How deeply she feels the special world of Bach...his attitude of past and future of that world... God bless 🙏 😇❣️ your hands Dear Khatia Buniatishvili!
This interpretation of Bach’s ‘Sheep may safely graze’ for piano has to be right up there as one of the most finest ever performed. Thank you Kathia. Loved it.
I've heard many interpretations and arrangements of this piece... this is the best !! Khatia is such a brilliant arranger & performer.. the world is a much better place because of her.
While I agree with you that this is a very nice piece played very beautifully, it is not a SONG (which is a musical piece which is sung), but a piano PIECE. Since pianos do not sing, they do not play songs but pieces. And secondly this piece was not composed by Bach. Bach actually composed a song, see link below, and the quite famous pianist Egon Petri rearranged it for the piano in the first half of the 20th century. This makes this a Petri piece more than a Bach piece IMHO. This is the original, and yes, this is a song: th-cam.com/video/STWtdOTmqus/w-d-xo.html
@@Kref3 Thorsten, when someone swoons for poetry, they’re not in need of a lecture on the alphabet. Furthermore, “songs without words” are quite a venerated phenomenon, so you’re not even technically correct. So yes, perhaps a composer shares the source of a melody with a previous imagination, and perhaps another musician then transforms the amalgamation. Busoni’s transcription of “Wachet auf” is an even more majestic example of such collaboration, as was Handel’s “Ombra mai fu.” And there are so many more . . . Orff’s “Carmina Burana,” Gounod’s “Ave Maria,” . . . but these are gifts of alchemical genius, not embarrassments of plagiarism. The salient fascination should be this-How did Bach wring such forbidding beauty out of three polyphonic lines navigated by one musician educated in contrapuntal motion and tonal harmonic architecture using two hands commanding several dozen keys carved from wood striking wire strung in tension? Is this a miracle of evolution, neurons, sentience, synergy or sheer inexplicability? Our problem is not one of taxonomy, provenance or appropriation, but of sublimity, ineffability and imponderability.
@@Kref3 Technically, music is not physical material, nor is it a 'piece' of anything, so 'piece' logically doesn't have anything going for it. It's just a silly custom - here, listen to this 'piece' of nothing, which is in fact a song played on the piano. Moreover, one may say that a good player should make the piano sing. Chopin himself instructed all his pupils to imagine the right hand as the voice of a bel canto singer. He never said to make 'pieces' using the right hand or the left, as the term is utterly illogical, absurd, and unromantic. I'm fine with accepting custom, but it is sheer pedantism to argue about it and attack the notion of 'singing' with the piano. Especially when the music in question was a song to begin with.
@@Kref3 No. It’s Bach. An arrangement is never considered to be a “new” work of the arranger. This happens all of the time. How many melodies by Chopin do you hear played on violin? Or by an orchestra? It’s still Chopin isn’t it? Chopin composed almost exclusively for the piano, on the piano. But given the right arrangement, his works sound pretty good on other instruments. Bach is the same, maybe even more so, because that’s the way he himself composed his music-for a variety of instruments, mixed and matched, according to what was available at the timek. I’m sure Petri wrote this arrangement because he wanted to perform this lovely tune at a solo recital. Nothing wrong with that. If you were to buy the score, which I have, you would see that Bach is named as the composer. And if you were to compare the notes, you would see that there’s nothing in Petri’s version that is not in Bach’s. In modern parlance, I suppose you could say that Petri “covered” Bach. But it’s still Bach.
2:45 Magnificent modulation from JS Bach. She plays faster and with simpler spirit than at Fondation Vuitton in October 2016. Both renditions are superb.
Yes-isn’t it amazing? Busoni’s transcription of “Wachet auf” is also sublime, perhaps in even more profound measure. And there are so many more . . . How Bach wrung such forbidding beauty out of three polyphonic lines navigated by one musician educated in contrapuntal motion and tonal harmonic architecture using two hands commanding several dozen keys carved from wood striking wire strung in tension is a miracle of evolution, neurons, sentience, synergy and inexplicability.
Khatia, Du bringst einen weißen alten Mann zum Weinen. Bachs Musik und Du beweisen, daß es einen behütenden Herrgott gibt. Wenn er doch überall auf der Welt für Frieden sorgen würde.
Lese die Bibel das Wort GOTTES dann wirst du deine Antwort darauf bekommen wie das Leid und der Tod in die Welt gekommen ist und was GOTTES Plan ist, wie du dich mit ihm versöhnen, mit ihm in eine persönliche und lebendige Beziehung kommen und erettet werden kannst, und GOTT diese Welt in Gerechtigkeit richten, sein ewiges Friedensreich errichten und alles neu machen wird.
@@edewolf1351How sad your reasoning is. "The fool says in his heart, there is no God" those are the words in God's holy Word inspired and breathed by Himself to the Psalmist chapter 14 verse 1.
Kathia la magie de la musique opère en vous, l'esprit de J. S. Bach s'exprime à travers vous, mieux qu'avec quiconque... On est conquis dès les premières notes, un grand moment d'émotion ! Prenez soin de vous, on vous aime tant...! Bravo, merci beaucoup ! Les dieux de la musique vous garde, ils sont tous avec vous, comme nous tous ! £ 🙂 ❤
Magical interpretation! Greatest esthetical delight!! Khatia creates an effect of the "distant sound", as if really sheeps graze in the mountains valleys. If they compare this performance with other, even of very distinguished pianists ( Fleisher, Perahia), Khatia's superiority is evident.
I found it flat and filled with pointless theater. I listened to Leon Fleisher before that. He is simple, the decor too, no suit, no posture, no gesture, no "God is in me" face. But the superiority is everywhere in his work.
does making such a disturbed and suffering face make you a better piano player? Indeed, after learning to make such grim faces my piano playing sounds much different!
Wow, her voicing ability is pretty amazing actually. I play this piece from time to time, and trying to get some of those notes to ring out over the others is quite challenging.
Agreed. The first video I saw of her, I thought maybe it was the quality of the recording, but it comes out in all of her videos, so it must be her. I will have to hear her live some day. TH-cam videos aren’t sufficient
Here Michel PUISSANT (countertenor): U are the Most ENOURMOUSLY exiting beautiful in the Word.U Got it ALL dear Kathia, Am sending ,let hear ur performances to professionals (who still didńt know u),but also to Young poeple Not Into classic,….
This is however nearly 30 seconds faster than Polina Osetinskaya's version. There's nothing wrong with this per se but I wonder how much is nerves that is causing this and not a deliberate intention to play the piece faster?
You can get the music here: petruccimusiclibrary.ca/files/imglnks/caimg/0/01/IMSLP353819-PMLP127032-Bach-Petri_-_Cantata_208_Sheep_May_Safely_Graze.pdf
![🔴 [TRỰC TIẾP] Tứ Xuyên (Trung Quốc) VS U20 Thái Lan | Cúp VTV9 - Bình Điền 2024 | JET STUDIO](http://i.ytimg.com/vi/bguJ41PcW0c/mqdefault.jpg)
Ich liebe diese Musik . Danke an die Pianistin ,die es so gefühlvoll spielt . Danke !!!❤
composed some 300 years ago, and it will be still magic til eternity - Thank you Kathia and Johann Sebastian
It will endure for eternity because it's source is from eternity.
@@thankyou62 That's exactly what I wanted to write, until I clicked on your response!
@@margueriteduras1657 thank you 😊 I hope you have a wonderful day...draw your strength from the Eternal One today
@@thankyou62 Darude - Sandstorm will also endure for eternity 😁
It’s Khathia. You should at lease get her name spelled correctly.
Gott der Herr spricht durch Bachs Genie zu den Menschen.
Zarter und einfühlsamer kann es niemand spielen. Wunderbar.
How deeply she feels the special world of Bach...his attitude of past and future of that world... God bless 🙏 😇❣️ your hands Dear Khatia Buniatishvili!
Unglaublich schön gespielt! Danke an Kathia und Johann Sebastian für die Musik und Interpretation!
This interpretation of Bach’s ‘Sheep may safely graze’ for piano has to be right up there as one of the most finest ever performed. Thank you Kathia. Loved it.
Every note, every second of this is absolutely perfect..............
Shes just letting her hands play on there own. Not paying attention to the world. Just calm and making magic
It is wonderful and she is fantastic. So smooth, so peaceful. She is marvelous.
So tröstlich ,diese zauberhaften Klänge in dieser lauten ,hektischen und unruhigen Zeit, Dankeschön
unfassbar schön, die Musik und das Spiel.
And the soul go out from the body, and rise to the Sky.
Thank you Khatia
I've heard many interpretations and arrangements of this piece... this is the best !! Khatia is such a brilliant arranger & performer.. the world is a much better place because of her.
Most beautiful piano song from the greatest composer played by my favourite pianist. Thank you!
While I agree with you that this is a very nice piece played very beautifully, it is not a SONG (which is a musical piece which is sung), but a piano PIECE.
Since pianos do not sing, they do not play songs but pieces.
And secondly this piece was not composed by Bach. Bach actually composed a song, see link below, and the quite famous pianist Egon Petri rearranged it for the piano in the first half of the 20th century. This makes this a Petri piece more than a Bach piece IMHO.
This is the original, and yes, this is a song: th-cam.com/video/STWtdOTmqus/w-d-xo.html
@@Kref3 Thorsten, when someone swoons for poetry, they’re not in need of a lecture on the alphabet.
Furthermore, “songs without words” are quite a venerated phenomenon, so you’re not even technically correct.
So yes, perhaps a composer shares the source of a melody with a previous imagination, and perhaps another musician then transforms the amalgamation. Busoni’s transcription of “Wachet auf” is an even more majestic example of such collaboration, as was Handel’s “Ombra mai fu.” And there are so many more . . . Orff’s “Carmina Burana,” Gounod’s “Ave Maria,” . . . but these are gifts of alchemical genius, not embarrassments of plagiarism.
The salient fascination should be this-How did Bach wring such forbidding beauty out of three polyphonic lines navigated by one musician educated in contrapuntal motion and tonal harmonic architecture using two hands commanding several dozen keys carved from wood striking wire strung in tension? Is this a miracle of evolution, neurons, sentience, synergy or sheer inexplicability?
Our problem is not one of taxonomy, provenance or appropriation, but of sublimity, ineffability and imponderability.
@@Kref3 Technically, music is not physical material, nor is it a 'piece' of anything, so 'piece' logically doesn't have anything going for it. It's just a silly custom - here, listen to this 'piece' of nothing, which is in fact a song played on the piano. Moreover, one may say that a good player should make the piano sing. Chopin himself instructed all his pupils to imagine the right hand as the voice of a bel canto singer. He never said to make 'pieces' using the right hand or the left, as the term is utterly illogical, absurd, and unromantic. I'm fine with accepting custom, but it is sheer pedantism to argue about it and attack the notion of 'singing' with the piano. Especially when the music in question was a song to begin with.
@@Kref3
No. It’s Bach. An arrangement is never considered to be a “new” work of the arranger. This happens all of the time. How many melodies by Chopin do you hear played on violin? Or by an orchestra? It’s still Chopin isn’t it? Chopin composed almost exclusively for the piano, on the piano. But given the right arrangement, his works sound pretty good on other instruments. Bach is the same, maybe even more so, because that’s the way he himself composed his music-for a variety of instruments, mixed and matched, according to what was available at the timek. I’m sure Petri wrote this arrangement because he wanted to perform this lovely tune at a solo recital. Nothing wrong with that. If you were to buy the score, which I have, you would see that Bach is named as the composer. And if you were to compare the notes, you would see that there’s nothing in Petri’s version that is not in Bach’s. In modern parlance, I suppose you could say that Petri “covered” Bach. But it’s still Bach.
Too much time I avoided hearing Bach. Now I faced it and go into him. Bach is the God of music. Not only of his own time, but all.
She is perfect,no other adjectives needed. There is no gap between her and the piano, they join and make something different, the music
So true.
Fabulous interpretation, I think, is the best ever of this aria...
Heavenly. This is the best version I have heard. Thank you for your musical artistry and talent.
EXQUISITAMENTE INTERPRETADO, EL TIEMPO SOLO LE HA APORTADO UNA BELLEZA SUBLIME A ESTA PARTITURA ,MUCHAS GRACIAS KHATIA POR ENTREGÁRNOSLA TAN PURA
2:45 Magnificent modulation from JS Bach. She plays faster and with simpler spirit than at Fondation Vuitton in October 2016. Both renditions are superb.
Fantastic- I always listen again and again , and never gets boring - it’s inspires Me
Si la perfección existe, esta interpretación pudiera ser un ejemplo. Gracias por tanta belleza
Sie gibt einem Hoffnung für die Musiker der Zukunft. Immer versucht sie so zu spielen, als wäre sie die erste Interpretin des Stückes!
I love this so much.
Khatia, your playing touches me.
Karl Hassmann Das ist die Beste Musik das wir noch habben Danke
This is simply divine!!! What a delicious softness.... 🙏🙏 Does anyone know which transcription this is?
Egon Petri's
Yes-isn’t it amazing? Busoni’s transcription of “Wachet auf” is also sublime, perhaps in even more profound measure. And there are so many more . . .
How Bach wrung such forbidding beauty out of three polyphonic lines navigated by one musician educated in contrapuntal motion and tonal harmonic architecture using two hands commanding several dozen keys carved from wood striking wire strung in tension is a miracle of evolution, neurons, sentience, synergy and inexplicability.
Khatia love your playing. I listen to you every morning. You are indeed a gift from God. Thank you.
Sublime ❤
Breath-taking interpretation absolutely perfect. She stops TIME when she plays and all by heart !
Wie wunderschön ❤
…so bringt man die aufgeregte Welt zur Ruhe. Sie hat es nötig. Mi piace moltissimo
Refreshingly refined, delicate and sensitive.
Khatia, Du bringst einen weißen alten Mann zum Weinen. Bachs Musik und Du beweisen, daß es einen behütenden Herrgott gibt. Wenn er doch überall auf der Welt für Frieden sorgen würde.
Lese die Bibel das Wort GOTTES dann wirst du deine Antwort darauf bekommen wie das Leid und der Tod in die Welt gekommen ist und was GOTTES Plan ist, wie du dich mit ihm versöhnen, mit ihm in eine persönliche und lebendige Beziehung kommen und erettet werden kannst, und GOTT diese Welt in Gerechtigkeit richten, sein ewiges Friedensreich errichten und alles neu machen wird.
Stendhal: "Die einzige Entschuldigung für Gott ist, dass es ihn nicht gibt!"
@@edewolf1351How sad your reasoning is. "The fool says in his heart, there is no God" those are the words in God's holy Word inspired and breathed by Himself to the Psalmist chapter 14 verse 1.
Sie ist einfach ein Engel, der uns die himmlischen Weisen herunter trägt - mit all Ihrer weiblichen Anmut ...
Just amazing!
Katia is truly the godess of the piano. Such passion and feeling. She is also a beautiful person.
Hard to assess, what to fall in love first.. omg, she's gorgeous and her deep understanding makes Kathia even more beautiful.. brilliant piece.
Emocionante!! Muy bello
SO BEAUTIFUL 🥰 Bach wrote," To God be the glory" on all his scores 🙏🙏♥️
Kathia la magie de la musique opère en vous, l'esprit de J. S. Bach s'exprime à travers vous, mieux qu'avec quiconque... On est conquis dès les premières notes, un grand moment d'émotion ! Prenez soin de vous, on vous aime tant...! Bravo, merci beaucoup ! Les dieux de la musique vous garde, ils sont tous avec vous, comme nous tous ! £ 🙂 ❤
Magical !!!
❤️
Глибока, філософська інтерпретація, захоплює творчою естетикою звукотворення, прочитання Генія Баха.
❤❤❤ einfach die schönste und beste von Allen !!!
Die ungekrönte Königin des Pianissimo. Unfassbar.
I love and love it, thank you.
Make me cry! ❤️
the emotions have to come from inside without pulling faces!
Hermoso! 🌹🌹
BRAVO !!! )))
Un géant de la musique servi par une pianiste talentueuse et inspirée, aussi belle à voir qu'à entendre. Merci pour ce moment de bonheur !
meraviglia! la perfezione ,grazie Katia
Beautiful. I like her performance the most.
I can't imagine my life without KHATIA!!!
Please reissue and electronically negotiate for an increase in volume with TH-cam for those of us with laptops.
Stunningly beautifull in all ways BB N a
Magical interpretation! Greatest esthetical delight!! Khatia creates an effect of the "distant sound", as if really sheeps graze in the mountains valleys. If they compare this performance with other, even of very distinguished pianists ( Fleisher, Perahia), Khatia's superiority is evident.
I found it flat and filled with pointless theater. I listened to Leon Fleisher before that. He is simple, the decor too, no suit, no posture, no gesture, no "God is in me" face. But the superiority is everywhere in his work.
Not superior to Fleischer, but it's very lovely.
@@l.olenska9161 Dear Ms Olenksa - jelous and full of envy because of Khatias beautiful face, body and her geniuos music skills???
Lovely, my dear. Just lovely.
At the end of his compositions, Bach regularly inscribed the letters “S. D. G.” (Soli Deo Gloria-“To God alone, the glory”)
Ein wunderbarer neuer alter "Klingelton" in meinen Gehirnwindungen
Wunderschön ❤ Danke, liebe ხატია .
Que hermoso👏👏👏👏👏😘😘
where ever you are I will be with you always :)
She holds an unchallenged position as an interpreter of Bach
Refreshing to hear the correct Tempo.
Totally exquisite
Gorgeous Kathia...
Faszinierend - Barock auf romantisch!
Bach invented romanticism a hundred years before anybody else did it. There's nothing in music that J.S. Bach didn't do first.
Marvellous peformance, Kathia
Otherworldly!
does making such a disturbed and suffering face make you a better piano player?
Indeed, after learning to make such grim faces my piano playing sounds much different!
the beautiful pure truth.
Wow, her voicing ability is pretty amazing actually. I play this piece from time to time, and trying to get some of those notes to ring out over the others is quite challenging.
Agreed. The first video I saw of her, I thought maybe it was the quality of the recording, but it comes out in all of her videos, so it must be her. I will have to hear her live some day. TH-cam videos aren’t sufficient
Infinita Kathia...
weiss jemand, von wem dieses Arrangement ist. Es gibt so einige, aber dieses ist das schönste, schlichteste...
No one on the planet has ever named anyone KATHIA, nor will they EVER !!! It is simply not done !
Как Хорошо !!!!
Here Michel PUISSANT (countertenor): U are the Most ENOURMOUSLY exiting beautiful in the Word.U Got it ALL dear Kathia,
Am sending ,let hear ur performances to professionals (who still didńt know u),but also to Young poeple Not Into classic,….
the soul took possession of his hands!
Fantastic good ♥️♥️♥️☀️🤗
Dankeschön
Glory to Georgia 🇬🇪
Grüße aus dem Musik Unterricht
Superklare Interpretation, der 1. Teil des Textes wird JC allesaber der
Lo trovo un pezzo divino
Bach Notre pere a tous sublime
Please help me, i love this sound, i wanted the 2 piano player played pagini, sory my bad english.
👌
🌹🌹🌹👍
Brava
🌹🌹🌹💟💟💟👏
This is however nearly 30 seconds faster than Polina Osetinskaya's version. There's nothing wrong with this per se but I wonder how much is nerves that is causing this and not a deliberate intention to play the piece faster?
potrebbe averla trascritta Gulda
sehr schön aber die Wichtigste Hälfte fehlt Der Text ohne den ist das nur eine Begleitung von irgendwas .
mit Melodie
Khatia, NO Kathia!
Who's the transcriptor? Carlo Zecchi? Busoni? Sergio Fiorentino?
Egon Petri
You can get the music here: petruccimusiclibrary.ca/files/imglnks/caimg/0/01/IMSLP353819-PMLP127032-Bach-Petri_-_Cantata_208_Sheep_May_Safely_Graze.pdf
Better Yöhelis or also, as he so far no one can perform unfortunately.
I am surprised this is Grade 4. I thought it would be bit higher like Jesus Joy of Man Desiring.
Otherwordly
👏👏👏👏👏👏👏👏👏👏👏👏👏👏😍😍😍😍😍😍😍😍😍😍😍😍👍👍👍👍👍👍👍👍👍👍👍👍👍👍❤❤❤❤❤❤❤❤❤❤❤❤❤❤💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥
იბლოკება: ჩემს კომენტარებს ვერ იღებ?😘😘😇😇
画面暗すぎる。