Ya a los 17 años más o menos. Empezó a gustarme la música clásica, especialmente el barroco,sin que nadie me lo incurcase, y seguirá hasta el final de mis días. También me gusta todo tipo de músicas variadas en general...como un popurrí o miscelania. Eso sí, músicas sin estridencias,sin ruidos desagradables. Creo que sin música: moriría,es mi mayor consuelo en mis aflicciones y avatares de la vida. Muchas gracias ☺️ V.
We are all blessed whenever beautiful people come together to create beautiful music - for beauty do not confuse with mere appearance, rather read it as ‘gifted and talented’, therein lies true beauty. √
This is simply a great rendition. I have literally been transported back to the baroque era. The orchestra was simply impressive and that heavenly voice is simply mesmerizing and captivating.
It is a great moment when you can put aside all the worries of the world and just listen to a wonderful piece of music like this. Thank you so much, Jeffrey, for all the great music you upload here.
CLEOPATRA Se pietà di me non senti, Giusto ciel, io morirò. Tu da pace a’ miei tormenti, O quest’alma spirerò. CLEOPATRA If you feel no pity for me, Righteous Heaven, I will perish. Appease my torments, Or this soul will breathe its last. [English translation by Charles Johnston]
I am very fond of her singing, and I highly recommend this CD, which features familiar arias such as this one paired alongside more obscure selections.
Dear Jeffrey , Thank you for this wonderfull pièce óf music, I did not heart It like this before , wonderfull and wonderfull again , With greetings as allways William
I love this so much. But if you want tears flowing down your face you must listen to Sabine Devieilhe's rendition of it. It's an absolute gem which I listen to every week.
That’s an excellent recital disc. I made a video to promote “Tu del Ciel ministro eletto” from Il trionfo del Tempo e del Disinganno, which also appears on that recording.
Happy New Year dear Jeffrey and many thanks for these brillant musics all along the days sometimes grey by events of life. Très amicalement depuis Paris.
caro Antonini.. ma eri in un Autobahn e non un Highway americano.. 200 + km/h invece di 110 km/orari? a quella velocita, il principio di Heisenberg (teoria della inditerminazione), perdi il patos... d'accordo non si riesce a vincere la medaglia per la velocita'... LOL gli artisti sono tutti bravissimi.. Prohaska non va neanche comentata... tu si! LOL scusa
I like Minkowski's recording, but I would also recommend George Petrou's with Kristina Hammarström as Cesare, and on film the Glyndebourne production with Sarah Connolly in the title role.
Mi pare che in partitura ci sia scritto Adagio. Mi domando perché questi strenui seguaci della filologia barocca pensino sempre che un Adagio barocco non sia, o non debba essere, troppo Adagio perché si rischierebbe di trasformarlo in un lento notturno di Chopin? Ritengo che la musica sia un linguaggio universale al di là di stili e generi. E in ogni caso occorrerebbe sempre quando si interpreta un'aria con tanto di testo, considerare il testo, la linea melodica su cui è stato steso il testo, l'accompagnamento e le figure gestuali, o linea melodica secondaria ( in questo caso due soggetti tra loro contrapposti interagiscono, violini e fagotto ) significanti del momento di pathos che l'aria vuole sottintendere. PS il disegno ribattuto dell'accompagnamento al basso a mio modesto parere, sembrerebbe alludere alla pulsazione cardiaca di un soggetto umano travolto dallo sgomento e dall'incertezza.
Many scholars believe tempo markings in Baroque music were often more indicative of the mood (or general affect) than of tempo. In fact, tempo markings only appear sporadically in scores at that time. When they do, they may not indicate a specific tempo as composers would come to do later in the course of music history. Of course, during the Baroque period, the composer would have been a part of the rehearsal/performance process and could have established the desired tempo. Today, historically informed performances attempt to decipher/recreate what the composer intended, but much of what they do is often just an educated guess.
Ya a los 17 años más o menos. Empezó a gustarme la música clásica, especialmente el barroco,sin que nadie me lo incurcase, y seguirá hasta el final de mis días. También me gusta todo tipo de músicas variadas en general...como un popurrí o miscelania. Eso sí, músicas sin estridencias,sin ruidos desagradables. Creo que sin música: moriría,es mi mayor consuelo en mis aflicciones y avatares de la vida. Muchas gracias ☺️ V.
A masterful performance! Really incredible! I fell fortunate for having the opportunity to listen to this for free just by one click. Amazing singer.
I’m glad you enjoyed it. I’m very fond of her singing.
This is other worldly. Handel hooks me in every time. Fabulous orchestra and most importantly an incredible singer. Wow!
I'm glad you enjoyed it. There's so much great music in Handel's output.
We are all blessed whenever beautiful people come together to create beautiful music - for beauty do not confuse with mere appearance, rather read it as ‘gifted and talented’, therein lies true beauty. √
Trio de choc, trio gagnant avec Anna Prohaska,. Il Giardino Armonico et le sublissime G.F. Haendel.
Indeed. I’m glad you enjoyed it.
Profunda exquisitez con fondo música de Handel y movimientos de ballet en un entorno increíblemente bello. Gracias.
You’re welcome. I’m glad you enjoyed it.
This is simply a great rendition. I have literally been transported back to the baroque era. The orchestra was simply impressive and that heavenly voice is simply mesmerizing and captivating.
I’m glad you enjoyed it.
@@JeffreyStivers Thank you very much for posting.
@@lifeisgood3087 You’re welcome.
W
Unearthly beautiful, all of it. Exquisite Handel, sublime Anna Prohaska, superb photography. Mille grazie!
You're welcome. I'm glad you enjoyed it.
Very beautiful interpretation of a very beautiful aria. She has a very tasteful use of vibrato and a very beautiful voice. Thanks for sharing..
You’re welcome. I’m glad you enjoyed it.
Simplemente Maravilloso!! Gracias Jeffrey
You’re welcome. I’m glad you enjoyed it.
美しい歌声ですね😊
毎日この歌を聞いております。
Che bella! Grazie.
You’re welcome. I’m glad you are enjoying it.
oh, this is the best chanel on youtube.....ever, thanks Jeffrey. Regards from me from Brazil.
Thank you. That is very kind of you to say. It’s always nice to hear that people enjoy the music on my channel. Kind regards.
It is a great moment when you can put aside all the worries of the world and just listen to a wonderful piece of music like this.
Thank you so much, Jeffrey, for all the great music you upload here.
You're very welcome, and thank you for your kind words of support. I'm always happy to know that people enjoy what's offered on my channel.
Merci cher Jeffrey.
Vos choix sont splendides !
You're welcome, and thank you for your kind words of support. I'm always happy to know that people enjoy the music videos on my channel.
Es de lo mas exquisito y bello que he escuchado en mi vida...las imágenes de las bailarinas son insuperables... divino video! Gracias.
You're welcome. I'm glad you enjoyed it.
Muchas gracias...un cordial saludo desde Barcelona
You're welcome. I'm glad you enjoyed it. Kind greetings.
great singer, great music...
Indeed. I’m glad you enjoyed it.
Beautiful voice!! Thank you
You’re welcome. I’m glad you enjoyed it.
Essa música e letra, carregada de passionalidade emociona ainda mais com o figurino, bela arte da luxúria da forma.
I'm glad you enjoyed it.
Very beautiful video
Thank you. I'm glad you enjoyed it.
Thank you for this beautiful recording.
You're welcome, Alvaro. I'm glad you enjoyed it. I highly recommend this recital disc.
CLEOPATRA
Se pietà di me non senti,
Giusto ciel, io morirò.
Tu da pace a’ miei tormenti,
O quest’alma spirerò.
CLEOPATRA
If you feel no pity for me,
Righteous Heaven, I will perish.
Appease my torments,
Or this soul will breathe its last.
[English translation by Charles Johnston]
Exquisite piece, beauty, sublime. Thank you.
PRECIOSO, gracias
❤♾️❤☀️☀️
You’re welcome. I’m glad you enjoyed it.
Beautiful dancers to acompany this lovely music !
I love these images, and I thought they paired very well with the music. I'm glad you enjoyed it, Michel.
26 aprile 2021
^^^^se pietà per me non provi è perché non mi hai mai amato^^^^
Santa Verità.
Thank you for posting this lovely recording . Clearly Anna Prohaska has a great career ahead of her.
I am very fond of her singing, and I highly recommend this CD, which features familiar arias such as this one paired alongside more obscure selections.
Dear Jeffrey ,
Thank you for this wonderfull pièce óf music, I did not heart It like this before , wonderfull and wonderfull again ,
With greetings as allways
William
You're welcome, William. I'm so glad you enjoyed this.
Kindest regards, Jeffrey
She's magnificent. How could I have only discovered her today?
I’m very fond of her singing, and I have featured her in a few videos on my channel.
Великолепно все: музыка, исполнение, видеоряд
I'm glad you enjoyed it.
Какое наслаждение слушать Вас
I’m glad you enjoyed it. I’m very fond of her singing.
Thank you very much, dear Jeffrey, for this exquisite gift for the weekend! ♥ಠ‿ಠ☽ Best wishes from Regensburg and soon Berlin!
You're welcome, dear Theo. I'm so glad you enjoyed this. Wishing you a nice relaxing weekend.
As always, you are picture perfect.
I'm glad you enjoyed it.
Wonderful! Left me with tears on my eyes...
jose eduardo Simoes I’m glad you enjoyed it.
.... composition itself tenderness, Handel's dad was inspired by heaven.....
Wonderful...kisses FROM Brasil
I’m glad you enjoyed it. Kind greetings.
Thanks Jeffrey!!!;wonderful piece sang divinely!!!muchas gracias!!!
You're welcome, John. I'm glad you enjoyed this.
Todo parece ser creado para Anna ...
Excelente!!
I'm glad you enjoyed it.
I love this so much. But if you want tears flowing down your face you must listen to Sabine Devieilhe's rendition of it. It's an absolute gem which I listen to every week.
That’s an excellent recital disc. I made a video to promote “Tu del Ciel ministro eletto” from Il trionfo del Tempo e del Disinganno, which also appears on that recording.
that disc of Sabine D. for me was the best recording of the year and this particular aria is the one I listen to the most
26 aprile 2021
Una preghiera per ricordare il DISASTRO DI CHERNOBYL 35 ANNI FA🙏🙏🙏🙏🙏🙏
I missed this posting Jeffrey, it's lovely. Thank you.
You're welcome. I'm glad you discovered this and enjoyed it.
Fantastisch...
I’m glad you enjoyed it.
So wonderful .. thank you Jeffrey Stivers !!!
You’re welcome. I’m glad you enjoyed it.
Happy New Year dear Jeffrey and many thanks for these brillant musics all along the days sometimes grey by events of life. Très amicalement depuis Paris.
You're welcome, Jacques. Wishing you a new year filled with much happiness and great music.
Merci!les délices del âme!
You're welcome. I'm glad you enjoyed it.
C'est trop toute cette perfection !!!
💙🎶💙 ~`
I’m glad you enjoyed it.
Lindo!
Que paz...
I’m glad you enjoyed it.
As usual Jeffrey you have surpassed yourself. What can one say about Handel, one word genius
Thank you. It's always nice to hear that people enjoy the music videos on my channel.
herrliche Musik und schöne Frauen! Du bist ein Meister Deines Fachs Jeffrey! Aus München grüßt Mrs. Firestone ✨
Thank you for your kind words. I’m always happy to know that people enjoy the music videos on my channel.
Merveilleuse vidéo de Jeffrey Stivers et la belle voix d'Anna Prohaska
Thank you, Paul. I'm glad you enjoyed this.
Du hast so einen wunderschönen Geschmack
danke aus Vienna
You're welcome. I'm glad you enjoyed this.
Jeffrey thank you for brillant pieces.
You’re welcome, Carlos. I’m always happy to know that people enjoy the offerings on my channel.
Jeffrey Stivers hsiv hi tyezy chi s t you n d iOS s POP f Ta zea
Yu
Jeffrey Stivers hypo go tyj wey aswa fit’s s s teIy Hun tr guys h x yytjsf
maravilla pura
I’m glad you enjoyed it.
I have found sublime and ardent appeal from the Handel's aria.
I'm glad you enjoyed it.
5 milyon kez izleyebilirim.
It’s a wonderful aria.
La sensation d'être au Paradis 🌕♥️🔥🙌💃☄️💫🙌🙏💞🕊️🐦💫🦋🙏
I’m glad you enjoyed it.
Good Lord! Where are all the other women
le son est bon...
Jeffrey Stivers: publicas maravillo., me siento feliz de visitar y disfrutar las bellezas que encuentro. Cordial saludo.
Thank you for your kind words. I’m always happy to know that people enjoy the music on my channel. Fond regards.
Oh god!😇😊
I'm glad you enjoyed it.
⭐️⭐️⭐️⭐️
I'm glad you enjoyed it.
💜💙💚
I’m glad you enjoyed it.
caro Antonini.. ma eri in un Autobahn e non un Highway americano.. 200 + km/h invece di 110 km/orari? a quella velocita, il principio di Heisenberg (teoria della inditerminazione), perdi il patos... d'accordo non si riesce a vincere la medaglia per la velocita'... LOL gli artisti sono tutti bravissimi.. Prohaska non va neanche comentata... tu si! LOL scusa
Doyamıyorum izlemeye dinlemeye....
I’m glad you are enjoying it.
Jeffrey you are the best, beatifull music
Thanks, Carlos. I'm always happy to know that people enjoy the music offered on my channel.
Been taken to heaven thanks again Jeffrey.
O Mio Bobbino???
Agreed - Excellent. If you've not listened to the whole Opera I'd recommend th-cam.com/video/g7OWKU1d4QU/w-d-xo.html - Credit to GFH too (the Master!)
I like Minkowski's recording, but I would also recommend George Petrou's with Kristina Hammarström as Cesare, and on film the Glyndebourne production with Sarah Connolly in the title role.
sie hat es recht eilig !
Mi pare che in partitura ci sia scritto Adagio. Mi domando perché questi strenui seguaci della filologia barocca pensino sempre che un Adagio barocco non sia, o non debba essere, troppo Adagio perché si rischierebbe di trasformarlo in un lento notturno di Chopin? Ritengo che la musica sia un linguaggio universale al di là di stili e generi. E in ogni caso occorrerebbe sempre quando si interpreta un'aria con tanto di testo, considerare il testo, la linea melodica su cui è stato steso il testo, l'accompagnamento e le figure gestuali, o linea melodica secondaria ( in questo caso due soggetti tra loro contrapposti interagiscono, violini e fagotto ) significanti del momento di pathos che l'aria vuole sottintendere.
PS il disegno ribattuto dell'accompagnamento al basso a mio modesto parere, sembrerebbe alludere alla pulsazione cardiaca di un soggetto umano travolto dallo sgomento e dall'incertezza.
Many scholars believe tempo markings in Baroque music were often more indicative of the mood (or general affect) than of tempo. In fact, tempo markings only appear sporadically in scores at that time. When they do, they may not indicate a specific tempo as composers would come to do later in the course of music history. Of course, during the Baroque period, the composer would have been a part of the rehearsal/performance process and could have established the desired tempo. Today, historically informed performances attempt to decipher/recreate what the composer intended, but much of what they do is often just an educated guess.
This is what I meant...
th-cam.com/video/u4vB6DaJfQw/w-d-xo.html