This is the kind of music that after listening to it for song long, finally pushed me to buy a digital piano and start learning on my own. I want to play stuff like this. 😍🥰
Can't get enough of that walkup with the B7 flat 13! That seems like one of those modal mixture things too, since usually the iii of G would be B minor (or it's a tritone substitution for F7).
When's the Open Studio gospel course coming out already? 🤣 You guys been teasing us with these for too long... maybe it's already in the works... ? 😁🤞🏼
I'm guessing peter got some of this language from keith jarrett, even if it's not explicitly gospel. check out his version of god bless the child with his trio, also some of the american quartet stuff and some of his solo piano stuff. also check out nina simone.
Both G9sus4 and Db9 serve in propelling the resolution into IV. Another way to think of it and play it would D-9 Db9 into C. ~> So, a chromatic II V into the IV. Among other things Peter’s playing up the value of tweaking chord quality. MANY of the tastiest, slickest and most satisfying chord substitutions are chords that are simply tweaked to be a half step off/ away. It just requires hearing things well in advance and playing things with finesse so they’re made to work. The III which would diatonically have been minor became B7 leading us chromatically into IV. The IV itself (which diatonically would otherwise be Cmaj7) at one point was blueisfied to become C7. (Then, C-7 F7 leading into I from a whole step below would also be possible if you chose to fit that in.) The II which would diatonically have been minor became a II7 at one point ~ A7. So, II7 V7 I. Even the I chord could be played as a dom7. Then you’ve more fully made this into a blues progression than something so centrally gospel.
start from the basics, build from there... it's a long road but it's def worth it. But start from the bottom I would recommend. There's this amazing grace reharm (jazz duets) that represents the levels quite well.
Sorry man - wrote that response late last night and misread F as F#… It actually functions as a subdominant (you can see it as an extended IV minor chord) and works as a plagal cadence. There are a few different ways of explaining it and if you’re interested in understanding it better I’d suggest you read up on backdoor progressions!
@@bwinkbat thanks again, I’ve been doing some research into what this chord is and yeah it seems like it’s the bVII of a back door 2 5 1. I also saw that it could be seen as the IV/IV. I’m going to go with the back door 2 5 1 version of it since the back door 2 5 1 is common in jazz.
These shorts from open studio are crucial....so many things to learn
Very true
Am I the only one who the problem is that generally when I see them I'm not near a piano?
@@garycitro1674nah, happens to the best of us 😂
@@garycitro1674universal problem usually 😂
@@garycitro1674 ....hahaha.....the same happens to me.😊
That piano sounds.. amazing, even on a mobile phone.. Nice.
42 listens later and still binging. What sheer beauty
I learn so much more from these 50 second shorts than I could in a 3 hour video
All in the instruction! They are great!
F13(#11) is just sublime.
F, A, B, C, D, Eb. Literally every note in the mixolydian-flat-6 except the tonic!
@@alexandersmith6140it’s almost just C melodic minor 😂 if you flip a bass note
I could listen to peter playing and explaining music theory as if it was a song. It just sounds so good🤤🤤
Yes. Long form. Like a co-driver in a rally car….calling out turns/chords.
Oh, sic! That F9sus - E9sus - Eaug#9 hurt me so good! 😊❤
Peter says 1 2 3 4 Makes me amazed 🔥
I don’t play piano. And I haven’t learned to play Gospel music. What beauty, strength, and tenderness.
Love the gospel stuff from you guys ❤
HELLL YEEEAH!!! more gospel stuff plEEAAASE!!! (and more Bob also, do not forget about Bob)
This is the kind of music that after listening to it for song long, finally pushed me to buy a digital piano and start learning on my own. I want to play stuff like this. 😍🥰
And don't forget the Good News you're playing about.
Your gospel playing gives me chills…
This man casually made us all ascend
I need to learn this.
This is the nicest sound i ever heard on a youtube short ❤️
He makin dat thaaang saaaaang 😬😬😬 sheeeeesshhhh
Peter. You’re the best. So is Adam. You’re both the best.
We Both agree your both the best
Such talented musicians on here inspire me to play piano.
Love that you all included some gospel!! I'm definitely partial as a church musician but I think gospel is some of the best music on earth
Can't get enough of that walkup with the B7 flat 13! That seems like one of those modal mixture things too, since usually the iii of G would be B minor (or it's a tritone substitution for F7).
So simple, yet so satisfying.
When's the Open Studio gospel course coming out already? 🤣 You guys been teasing us with these for too long... maybe it's already in the works... ? 😁🤞🏼
Right lol WE NEED IT
For sure! Does anyone know of an on-line course or tutorial in this style? Wish Peter would put something together like this. He's awesome.
I learned a lot from a cd by Ethel Caffie Austen@@skipculp6078
Those chords are a beauty in disguise! ❤
Love how he says"Check it Out" !Real jazz baby
I can listen to this everyday!
These shorts are fire
Only if you could like a video more than once, cause this is just spectacular, gets better in every repeat
Awesome
You caught me as I was taking a break from practicing. Thank you. Changed it up for me
I love the text paired with the music, so helpful! Thank you!
That was gorgeous playing.
When gospel course Pete?
Beautiful, man. This channel kills it so hard.
You guys make me so excited to practice!!
More gospel pleaaaase😍
This guy got some soul I like it
Plus je regarde ces vidéos, plus je les aime, merci à ces musiciens talentueux !
I said it before, these harmonic ideas are great for any musician.
Man, this is it. Speaks.
Man i love that sound!!!!!
this is so dope
Any recommendations for Gospel records with playing like this? Would love to listen to more but I have a hard time knowing who to even look up 😂😭
Cory Henry is a wicked pianist that often plays gospel stuff
Donald Lawrence and Kirk Franklin
Look up James Cleveland's stuff
I'm guessing peter got some of this language from keith jarrett, even if it's not explicitly gospel. check out his version of god bless the child with his trio, also some of the american quartet stuff and some of his solo piano stuff. also check out nina simone.
So good! ❤
They’re doing the Lord’s work!!
Still lovein on this
More Gospel!! PLEASE!
I hope this foreshadows a Gospel course at OSJ !!!!!!!!
Beautiful
Soooo beautiful!!!! Daaang!!!!
Very nice. 👍
What a different kind of force..
You guys should really make a vst for a DAW with this piano, it sounds too damn beautiful!
Nice❤
More Gospel!!🔥
Nice
What do you not play? Jazz Gospel, everything!!!!
Love it.
Calm: ✅
Bro im gonna cry no joke
I love that ❤
So saucy
Prince : ADORE + Why don't U call me anymore RIP Prince!
Tas-ty!
Gracias Genios!!!
Would love to see the transcription of this, loosely
Love how content and happy you are just playing a basic gospel progression, Video on Infant Eyes??
check out "diamonds and pearls" , same key, same prog
✌️
So sweet 😊may i find the sheet please 🤩
Does anyone know an online piano course in this style? Love it!
Haaaaallelujah
Best piano I've ever heard, what is the brand and model?
I think it’s a 1994 Steinway Model B
Woah that first sub5 tho
00:00
❤
Gospel course available ?
I would use one too❤
❤❤
Just caught myself yelling “woo” whilst sitting alone in my kitchen… oops
Famous
Just one thing I don't get... you mean, there is a 4rth Major and Augmented? in you example Cmaj7 means 7th is augmented, and not in C7 more classic ?
I swear to god y’all I just started watching this at 4:44 😂😂
Someone teach me how to read the shorthand! Any YT channels you'd recommend?
Just needs the cigar in his mouth because Pianist looks identical to Anthony Mazzola of Holt's Cigar.
Голова как компьютер, знать столько аккордов...
Can the G9sus4 and Db9(#11) at the start be conceptualised as variation on a II and III? If so, I need some help figuring out the conceptual link 🙏
Both G9sus4 and Db9 serve in propelling the resolution into IV. Another way to think of it and play it would D-9 Db9 into C. ~> So, a chromatic II V into the IV. Among other things Peter’s playing up the value of tweaking chord quality. MANY of the tastiest, slickest and most satisfying chord substitutions are chords that are simply tweaked to be a half step off/ away. It just requires hearing things well in advance and playing things with finesse so they’re made to work. The III which would diatonically have been minor became B7 leading us chromatically into IV. The IV itself (which diatonically would otherwise be Cmaj7) at one point was blueisfied to become C7. (Then, C-7 F7 leading into I from a whole step below would also be possible if you chose to fit that in.) The II which would diatonically have been minor became a II7 at one point ~ A7. So, II7 V7 I. Even the I chord could be played as a dom7. Then you’ve more fully made this into a blues progression than something so centrally gospel.
How would one start to play like that, if they had a basic, self taught understanding of piano chords etc.
start from the basics, build from there... it's a long road but it's def worth it. But start from the bottom I would recommend. There's this amazing grace reharm (jazz duets) that represents the levels quite well.
Is that available in pdf?
Похож на Сатью Дас❤
I though C7 could only resolve to F
If only I understand what they’re were talking about
What’s that jazzy riff on the right hand on the C7? I’ve been trying to replicate it for the past hour, someone please help 😭😭
Sounded like a descending blues scale probably c blues or g blues idk hope that helps
G - C+E - G - Bb+D - G - F - D - C - Bb - G - B(nat)
PEACE 😂
>8DDDDDDDDDDDDDDDDDDDDD
Anyone know how that F7 resolves to G?
@@bwinkbat thanks man
Sorry man - wrote that response late last night and misread F as F#… It actually functions as a subdominant (you can see it as an extended IV minor chord) and works as a plagal cadence. There are a few different ways of explaining it and if you’re interested in understanding it better I’d suggest you read up on backdoor progressions!
@@bwinkbat thanks again, I’ve been doing some research into what this chord is and yeah it seems like it’s the bVII of a back door 2 5 1. I also saw that it could be seen as the IV/IV. I’m going to go with the back door 2 5 1 version of it since the back door 2 5 1 is common in jazz.
そもそもドから1オクターブ上のミまで左手が届かないよ!😂
Be careful, playing like that will land you an involuntary spot on a church itenerary for an “A and B selection.”
Aht aht. Its not church till it’s a iv-min6 lol
Cameraman only had one job to stabilize and focus the camera on the hand and keyboard.
😂😂.....youknowhatimsayin'....
❤