Join Royal Opera House Stream with your first month for just £1 to watch full length productions: www.roh.org.uk/StreamDF1 With our incredible ballets and operas, behind-the-scenes, Insights and exclusive series, Stream subscribers can watch the world’s greatest performers, emerging stars, leading choreographers and trailblazing creative teams from the comfort of their own home.
It’s delightful and fascinating watching the different chemistries that Matthew and his two most frequent leading ladies, Mayara and Yasmine Naghdi, cultivate with each other on stage. With Yasmine, the chemistry is very youthful, puppy-love, hormonal, a bit like Dawson and Joey from Dawson’s Creek. Which works well for fairy tale ballets like Romeo and Juliet and Sleeping Beauty. With Mayara, his actual main squeeze, the chemistry is more lived-in, mature, thoughtful. Two people who know each other so well that they can finish each other’s sentences. Their dancing brings to mind Spencer Tracy and Katherine Hepburn or similar old school cinematic couples; you can almost hear the Mid-Atlantic accents and witty banter. But never without a depth and mutual vulnerability that few can equal.
Watched a rerun of Don X at the cinema last night. The whole performance was first rate. But sadly even though it was a recording we had to endure grovelling presenters. I lost track of the number of times we were told the monarch was present and the badly read idiot boards,(that’s why they are called that.). Please it is a recording we don’t need all that most of us have our own notes.
La producción de Acosta tiene algunos problemas como el epílogo añadido, que resta la efervescencia con que concluía el ballet. La escena de la taberna es TAN oscura que cuesta trabajo distinguir a los ejecutantes. Los gitanos no son tales, sino zíngaros y no es lo mismo en absoluto. El vestuario adolece de falta de color al igual que la escenografía. A Basilio y a Kitri aún les falta para desarrollar con soltura sus roles. Él tuvo sl menos tres fallos y su apariencia era la del príncipe Desiré, muy lejos del carácter de Basilio. Ella nunca fue una Kitri creíble y fue muy triste su caída. El cuerpo de baile, excelente. Sigo prefiriendo la versión de Baryshnikov, más vitalista y cómica y, desde luego, Baryshnikov también es mi Basilio favorito. Hasta ahora no ha sido superado.
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Join Royal Opera House Stream with your first month for just £1 to watch full length productions: www.roh.org.uk/StreamDF1
With our incredible ballets and operas, behind-the-scenes, Insights and exclusive series, Stream subscribers can watch the world’s greatest performers, emerging stars, leading choreographers and trailblazing creative teams from the comfort of their own home.
Wow! So much talent and artistry in the room! Matthew and Mayara spark off each other, beautiful technique too!
They were both amazing last night. And Mayara's act3 fouettes were incredible.
so proud of our brazilian gem!!!! 😍💛
There’s a happily ever after tale to enjoy.
It’s delightful and fascinating watching the different chemistries that Matthew and his two most frequent leading ladies, Mayara and Yasmine Naghdi, cultivate with each other on stage. With Yasmine, the chemistry is very youthful, puppy-love, hormonal, a bit like Dawson and Joey from Dawson’s Creek. Which works well for fairy tale ballets like Romeo and Juliet and Sleeping Beauty. With Mayara, his actual main squeeze, the chemistry is more lived-in, mature, thoughtful. Two people who know each other so well that they can finish each other’s sentences. Their dancing brings to mind Spencer Tracy and Katherine Hepburn or similar old school cinematic couples; you can almost hear the Mid-Atlantic accents and witty banter. But never without a depth and mutual vulnerability that few can equal.
what an amazing performance last night! Don Quixote with the volume turned up. Treat for the eyes and the soul! Well done Matthew and Mayara
An exceptional performance and a great immersive audience response too.
Wonderful chemistry, and the technical brilliance. Fabulous. ❤
They’re so cute together ❤
Gostaria tanto que voltassem a transmitir no cinema, no Brasil.
Simm!! 😢❤
just legends in this video!
She is lovely!
Mayara is AMAZING!
Adoraria assistir 😊❤
Oi, conseguiu assistir? Pq tem um site que tem o ballet completo com os dois
Stupendiiiii !!!❤❤❤❤🎉🎉🎉🎉🎉❤❤❤❤😂
Queen ❤❤❤
❤❤❤❤
Спасибо 👏👏👏
Watched a rerun of Don X at the cinema last night. The whole performance was first rate. But sadly even though it was a recording we had to endure grovelling presenters. I lost track of the number of times we were told the monarch was present and the badly read idiot boards,(that’s why they are called that.). Please it is a recording we don’t need all that most of us have our own notes.
집시같은 연인을 표현하려면 가난한 인생을 살아봐야죠 탱고춤도 가난한 인생을 살아봐야 가슴으로 느낄수 있죠 춤도 정신이 있는 춤이 진짜이다
バレエって全く馴染みがないなあ。オペラの稽古で弾くのとどういう違いがあるのだろう。
동영상보여주셔서감사합니다 건강하시고 행복하세요 로라발레리나원혼 천손족타르타르족인것 확인 되었습니다 최명희가 전생에 로라를 죽여서 뱀으로 만들었는데요 최명희가 죽인후에 저 여동빈신선눈물이 로라발레리나 인골에 적셔지니까 투명금강석체질이 되었습니다 여라가지로 복잡해서요 제전생에 로라를 사랑한 천손족타르타르족 백인미남 백작작곡가 이고 제가 숫자단위 뛰어넘는 보석을 흑인최명희에게 주고 로라를 구했는데 로라에게 독약을 먹여서 보내서 죽었고 부모님도 같이 죽여서 뱀으로 만든것 확인 되었고요 슬픈로라가 로라가 죽어서 애도 한 연주곡이고 오래된 연주곡입니다라고 최명희핑크뱀레아가 말했어요 죽은 로라원혼 챙겼어요 안녕히가세요
La producción de Acosta tiene algunos problemas como el epílogo añadido, que resta la efervescencia con que concluía el ballet. La escena de la taberna es TAN oscura que cuesta trabajo distinguir a los ejecutantes. Los gitanos no son tales, sino zíngaros y no es lo mismo en absoluto. El vestuario adolece de falta de color al igual que la escenografía. A Basilio y a Kitri aún les falta para desarrollar con soltura sus roles. Él tuvo sl menos tres fallos y su apariencia era la del príncipe Desiré, muy lejos del carácter de Basilio. Ella nunca fue una Kitri creíble y fue muy triste su caída. El cuerpo de baile, excelente. Sigo prefiriendo la versión de Baryshnikov, más vitalista y cómica y, desde luego, Baryshnikov también es mi Basilio favorito. Hasta ahora no ha sido superado.