A modern recording with prominent accompaniment. It should be background when the soloist is playing and foreground when he is not. Too bad the producer doesn't know that.
Thanks a lot for your comment! Perhaps there is also a portion based on taste, preference? If we compare the recordings of Vieuxtemp's Concerto op. 19 with A. Markov and the Monte Carlo Orchestra and with H. Avanesyan and the Liege Orchestra: I like much more the active, dramatic orchestra from Liege. For my taste the Monte Carlo orchestra is a bit too "soft". Although I like A. Markov's playing very much, I therefore prefer the Belgian recording. Which recording do you prefer?
A modern recording with prominent accompaniment. It should be background when the soloist is playing and foreground when he is not. Too bad the producer doesn't know that.
Thanks a lot for your comment! Perhaps there is also a portion based on taste, preference? If we compare the recordings of Vieuxtemp's Concerto op. 19 with A. Markov and the Monte Carlo Orchestra and with H. Avanesyan and the Liege Orchestra: I like much more the active, dramatic orchestra from Liege. For my taste the Monte Carlo orchestra is a bit too "soft". Although I like A. Markov's playing very much, I therefore prefer the Belgian recording. Which recording do you prefer?
I am only critical of the microphone placement, not the performance, which is great.
pքɾօʍօʂʍ 🏃
Would you please translate it into english or german language. Google translator is powerless...