable voice. I loved Nilsson- who didn't." Perhaps I misunderstood. What was it that Nilsson didn't? Thought you meant that she didn't appreciate Bjoners voice.
Wunderbar!
Ich hatte das große Vergnügen Frau Bjoner als Leonore Darstellerin in Fidelio zu haben. Ich sang damals den Don Pizarro. Denke gern daran zurück.. Adio del passato
Ich habe es versprochen, ich harre treulich Dein!
Nice!!!
dud you need a dsp to get rid of the pops
The digital sound processer you mentioned is a great idea. You may be interested to know that this was a studio recording on a 45 RPM disc, with the Cradle Song on one side and Solveig's Lied on the other. I have one I bought years ago. I sent it out to be "repaired" and even with the repair, it still has lots of pops and cracks. The label has no copyright date or date of issue.