The wonderful part of this alapanai is the fact that neither Sanjay sir nor the violinist used the anya swarams (G3, D1, N3), atleast negligible as far as what i heard. And a lot of Bhairavi-esque NDNS.. Fresh perspective of Ananda Bhairavi indeed, showing it as a raga as though it was the child of Kharaharapriya..
I heard this kirtanai sang by Sri Ramnad Krishna, an unsung genius, & Sanjay reminds me the concert about 50 years back .What a beautiful rendition by Sanjay the great contemporary Super star of Carnatic music.
Meaning pallavi sadA ASrayAmi - I always seek refuge in sadASivaM - Sadashiva, tyAgarAja yOga vaibhavaM - the one who is Tyagaraja, with the grandeur of Yoga, aga rAja yOga vaibhavaM - the one who signifies the fortune and glory of Himavan (the king of mountains), rAja yOga vaibhavaM - the one with the grandeur of regal splendour, yOga vaibhavaM - the one whose exaltation is Yoga, vaibhavaM - the magnificent one, bhavaM - the origin of this universe, vam - the one signified by the Mantra ‘vam’ (the ambrosial one), samashTi caraNam nAga rAja vinuta padaM - the one whose feet are praised by the king of snakes, nAda bindu kalA-AspadaM - the repository of the principles of Nada, Bindu and Kala, yOgi rAja vidita padaM - the one whose feet are known only to the best among Yogis, yugapad-bhOga mOksha pradam - the one who can simultaneously give enjoyment and salvation, yOga rUDha nAma rUpa viSva sRshTi-Adi karaNaM - the one who performs the creation etc. of this universe, that is made of manifold names and forms, and that has risen from his Yogic powers, yuga parivRti-abda mAsa dina ghaTikA-Adi-AvaraNam - the one who is hidden as the time principle, as the cycle of Yugas, year, month, day, and Ghatika (a unit of twenty four minutes), SrI guru guha guruM - the father of Guruguha, sat-cit-Ananda - the embodiment of existence-consciousness-bliss, bhairavI-ISaM - the lord of Bhairavi(Parvati), Siva Sakti-Adi sakala tatva svarUpa prakASaM - the one who has expanded as all principles, beginning with Shiva and Shakti, SaM - the embodiment of beneficence, prakASaM - the effulgence, svarUpa prakASaM - the one who shines as his own self, tatva svarUpa prakASaM - the one who manifests as the truth, sakala tatva svarUpa prakASaM - the one who appears as all realities, Siva Sakti-Adi sakala tatva svarUpa prakASam - the one who has expanded as all principles, beginning with Shiva and Shakti. Comments: This kriti is in the second Vibhakti Himavan had the fortune of obtaining the lord as his son-in-law, hence his glory The Pallavi has a “gO-puccha yati” while the Samasthi Charanam has a ”srOtO-vAha yati” which are embellishing elements, characterized by decreasing and increasing phrases of Sahitya respectively
Anandhabhairavi very similar to huseni raga and it’s raga and also allied with Bhairavi, mukhari, and huseni too and as well too and that raga and that too and that too anandhabhairavi raga and that’s too if that’s and that raga anandhabhairavi raga too and that’s too and it’s too allied too with those ragas too that raga .
Excellent stuff but just another day out for Sanjay. He keeps singing so well that we all expect the finest from him as if it is the minimum 🙂👏 That said I think he should have sung this slightly lower
This kriti is praising the Lord Tyagaraja, a part of Shiva and not the respected Saint Tyagaraja. That was news to me when I first read about it. Just want to share with other listeners. Nice rendition, thank you ..
The wonderful part of this alapanai is the fact that neither Sanjay sir nor the violinist used the anya swarams (G3, D1, N3), atleast negligible as far as what i heard. And a lot of Bhairavi-esque NDNS.. Fresh perspective of Ananda Bhairavi indeed, showing it as a raga as though it was the child of Kharaharapriya..
Beautiful, and with that Sanjay touch 🥰 Rahul
Yes you’re right. Right right .
What a beautiful sowkhyam laden alapana!!!
I heard this kirtanai sang by Sri Ramnad Krishna, an unsung genius, & Sanjay reminds me the concert about 50 years back
.What a beautiful rendition by Sanjay the great contemporary Super star of Carnatic music.
ಬಹು ಸುಂದರವಾದ ರಾಗ ಸಾಹಿತ್ಯ ಸ್ವರಗಳ ಗಾಯನ ಪ್ರಸ್ತುತಿ.ಆನಂದ ತಂದ ಆನಂದಭೈರವಿ. ಅಭಿನಂದನೆಗಳು ಸಂಜಯ್.
Top class rendition. Great accompanying as well. High quality audio recording. Thanks for sharing.
Top class rendition
pallavi
tyAgarAja yOga vaibhavaM sadASivaM
tyAgarAja yOga vaibhavaM sadASrayAmi
tyAgarAja yOga vaibhavaM aga rAja yOga vaibhavaM
rAja yOga vaibhavaM yOga vaibhavaM
vaibhavaM bhavaM vam
samashTi caraNam
nAga rAja vinuta padaM nAda bindu kalAspadaM
yOgi rAja vidita padaM yugapadbhOga mOksha pradam
yOga rUDha nAma rUpa viSva sRshTyAdi karaNaM
yuga parivRtyabda mAsa dina ghaTikAdyAvaraNam
(madhyama kAla sAhityam)
SrI guru guha guruM saccidAnanda bhairavISaM
Siva SaktyAdi sakala tatva svarUpa prakASaM
SaM prakASaM svarUpa prakASaM
tatva svarUpa prakASaM
sakala tatva svarUpa prakASaM
Siva SaktyAdi sakala tatva svarUpa prakASam
variations -
yuga parivRtyabda - yuga parivRtyAbda
kshEtra - tiruvArUr
Meaning
pallavi
sadA ASrayAmi - I always seek refuge in
sadASivaM - Sadashiva,
tyAgarAja yOga vaibhavaM - the one who is Tyagaraja, with the grandeur of Yoga,
aga rAja yOga vaibhavaM - the one who signifies the fortune and glory of Himavan (the king of mountains),
rAja yOga vaibhavaM - the one with the grandeur of regal splendour,
yOga vaibhavaM - the one whose exaltation is Yoga,
vaibhavaM - the magnificent one,
bhavaM - the origin of this universe,
vam - the one signified by the Mantra ‘vam’ (the ambrosial one),
samashTi caraNam
nAga rAja vinuta padaM - the one whose feet are praised by the king of snakes,
nAda bindu kalA-AspadaM - the repository of the principles of Nada, Bindu and Kala,
yOgi rAja vidita padaM - the one whose feet are known only to the best among Yogis,
yugapad-bhOga mOksha pradam - the one who can simultaneously give enjoyment and salvation,
yOga rUDha nAma rUpa viSva sRshTi-Adi karaNaM - the one who performs the creation etc. of this universe, that is made of manifold names and forms, and that has risen from his Yogic powers,
yuga parivRti-abda mAsa dina ghaTikA-Adi-AvaraNam - the one who is hidden as the time principle, as the cycle of Yugas, year, month, day, and Ghatika (a unit of twenty four minutes),
SrI guru guha guruM - the father of Guruguha,
sat-cit-Ananda - the embodiment of existence-consciousness-bliss,
bhairavI-ISaM - the lord of Bhairavi(Parvati),
Siva Sakti-Adi sakala tatva svarUpa prakASaM - the one who has expanded as all principles, beginning with Shiva and Shakti,
SaM - the embodiment of beneficence,
prakASaM - the effulgence,
svarUpa prakASaM - the one who shines as his own self,
tatva svarUpa prakASaM - the one who manifests as the truth,
sakala tatva svarUpa prakASaM - the one who appears as all realities,
Siva Sakti-Adi sakala tatva svarUpa prakASam - the one who has expanded as all principles, beginning with Shiva and Shakti.
Comments:
This kriti is in the second Vibhakti
Himavan had the fortune of obtaining the lord as his son-in-law, hence his glory
The Pallavi has a “gO-puccha yati” while the Samasthi Charanam has a ”srOtO-vAha yati” which are embellishing elements, characterized by decreasing and increasing phrases of Sahitya respectively
Very peaceful
Artistes accompanying the vocalist are
-Shri RK Shriramkumar - Violin Player
-Shri ArunPrakash - Mridangam Player
Thanks for the information
Anandhabhairavi very similar to huseni raga and it’s raga and also allied with Bhairavi, mukhari, and huseni too and as well too and that raga and that too and that too anandhabhairavi raga and that’s too if that’s and that raga anandhabhairavi raga too and that’s too and it’s too allied too with those ragas too that raga .
Excellent stuff but just another day out for Sanjay. He keeps singing so well that we all expect the finest from him as if it is the minimum 🙂👏
That said I think he should have sung this slightly lower
Divine
Last October I learnt this kriti from this recording...
Now am realizing that most TH-cam videos that I have listened in the past are your uploads. You got good taste..
Thanks, Aparna..
@@aparnack I have recoded the same feeling earlier to Narayan Kumar.
I request Shri Narayan Kumar to upload the same Kriti by KVN
This kriti is praising the Lord Tyagaraja, a part of Shiva and not the respected Saint Tyagaraja. That was news to me when I first read about it. Just want to share with other listeners. Nice rendition, thank you ..
Yes, this is a part of the Tiruvarur Thyagaraja Swami Vibhakti krithis of Sri. Muthuswami Dikshithar. Thank you for your comments..
Thanks for the info. I was not aware that this kriti is in praise of Lord Shiva!
Ahah