The Dominant 7 Chord. Book 2, Ch. 12

The Dominant 7 and implications of voice leading. Taken from Mastery of Music Theory, Book 2, Chapter 12: Diatonic Harmonization by Brian Kehlenbach.
𝗣𝗹𝗲𝗮𝘀𝗲 𝗦𝘂𝗯𝘀𝗰𝗿𝗶𝗯𝗲 𝗶𝗳 𝘆𝗼𝘂 𝗹𝗶𝗸𝗲 𝘁𝗵𝗶𝘀 𝘃𝗶𝗱𝗲𝗼!! www.youtube.co....
Music theory books by Brian Kehlenbach available on Amazon:
-Mastery of Music Theory, Book 1: Fundamental Materials, 2nd ed. Available on Amazon:
a.co/d/cgRjdB6
(TH-cam playlist: • How to Learn and Apply... )
-Mastery of Music Theory, Book 2: Diatonic Harmonization. Available on Amazon: www.amazon.com...
(TH-cam playlist: • How to use Diatonic Ha... )
-Mastery of Music Theory, Book 3: Chromatic Harmonization. Available on Amazon: www.amazon.com...
(TH-cam playlist: • How to use Chromatic H... )
#masteryofmusictheory #keysignatures #musictheory

[@cerealbowl7038]

You actually can resolve it with both chords complete and with both tendency tones resolved if you add a fifth voice as a common tone on 5.

[@fm42jgtr]

Just arrived at Exercise 12.4 and got a bit of a shock. It asks to use one p.t. one n.t. and 2 suspensions. I assume that means passing tones and neighbouring tones. The only problem is that neither passing tones, neighbouring tones or suspensions have been mentioned in the text at all before this, so I have no idea what and how to do this.

[@bkehlenb]

You will find that information in Appendix C: Non Chord Tones 1 and also in Appendix D: Non-Chord Tones 2. Different instructors like to introduce these at different times. You may also get good use from these videos: Non Chord Tones 1 - th-cam.com/video/f8QDd184yNU/w-d-xo.html. and also The Suspension - th-cam.com/video/zM1LV2JZgk4/w-d-xo.html