Prokofiev - Romeo & Juliet (Full Ballet)
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- เผยแพร่เมื่อ 30 พ.ค. 2024
- 00:00 - Roméo et Juliette, Op. 64: Ouverture
02:41 - Roméo et Juliette, Op. 64: Act I - Roméo
04:08 - Roméo et Juliette, Op. 64: Act I - La rue séveille
06:36 - Roméo et Juliette, Op. 64: Act I - Danse matinale
08:26 - Roméo et Juliette, Op. 64: Act I - La querelle
10:01 - Roméo et Juliette, Op. 64: Act I - Le combat
12:37 - Roméo et Juliette, Op. 64: Act I - Le prince donne ses ordres
14:08 - Roméo et Juliette, Op. 64: Act I - Intermède
16:22 - Roméo et Juliette, Op. 64: Act I - Chez les Capulets
18:14 - Roméo et Juliette, Op. 64: Act I - Juliette jeune fille
21:30 - Roméo et Juliette, Op. 64: Act I - Arrivée des invités
25:20 - Roméo et Juliette, Op. 64: Act I - Les masques
28:04 - Roméo et Juliette, Op. 64: Act I - Danse des chevaliers
33:30 - Roméo et Juliette, Op. 64: Act I - La variation de Juliette
36:05 - Roméo et Juliette, Op. 64: Act I - Mercutio
38:20 - Roméo et Juliette, Op. 64: Act I - Madrigal
42:05 - Roméo et Juliette, Op. 64: Act I - Tybalt reconnait Roméo
43:50 - Roméo et Juliette, Op. 64: Act I - Gavotte
47:51 - Roméo et Juliette, Op. 64: Act I - La scène du balcon
51:27 - Roméo et Juliette, Op. 64: Act I - La variation de Roméo
52:39 - Roméo et Juliette, Op. 64: Act I - Danse d'amour de Roméo et Juliette
58:19 - Roméo et Juliette, Op. 64: Act II - Danse populaire
01:01:49 - Roméo et Juliette, Op. 64: Act II - Roméo et Mercutio
01:04:11 - Roméo et Juliette, Op. 64: Act II - Danse des cinq couples
01:07:59 - Roméo et Juliette, Op. 64: Act II - Danse aux mandolines
01:10:04 - Roméo et Juliette, Op. 64: Act II - La nourrice
01:11:58 - Roméo et Juliette, Op. 64: Act II - La nourice et Roméo
01:12:57 - Roméo et Juliette, Op. 64: Act II - Roméo chez frère Laurent
01:16:00 - Roméo et Juliette, Op. 64: Act II - Juliette chez frère Laurent
01:19:23 - Roméo et Juliette, Op. 64: Act II - Suite de la fête populaire
01:22:41 - Roméo et Juliette, Op. 64: Act II - Deuxième danse populaire
01:25:07 - Roméo et Juliette, Op. 64: Act II - Rencontre de Tybalt et de Mercutio
01:26:57 - Roméo et Juliette, Op. 64: Act II - Le duel
01:28:22 - Roméo et Juliette, Op. 64: Act II - Mort de Mercutio
01:30:50 - Roméo et Juliette, Op. 64: Act II - Roméo décide de venger la mort de Mercutio
01:33:02 - Roméo et Juliette, Op. 64: Act II - Final
01:35:06 - Roméo et Juliette, Op. 64: Act III - Introduction - Reprise
01:36:41 - Roméo et Juliette, Op. 64: Act III - Roméo et Juliette
01:38:09 - Roméo et Juliette, Op. 64: Act III - Dernier adieu avant la séparation
01:43:50 - Roméo et Juliette, Op. 64: Act III - La Nourrice - Reprise
01:45:38 - Roméo et Juliette, Op. 64: Act III - Juliette refuse dépouser Paris
01:48:18 - Roméo et Juliette, Op. 64: Act III - Juliette seule
01:49:52 - Roméo et Juliette, Op. 64: Act III - Intermède II
01:51:23 - Roméo et Juliette, Op. 64: Act III - Dans la cellule de frère Laurent
01:56:26 - Roméo et Juliette, Op. 64: Act III - Intermède III
01:58:05 - Roméo et Juliette, Op. 64: Act III - La chambre de Juliette
02:01:25 - Roméo et Juliette, Op. 64: Act III - Juliette seule
02:06:33 - Roméo et Juliette, Op. 64: Act III - Sérénade matinale
02:09:06 - Roméo et Juliette, Op. 64: Act III - Danse des jeunes filles aux lys
02:11:34 - Roméo et Juliette, Op. 64: Act III - Au chevet de Juliette
02:14:05 - Roméo et Juliette, Op. 64: Act III - Les funérailles de Juliette
02:21:08 - Roméo et Juliette, Op. 64: Act III - La mort de Juliette
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I played for a well known ballet company for several years. This became my favorite ballet of all time to play and to listen to. Many times after playing the music to a ballet for 3-4 shows it got boring. Even worse was when the ballet company would do a particular ballet over and over that had a boring score. This music is in a category all by itself because it became more and more beautiful the more times we performed it.
An amazing ballet. This video is nearly 2 and a half hours long, and from I can tell, the music contains little or no "filler".
My FAVORITE COMPOSER!! 👍Simply beyond awesome! Dazzling, extremely emotional!! Extremely profound!! Wish he was still alive and I could tell him. RIP Prokafiev! One of the greatest. We will always love, appreciate and miss you and your music 💖 !! 😊❤️🌈
THIS SLAPS!!!!!!!!! love you prokofiev thank you for your contributions to this world
The absolutely greatest piece off music ever written!! It has everything that appeals to ones higher self in abundance. Amazing,luscious melodies, transcendent harmonies and structure. Prokofiev always checks all the boxes and stirs ones heart as very few composers can.It's a testimony to our age and culture that his works of genius are not better known and loved in preference to the crass popular tripe that pollutes the tasteless musical world of today.
i am 100% in favor of what you said. i couldn't find better words. thank you.
While yes, I agree that Prokofiev's works are fantastic, comparison to popular music is a bit meaningless. Prokofiev was never a part of any 'pop' music scene and the differences between pop music and classical render them incomparable; the goalposts and marks on which to measure them couldn't be more different. The beauty of music today is that there's so much of it out there, with access to different styles and genres so much easier than it ever has been, that we can be free to listen to whatever brings us joy - whatever provides us with those moments of transcendence. That accessibility, plurality, and vast diversity of music is, in my opinion, a better testimony and reflection of our age and culture than panning one genre for not being enough like another.
@@caesarxi1303 My opinion is that comparing modern pop music to classical music (of any era, I would say) is a bit meaningless. There's not very much to gain by doing so because they are very different schools of composition, practice, and consumption. In my experience, comparisons between classical and pop music are typically made by people who prefer classical music and dislike pop music, using their favoured genre to point out the shortcomings in another. I have found that the argument is very rarely made the other way. For me, this isn't an honest comparison, where the different genres are judged on their individual merits: most people I've found making this argument about classical versus pop don't believe pop has any merit at all, as seems to be the case here with the original comment.
To your points specifically: I agree that we are not gods and that we are pretty much bound by our physical limitations as much as humans were 100 years ago (though I'd suggest that technology helps us to extend and surpass our limitations in terms of our actions - deep sea diving and the ISS, for example, or a synth) and it is more than a tad hyperbolic to imply that by arguing that we have more access to music today than we did in Prokofiev's time (a point which is provably true) I am comparing humanity to gods; in my opinion, a recent opinion holds no more or less weight than an old one (it's still just an opinion); diversity in music was my secondary point, not diversity overall; the connection between this discussion and the freshness or otherwise of democracy and feminism is lost on me, I'm afraid; my opinion does not condescend any other generation - I specifically acknowledge the value and merits of the past as well as the present and, so far, believe I am the only one in this thread who has done so; I can absolutely deny that there is in any way, shape, or form "an objective truth about which music is better", no matter the classification or genre, and I do deny this. My making that last statement is not a contradiction because my original opinion is exactly that no music is better than another, that the genric differences can make such comparisons difficult and, between classical and pop at least, such comparisons are a bit meaningless.
Which leads me to think that my first comment may have been misinterpreted, at least in part. So, for clarity, when I said "the beauty of music today" I didn't mean the music *of* today: I meant *all* music today. Music, perhaps, with a capital 'M'. I mean everything which is considered music, by each individual who decides to make that classification, whether they stand alone or not. All the time, new music is being created in a vast range of styles across the world, contributing to a gamut that continues to grow and branch towards... well, possibly infinity. To say that one branch of that musical tree is somehow "better" than any other, or even better than one other, is in my opinion a fallacy: it ignores the interconnectedness of all music forms and is a denial of the validity of other art forms outside of classical - and, ironically, ignores that the same fundamental rules governing pop music also govern classical music; ignores that both forms are co-related technically, theoretically, and culturally. You may disagree - but that's the beauty of an opinion. I'm certainly not advocating for a truth that everyone should subscribe to here. This is my opinion, and that's all it is. I'll talk about it, expand on it, but I won't try to force you to adopt it. You're entitled to your opinion on this subject, and to your opinion of me. The one thing I would like to ask you about is the nature of what you called "objective truth" in music: what does that mean to you and how do you define it?
@@caesarxi1303 I think you are distorting what I'm saying. Repeating your previous argument doesn't strengthen it; if I've made a "performative contradiction" could you explain how?
I did not and do not deny provable objective truths like 1 + 1 = 2. I deny that one form of music is objectively "better", as you put it, than another. Your statement that you "don't believe" Brazilian funk is as good as classical music proves my point: you fall back on a belief, not an objective fact, therefore your position is subjective not objective.
Why don't we explore this a bit more. What statements of objective truth, like 1 + 1 = 2, can you give to support your belief that Brazilian funk is not as good as classical music?
@@caesarxi1303 I disagree with the sentiments of your first two sentences but agree with the sentiments in your last two. Perhaps our paths will cross again and we will both be more enlightened. In the meantime, let us at least agree to enjoy the ballet :)
God the themes of Romeo at the tomb of Juliet and the Death of Juliet perfectly encapsulate the emotions of the finale of the play, what a phenomenal orchestration
1 00:00 - Roméo et Juliette, Op. 64: Ouverture
2 02:41 - Roméo et Juliette, Op. 64: Act I - Roméo
3 04:08 - Roméo et Juliette, Op. 64: Act I - La rue séveille
4 06:36 - Roméo et Juliette, Op. 64: Act I - Danse matinale
5 08:26 - Roméo et Juliette, Op. 64: Act I - La querelle
6 10:01 - Roméo et Juliette, Op. 64: Act I - Le combat
7 12:37 - Roméo et Juliette, Op. 64: Act I - Le prince donne ses ordres
8 14:08 - Roméo et Juliette, Op. 64: Act I - Intermède
9 16:22 - Roméo et Juliette, Op. 64: Act I - Chez les Capulets
10 18:14 - Roméo et Juliette, Op. 64: Act I - Juliette jeune fille
11 21:30 - Roméo et Juliette, Op. 64: Act I - Arrivée des invités
12 25:20 - Roméo et Juliette, Op. 64: Act I - Les masques
13 28:04 - Roméo et Juliette, Op. 64: Act I - Danse des chevaliers
14 33:30 - Roméo et Juliette, Op. 64: Act I - La variation de Juliette
15 36:05 - Roméo et Juliette, Op. 64: Act I - Mercutio
16 38:20 - Roméo et Juliette, Op. 64: Act I - Madrigal
17 42:05 - Roméo et Juliette, Op. 64: Act I - Tybalt reconnait Roméo
18 43:50 - Roméo et Juliette, Op. 64: Act I - Gavotte
19 47:51 - Roméo et Juliette, Op. 64: Act I - La scène du balcon
20 51:27 - Roméo et Juliette, Op. 64: Act I - La variation de Roméo
21 52:39 - Roméo et Juliette, Op. 64: Act I - Danse d'amour de Roméo et Juliette
22 58:19 - Roméo et Juliette, Op. 64: Act II - Danse populaire
23 01:01:49 - Roméo et Juliette, Op. 64: Act II - Roméo et Mercutio
24 01:04:11 - Roméo et Juliette, Op. 64: Act II - Danse des cinq couples
25 01:07:59 - Roméo et Juliette, Op. 64: Act II - Danse aux mandolines
26 01:10:04 - Roméo et Juliette, Op. 64: Act II - La nourrice
27 01:11:58 - Roméo et Juliette, Op. 64: Act II - La nourice et Roméo
28 01:12:57 - Roméo et Juliette, Op. 64: Act II - Roméo chez frère Laurent
29 01:16:00 - Roméo et Juliette, Op. 64: Act II - Juliette chez frère Laurent
30 01:19:23 - Roméo et Juliette, Op. 64: Act II - Suite de la fête populaire
31 01:22:41 - Roméo et Juliette, Op. 64: Act II - Deuxième danse populaire
32 01:25:07 - Roméo et Juliette, Op. 64: Act II - Rencontre de Tybalt et de Mercutio
33 01:26:57 - Roméo et Juliette, Op. 64: Act II - Le duel
34 01:28:22 - Roméo et Juliette, Op. 64: Act II - Mort de Mercutio
35 01:30:50 - Roméo et Juliette, Op. 64: Act II - Roméo décide de venger la mort de Mercutio
36 01:33:02 - Roméo et Juliette, Op. 64: Act II - Final
37 01:35:06 - Roméo et Juliette, Op. 64: Act III - Introduction - Reprise
38 01:36:41 - Roméo et Juliette, Op. 64: Act III - Roméo et Juliette
39 01:38:09 - Roméo et Juliette, Op. 64: Act III - Dernier adieu avant la séparation
40 01:43:50 - Roméo et Juliette, Op. 64: Act III - La Nourrice - Reprise
41 01:45:38 - Roméo et Juliette, Op. 64: Act III - Juliette refuse dépouser Paris
42 01:48:18 - Roméo et Juliette, Op. 64: Act III - Juliette seule
43 01:49:52 - Roméo et Juliette, Op. 64: Act III - Intermède II
44 01:51:23 - Roméo et Juliette, Op. 64: Act III - Dans la cellule de frère Laurent
45 01:56:26 - Roméo et Juliette, Op. 64: Act III - Intermède III
46 01:58:05 - Roméo et Juliette, Op. 64: Act III - La chambre de Juliette
47 02:01:25 - Roméo et Juliette, Op. 64: Act III - Juliette seule
48 02:06:33 - Roméo et Juliette, Op. 64: Act III - Sérénade matinale
49 02:09:06 - Roméo et Juliette, Op. 64: Act III - Danse des jeunes filles aux lys
50 02:11:34 - Roméo et Juliette, Op. 64: Act III - Au chevet de Juliette
51 02:14:05 - Roméo et Juliette, Op. 64: Act III - Les funérailles de Juliette
52 02:21:08 - Roméo et Juliette, Op. 64: Act III - La mort de Juliette
Je ne vois aucune différence! (à part la numérotation ...)
Спасибо!🌺👍
ive never read romeo and juliet, but this work really captured the feeling well.
Honestly don’t, i love Romeo and Juliet but it’s a play, it’s not supposed to be read. It can get really different to keep track of
Prokokiev: one of the masters.
Prokofiew
@@tom-zh8uz Прокофьев*
Watched the Bolshoi on a cast in a local theater in my town. Really great seeing how they treat their nation treasures, like this piece and their choreography
Great!! I did this ballet three times, two different companies. I had three different experiences! Great ballet!
Thank you
Thank you
Thank you
*happy tears*
28:04 my favourite part!
Yes! Dance of the Knights :)
and mine :)
yesss
I played this on first horn ( Corno ) and booi it's hard. I lost my lips under the chair.
But it's so beautiful! So many emotions!
Thank you so much. This is by far my favourite piece of classical music.
Coisa mais extraordinária. Os russos e seu talento extraordinário. Um dia irei a essa terra que povoa meu imaginário desde criança.
What soaring passion!
I can only imagine a Fantasia-like movie based on either Cinderella or Romeo and Juliet being made in a few years...
A great concert. I love the three versions of Romeo and Juliet. Life the music!
I think you mean that you love the three Acts, not versions. There is only one version.
One of the greatest works ever written. It's referenced in a book I wrote called "Unable to Say Goodbye."
Odd, I find the music of the Dance of the Knights to be much more stirring than the music of duels/fights to the death. When I play it (over and over), I can see a grand battle. But not with the others.
Thanks for uploading!
2:19:34 "My God, Bones... What have I done?"
Beautiful!
In love!
excellent
Superb Performance!
1 - т. любви 0:01
т. Джульетты 0:42
т. Ромео 1:00
3 - 4:08
5 - 8:25
6 - 10:00
7 - 12:37
9 - 16:20
10 - 1 т. 18:14
2 т. 18:55
3 т. 19:34
11 - 21:29
13 - 28:04
16 - 38:22
19 - 47:51
20 - 51:28
21 - 52:41
28 - 1:13:00
т. Патера Лоренцо 1:14:44
29 - 1:16:02
36 - 1:32:42
39 - 1:38:08
40 - 01:43:50
41 - 1:45:38
44 - 1:56:26
47 - 2:01:25
51 - 2:14:06
52 - 2:21:10
Thank you! I had been looking everywhere for Romeo’s theme
Beautiful!!! Thank you!!
Qué linda música
That's a cracking performance - quite a bit different to Previn's which I have on vinyl - and I really like the way it's been played here
Truly excellent.
1:35:17 is one of the scariest parts I have ever heard.
But for other terribly dissonant parts I place them here. 1:28:15
1:32:40
2:04:02 Wow
1:59:15 Probably the most favourite part of mine
1:05:39 This is the best version I've heard of this part
1:40:19 Viola d'amore solo
Is 19:40 - 19:50 where Astor Piazzolla got idea for part of his composition named Invierno porteno?
42:00 ... empieza la estampida BUAHHH!!! :"O
esa estampida me da miedo
28:04
I've loved this piece since a child listening to its adaptations for the ballet: some of its 'muddier' parts are excluded. So, it isn't a perfect work but it's marvellous to me what Prokofiev conceived!
Which parts would you consider muddy?
What muddy parts?
Is this his second version of the ballet?
50:15 how is it so beautiful
Russian soaring melody with mesmerizing accompaniment
@@indioduran4535 russians be out here making goddamn mastrpeices
❤
19:34 this particular melody/sequence… why is it just so short and does it get repeated later on somewhere?
it seems to come out of nowhere and hits me every time
Please! answers!
i believe it’s one of juliet’s themes and is repeated quite a bit in the rest of the piece!
Juliet's theme. The last bit, death of juliet is entirely comprised of that melody.
what is this piece called 31.10 I love it
Had no idea he used a part of this work and incorporated it in his first symphony (or the other way around, don't know yet, but I recognize this part for sure.)
After a quick and superficial search, it appears that this common part ("Gavotte") is not stated on the libretto. Might it be added here by the conductor?
Quick search n°2: it seems to depend on what source is used........ Anyway, the Gavotte is directly taken from the Symphony "La Classique", Op. 25.
Ну вообще-то первая симфония была написана в 1916-1917 годах, а балет намного позже. И во-вторых в симфонии гавот занимает примерно 2 минуты, а в балете немного больше - 4 минуты. Запись 1981 года th-cam.com/video/2qDJOoUpwrM/w-d-xo.html&feature=emb_logo
анна круглова i cant read Russian may you translate
@@mundanenames9752 In fact, the first Symphony was written in 1916-1917, and the ballet much later. In the Symphony, the Gavotte takes about 2 minutes, and in the ballet a little more - 4 minutes. Recording in 1981 th-cam.com/video/2qDJOoUpwrM/w-d-xo.html&feature=emb_logo
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Help! I've been looking non-stop for the motive 29:52 in the dance of knights! it doesn't appear to repeat anywhere else! it's frustrating, I wanna find the part where is the principal motive, but it fails to appear
In the minuet
00:38
50:03
At 11.53- I've never heard the clarinet so prominent in the texture during Le Combat- in any other performance I've ever heard. It's attractive but possibly the result of an odd engineering choice, given that the entire violin section should be playing the same notes! Where are they?!
1:49:52
52:43
s2
So much dimension
My favorite part 2:06:33
omogosh same. I listened to it a hundred times before actually hearing the full ballet lol.
what orchestra is it?
It's Orchestre Philharmonique de Monte-Carlo if the picture in the video was correct.
I have to see the translation of French to English....
18:15
28:05
This version is too fast, right?
I too thought it was too fast initially. But let go of a favorite recording memory and just enjoyed this. It’s so rich. Right!? This TH-cam video is great Why? Because you can hear all of the instruments. Perfectly balanced stereo. Crisp! Will share on FB. I shall also hunt down the score + recording version and share it as well.
radley
Sacha
1:39:00
28:04 gives me Russian vibes
_00:00
_28:04
_33:30
_42:05
_1:12:57
28:04 何という事でしょう。
1:49:52
00:34
1:32:43