Coming from guitar, there are times you want smooth voice leading, and times where you want the drama of big jumps between your chords. Neither is better than the other, you just need to have some intent behind it
It would be great to see the fingers. So that way, we can slow it down,, to emulate. Other than that,, thank you for the information. You’re one of my favorite piano channels for sure.
I was trying to buy the curse but there is an issue i think i cannot complete the payment, maybe because I'm trying to pay it with Euros, there is another site to buy it from Euros or it supposed to work on the same site?
I think so (I'm a guitarist). We all learned with "standard grips" (drop-2 or drop-3) but not many go beyond that. Pianists tend to go much further. Also, the hammer-on and pull off capabilities work very well on guitar (Floyd Cramer's "Last Date", for example - it created a new genre.
Thanks for sharing how we can used different chord voicings to spice up your music playing instead of playing monotonous chords throughout the whole song. The mood of the music changed if you used the right mode chord voicings for the song (it can sound brighter, sad, mysterious, suspend, etc).
Voiceleading is everything. Playing random disconnected voicings or everything in parallel indicates that you don’t know how to handle those intervals.
Coming from guitar, there are times you want smooth voice leading, and times where you want the drama of big jumps between your chords. Neither is better than the other, you just need to have some intent behind it
Dude, such a great lesson. Thanks alot, gonna improve my playing.
Great lesson,thanks Jeff,hope all is well!
Vielen Dank. Eine großartige Lektion.❤
Great lesson. Want more
Nice one Jeff , thank you
Jeff, please , how do you apply the same concepts to melodic instruments? And, thanks for the video- it was great
Great info, thank you!
great content! def going to practice the chord candy thing
Thanks!
publio delgado taught me abt voicings tbh
It would be great to see the fingers. So that way, we can slow it down,, to emulate. Other than that,, thank you for the information. You’re one of my favorite piano channels for sure.
notes do not matter - rhythm does not matter - voicings do not matter -
scales do not matter - what else?
Jeff does not matter?
The last one really turns you into a piano bar player.
I was trying to buy the curse but there is an issue i think i cannot complete the payment, maybe because I'm trying to pay it with Euros, there is another site to buy it from Euros or it supposed to work on the same site?
Would ur chord voicings book also work for guitar?
Tha
I think so (I'm a guitarist). We all learned with "standard grips" (drop-2 or drop-3) but not many go beyond that. Pianists tend to go much further. Also, the hammer-on and pull off capabilities work very well on guitar (Floyd Cramer's "Last Date", for example - it created a new genre.
Dm11 sounds like Glasper
Thanks for sharing how we can used different chord voicings to spice up your music playing instead of playing monotonous chords throughout the whole song. The mood of the music changed if you used the right mode chord voicings for the song (it can sound brighter, sad, mysterious, suspend, etc).
Voiceleading is everything. Playing random disconnected voicings or everything in parallel indicates that you don’t know how to handle those intervals.
Exactly
Good lesson, but I disagree that the first version sounds lame. Basic maybe, but not lame.
No it does sound clunky and lame
I say, life is context.