Esta pieza es realmente bellísima!!! Muy muy especial desde que la oi la primera vez la escucho casi todos los dias, me transmite amor, alegria, ganas de vivir, paz, fe. La oigo antes de dormir porque quiero irme a los brazos de Morfeo llena de estos sentimientos!!! Gracias Diana, hermosísima interpretación ❤
Du meine Seele, du mein Herz, Du meine Wonn’, o du mein Schmerz, Du meine Welt, in der ich lebe, Mein Himmel du, darein ich schwebe, O du mein Grab, in das hinab Ich ewig meinen Kummer gab! Du bist die Ruh, du bist der Frieden, Du bist vom Himmel mir beschieden. Dass du mich liebst, macht mich mir wert, Dein Blick hat mich vor mir verklärt, Du hebst mich liebend über mich, Mein guter Geist, mein bess’res Ich!
* en tamién es esta una Música di Madrit, Didí (with Pianisto und Co.), Ea-Óle Viva Madrit Viva Ezspánña. //// Recuerdo la última vez que acudí, Estos Dos nél Teatro de La Zarzuela Ciclo de Lied, soltó la Didí así como 7 Propinas, no fueron menos.
Are Lieder for multi-tessitura? I mean, can the same Lied be sung from Soprano to Bass only arranging the score for each voice type? I don't know if I expressed myself correctly.
Yes! Any song can be done in any key to match the voice, from soprano to bass. In the old days they transposed everything. It's only post-WW2 that everyone gets too "urtext" with things. It's a lost art for most accompanists....you used to be expected to be able to transpose any song to any key at sight.
I think most of the famous lieder and arias from opera have been notated and published by major music publishers. Singers always want to sing great songs, even if not originally composed for their particular voice. And not too many pianist can transpose on the spot. Also singers themselves usually practice at the piano, playing the piano part as they sing along.
came here from the piano version played by Beatrice Rana Liszt transcription. Text by Rückert whom I had heard about through a Cincinnati Orchestra production of the Mahler songs probably conducted by Thomas Schippers. The set design was pretty radical for Cincinnati and would have garnered disapproval from Hamilton co prosecutor Joe Deters.
Now, THAT'S a voice. Not the best in the world. But what counts is that she FEELS it! All about interpretation. Often, in the singing of leider and opera, what counts is 'the occasion' - the mood of the singer and the audience. A half-good singer on a good night in the right mood can deliver the most memorable evening of your life. Callas used to do that. Sometimes she sang flat, but it did not matter. You glossed over. There is far too much seeking for excellence in our contemporary Classical music world. Nellie Melba and Adelina Patti would have been boo-ed off. But that wasn't the point. Those artists delivered what the audience expected of them in them days. In the interpretation of serious music we we do not need 'experts' - what we need is personalities and individualism.
As E. Schwarzcopf opined: I can't help it if all the most beautiful song in the world were written in my language. SO TRUE!
So very NOT true: many written in [say[ English eg. Sally in our Alley [Henry Carey] and Kathleen Mavourneen [sung by John McCormack].
Do not forget Berlioz! Maybe the most beautiful song ever written is ' la spectre de la rose' on music and text as well!
This and IDEALE [Tosti] are my favourite love songs. Each tender and gentle.
Esta pieza es realmente bellísima!!! Muy muy especial desde que la oi la primera vez la escucho casi todos los dias, me transmite amor, alegria, ganas de vivir, paz, fe. La oigo antes de dormir porque quiero irme a los brazos de Morfeo llena de estos sentimientos!!! Gracias Diana, hermosísima interpretación ❤
Just search Doris Merk, and you will have a different opinion you will really see the difference
one of my favorite Lieder
Wunderschoen. Hab das auch schon gesungen. Aber niemand singt wie du, Diana. 💖🎶🥰
Doris Merk, is so much better
Divinissima!! You are the Queen❤
Simply stunning.
Bravo! Really love your voice
I love her facials they really bring out the meaning of the song
Greatest soprano in the world
Short yet beautiful.
Großartig, Diana! Für solche fabelhafte Stimme möchte ich auch mal ein Lied schreiben! Schöne Akustik auch.
Du meine Seele, du mein Herz, Du meine Wonn’, o du mein Schmerz, Du meine Welt, in der ich lebe, Mein Himmel du, darein ich schwebe, O du mein Grab, in das hinab Ich ewig meinen Kummer gab! Du bist die Ruh, du bist der Frieden, Du bist vom Himmel mir beschieden. Dass du mich liebst, macht mich mir wert, Dein Blick hat mich vor mir verklärt, Du hebst mich liebend über mich, Mein guter Geist, mein bess’res Ich!
Bravaaa Diana!!!👏👏👏👏❤️
Bravo!!!
Queen 👑
👏👏❤️
👏🏼👏🏼👏🏼👏🏼
* en tamién es esta una Música di Madrit, Didí (with Pianisto und Co.), Ea-Óle Viva Madrit Viva Ezspánña. //// Recuerdo la última vez que acudí, Estos Dos nél Teatro de La Zarzuela Ciclo de Lied, soltó la Didí así como 7 Propinas, no fueron menos.
Are Lieder for multi-tessitura? I mean, can the same Lied be sung from Soprano to Bass only arranging the score for each voice type?
I don't know if I expressed myself correctly.
Yes! Any song can be done in any key to match the voice, from soprano to bass. In the old days they transposed everything. It's only post-WW2 that everyone gets too "urtext" with things. It's a lost art for most accompanists....you used to be expected to be able to transpose any song to any key at sight.
I think most of the famous lieder and arias from opera have been notated and published by major music publishers. Singers always want to sing great songs, even if not originally composed for their particular voice. And not too many pianist can transpose on the spot. Also singers themselves usually practice at the piano, playing the piano part as they sing along.
came here from the piano version played by Beatrice Rana Liszt transcription. Text by Rückert whom I had heard about through a Cincinnati Orchestra production of the Mahler songs probably conducted by Thomas Schippers. The set design was pretty radical for Cincinnati and would have garnered disapproval from Hamilton co prosecutor Joe Deters.
Now, THAT'S a voice. Not the best in the world. But what counts is that she FEELS it! All about interpretation. Often, in the singing of leider and opera, what counts is 'the occasion' - the mood of the singer and the audience. A half-good singer on a good night in the right mood can deliver the most memorable evening of your life. Callas used to do that. Sometimes she sang flat, but it did not matter. You glossed over. There is far too much seeking for excellence in our contemporary Classical music world. Nellie Melba and Adelina Patti would have been boo-ed off. But that wasn't the point. Those artists delivered what the audience expected of them in them days. In the interpretation of serious music we we do not need 'experts' - what we need is personalities and individualism.
De que Hablas??!! Es una voz bellísima y lo hace con mucha tecnica y maestria.
0:23
thank you Steve
Splendida
我在學校演仲夏夜之夢的時候一個叫Helen 的女導演說，你不要老是臉上有笑的表情，當我看到您的表演時我覺得這個導演一點都不懂聲樂。
Ca. 0'20'' Musikanfang