It feels so limiting when I stop playing as Diamond and go to some other character... It's like gaining the ability to fly, and then suddenly losing it
I fear the true brilliance of the beat mechanics is lost on most outside observers. The challenge in the game isn't just to keep a steady beat. The rythm based gameplay introduces a timer into every single decision you make. The game ecourages you to keep the beat up by giving you a gold multiplier. You *have* to make a move to keep the multiplier (with a couple of exceptions, like special shoes). You can not take your time planning your moves, so the additional challenge of the game is to learn to make the needed decision in the increasingly short time between the beats.
nerf zone 4? absolutely not. i've had this game early access for a while and today, with stage 4 being in the full release, I figured out and memorized all the enemy movement patterns in just about 3 runs. when you first play the game, everything seems impossibly unfair but you start catching on quick and realizing how the game works. moving to the beat becomes second nature but somehow stays fun forever and you're left to focus on battling the enemies. same goes for the bosses.
George, I want to thank you for turning me on to so many indie games that might not have gotten my attention had it not been for this channel. I'll take one strong review of a small, fun steam game over 3000+ contractually obligated reviews of the Grand Theft Auto V remaster.
8-20 hours of playtime seems a bit low, considering its meant to be played as a roguelike. If your going through floors one by one, then that seems right. But the real casual endpoint is to beat all 4 floors in a row as the main character, which is likely more than 30 hours. Anyone who enjoys the isaac style should expect that, and expect to have fun doing the same thing with a few of the more difficult characters. I was a fairly casual isaac player, I put about 100 hours into it, and I put just as much into this game as well. It has more depth than this review puts on it, even though I agree with the review in pretty much every way.
My gripe with the game is that the rhythm is hard to read. I played for a while and I still don't know whether I'm supposed to hit the key/start jump at the beat or my character should land at the beat. It's a fraction of a second but I'm a very musically inclined person and tiny discrepancies between the beat and what I'm seeing really bothers me. Good and original game nonetheless.
diegofloor If you see the tempo meter at the bottom of the screen, it clearly clues you in on what timing you're supposed to keep the beat on. I basically caught on immediately, and I'm also a musically inclined person
You ought to put more video please, I really like all of your reviews and your opinion on games in general! Its really an entertaining and informative channel to watch.
This is now one of my favourite videos from you, George. Everything you said about this game really added up to a brilliant piece of constructive critisism that made me want to buy the game. Not many reviews have had that effect with me, to be honest, and that says a lot about this particular one. My very first encounter with this game came with a "Oh, not another pixelated rogue-like on Steam..." without really checking it out or even viewing a trailer or bit of gameplay. Since watching this video, you got me interested. More than interested. I am a huge fan of rythym-based games, and for a rythym game to take on the rogue-like genre is something I, (like many people) have never seen before. Thanks for introducing me to my new favourite indie game, George. And great review as well!
It is way too freaking hard, especially when you move towards the later third of the main story. I'm like 35 hours into the game and still can't beat it. I would argue that Crypt of the Necrodancer is more difficult than Dark Souls and FURI on FURIER. By far the most difficult game I've ever played. It stops being fun when you can't seem to make any progress after dozens of hours.
Sorry to ask but, what's the song at 3:59? sounds incredible. Other than that your review makes me want to buy this game. I've been seeing gameplays and hearing the soundtrack and I'm convinced this game is for me.
If I'm not wrong I think it's one of the songs from the Digipen student game 'Nitronic Rush'. :) Just search the ost for that and I think you'll find it! :D
It may be Amplified (DLC), but it's never really felt feasable to ignore the beat for me. Since it has a small coyote time after a missed beat (0.25 seconds or so) for you to make up for a missed beat, it always _completely_ screws up my rythem to skip a beat. Much better to just dig/buffer and let the enemies get closer.
Yeah that nervous square should be a thing in it's own right. Like... you get an AC bonus and a spotlight or disco ball flashes above you when you're obviously baiting an enemy.
I don't quite agree with your saying that the diagonally-moving enemies are unfair. They appear in Zone 3 as well, so you've got quite enough opportunities to acquaint yourself with them. Not to mention that you always have enough time to observe how the enemies move before you _have_ to engage them. Of course, knowing the patterns and being able to play around them within a strict time limit are two quite different things, but I'd say that's mostly a matter of player skill. I did, however, notice that quite a few Zone 4 enemies do not appear to have a clear tell on when they're going to move which doesn't seem entirely fair to me. Also, you are quite right in saying that you can often just ignore the multiplier and wait for the enemies to move towards you, but that wastes a lot of time and you get much less money. That's not so severe in single-zone mode (which is basically just for training), but in all-zones mode, you really _need_ that money or you'll quickly fall behind in terms of equipment.
Ever heard of a game called Beat Sneek Bandit? By the guys who made Year Walk and Device 6? Looks like the devs of this game lifted the basic game mechanic from that and changed the genre from streamlined puzzler to open roguelike dungeoncrawler. I'd recommend checking it out to compare how different the mechanics affect the game, as your gripe about the cluttered screens and varied monster priorities contradicting the rhythmic gameplay wouldn't apply to BSB, although I doubt BSB would be as thrilling as you make out this game to be at times
Hey there, I was wondering, I know you play a lot of games, and obviously you don't have time for every game a fan recommends you, but there is a really fun local co-op dungeon crawling game on Steam called Crawl. It's still in early access I'm aware, but the amount of fun I've had with my friends was well worth the price, and I can't wait for even more additions to the game. If you ever get the chance somehow, give it a try, I'd love to hear your critique on it.
Honestly I'm not really interested in the game for its own sake, but I do kind of want to see how it handles something like Strapping Young Lad. And if the length of the level is dictated by the length of song, then does that mean you can make it really easy if you make it play some 20 minute long prog rock odyssey? What about a 10 second long grindcore song?
Scrustle Strapping Young Lad would be interesting, but what would REALLY be interesting is The Dillinger Escape Plan, who rotate time signatures and tempos so constantly that a consistent beat basically doesn't exist.
Scrustle In both scenarios, no. The goal of each level is to defeat a miniboss before time runs out so you can open a door (staircase, really) to the next level. If time runs out before you do so, you drop through a trap door to the next level (as well as lose your combo multiplier). However, before you can progress through the actual next level, you have to escape what is a monster house: you're pitted against four different kinds of enemies, at least one of which is a miniboss monster, and you can't progress through the level until you kill the miniboss of that house. A 10-second song is NOT good for you. Neither is a 20-minute song. It provides you with much more time, but that extra time doesn't make it any easier to fight enemies.
Great review, i bought the game a moment ago! When you said i can put some Hotline Miami (Perturbator) music in, i was sold. In The Binding of Isaac, i have a mod which has Perturbator music, and it's also Rouge-like, so this is a win! c:
I'm late to the party, but I'm hard pressed to find anything unfair about this game. Enemies who move diagonally can still be evaded by simply moving back from them. Ranged weapons can get you stuck in an area that's inopportune, due to the said range. With this being put on the table, Zone 4 doesn't need a nerf in the slightest I feel. Maybe the amount of warlocks that spawn could be changed, but that's only a thought. In any case, this review was really well done and I'd love to see more.
Rewatching this review, I now have hundreds of hours in Necrodancer and one of the only things I disagree with is the balance issues. If it wasn't for the very hard gameplay, I probably would've stopped playing after I beat it the first time. Haven't cleared a full run with Aria yet, but I'm close.
Just today I went back to play the original elite and that gave genuinely made me feel like a space pilot due to all its buttons spread out across the keyboard.
I notice all of the game's songs and even the ones you used as example have a 4/4 meters. I kinda wonder whether the game is able to handle other meters such as 3/4, let alone irregular ones such as 5/4 or 7/8 (this'd make the game substantially more challenging).
I know that this review is an year old but you can change the controls of the game. For example, I play with movement on WASD and items usage on Q, E, R, F, C, and X (instead of the Up + Down or other directional nonsense).
You have probably found out by now, but that's a tutorial level meant to teach you how to beat Red Dragons and various tactics you can use to avoid taking damage to their fire.
One problem is that "different" doesn't mean "good" in terms of control scheme. Devs ditched the tanky controls of Resident Evil because they were shit. The problem is that they also ditched the mechanics, and it was just a third person shooter. I think MGS4 and V show that you can keep unique mechanics and feeling without having a super-complicated, unwieldy control scheme.
aresdotexe RE 4 and 5 had tank controls. Tank controls are crucial to giving weight to a character while retaining responsiveness, and to handle weird changing camera angles.
The movement and inputs for it didn't change one bit in RE4, you are still steering your character with the left stick and can't strafe. The whole controls layout is nigh identical.
I adore Dance Dance revolution so it's kinda cool that this supports dance pads. Too bad I haven't owned one in ages haha Plus when I play rhythm/dance games I prefer doing it on the arcade machines themselves itself, don't know how accurate modern dance pads are to be honest. It's a pity that the arcade machines aren't that popular anymore, I really want to get one eventually.
Unfortunate the game isn't complex enough to really work with songs that aren't of a totally consistent beat. That rules out pretty much everything but club/rave electric music. Ah well. This looks kind of amazing, and the fact it's local co-op is very, very surprising. I bet this is hilarious and fun with a friend.
![일상 속 기분 좋음 [Proto disco meme]](http://i.ytimg.com/vi/DwmEIaZ7XGQ/mqdefault.jpg)
"You will never be able to move diagonally."
They added a new character with the DLC that lets you do exactly that. Best character ever.
It feels so limiting when I stop playing as Diamond and go to some other character... It's like gaining the ability to fly, and then suddenly losing it
I fear the true brilliance of the beat mechanics is lost on most outside observers. The challenge in the game isn't just to keep a steady beat. The rythm based gameplay introduces a timer into every single decision you make. The game ecourages you to keep the beat up by giving you a gold multiplier. You *have* to make a move to keep the multiplier (with a couple of exceptions, like special shoes). You can not take your time planning your moves, so the additional challenge of the game is to learn to make the needed decision in the increasingly short time between the beats.
How do we know you don't just like this game for its never-ending bunny hopping?
"When your cornered, alone, under equipped with nowhere left to dance to." A game where saying this makes sense is a game worth playing at least once.
It's great to hear Danny's music again.
EDIT: I just heard Roller Mobster, save my soul from this amazingness.
Came from the future due to the Zelda Necromancer. Your review is amazing.
How do you like Cadence?
@@thinkimpulsive It's a fun game, might even buy the first game.
*necrodancer hah
Oh my god, you did not just import the Night Man song. This is my first time watching one of your videos, and I love you.
That Dayman bit just earned you a sub, my friend. I'm fucking in tears
Gonna pick this up, looks like a lot of fun :-) Great review as always!
And some great music!
Xisuma! Fancy seeing you here! Dang!
❤
5:52 "It seems far to pheasable to ignore the beat"
WHOA WHOA WHOA.
Have you even Aria mode?
I have. That is the true endgame.
let alone coda
nerf zone 4? absolutely not. i've had this game early access for a while and today, with stage 4 being in the full release, I figured out and memorized all the enemy movement patterns in just about 3 runs. when you first play the game, everything seems impossibly unfair but you start catching on quick and realizing how the game works. moving to the beat becomes second nature but somehow stays fun forever and you're left to focus on battling the enemies. same goes for the bosses.
George, I want to thank you for turning me on to so many indie games that might not have gotten my attention had it not been for this channel. I'll take one strong review of a small, fun steam game over 3000+ contractually obligated reviews of the Grand Theft Auto V remaster.
8-20 hours of playtime seems a bit low, considering its meant to be played as a roguelike. If your going through floors one by one, then that seems right. But the real casual endpoint is to beat all 4 floors in a row as the main character, which is likely more than 30 hours. Anyone who enjoys the isaac style should expect that, and expect to have fun doing the same thing with a few of the more difficult characters. I was a fairly casual isaac player, I put about 100 hours into it, and I put just as much into this game as well. It has more depth than this review puts on it, even though I agree with the review in pretty much every way.
And if you want to master it, it'll take thousands of hours.
DAYMAN! aaaaAAAAAaaaa
FIGHTER OF THE NIGHTMAN! aaaaaAAAAAaaaa
Master of Karate and Friendship for everyone
GoodFriendsForever Would you say that Dayman is... a bomb?
Necrodancing to carpenter brut totally earned my subscription. I wish I could do that on the PS4.
Nice channel! Keep it up!
Thanks for the recommendation, this looks interesting. And I'm so happy that you put on 'Roller Mobster'.
My gripe with the game is that the rhythm is hard to read. I played for a while and I still don't know whether I'm supposed to hit the key/start jump at the beat or my character should land at the beat. It's a fraction of a second but I'm a very musically inclined person and tiny discrepancies between the beat and what I'm seeing really bothers me. Good and original game nonetheless.
diegofloor I only got the game today, but I know what you are referring to.
diegofloor If you see the tempo meter at the bottom of the screen, it clearly clues you in on what timing you're supposed to keep the beat on.
I basically caught on immediately, and I'm also a musically inclined person
Those few seconds of watching you dance to stains of time sold me on the game. Thanks for uploading this.
Roller Mobster is love, Roller Mobster is live
Firefox is red, Explorer is blue. Google+ sucks and Chrome does too. I love that, Le Perv, Sexualizer, and Technoir
Although for this game, intro of this song is better to be cut.
[Jacket] Bloodline, She Swallowed Burning Coals, and Sexualizer. My 3 favorites.
You ought to put more video please, I really like all of your reviews and your opinion on games in general! Its really an entertaining and informative channel to watch.
Please, for the love of the Maker, clean your keyboard. I beg you.
That ending, with you dodging the red dragon on the beat, felt so good to watch > u
I'd love to try that out with some prog with odd time signatures, it'd be cool if it actually worked.
DAYMAN
10/10 It's Always Subscribe in Philadelphia
This is now one of my favourite videos from you, George. Everything you said about this game really added up to a brilliant piece of constructive critisism that made me want to buy the game. Not many reviews have had that effect with me, to be honest, and that says a lot about this particular one. My very first encounter with this game came with a "Oh, not another pixelated rogue-like on Steam..." without really checking it out or even viewing a trailer or bit of gameplay.
Since watching this video, you got me interested. More than interested. I am a huge fan of rythym-based games, and for a rythym game to take on the rogue-like genre is something I, (like many people) have never seen before. Thanks for introducing me to my new favourite indie game, George. And great review as well!
I. LOVE. Crypt of the Necrodancer. Might be my favorite game.
The have a version with the legend of Zelda called cadence of hyrule
You have one of the best products on TH-cam. Don't stop. Loving the videos.
It is way too freaking hard, especially when you move towards the later third of the main story. I'm like 35 hours into the game and still can't beat it.
I would argue that Crypt of the Necrodancer is more difficult than Dark Souls and FURI on FURIER.
By far the most difficult game I've ever played. It stops being fun when you can't seem to make any progress after dozens of hours.
same
This was a year ago tho did you manage to beat aria's story?
Sorry to ask but, what's the song at 3:59? sounds incredible. Other than that your review makes me want to buy this game. I've been seeing gameplays and hearing the soundtrack and I'm convinced this game is for me.
If I'm not wrong I think it's one of the songs from the Digipen student game 'Nitronic Rush'. :) Just search the ost for that and I think you'll find it! :D
Did you get it? Do you still play it?
4:42 you could have just uploaded these few seconds.
Thank you for the death scream at the end; it would've killed me not knowing whether you survived that last hit or not.
I wonder how well this game would work with Tech Death Metal.
I could not stop moving my head all the way up to the end of the video.
It may be Amplified (DLC), but it's never really felt feasable to ignore the beat for me. Since it has a small coyote time after a missed beat (0.25 seconds or so) for you to make up for a missed beat, it always _completely_ screws up my rythem to skip a beat. Much better to just dig/buffer and let the enemies get closer.
Yeah that nervous square should be a thing in it's own right. Like... you get an AC bonus and a spotlight or disco ball flashes above you when you're obviously baiting an enemy.
Damn it, now I have to buy this just to play it with Rules of Nature.
LOVED The way you threw the Dayman song in there! Even if it did break the game
I don't quite agree with your saying that the diagonally-moving enemies are unfair. They appear in Zone 3 as well, so you've got quite enough opportunities to acquaint yourself with them. Not to mention that you always have enough time to observe how the enemies move before you _have_ to engage them.
Of course, knowing the patterns and being able to play around them within a strict time limit are two quite different things, but I'd say that's mostly a matter of player skill.
I did, however, notice that quite a few Zone 4 enemies do not appear to have a clear tell on when they're going to move which doesn't seem entirely fair to me.
Also, you are quite right in saying that you can often just ignore the multiplier and wait for the enemies to move towards you, but that wastes a lot of time and you get much less money.
That's not so severe in single-zone mode (which is basically just for training), but in all-zones mode, you really _need_ that money or you'll quickly fall behind in terms of equipment.
The game's rythm based gameplay reminds me of Patapon, and that's good!
Playing this with Danganronpa music is divine.
WesleyB Crowen is the Danganronpa music available on the Vita or are you playing a mod on steam?
Sword of Kings Mod. Wouldn't mind to get it to my vita if it wasn't Japan exclusive.
WesleyB Crowen aw bummer. I messaged spike chunsoft about maybe if enough people ask we'll get it localized
With the approach of the Full Release of the DLC, do you plan to return to necrodancer?
Aced that ending!
One of the few Early Access games I played and indisputably loved.
Ever heard of a game called Beat Sneek Bandit? By the guys who made Year Walk and Device 6? Looks like the devs of this game lifted the basic game mechanic from that and changed the genre from streamlined puzzler to open roguelike dungeoncrawler. I'd recommend checking it out to compare how different the mechanics affect the game, as your gripe about the cluttered screens and varied monster priorities contradicting the rhythmic gameplay wouldn't apply to BSB, although I doubt BSB would be as thrilling as you make out this game to be at times
Nice choice of custom music bro!
NIGHT MAN
3:50 Ok, using Monsoon's theme was perfect.
I Love you. So much for the Dayman song.
Hey there, I was wondering, I know you play a lot of games, and obviously you don't have time for every game a fan recommends you, but there is a really fun local co-op dungeon crawling game on Steam called Crawl. It's still in early access I'm aware, but the amount of fun I've had with my friends was well worth the price, and I can't wait for even more additions to the game. If you ever get the chance somehow, give it a try, I'd love to hear your critique on it.
George, please make a video review on Cadence of Hyrule! Love this review, and want to know your opinion on the new one! Cheers!
8-20 hours? Try 250+ :) And most of that was from before launch, so there was only the Danny B soundtracks.
Played this these last days and now this video comes up.
Welp, time to back to groove some more.
Honestly I'm not really interested in the game for its own sake, but I do kind of want to see how it handles something like Strapping Young Lad. And if the length of the level is dictated by the length of song, then does that mean you can make it really easy if you make it play some 20 minute long prog rock odyssey? What about a 10 second long grindcore song?
Scrustle Strapping Young Lad would be interesting, but what would REALLY be interesting is The Dillinger Escape Plan, who rotate time signatures and tempos so constantly that a consistent beat basically doesn't exist.
Scrustle In both scenarios, no. The goal of each level is to defeat a miniboss before time runs out so you can open a door (staircase, really) to the next level. If time runs out before you do so, you drop through a trap door to the next level (as well as lose your combo multiplier). However, before you can progress through the actual next level, you have to escape what is a monster house: you're pitted against four different kinds of enemies, at least one of which is a miniboss monster, and you can't progress through the level until you kill the miniboss of that house.
A 10-second song is NOT good for you. Neither is a 20-minute song. It provides you with much more time, but that extra time doesn't make it any easier to fight enemies.
+Scrustle I would like to see either Bring The Sun by Swans or any song off of Pulse Demon by Merzbow.
6:05 "A couple of late-game enemies can move diagonally, which you will never be able to do"
*Then comes out the DLC with Diamond*
Never say never~
it's cool that new genres of game can still be made by combining older genres
Great review, i bought the game a moment ago!
When you said i can put some Hotline Miami (Perturbator) music in, i was sold.
In The Binding of Isaac, i have a mod which has Perturbator music, and it's also Rouge-like, so this is a win! c:
Personally, I preferred it with a gamepad, slamming XYAB buttons with my thumb, they're more cardinal and just feel more, uh, slammable.
I'm late to the party, but I'm hard pressed to find anything unfair about this game. Enemies who move diagonally can still be evaded by simply moving back from them. Ranged weapons can get you stuck in an area that's inopportune, due to the said range. With this being put on the table, Zone 4 doesn't need a nerf in the slightest I feel. Maybe the amount of warlocks that spawn could be changed, but that's only a thought.
In any case, this review was really well done and I'd love to see more.
Nice choice for the Hotline Miami 2 song, Roller Mobster fucking rocks!
Rewatching this review, I now have hundreds of hours in Necrodancer and one of the only things I disagree with is the balance issues. If it wasn't for the very hard gameplay, I probably would've stopped playing after I beat it the first time. Haven't cleared a full run with Aria yet, but I'm close.
The Dark Souls of DDR.
What were the two songs played for the custom songs section?
First song I thought of as soon as I saw the Import MP3 option was Speed Highway from Sanic Adventure.
I think there needs to be some flavour added to a voice which can be confused for an automated one.
I picked this up a month ago... I don't think they ever nerfed Zone 4.
Lol zone 4 doesnt need a nerf,git gud
Can you upload MP3's on the PS4 version through the system and/or Spotify?
Nice job! Not just the review, but the Always Sunny reference.
I found this game because of the collab with this and Zelda, I absolutely adore Cadence of Hyrule and plan on getting this in the future.
Just today I went back to play the original elite and that gave genuinely made me feel like a space pilot due to all its buttons spread out across the keyboard.
I notice all of the game's songs and even the ones you used as example have a 4/4 meters. I kinda wonder whether the game is able to handle other meters such as 3/4, let alone irregular ones such as 5/4 or 7/8 (this'd make the game substantially more challenging).
Buying this right now!!! Cnt wait to play this to Transitor's soundtrack!
Roller Mobster. Bunnyhop has good taste in music.
I am downloading it now, and I really want to know how well *Breakcore* will fit. Or not... :)
Not playing "Le Perv" on NecroDancer?
I'm insulted!
Nah, it's all good.
Great review, mate.
THANK YOU FOR INTRODUSING ME TO THISSSS
the wait once again has been worth it my fellows dwarf brothers
we shall dine on roast hog while watching George Weidman at Super Bunny Hop Show
crypt of the necrodancer was one of the best EA experiences, now that it's out i/m really excited about it again.
oh gosh...HOTLINE MIAMI 2 SOUNDTRACK TRIGGER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
I know! Whenever a song from either game pops I get into this euphoric state as my muscles tenses and then I remember I'm not playing the game...
"far more compicated than just following a button prompt"
Do a no miss run of Max Period and get back to me on that one ^^
I know that this review is an year old but you can change the controls of the game. For example, I play with movement on WASD and items usage on Q, E, R, F, C, and X (instead of the Up + Down or other directional nonsense).
What's that dungeon at the end there before the credits? Is that a custom level?
You have probably found out by now, but that's a tutorial level meant to teach you how to beat Red Dragons and various tactics you can use to avoid taking damage to their fire.
One problem is that "different" doesn't mean "good" in terms of control scheme. Devs ditched the tanky controls of Resident Evil because they were shit. The problem is that they also ditched the mechanics, and it was just a third person shooter. I think MGS4 and V show that you can keep unique mechanics and feeling without having a super-complicated, unwieldy control scheme.
aresdotexe
RE 4 and 5 had tank controls.
Tank controls are crucial to giving weight to a character while retaining responsiveness, and to handle weird changing camera angles.
asdgashash lolwut
RE3 was the last RE game to feature tank controls.
What are you talking about?
asdgashash lolwut
RE3 was the last RE game to feature tank controls.
What are you talking about?
asdgashash lolwut
RE3 was the last RE game to feature tank controls.
What are you talking about?
The movement and inputs for it didn't change one bit in RE4, you are still steering your character with the left stick and can't strafe. The whole controls layout is nigh identical.
I 'm not sure what you mean by easy to ignore the beat... I mean you can't move off the beat (unless your playing as bard)
I've watched about a dozen reviews for this game. For whatever reason this is the one that got me to buy it.
I bought a dance pad for this game. It's a helluva lot of fun.
This game with the MGR soundtrack.
Fucking.
Genius.
The Nightman Cometh!!!!
I had that same keyboard for a long time. Good times. :)
Look up "This is What Crypt of the NecroDancer Was Made For"
Yotam Shitrit That was funnier than i thought :')
You should play this with Bands like Tool in the Background. I wonder what this games playes like with odd times
Whats the first song playing when he shows custom music?? I know it but I dont know why -_-
I'm fucking late, but name of the track is "Stains of Time" and its from the Metal Gear Rising OST
I adore Dance Dance revolution so it's kinda cool that this supports dance pads. Too bad I haven't owned one in ages haha Plus when I play rhythm/dance games I prefer doing it on the arcade machines themselves itself, don't know how accurate modern dance pads are to be honest. It's a pity that the arcade machines aren't that popular anymore, I really want to get one eventually.
Whelp, THIS game is going to the top of my steam wishlist.
Well...you say Hotline Miami is a treat....so why did you play a clip with Furi music afterwards
Ah, because Hotline Miami might be a treat... but Furi is a goddamn snacc.
What is the music playing from 3:58 to 4:03?
Xourn Found out which one it is. If anyone is wondering, the track is called "The Sentinel Is Watching" and it's from a game called Nitronic Rush.
@@xourn4806 Thank you.
Unfortunate the game isn't complex enough to really work with songs that aren't of a totally consistent beat. That rules out pretty much everything but club/rave electric music. Ah well. This looks kind of amazing, and the fact it's local co-op is very, very surprising. I bet this is hilarious and fun with a friend.
Is this what inspired BPM: Bullets Per Minute?
Resident Evil was made hard to control on purpose? I'd have to see a citation on that.
Chris Devine It's a well known fact. They did it because its scarier that way.
Automatic like for the Dayman song
If I get this game, I'm importing some 8-bit remixes for sure.
The custom music got me tho
The 1970's called; they want their keyboard back.