+David Marks (ElectroTinker) There is no one mic that is perfect for the acoustic reproduction so they tend to use a combination to cover quality and low feedback---instrument mic for sound, clip-on for volume. There are many options for Selmac pickups---people debate about it a lot.
+magicfiddle I'm sure you're right. Just saying that dual pickup systems are common even for going through the same speakers---just so David Marks knows there are many "standard" ways based on reproduction vs feedback
chunk, chunk, chunk, chunk, chunk, chunk, chunk, chunk Hot House! Very virtuosic but I prefer bebop to gypsy stuff. Gypsy time feel is heavy on the down beat whereas bebop is all 2 & 4
excellent!
I was there in the front row, can't believe it was 13 years ago, I remember it like it was yesterday!
Marvelous performance after Reinhardt-Grapellysessions in Rome january/february 1949sessions
why is there plugin mics and open air ones used here. I like the violin good stuff
+David Marks (ElectroTinker) If I remember correctly, they used the plugin mics for the monitors and the open air mics for the main speakers.
ahh ok thanks :)
+David Marks (ElectroTinker) There is no one mic that is perfect for the acoustic reproduction so they tend to use a combination to cover quality and low feedback---instrument mic for sound, clip-on for volume. There are many options for Selmac pickups---people debate about it a lot.
They told me the plug in mics were for monitors while the open air were used for sound going to the audience. - Peter
+magicfiddle I'm sure you're right. Just saying that dual pickup systems are common even for going through the same speakers---just so David Marks knows there are many "standard" ways based on reproduction vs feedback
chunk, chunk, chunk, chunk, chunk, chunk, chunk, chunk Hot House! Very virtuosic but I prefer bebop to gypsy stuff. Gypsy time feel is heavy on the down beat whereas bebop is all 2 & 4