I struggle a bit with how to practice harmonic awareness. I find that i tend to default to memorization eventually the more i practice something and i have to remind my self to find ways that focuses more on visualizing because that makes it stick more. I have an issue practicing in certain keys for example because my visualization is bad.
@@WeissGuitar I guess my problem is when i try to find my way around any key except D major (D# is particularly difficult because ) i have to rely much more on chaining together certain chords/arpeggios, scales, etc, because i relate them to each other, and i think that's kind of a shortcut by using "memory" instead of visualization and it makes me bad at seeing outside of that specific path. In order to avoid this when practicing uncomfortable keys i make an effort to visualize before i play, and that seems to help. I've had a hard time finding anything online about good ways to practice this kind of thing. I probably just have to be patient with it though, but i feel like it's kind of a mental exercise and that it might be important to be cognitively aware of practicing properly in a way that builds towards this ability to fluidly visualize the diatonic pattern from anywhere on the fretboard. But maybe i've solved my own problem and all i need to do is simply just visualize more lol :D
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Gonna work on that, see you in 10 years
Ha! My same thought
Lol
😂🎩😂
Wow! Very well explained, thanks!
Thanks Mick!! :-) just published a new vid! check it out
Some of the best guitar/music content out there. Thx as usual
Wow, thanks Andrew! My pleasure, Stay in touch
Thank you for this beautiful lesson.
Elvis, You're very welcome! :-) check out the new lesson i just put out, drop me a comment. :)
@@WeissGuitar Sure, thanks.
Good one. This will be a multi-watcher. Thanks Daniel.
Thanks for tuning in and supporting 🙏
So Essential!
🙏🙏🙏
This is excellent explanation on how you become a better improviser great job me and you got to talk more
Hi John, Thanks so much fot being here 🙋🏻♂️🙏🏻 Yes let's talk more.
Thanks!
Hi Karl : ) Thanks for being here! (Just uploaded a new vid)
Brilliant lesson , thank you !!!
You're very welcome! Thanks for being here 🙋♂
beautiful lesson man.
Thanks 🙏🏻🙏🏻🙏🏻
Here are the most important advices to improvise on chords changes, clearly explained!😉👌
Glad it was helpful! Thanks for being here😊
Very well explained! Thanks for sharing! Love it! Cheers DimiZ
Glad it was helpful! Thanks for being here : )
Another brilliant video. Thank you Daniel
Glad you enjoyed it , Thanks for all the comments and support 🙋♂️
Sick lines over the blues’ changes! Gonna transcribe that 😅
Thanks for being here Vinicius! :) send me a vid of the transcription when you are done.
Great Lesson !! 🙏🙏🙏
Thank you! 😃
Powerful!
Thanks! :)
Great lesson man, thanks!
My pleasure Boaz! Thanks for being here 🙋♂️ stay in touch
Thanks Daniel - this is a really interesting and inspiring lesson - it's a really great exercise to playing over two chords !!
It's my pleasure, Eitan! I'm glad it inspired you, thanks for the comment🙏
I struggle a bit with how to practice harmonic awareness. I find that i tend to default to memorization eventually the more i practice something and i have to remind my self to find ways that focuses more on visualizing because that makes it stick more. I have an issue practicing in certain keys for example because my visualization is bad.
Get his Galactic Modern Guitar courses it is full of diatonic workouts and totally changed my playing. . worth it!
Thanks for the shout out !!
How can I help? thanks for being here - feel free to read my blog , I think you will find it a helpful resource weissguitar.com (the source)
@@WeissGuitar I guess my problem is when i try to find my way around any key except D major (D# is particularly difficult because ) i have to rely much more on chaining together certain chords/arpeggios, scales, etc, because i relate them to each other, and i think that's kind of a shortcut by using "memory" instead of visualization and it makes me bad at seeing outside of that specific path. In order to avoid this when practicing uncomfortable keys i make an effort to visualize before i play, and that seems to help.
I've had a hard time finding anything online about good ways to practice this kind of thing. I probably just have to be patient with it though, but i feel like it's kind of a mental exercise and that it might be important to be cognitively aware of practicing properly in a way that builds towards this ability to fluidly visualize the diatonic pattern from anywhere on the fretboard. But maybe i've solved my own problem and all i need to do is simply just visualize more lol :D
Brilliant. Is it possible to have a lesson solely on swing feel?
Great ideas sam! :-) Thanks for being here - Glad you like the lessons ! :-) Just published a new video, check it out. Stay in touch
👍Thanks
Thanks for tuning in : )
Amazing content as usual :)
Good to see you! : ) Thanks
Man this is all true but that way you have to learn 100 years to know all of this material
I signed up for your course and had a question. Is the form submission working?
Hi congrats for joining 🙋🏻♂️ Which form are you referring to?
@@WeissGuitar the one at the end of each lesson where you can ask a question.
@@jazzcat1056 Yes it does, feel free to send me a question there :)
what different G7 and G7#5 or Gmaj 7 ? they have same triad G B D then we can't hear the different between thous chords !! That is no Good my friend
Arpeggio ok! but just triad I do't think so
it's like learning from scratch, it takes 50 years I don't believe it I'm sorry