Giunse alfin il momento che godrò senz'affanno in braccio all'idol mio. Timide cure, uscite dal mio petto, a turbar non venite il mio diletto! Oh, come par che all'amoroso foco l'amenità del loco, la terra e il ciel risponda, come la notte i furti miei seconda! Deh, vieni, non tardar, oh gioia bella, vieni ove amore per goder t'appella, finché non splende in ciel notturna face, finché l'aria è ancor bruna e il mondo tace. Qui mormora il ruscel, qui scherza l'aura, che col dolce sussurro il cor ristaura, qui ridono i fioretti e l'erba è fresca, ai piaceri d'amor qui tutto adesca. Vieni, ben mio, tra queste piante ascose, ti vo' la fronte incoronar di rose.
Haven't sung this in six months since my previous comment to you. I sang just now to another pianist, mechanical and metronomic, and it totally dis-inspired me. When I saw you, Iryna, I knew - here was a soul who felt Mozart and this aria to her depths. Iryna, you inspired me! I sang again like I did when I first learnt it at 19 in the music academy - and here it is 40 years later and I still sing it. You are a musical soul and you bring out the best in your singers.
I'm back to Deh Vieni, 4 months since my last essay with Iryna, and again, musical joy and contentment! Thank you, Iryna, for being my favorite collaborator in Mozart - at Juilliard the department is not called piano accompaniment - it's called piano collaboration.
Thank you, Iryna. Well played and the tempo was just right, including the ritardandi, very clear. At the beginnig the recitativo seemed to be fast but after a little practice, it went well. This accompainment helped me a lot, thank you very much.
Whoever knows what recitative means (recite should be close to speech speed) understands that this is the correct duration for recitative. What most singers sing is not of course indicative as someone suggested. Sopranos are driven more by their beauty of their voice rather than comprehension of the text. Most of opera’s action is happening during recitatives so anything closer to theatrical speech (tempo, diction etc) is correct. I disagree with the tempo of aria part. I find it a little fast which on the contrary should be relaxed and slow as it refers to beauty of nature and love...
Ha ha I could not keep up with you in the recit but I loved hearing the accompaniment finally, this was so helpful thank you! You play so much better than I.
Deh Vieni non tardar oh gioia bella, vieni ove amore per goder t'appella, finche non splende il ciel notturna face, finche l'aria e ancor bruna e il mondo tace, qui mormora il ruscel qui scherza l'aura, que con dolce sussurro il cor ristaura, qui ridono i fioretti e l'herba e fresca, al piaceri d'amor qui tutto adesca, vieni ben mio tra queste piante! ti vola fronte oncoronar di rose!
I loved you initiative, but the recitative need to be slow. Listen some singers singing live. Good luck with the channel. Im a student soprano from Brazil and already had performed It.
Thankyou. I write you from Argentina .I pray you Dúo Lucia Enrico from Lucia di Lammermoor de Donizetti .Aprestati Lucia ... complete Scene it finish with" La morte e un ben per me" they both unísono. Excuseme my English. I´ll sing for you Deh vieni non tardar wuith your accompaniment. as soon I can. Thanks!!!!!! RESPONDER Gioconda144
This aria is deliciously pornographic. The fornicatious beat after recitative, melody and of course, climax. Mozart's genius. Gentlemen, if you're doing it right, this is how this lady will sing...
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Thanks for doing this. I find the accompanist breathing even helps me.
Fabulous accompaniment. You’re so clear when you’re going to change chord. Thank you for the wonderful tempo. Just right. Thank you. Bravo!
It is my favourite tempo. Very comfortable to sing. Thank you.
Giunse alfin il momento
che godrò senz'affanno
in braccio all'idol mio. Timide cure,
uscite dal mio petto,
a turbar non venite il mio diletto!
Oh, come par che all'amoroso foco
l'amenità del loco,
la terra e il ciel risponda,
come la notte i furti miei seconda!
Deh, vieni, non tardar, oh gioia bella,
vieni ove amore per goder t'appella,
finché non splende in ciel notturna face,
finché l'aria è ancor bruna e il mondo tace.
Qui mormora il ruscel, qui scherza l'aura,
che col dolce sussurro il cor ristaura,
qui ridono i fioretti e l'erba è fresca,
ai piaceri d'amor qui tutto adesca.
Vieni, ben mio, tra queste piante ascose,
ti vo' la fronte incoronar di rose.
Haven't sung this in six months since my previous comment to you. I sang just now to another pianist, mechanical and metronomic, and it totally dis-inspired me. When I saw you, Iryna, I knew - here was a soul who felt Mozart and this aria to her depths. Iryna, you inspired me! I sang again like I did when I first learnt it at 19 in the music academy - and here it is 40 years later and I still sing it. You are a musical soul and you bring out the best in your singers.
I'm back to Deh Vieni, 4 months since my last essay with Iryna, and again, musical joy and contentment! Thank you, Iryna, for being my favorite collaborator in Mozart - at Juilliard the department is not called piano accompaniment - it's called piano collaboration.
Thank you, Iryna. Well played and the tempo was just right, including the ritardandi, very clear. At the beginnig the recitativo seemed to be fast but after a little practice, it went well. This accompainment helped me a lot, thank you very much.
Thank you!!!
Whoever knows what recitative means (recite should be close to speech speed) understands that this is the correct duration for recitative. What most singers sing is not of course indicative as someone suggested. Sopranos are driven more by their beauty of their voice rather than comprehension of the text. Most of opera’s action is happening during recitatives so anything closer to theatrical speech (tempo, diction etc) is correct. I disagree with the tempo of aria part. I find it a little fast which on the contrary should be relaxed and slow as it refers to beauty of nature and love...
This is beautifully played - perfect tempo! Thank you!
Thank you for playing so beautifully! This is really helping me prepare for an upcoming audition.
Ha ha I could not keep up with you in the recit but I loved hearing the accompaniment finally, this was so helpful thank you! You play so much better than I.
Lovely, lovely! Perfect for my voice. Thank you so much!
Auf Deutsch:Eine Dame des Feinen Geschmackes mit begnadeten Fingern und Gehör,meinen Respekt
Bravo! Perfect tempo, even the recit is easy to sing! Thank you soo much!!
Perfect, perfect! Thank you for providing this lovely service!!!
I love your playing
Thank you so much!!!!
Wonderful! Thank you very much!
Deh Vieni non tardar oh gioia bella, vieni ove amore per goder t'appella, finche non splende il ciel notturna face, finche l'aria e ancor bruna e il mondo tace, qui mormora il ruscel qui scherza l'aura, que con dolce sussurro il cor ristaura, qui ridono i fioretti e l'herba e fresca, al piaceri d'amor qui tutto adesca, vieni ben mio tra queste piante! ti vola fronte oncoronar di rose!
Thank you so much for doing this!
I loved you initiative, but the recitative need to be slow. Listen some singers singing live.
Good luck with the channel.
Im a student soprano from Brazil and already had performed It.
You should do one of the _other_ aria that goes with that recit, All desio di chi t'adora. It's actually quite fun to play!
It’s imposible to Sing the recitativo... Too fast!
Sind Sie sehr toll 😁
amazing
thank you so much. If You could re upload the Recitativo a little slower it'd be immensely helpful
🤗👌💐
Great)
👍 👍!
Ótimo acompanhamento! Seria muito bom legendar para a língua portuguesa ajudaria muitos alunos no Brasil e Portugal!
Thankyou. I write you from Argentina .I pray you Dúo Lucia Enrico from Lucia di Lammermoor de Donizetti .Aprestati Lucia ... complete Scene it finish with" La morte e un ben per me" they both unísono. Excuseme my English. I´ll sing for you Deh vieni non tardar wuith your accompaniment. as soon I can. Thanks!!!!!!
RESPONDER
Gioconda144
May we use your part for a virtual performance if we credit you?
Katie Procell no, it’s not allowed, no use of videos. Thank you!
This aria is deliciously pornographic. The fornicatious beat after recitative, melody and of course, climax. Mozart's genius.
Gentlemen, if you're doing it right, this is how this lady will sing...