Interesting insight from Autumn here. Really liked what she said about the 360 degree lighting approach. Some of Alan Clarke's films employed a similar technique so that the actors and camera operators can move around freely. It's a very liberating way of filmmaking and I sort of wish it was used more often. Not every image has to be beautified.
@@kolecava Well it depends where you're shooting so you can't really choose 25 or 30 fps. As I understand it you can pick between 25 and 24 or 30 and 24 (or slo-mo). It's dependend on the electrical system you know.
@@danielhanslik4112 I think it's merely, USA 60Hz circuitry 24p, EU with 50Hz at 25p or compensate with shutter angle. But essentially that's the case, location dependant. Then 29.97/23.97 for broadcast.
This channel is awesome, but you should check Indy Mogul because in the recent months they are putting out really useful videos about lighting. Really onteresting ones. And also Wandering DP channel is amazing and full of information, and Hurlbut Academy by d.p. Shane Hurlbut. I also like Spencer Sakurai and my last finding, Andbery. All here on TH-cam. I am sorry I gave you so much homework! 😅
Thank you for always educating us, Cooke!!!
agreed. quality content. great channel. this interview could have been longer...
Interesting insight from Autumn here. Really liked what she said about the 360 degree lighting approach. Some of Alan Clarke's films employed a similar technique so that the actors and camera operators can move around freely. It's a very liberating way of filmmaking and I sort of wish it was used more often. Not every image has to be beautified.
The 50fps looks a bit strange. Otherwise, an amazing video! I love Autumn's work so much.
Yah they should just stick to 30fps if they want more fluidity. Not everything has to be 24/25p but 50p+ is pushing it.
@@kolecava Well it depends where you're shooting so you can't really choose 25 or 30 fps. As I understand it you can pick between 25 and 24 or 30 and 24 (or slo-mo). It's dependend on the electrical system you know.
@@danielhanslik4112 I think it's merely, USA 60Hz circuitry 24p, EU with 50Hz at 25p or compensate with shutter angle. But essentially that's the case, location dependant. Then 29.97/23.97 for broadcast.
50 fps is only one part of the equation. The shutter speed is more important. 180 degree rule or choosing 360 degree.
One of my favorite DP’s! Autumns incredible 👏🏼
YOU DON'T KNOW WHAT IT'S BEEN THROUGH TO BE HERE! - 2020: the year we started ''being there' for the sun. #sunally
why is this video in 50fps?
NTAL standard?
does look minging
who cares?
Relationship between the sun and Autumn Durald
How can I learn more about how to actually do this? any good books?
Just believe in yourself and network, cameras and assistance do all the work for you now.
Take camera, fixtures and shoot.
This channel is awesome, but you should check Indy Mogul because in the recent months they are putting out really useful videos about lighting. Really onteresting ones.
And also Wandering DP channel is amazing and full of information, and Hurlbut Academy by d.p. Shane Hurlbut.
I also like Spencer Sakurai and my last finding, Andbery.
All here on TH-cam. I am sorry I gave you so much homework! 😅
@@Andresvideo thank you very much!!
Does anyone know what film 1:27 is? Thanks
The roger deekins one is Shawshank Redemption
Isn’t she Adam Arkapaw’s wife, or is that someone else?
That's her. You are correct sir!
Great upload! first comment XD
Did not really learn anything... But thanks anyways...
Word thanks for teaching me nothing
this is just sad.
I'd never use a female DP, makes no sense.
lmao gtfoh
This is such uninspired trolling, Brad.
Lazy troll