I know you won't believe me when I say this because the inner critic always takes hold Bob, but you're sounding better than ever. Big hugs from across the pond! x
I think this is what I hear. C F Bb D G C F Bb Eb G C F C E G Ab G F G This is a great exercise, making me make those downward leaps in unexplored territory.
Maybe it is because jazz is so collaborative, but as a classically (sort of?😊) trained pianist I find it interesting how watching videos/tutorials on - and even transcribing from - other instruments is just as useful as material which is piano based. As long as it's good stuff..which this is. Obv.!!!!
Bob, the get a sax piece sounds great AND bonus points for you looking more like the reincarnation of Stan Gets with a white mp. 😂 👍 P.S. the groan and taking the mouthpiece out can't help but remind me of Mincek, some things get ingrained in memories 😊
Thank you for the video! Great stuff as always! I just found a thing last night while practicing, a 4 note pattern and it felt so good under my fingers, and it sounded so good, moving it through the octaves, and playing around with it. I did this for almost an hour and thought about it today, that I can't wait to get home and play with that some more, but also, a question arose saying "should't I practice something else? Or the same pattern in other keys?". You gave me the confidence to go home and practice this until it feels done and am ready to move on, not just because I have to move on. It's with 4ths by the way, and your video is exactly spot on. Anyway, you sound very good on the new mouthpiece. You sound just like yourself, so don't let the gear matter too much for you. I know it's hard :) Much love from Romania!
"I don't fish" 😅 I love repetition, locking into a drumbeat or track like you are. You left out "until you are sweating" Sounding smooth on that GS piece. Now to apply what's in this video 🎷 thanks!
I have a GS Slant and love the mouthpiece. Nice to see Bob working on one with GetASax. Do ligatures make a difference? It sure seems like it to me when I use a Francois Louis Ultimate ligature with my GS Slant. 😀🎷
There’s something about playing a lick or line over and over again. You kind of get lost in the zone. Each time you repeat it, you feel it in a slightly different way. I think that’s kind of what you’re alluding to. I do this sometimes until I feel like I’ve internalized it. For me, it’s more about focusing on the sound and shape of each note and hearing it in different ways. Anyway, you have a beautiful sound! Thanks for the video!
Not for nothing, but whenever I transcribe Snarky Puppy horn section parts to guitar, I always find myself playing more fourth intervals than ever before. It's become this thing I expect from it, that there's always gonna be a lot of fourths, and groupings of five. I guess since on the guitar, playing a lot of fast fourths is a bit awkward, guitarists tend to do it less. That book on fourths would be agonizing to run through on guitar. Have you had the same experience transcribing parts from other instruments onto sax?
Bob, great video with applicable knowledge, as usual! Thanks for that! Please, if I may ask, how do tou like that sound reflector? And, is that something you might take to a gig? Thanks!
I got into jazz a few years ago and have been largely taught by the internet. This channel has always filled a really important niche where it feels like if I'm demotivated or something Bob will always give me the urge to practice.
Oh man sticking to something that feels good is where it's at for me...though i sometimes won't move the phrase through 12 keys cus i'm too comfortable repeating that over and over
just wanted to say I love the sound of this mpc! and in case my comment gets lost I relistened to your mpc video a lot and i think the SP2 was the closest to allowing you to do all your Bobisms with your sound. It looks like you're using one of the getasax mouthpieces, awesome! It definitely is "alive" and not dead, it sounds great.
I’m a novice at all of this, but this fourths pattern is reminding me of triad pairs. (Which I really like!) Anyway, good stuff. Too bad I’m at work or I would go pick up my horn! Dang the day job. A necessary evil. 😅
Yeah!!! Loved it Bob. Cycling over it until you’re not thinking about. Yes, I so get it. Thanks for sharing. Also, not going off the root on that lick. Great advice. 👍
Love to see an approach to working on something that I have done but haven't taught. Work something til it's easy! But especially your look-both-ways concept. Love that one Bob thanks.
Great suggestion, Bob! Thank you. Please tell me why there is a hole in the reflector on your bell. I used to hang a rectangular piece of that stuff on the mic stand, just behind my mic. Even with crappy--or NO--monitors I could hear myself over the worst guitars! I think I want to make one like yours for practice.
@@clevelandbop fwiw it's the only time in 30 years of using them that's happened, and to be fair I'd already (accidentally) bent one of the two metal clips not long before. so this fail was on me
Thanks, Craig! Forever grateful to Brent for imparting the love of a strong foundation (when all I initially came to him for was to teach me how to play like Lisa Simpson.)
@@bobreynolds I still can’t believe we both were taught by Brent. Didn’t he have a collection of firebirds muscle cars ? Anyways please let me know next time you’re rolling through Bristol UK
I know you won't believe me when I say this because the inner critic always takes hold Bob, but you're sounding better than ever. Big hugs from across the pond! x
Gotta look both ways before you cross the street for chord/scale choice, great analogy, Bob! I'm gonna keep that one with me. @0:54
I think this is what I hear. C F Bb D G C F Bb Eb G C F C E G Ab G F G This is a great exercise, making me make those downward leaps in unexplored territory.
I love how honest and vulnerable Bob is during his videos. So much knowledge he gives out. We are all grateful. Thank you Bob! 🙏
Thanks 🙏🏻 Bob. The mouthpiece seems to suit you. You sound fantastic!
Thanks Bob. I like the “hanging onto something that feels good until you no longer have to think about it” advice
Thanks, Bob;; always a pleasure to peek inside the real, sometimes tedious. sometimes boring world of the woodshed with you….
Bob you are a kind master sax man sharing so many beautiful ideas - thank you
Maybe it is because jazz is so collaborative, but as a classically (sort of?😊) trained pianist I find it interesting how watching videos/tutorials on - and even transcribing from - other instruments is just as useful as material which is piano based.
As long as it's good stuff..which this is.
Obv.!!!!
Bob, the get a sax piece sounds great AND bonus points for you looking more like the reincarnation of Stan Gets with a white mp. 😂 👍 P.S. the groan and taking the mouthpiece out can't help but remind me of Mincek, some things get ingrained in memories 😊
Thank you for the video! Great stuff as always! I just found a thing last night while practicing, a 4 note pattern and it felt so good under my fingers, and it sounded so good, moving it through the octaves, and playing around with it. I did this for almost an hour and thought about it today, that I can't wait to get home and play with that some more, but also, a question arose saying "should't I practice something else? Or the same pattern in other keys?". You gave me the confidence to go home and practice this until it feels done and am ready to move on, not just because I have to move on. It's with 4ths by the way, and your video is exactly spot on.
Anyway, you sound very good on the new mouthpiece. You sound just like yourself, so don't let the gear matter too much for you. I know it's hard :)
Much love from Romania!
Great, thanks very much!! I'm definitely going to be enjoying your videos!
"I don't fish" 😅 I love repetition, locking into a drumbeat or track like you are. You left out "until you are sweating" Sounding smooth on that GS piece. Now to apply what's in this video 🎷 thanks!
Thanks man
I have a GS Slant and love the mouthpiece. Nice to see Bob working on one with GetASax. Do ligatures make a difference? It sure seems like it to me when I use a Francois Louis Ultimate ligature with my GS Slant. 😀🎷
There’s something about playing a lick or line over and over again. You kind of get lost in the zone. Each time you repeat it, you feel it in a slightly different way. I think that’s kind of what you’re alluding to. I do this sometimes until I feel like I’ve internalized it. For me, it’s more about focusing on the sound and shape of each note and hearing it in different ways.
Anyway, you have a beautiful sound! Thanks for the video!
agree 💯
I really like the way that you explain your tips on practicing ✌️
Thanks again for sharing..
Mario
Not for nothing, but whenever I transcribe Snarky Puppy horn section parts to guitar, I always find myself playing more fourth intervals than ever before. It's become this thing I expect from it, that there's always gonna be a lot of fourths, and groupings of five.
I guess since on the guitar, playing a lot of fast fourths is a bit awkward, guitarists tend to do it less.
That book on fourths would be agonizing to run through on guitar.
Have you had the same experience transcribing parts from other instruments onto sax?
Thank you Bob for passing on your volumes of knowledge-you are a great teacher and performer!!
Bob, great video with applicable knowledge, as usual! Thanks for that!
Please, if I may ask, how do tou like that sound reflector? And, is that something you might take to a gig? Thanks!
I love it in my practice room but I don't use on gigs. If I had to play outdoors unamplified it could really help.
Thanks for exposing the concept. I will apply now in my pratice.
Did NOT expect to see a clip of Devon Larratt in this video.
The Goat is back!
Listen to Steve Masakowski'' tino's blues 4:51
I got into jazz a few years ago and have been largely taught by the internet. This channel has always filled a really important niche where it feels like if I'm demotivated or something Bob will always give me the urge to practice.
where can I get the book. name and details, thank you
Great ideas Bob ! Thanks for sharing !
Love that sound. What is that plastic thing you've got clipped to your bell called?
sound reflector by JazzLab
Your playing here reminds me a lot of Chris potter
Nice sounding horn
Great ... something I can play for my jazz band in class tomorrow!
Works on guitar too!
Oh man sticking to something that feels good is where it's at for me...though i sometimes won't move the phrase through 12 keys cus i'm too comfortable repeating that over and over
Thank you 🙂
Yeah, Bob.... Loving it!
just wanted to say I love the sound of this mpc! and in case my comment gets lost I relistened to your mpc video a lot and i think the SP2 was the closest to allowing you to do all your Bobisms with your sound. It looks like you're using one of the getasax mouthpieces, awesome! It definitely is "alive" and not dead, it sounds great.
👍👍👍👍😊😊😊✌️
I’m a novice at all of this, but this fourths pattern is reminding me of triad pairs. (Which I really like!) Anyway, good stuff. Too bad I’m at work or I would go pick up my horn! Dang the day job. A necessary evil. 😅
Yeah!!! Loved it Bob. Cycling over it until you’re not thinking about. Yes, I so get it. Thanks for sharing. Also, not going off the root on that lick. Great advice. 👍
Love to see an approach to working on something that I have done but haven't taught. Work something til it's easy! But especially your look-both-ways concept. Love that one Bob thanks.
Hi Bob, what mouthpiece is this?
Something in development I’m working on with @getasax
Thanks Bob! Kind regards from Argentina !!
Great suggestion, Bob! Thank you. Please tell me why there is a hole in the reflector on your bell. I used to hang a rectangular piece of that stuff on the mic stand, just behind my mic. Even with crappy--or NO--monitors I could hear myself over the worst guitars! I think I want to make one like yours for practice.
it's just how it comes. i suppose so you can still play into a mic yet hear yourself back. It's made by JazzLab (no affiliation).
Off topic, but have you ever had the clasp on that neck strap "break"? Is that the old Dejacques strap?
th-cam.com/video/ALn6N6VTrS8/w-d-xo.html
LOL... So you're the second guy I know that that happened. They're cool, but always have an extra strap. Ha! @@bobreynolds
@@clevelandbop fwiw it's the only time in 30 years of using them that's happened, and to be fair I'd already (accidentally) bent one of the two metal clips not long before. so this fail was on me
Sterner, you saxophone nerd! lol.
Good advice i am gonna practice this thesis bob
I want to play just like you teach me some new licks
man this mp is a keeper! just sayin!
Those "aaah" moments!! I can't catch what's wrong😅
Beautiful playing, as always Bob!
Sounds great Bob!
great video so much information, i love it (question - what is the round plastic attached to your horn, and for what)
Sound reflector
THE BEAUTIFUL ART OF OBSESSION😎😉
Oh, see D
Oh, see D
Oh, see D
Oh, see D…
@@Osnosis 😁😎
very cool thanks
🎣🎶🎵🎶🎷
YES
Great phrase!
Is that a SYOS mouthpiece you're trying?
The mouthpiece is revealed at the end of the video.
It’s a GetASax.
@@Osnosis I saw that at the end of the clip, but had never heard of that brand.
Really helpful little tutorial Bob. Keep the Duval / Brent Majors vibe alive !
Thanks, Craig! Forever grateful to Brent for imparting the love of a strong foundation (when all I initially came to him for was to teach me how to play like Lisa Simpson.)
@@bobreynolds I still can’t believe we both were taught by Brent. Didn’t he have a collection of firebirds muscle cars ? Anyways please let me know next time you’re rolling through Bristol UK
I have a get-a-sax ottolink reso chamber copy. Great mouthpiece
Brian @GetASax knows what he's doing, for sure! I've tried some Resos, too and they're great. Not *quite* the fit for me but they play beautifully.