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White Jose Clark Paul Thomas Matthew

I’ll never forget the first time somebody played “Partiels” for me and it just…clicked!

PUCCINI FOR EVER❤

❤

Mozart droped...dead. Not hit. Naturally.

might not be the best piece for Eurovision...

Based

9:41 sounds like la valse

frullato on oboe on ppppp on g-flat in a 3rd octave? okay. okay. sure.

Is it me or does this just sound like an apocalypse

This feels influenced by Rite of Spring.

OK I will read his biographie and will listen all his works while reading.

That climax. You're not certain if it's building to triumph or disaster, and when it arrives it's completely ambiguous. There's pain tinged with pleasure, despair with hope. A brief passing passion to relieve from the melancholy,

Pretentious nonsense. I'll be listening to Paavali in person shortly, but I hope not to have to listen to anything like this or I'll be looking to have my money back. .

8:47

6:01

What a fascinating piece. Thank you for uploading!

Es aún, 71 años después, el mejor registro de esta ópera. María Callas, Giuseppe di Stefano, Tito Gobbi, la orquesta y coro del Teatro alla Scala dirigidos por Víctor de Sabata

5:47 La Marseillaise melody

boulez for gen z

Beauty - 5, Comprehensibility - 5, Refinement - 10+, Originality - 9. Thanks for uploading.

disgusting interpretation

35:44

I have to thank you for such a contribution. I appreciate it very much.

If I won a trillion dollars in a lottery, would people suddenly take an interest in my harebrained pontifications?

At the beginning of the interview Boulez says “oh my god 1944, that’s 40 years ago”… and now we can say “oh my god this interview was 40 years ago” 🤯

Beautiful job on this upload. Thank you for gifting this to us!

It's a shame that 21:34 is the only moment in the entire work where he uses that "rhythmized vibrato" technique. It's a fascinating sound and easily one Feldman could've explored more. Anyway pretty work as any from Feldman's late period, though it wears the Varese influence a little more obviously than most. Those sfz brass stabs punctuating sustained quiet backgrounds is a texture straight from Varese's oeuvre

I think listening to this music as a kid made me think that pizzicato strings and timpanis go really well together :)

Beautiful

Ungeheuerlich! Wunderbar und erschütternd. Große Musik , die aufwühlt und alle Hörgewohnheiten vom Tisch fegt. Pollini in seiner Glanzrolle.

15:45 Sounds like the instruments of the orchestra are fighting

this is some John Williams type shit but more chaotic

what is a symphonic torso? based Ferneyhough

Gobbi's performance here is unsurpassable. I can't get enough of him.

Based,don't think ive heard this one before.

To listeners , see Wozzeck play to further appreciate the composition of Berg , I like that he writes counterpoint classical in layers interactive themes of cello, viola,bassoon etc...one of my faves is "Lyric Suite" performed by " Kronos Quartet"...but Wozzeck is masterfully written!😊

0:00:03 OUVERTURE ATTO PRIMO 0:03:00 CORO. Viva, viva il nostro Alcide! 0:04:18 CESARE. Presti omai l'Egizia terra 0:10:17 CESARE. Empio, dirò, tu sei, togliti 0:15:27 CORNELIA. Priva son d'ogni conforto, e pur speme 0:21:52 SESTO. Svegliatevi nel core, furie d'un alma offesa 0:28:07 CLEOPATRA. Non disperar; chi sà? se al regno 0:33:32 TOLOMEO. L'empio, sleale, indegno vorria 0:36:50 CESARE. Alma del gran Pompeo 0:42:16 CESARE. Non è si vago e bello il fior nel prato 0:46:13 CLEOPATRA. Tutto può donna vezzosa, s'amorosa 0:50:20 CORNELIA. Nel tuo seno, amico sasso 0:56:09 SESTO. Cara speme, questo core tu cominci a lusingar 1:02:27 CESARE. Va tacito e nascosto, quand' avido 1:11:20 ACHILLA. Tu sei il cor di questo core 1:16:28 SESTO. Son nato a sospirar, e il dolce / CORNELIA. Son nata a lagrimar, e il dolce ATTO Secondo 1:25:19 1:26:45 Sinfonia. 1:27:33 1:28:44 CLEOPATRA. V'adoro, pupille, saette d'Amore 1:35:06 CESARE. Se in fiorito ameno prato 1:42:36 CORNELIA. Deh, piangete, oh mesti lumi 1:46:23 ACHILLA. Se a me non sei crudele, ogn'or 1:50:27 TOLOMEO. Sì spietata, il tuo rigore sveglia 1:55:15 CORNELIA. Cessa omai di sospirare! non è sempre 1:58:46 SESTO. L'angue offeso mai riposa 2:04:07 CLEOPATRA. Venere bella, per un istante, deh 2:11:46 CESARE. Al lampo dell'armi quest'alma guerriera 2:14:52 CLEOPATRA. Che sento? oh Dio! 2:16:06 CLEOPATRA. Se pietà di me non senti, giusto ciel 2:25:27 TOLOMEO. Belle dee di questo core 2:31:46 SESTO. L'aura che spira tiranno e fiero ATTO TERZO 2:36:13 2:36:41 ACHILLA. Dal fulgor di questa spada 2:39:24 Sinfonia. 2:40:47 TOLOMEO. Domerò la tua fierezza ch'il mio trono 2:45:50 CLEOPATRA. Piangerò la sorte mia, si crudele 2:51:51 CESARE. Dall' ondoso periglio salvo mi 2:54:07 CESARE. Aure, deh, per pietà spirate 3:03:47 CESARE. Quel torrente che cade dal monte 3:08:03 SESTO. La giustizia ha già sull'arco 3:11:44 CLEOPATRA. Voi, che mie fide ancelle 3:15:52 CLEOPATRA. Da tempeste il legno infranto 3:23:26 CORNELIA. Non ha più che temere quest' alma 3:26:34 Sinfonia. 3:31:42 CLEOPATRA. Caro! più amabile beltà mai non / CESARE. Bella! più amabile beltà mai non 3:36:24 CORO. Ritorni omai nel nostro core la bella gioja ed il piacer

Absolutely fantastic symphony. A great, wonderful composition. The introduction, also...I have no words for describing it: for me, it's like a musical description of the abyss of the human malvagity and cruelty like "homo hominis lupus", but the solistic and ethereal melody of the solo trumpet over the tumultuous, inferic and magmatic sound of the strings, is like a "voice of giustice" who tell: "I will never abandon the soffering humanity at his destiny". And then...the birth of socialism for a human progress, opposite to the cruelty of capitalism. Naturally, those are my personal sensation listening this absolutely, fantastic Shostachovich's work.

hmmm, I think I could have composed this at age 6

Violin Erster Aufzug) 14:57 Dritter Aufzug) 2:10:05 10) 2:11:14 3 vor 16) 2:11:45 22) 2:12:28 28) 2:13:03

I wonder who's so smart to actually even try to play those notes, as if it was everything totally random (and, worse, as if you can actually tell if he's playing the "correct" notes)

1:55:16

This is right up there with some of my favourite Stravinsky music.

Very good

Don't forget to credit Christopher Dingle for orchestrating from Messiaen's sketches

Is there a Firecycle Alpha

S'passe pas grand chose à l'orchestre .. s'passe keud de keud.

It’s also very possible that he wrote this as a mockery of Wagner’s Unending Melody

so good...