I've always recognized that Mozart was the best, but it's delightfully charming and profoundly moving pieces like this that convinces me that his work is the most God inspired art ever made by any human being.
he channeled, for sure! 😉🥰 so inspired that he knew not the source of the inspiration, nor that he was even moved by it and compelled to write as he did! truly, Mozart tapped into the very spirit of the essence of being a human alive, so full of the highest heights and the dismal and dirty valleys where you can't even imagine those golden clouds lit from inside somehow... talk about inspired! i'm wondering if you feel similarly to his Symphony No.40? (please see my comment above i.e. newest to this one here) ... i might pay good money for a replacement of that particular record -- all of the dynamics are spot on. i'm unsure how closely one could say they follow the musical notations he made for their reinactments (could he have possibly fathomed how far, wide, long his music would be enjoyed...??!), but by golly they hit all the points on the inner-map of emotional pitches within!! 😍😍😍 cheers to another fan of the genius...to EXPRESS such heartfelt sentiments, preserved over the grand arc of time, yet somehow timeless and true... ♡
Take Along Tunes 01. Concerto in E Major No. 1 "The Four Seasons" 1st Movement by Antonio Vivaldi (Baby Newton, Baby Monet and Baby Vivaldi) 02. Eine Kleine Natchmusik 1st Movement by Wolfgang Amadeus Mozart (Baby Galileo) 03. Serenade No. 6 In D Major 1st Movement by Wolfgang Amadeus Mozart (Baby Neptune CD) 04. Waltz No. 11 In F Sharp Major by Frederic Chopin (Numbers Nursery) 05. Concerto in E Major No. 12 "L'estro Armonico" 1st Movement by Antonio Vivaldi (Baby Monet) 06. William Tell Overture, March of the Swiss Soilders by Gioachino Rossini (Baby Van Gogh) 07. Turkish March by Wolfgang Amadeus Mozart (Baby Mozart)
this piece is soooo written for the star instrument, timpani!! i just saw a version (Bremen-based group? i shall find again and share!) that had timpani front and center stage! i have been familiar with this serenade since raiding my parents half-neglected record collection. Papps had a gem (a few, actually) in this, at the end of Side Two of Symphony No.40 (another one of my favorites! like a drunk on parade!!) by London Philharmonic, if memory serves... that particular recording paid such detailed attention to the dynamics of volume - across the entire piece, the group was at such soft and then such forceful levels. and everywhere you think it so delicate (par example : around 6:00 second part to Minuetto -- on this Pappy's album version it sounded like falling leaves look... ♡) this here version, so far in this beginning of my search through the wowiwe, is closest in those details. they were quite expressive. and accentuated all the luscious parts, ne'er passing over a chance to dive in and stay for a split second, resting upon a moment so your heart would feel the sickness from its departure and not realize the source of the longing until the part reached repeating... * ahhhhhh, heart-strings plucked indeed!!!! nota bene! : Leonard Bernstein conducting (i forgot the group!) Mozart's Symphony No.40, as a white-haired old divorceé shacking up with his luvah, does quite a bit of justice (hey Officer Krumpke!) anyhoo, thanks for uploading this! i nearly cried when it first started and i sensed the closeness of that first ears-on experience over 30 yrs ago (i swear i don't look my age! teehee) upstairs in my room, door closed, secret musical moments inspiring the most intimate surges of the 'Real' ♡♡♡
I've always recognized that Mozart was the best, but it's delightfully charming and profoundly moving pieces like this that convinces me that his work is the most God inspired art ever made by any human being.
he channeled, for sure! 😉🥰
so inspired that he knew not the source of the inspiration, nor that he was even moved by it and compelled to write as he did!
truly, Mozart tapped into the very spirit of the essence of being a human alive, so full of the highest heights and the dismal and dirty valleys where you can't even imagine those golden clouds lit from inside somehow... talk about inspired!
i'm wondering if you feel similarly to his Symphony No.40? (please see my comment above i.e. newest to this one here) ... i might pay good money for a replacement of that particular record -- all of the dynamics are spot on. i'm unsure how closely one could say they follow the musical notations he made for their reinactments (could he have possibly fathomed how far, wide, long his music would be enjoyed...??!), but by golly they hit all the points on the inner-map of emotional pitches within!! 😍😍😍
cheers to another fan of the genius...to EXPRESS such heartfelt sentiments, preserved over the grand arc of time, yet somehow timeless and true... ♡
Ponerle timbales a esta musica es como invitar a bailar a mi abuela.
Preciosa obra
This is so perfect wow 😮
GRACIAS.
Take Along Tunes
01. Concerto in E Major No. 1 "The Four Seasons" 1st Movement by Antonio Vivaldi (Baby Newton, Baby Monet and Baby Vivaldi)
02. Eine Kleine Natchmusik 1st Movement by Wolfgang Amadeus Mozart (Baby Galileo)
03. Serenade No. 6 In D Major 1st Movement by Wolfgang Amadeus Mozart (Baby Neptune CD)
04. Waltz No. 11 In F Sharp Major by Frederic Chopin (Numbers Nursery)
05. Concerto in E Major No. 12 "L'estro Armonico" 1st Movement by Antonio Vivaldi (Baby Monet)
06. William Tell Overture, March of the Swiss Soilders by Gioachino Rossini (Baby Van Gogh)
07. Turkish March by Wolfgang Amadeus Mozart (Baby Mozart)
oh how beautiful this is
this piece is soooo written for the star instrument, timpani!! i just saw a version (Bremen-based group? i shall find again and share!) that had timpani front and center stage!
i have been familiar with this serenade since raiding my parents half-neglected record collection. Papps had a gem (a few, actually) in this, at the end of Side Two of Symphony No.40 (another one of my favorites! like a drunk on parade!!) by London Philharmonic, if memory serves... that particular recording paid such detailed attention to the dynamics of volume - across the entire piece, the group was at such soft and then such forceful levels. and everywhere you think it so delicate (par example : around 6:00 second part to Minuetto -- on this Pappy's album version it sounded like falling leaves look... ♡)
this here version, so far in this beginning of my search through the wowiwe, is closest in those details.
they were quite expressive. and accentuated all the luscious parts, ne'er passing over a chance to dive in and stay for a split second, resting upon a moment so your heart would feel the sickness from its departure and not realize the source of the longing until the part reached repeating... * ahhhhhh, heart-strings plucked indeed!!!!
nota bene! : Leonard Bernstein conducting (i forgot the group!) Mozart's Symphony No.40, as a white-haired old divorceé shacking up with his luvah, does quite a bit of justice (hey Officer Krumpke!)
anyhoo, thanks for uploading this! i nearly cried when it first started and i sensed the closeness of that first ears-on experience over 30 yrs ago (i swear i don't look my age! teehee) upstairs in my room, door closed, secret musical moments inspiring the most intimate surges of the 'Real' ♡♡♡
Hmmmm I think the fermatas in the last movement could use a little something if u know what I mean
0/10, not enough cadenza