Salt Printing from A-Z

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  • เผยแพร่เมื่อ 30 ก.ย. 2024
  • This video describes how to make salt prints, an old technique developed by Gent Henry Fox Talbot in 1839. It uses silver nitrate solution and salt solution to create a light sensitive emulsion.
    I used 12% silver nitrate and 2% sea salt solution.

ความคิดเห็น • 27

  • @lightbox617
    @lightbox617 6 ปีที่แล้ว +2

    Don't blame fox Talbot. He enlisted the aid of John Herschel, the then head of the British Royal Academe of Science and a chemist. Daguerre and others based their printing processes on his work with photosensitive chemicals and methods of "fixing" images. I very much appreciate your underlying (or over riding) sense of "cheap." My contact print frame could have been a $119 printing frame from B&H but turned out to be a 16x20 frame less photo display costing $9.00

  • @Chiaroscuro1991
    @Chiaroscuro1991 ปีที่แล้ว +1

    Your negative is not strong enough for salt printing. If you must use film negatives place three or four layers of tracing paper over the printing frame to support the self masking element of the printing out process. It will hold back the highlights allowing the dark areas to print deeper while keeping the highlights white.

  • @phyllisjeanfulton
    @phyllisjeanfulton 2 ปีที่แล้ว +1

    Beautiful!!
    I’m so excited to see you do the paper negative. I’m a Printmaker and Bookmaker. This technique will become part of my book pages. I’d love to take workshop with you. This is valuable information for a 79 years old still working in studio after retiring from 30 years of Critical Care and Emergency RN Nursing. You’re awesome.

    • @krisb8781
      @krisb8781  2 ปีที่แล้ว +1

      Thank you. I stil occasionally do paper negative. I appreciate your kind words.

  • @Foxglove963
    @Foxglove963 6 ปีที่แล้ว +1

    Kris. You better use a Chinese flat goathair brush to apply the sensitiser to the paper.

    • @TERRYBIGGENDEN
      @TERRYBIGGENDEN 3 ปีที่แล้ว

      In the end I gave natural brushes away and jut=st use a soft nylon brush from the hardware store., They work beautifully, and no lose hairs. :-)

  • @pleps5
    @pleps5 9 ปีที่แล้ว

    I had before will soon experience the negative printing by silver nitrate and gelatin, salt solution, but unfortunately I can not image stabilization for a long time does not Nha become black little by little because I did not get Sodium Hypo acid solution in my country because it is difficult does guide me to an alternative I can get it from kitchen utensils materials, for example, or a similar alternative O'Shea which can be accessed easily in order to be able to install the pictures for a long time and I will be very thankful to you

  • @erchata
    @erchata ปีที่แล้ว

    esto ha sido como un video de los años 20 sin subtitulos los que no dominamos el ingles lo tenemos dificil, es una lastima que desactives los subtitulos, por eso no te doy un voto positivo y me voy sin ver el video lo siento mucho de verdad, me hubiera gustado ver todo el video con subtitulos al menos se podria entender.

    • @krisb8781
      @krisb8781  ปีที่แล้ว

      Hi, I will be happy to reactivate the subtitles for my spanish speaking viewers

  • @MilitaryDisiplin
    @MilitaryDisiplin 9 ปีที่แล้ว

    Great video, thanks! It looks very simple to do, I'll have to give it a try. Are you planning to cover some other alternative processes in the future?

  • @jjohngolden5273
    @jjohngolden5273 9 ปีที่แล้ว

    very good video, I was wondering, do you size the paper before printing on it?

    • @krisb8781
      @krisb8781  9 ปีที่แล้ว

      J John Golden For larger prints, like 8x10 I like to leave an edge around the print. I put the negative and mark the edges, then sensitize the print.

  • @algenovex
    @algenovex 4 ปีที่แล้ว

    But... why didn't you show the paper negative final result?

    • @krisb8781
      @krisb8781  4 ปีที่แล้ว +1

      Results are at the end

    • @algenovex
      @algenovex 4 ปีที่แล้ว

      I thought you showed the print from paper before then fixing, maybe I missed something, sorry 😊

  • @TERRYBIGGENDEN
    @TERRYBIGGENDEN 3 ปีที่แล้ว

    A really nice demonstration. I use paper negatives but brush them with vegetable oil. I wipe the excess oss then leave them for a day or so. My exposure times in sun here in Australia are around 2-4 minutes in clear skies. I've fond that paper negs years old work just as well as fresh ones.

    • @krisb8781
      @krisb8781  3 ปีที่แล้ว +1

      Hmmm quite an interesting approach.

    • @Chiaroscuro1991
      @Chiaroscuro1991 ปีที่แล้ว +1

      The oil makes the paper more translucent but also reduces the density of the dmax areas of your negative. Talbot waxed to make the wove pattern of the paper stock less noticeable. Try adding density to areas of the negative with a pencil with the negative on a light table.

  • @ChrisPugh
    @ChrisPugh 7 ปีที่แล้ว

    Is the Belgian cream puffs required or can I leave that out? Seriously though, thank you so much for this video. learned a ton!

    • @krisb8781
      @krisb8781  7 ปีที่แล้ว

      Chris Pugh Photo so glad that you found this useful. Cream puffs are good addition but not mandatory.

    • @ChrisPugh
      @ChrisPugh 7 ปีที่แล้ว

      Can you offer any advice on buying silver nitrate crystals? I just want to make sure I get the right ones.

    • @krisb8781
      @krisb8781  7 ปีที่แล้ว

      Hello, go to Bostic and sullivan website. They sell everything you will need.

  • @itaborai83
    @itaborai83 7 ปีที่แล้ว

    how long did you let the sensitized papers dry?

    • @krisb8781
      @krisb8781  7 ปีที่แล้ว +2

      itaborai83 it took around 45 minutes in 72F temperature

    • @itaborai83
      @itaborai83 7 ปีที่แล้ว +2

      Kris Bochenek and how about after salting it? 45 minutes as well? great video, btw =)

    • @krisb8781
      @krisb8781  7 ปีที่แล้ว +2

      Until dry to touch. I try to give it 30 to 45 min

    • @Foxglove963
      @Foxglove963 6 ปีที่แล้ว +1

      Kris. That's far too long. Speed up the drying with a hairdryer, this will prevent the emulsion sinking too deep into the paper fibers, giving a snappier print.