Bartók - Piano Concerto No. 3 Sz. 119 / Remastered (Century's recording: Géza Anda Ferenc Fricsay)
ฝัง
- เผยแพร่เมื่อ 30 ก.ย. 2024
- Béla Bartók (1881-1945) The 3 Piano Concertos & Rhapsody by Géza Anda / Ferenc Fricsay.
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Click to activate the English subtitles for the presentation (00:00-01:43)
00:00 Piano Concerto No. 2, Sz. 95, BB. 101 - I. Allegro (Remastered 2021)
07:13 Piano Concerto No. 2, Sz. 95, BB. 101 - II. Adagio, Presto, Adagio (Remastered 2021)
17:28 Piano Concerto No. 2, Sz. 95, BB. 101 - III. Allegro molto (Remastered 2021)
Piano: Géza Anda
Berlin Radio Symphony Orchestra
Conductor: Ferenc Fricsay
Recorded in 1959, at Berlin
New mastering in 2021 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
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Thank you :) / cmrr
This Concerto occupies a special place in Bartók's output. Aware of his poor health and concerned for his wife's future, Bartók wrote it for Ditta Pásztory so that she could embark on a new career as a concert pianist. However, he was unable to complete his project, and after his death, Tibor Serly took on the task of completing the final cadenza and providing the score with agogic and dynamic indications.
A feminine work par excellence, this Concerto ignores the dense and dense writing of the previous works and reduces the role of the percussion to a minimum. For the first time, the musician expresses himself in a total economy of means and crystallizes the ultimate stylistic traits of his art. Testament of a man on the threshold of death, it is distinguished by lines of great purity, a crystalline touch and a serenity of atmosphere that recall Mozartian poetry.
Also very close to the pre-classical concertos, it tends to consider the piano as the equal of the other instruments. The presence of unisons, octaves, thirds and sixths gives the orchestration a touch of delicate transparency. But above all, the work takes shape and lives around admirable melodies. Long melismatic themes in tempo giusto crisscross the score and determine the character of each movement. To support them, a discreet harmony bends to the meanders of the modulations and does not hesitate to give way to the unison or the octave. Finally, the polyphony plays a role of very first plan. Scattered throughout the development of the first movement, omnipresent throughout the second, it reigns supreme in the third.
Click to activate the English subtitles for the presentation (00:00-01:43)
Bartók - For Children Complete, Gyerekeknek Sz.42 / New Mastering (Century's recording : Géza Anda): • Bartók - For Children ...
Béla Bartók (1881-1945) The 3 Piano Concertos & Rhapsody by Géza Anda / Ferenc Fricsay.
🎧 Qobuz (Hi-Res) bit.ly/4b5bVFt Tidal (Hi-Res) bit.ly/3tifIu2
🎧 Apple Music (Lossless) apple.co/3Kgad7t Deezer (Hi-Fi) bit.ly/3KbhtzW
🎧 Amazon Music (Hi-Res) amzn.to/3toRSNm Napster (Hi-Fi) bit.ly/4b7aPcg
🎧 Spotify (mp3) spoti.fi/3U2AbC9 TH-cam Music (mp4) bit.ly/3YlNMnk
🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本…
Click to activate the English subtitles for the presentation (00:00-01:43)
00:00 Piano Concerto No. 2, Sz. 95, BB. 101 - I. Allegro (Remastered 2021)
07:13 Piano Concerto No. 2, Sz. 95, BB. 101 - II. Adagio, Presto, Adagio (Remastered 2021)
17:28 Piano Concerto No. 2, Sz. 95, BB. 101 - III. Allegro molto (Remastered 2021)
Piano: Géza Anda
Berlin Radio Symphony Orchestra
Conductor: Ferenc Fricsay
Recorded in 1959, at Berlin
New mastering in 2021 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
This Concerto occupies a special place in Bartók's output. Aware of his poor health and concerned for his wife's future, Bartók wrote it for Ditta Pásztory so that she could embark on a new career as a concert pianist. However, he was unable to complete his project, and after his death, Tibor Serly took on the task of completing the final cadenza and providing the score with agogic and dynamic indications.
A feminine work par excellence, this Concerto ignores the dense and dense writing of the previous works and reduces the role of the percussion to a minimum. For the first time, the musician expresses himself in a total economy of means and crystallizes the ultimate stylistic traits of his art. Testament of a man on the threshold of death, it is distinguished by lines of great purity, a crystalline touch and a serenity of atmosphere that recall Mozartian poetry.
Also very close to the pre-classical concertos, it tends to consider the piano as the equal of the other instruments. The presence of unisons, octaves, thirds and sixths gives the orchestration a touch of delicate transparency. But above all, the work takes shape and lives around admirable melodies. Long melismatic themes in tempo giusto crisscross the score and determine the character of each movement. To support them, a discreet harmony bends to the meanders of the modulations and does not hesitate to give way to the unison or the octave. Finally, the polyphony plays a role of very first plan. Scattered throughout the development of the first movement, omnipresent throughout the second, it reigns supreme in the third.
Click to activate the English subtitles for the presentation (00:00-01:43)
Bartók - For Children Complete, Gyerekeknek Sz.42 / New Mastering (Century's recording : Géza Anda): th-cam.com/video/zTd-WwVkmnA/w-d-xo.html
This Concerto occupies a special place in Bartók's output. Aware of his poor health and concerned for his wife's future, Bartók wrote it for Ditta Pásztory so that she could embark on a new career as a concert pianist. However, he was unable to complete his project, and after his death, Tibor Serly took on the task of completing the final cadenza and providing the score with agogic and dynamic indications.
A feminine work par excellence, this Concerto ignores the dense and dense writing of the previous works and reduces the role of the percussion to a minimum. For the first time, the musician expresses himself in a total economy of means and crystallizes the ultimate stylistic traits of his art. Testament of a man on the threshold of death, it is distinguished by lines of great purity, a crystalline touch and a serenity of atmosphere that recall Mozartian poetry.
Also very close to the pre-classical concertos, it tends to consider the piano as the equal of the other instruments. The presence of unisons, octaves, thirds and sixths gives the orchestration a touch of delicate transparency. But above all, the work takes shape and lives around admirable melodies. Long melismatic themes in tempo giusto crisscross the score and determine the character of each movement. To support them, a discreet harmony bends to the meanders of the modulations and does not hesitate to give way to the unison or the octave. Finally, the polyphony plays a role of very first plan. Scattered throughout the development of the first movement, omnipresent throughout the second, it reigns supreme in the third.
Click to activate the English subtitles for the presentation (00:00-01:43)
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Thank you so much. This concerto is like the ultimate best concerto in music history somehow. As deep as Late Beethoven and as luminous as Mozart. A unique work in Bartok's output. This performance is flawless.
Wunderschöne und lebhafte Interpretation dieses neoklassischen und perfekt komponierten Konzerts mit klar artikuliertem doch elegantem Klang des technisch fehlerlosen Soloklaviers sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt echt schön und auch melodisch. Der intelligente und unvergleichliche Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit perfekt kontrollierter Dynamik. Die verbesserte Tonqualität ist auch erstaunlich hoch als eine Originalaufnahme von zweiundsechzig Jahren vor. Alles ist wunderbar!
genau !!
this is for me the ultimate interpretation of this concerto
the best interpretation i can find…..
Wonderful recording.
This is the most beautiful of the 3 Bartók's piano concertos, it's like a return to all the beautyness of tonal forms but remaining modern, I personally like the adagio, is very relaxing and contemplative, to think that this is Bartok's final work because he was suffering from leukemia, the last 17 bars from the score were completed by Tibor Serly.
Which one
« Relaxing »is an obscene word for the classical music and for Bêla Bartok
Géza Anda and Ferenc Fricsay together!🎉🎊🥳✨
There is a mistake in the description: this is the concerto No. 3 but not No. 2.
This was marvel, whole 3 parts. TY
The description under the recording is misleading: we hear the piano concerto No. 3. Please correct.
I need an ad blocker for my phone, sigh...
Still best.
Smooth,, pleasant music. Thank you all
Delightful
The comments are as beautiful as the music.