This piece is a not a Chinese watercolor miniature, as the performer would want it, but a thunderous, dynamic, Spanish romantic piece. This musician has a potential, but his perception of this piece is too strongly influenced by his Far Eastern musical mindset.
@@kgsea91 Korean watercolor granted :-)! I have a great admiration for musicians and I usually refrain from making critical comments when I know that the performer could read them.There are and and there have been lots of very talented Korean musicians: violinists, pianists, and even guitarists who excelled in international competitions (like Kyuhee Park). As far as this piece, I cannot find a better example than this performance by a Vietnamese performer, Thu Le: th-cam.com/video/eSWLZVsdZgk/w-d-xo.html. Your rendition requires a faster tempo, and more vigor; a martial arts training may help you gain the required stamina. Watch Rafael Aguirre -- this young man had such an energy that he could almost break the instrument. I wish you the best of luck in your future career!
There could be countless emotional spectrums upon a 'professional' musician and all is worth respectable unless one makes a half-assed attemp for a performance. I think his interpretation seems no your taste, which is also respectable. What do you mean by Far Eastern musical mindset btw?
@@HappySKOTOP I meant that performers could be influenced by the musical folklore of their native place. It is something perfectly normal and understandable, however, most classical performers rid themselves of such influences, because of their academic formation. As far as the "emotional spectrum", that should be restricted according to the piece of music and the composer's intentions. There is "expression", and there is "exaggeration", and many performers, even among the big and famous often cross the boundary between these two.
@@curaticac5391 Thank you for your feedback. Well, I like Bream's play best for this particular piece. Nothing else for me. But I would think over why this musician, who has achieved such a lot of professional careers as well as intensive academic background, plays like that; what's inside in it; what he wants to convey. Like or not is totally dependent on a personal preference then. But still his somewhat unique playing of this particular piece has nothing to do with his geographical backgound. I believe you will be with me once you listen to his othet performances. Thu le is a well known great guitarist with no doubt, yet I wouldn't dare post her performance of the same piece on my 'advisory' comment.
김진세님 연주는 정말 몰입하게 만드는 힘이 있어요 연주회때 듣고 반했습니다
That was fantastic!!!
Brilliantly played. Extraordinary.
와우~~저는 클래식 기타교실 계이름 익히기부터 차분히요! 부드러움 절도 기운참 명료 신남 정교함 모두가 어우러진, 아름다운 연주. 곡입니다!!!♡
Beautiful guitar sound.
Fantastic playing
Bravo~~!!!
The best playing of this piece I've ever heard.
Didn't Bream die some good years ago? Or speaking from heaven?
@@araby33 Did he?
이 곡을 전혀 알지 못하는데도 몰입해서 끝까지 감상했네요
품격있는 연주 고맙습니다 ^^
정형적이지 않은 곡해석 조으네요....음색도 좋으시고 한음한음 매력있네요...
잘보고가네요 .
Bravo~
작곡가가 한음한음 정성들여 작곡한 곡을 빠짐없이 표현해서 끝까지 듣고싶게하는 연주 정말 멋있네요~♡
브라보 김진세!!
기타와 한몸이 되서 연주하시네요 좋은 소리 들려주셔서 감사합니다
아주 감미롭고 멋있어요
Bravo!!
정말 ㅎㄷㄷ하네요... 기회된다면 이분 연주회 꼭 한번가보고싶네요
혼신으로 몰입하는 영혼의 연주네요.
짝짝짝 완벽그자쳅니다!!
How much for this guitar in $
좋으다
ㅇㅅㄱ !
김교수 귀청소하고 갑니다 ~
Superb . So called experts 👎
This piece is a not a Chinese watercolor miniature, as the performer would want it, but a thunderous, dynamic, Spanish romantic piece. This musician has a potential, but his perception of this piece is too strongly influenced by his Far Eastern musical mindset.
But I want to be Korean watercolor rather than Chinese watercolor if you are okay^^ thanks for the comment
@@kgsea91 Korean watercolor granted :-)!
I have a great admiration for musicians and I usually refrain from making critical comments when I know that the performer could read them.There are and and there have been lots of very talented Korean musicians: violinists, pianists, and even guitarists who excelled in international competitions (like Kyuhee Park). As far as this piece, I cannot find a better example than this performance by a Vietnamese performer, Thu Le: th-cam.com/video/eSWLZVsdZgk/w-d-xo.html. Your rendition requires a faster tempo, and more vigor; a martial arts training may help you gain the required stamina. Watch Rafael Aguirre -- this young man had such an energy that he could almost break the instrument.
I wish you the best of luck in your future career!
There could be countless emotional spectrums upon a 'professional' musician and all is worth respectable unless one makes a half-assed attemp for a performance.
I think his interpretation seems no your taste, which is also respectable. What do you mean by Far Eastern musical mindset btw?
@@HappySKOTOP I meant that performers could be influenced by the musical folklore of their native place. It is something perfectly normal and understandable, however, most classical performers rid themselves of such influences, because of their academic formation. As far as the "emotional spectrum", that should be restricted according to the piece of music and the composer's intentions. There is "expression", and there is "exaggeration", and many performers, even among the big and famous often cross the boundary between these two.
@@curaticac5391 Thank you for your feedback.
Well, I like Bream's play best for this particular piece. Nothing else for me. But I would think over why this musician, who has achieved such a lot of professional careers as well as intensive academic background, plays like that; what's inside in it; what he wants to convey. Like or not is totally dependent on a personal preference then. But still his somewhat unique playing of this particular piece has nothing to do with his geographical backgound. I believe you will be with me once you listen to his othet performances.
Thu le is a well known great guitarist with no doubt, yet I wouldn't dare post her performance of the same piece on my 'advisory' comment.