This is just something I needed. Not a student in school, never have I schooled for photography. But this take away is powerful and I appreciate the hell out of it. Thank you both.
Two or three times in my adult life I’ve been figuratively turned onto my head after seeing or hearing someone I was indifferent to due to what I consider ‘fan hype’. After listening to this interview I came away with a new opinion of Nan Goldin as a concerned and genuine artist. I thank Mr Crewdson for this. If he is reading these comments, may I make one small suggestion. Please arrange for an electronics store to deliver a decent video camera to the interviewee. Ms Goldin’s camera sound was problematic. For a hundred bucks you will get a top notch interview which will be a valuable archive record. Well worth the money spent. Thanks Mr Crewdson! Keep up the good work. Jan B
I like instagram... in fact I like pinterest better. I minimize the screen so I can see 50+ images and I scroll and i blast my music and I inhale thousands of images all at once like fireworks of experiences. I don't want to be with one work for hours. There are so many people to experience and so many things. Also, as to the political second half: At first, I hated the call the run outside save the endless tide of struggling/dying humans. I don't like when I'm pressured to save the world because I work so hard to earn the money and time to enjoy my life and it destroys me when I have to focus on the endless ill in the world, to the point where I can't do anything. I think if I can get my life to a stable place then I can help others, but I believe i have the right to help myself and enjoy myself as well, and I think expressing that enjoyment can be a way of helping others by giving them a north star. For example, as a person of color, I avoid work about the struggle of what it is to be a colored person. I believe that work is best aimed at the non-black audience as a tool to awaken them to the struggle of people of color, but I'm mixed so I don't really know. People of color may love that kind of work. For me, I use my seat at the table in advertising to create promote, in mass, images of people of color living good lives, and I believe those images hold as much value as the work that focuses on the propagation of the plight of struggling individuals as a form of mirroring as a way to help the viewer purge or feel less alone in their plight.
it's more about user habit and art consumption tendencies of the new generation. I love instagram and I love my website but making prints and printing books i something else.
She's so humble, I really enjoyed watching this. Thank you, Nan
This is just something I needed. Not a student in school, never have I schooled for photography. But this take away is powerful and I appreciate the hell out of it. Thank you both.
Two or three times in my adult life I’ve been figuratively turned onto my head after seeing or hearing someone I was indifferent to due to what I consider ‘fan hype’. After listening to this interview I came away with a new opinion of Nan Goldin as a concerned and genuine artist. I thank Mr Crewdson for this.
If he is reading these comments, may I make one small suggestion. Please arrange for an electronics store to deliver a decent video camera to the interviewee. Ms Goldin’s camera sound was problematic. For a hundred bucks you will get a top notch interview which will be a valuable archive record. Well worth the money spent.
Thanks Mr Crewdson! Keep up the good work.
Jan B
Love this. Love the series. Thanks for creating and sharing.
Thank you for sharing these. Does anyone know if/where/when the William Eggleston talk will be available?
Making Art is a Survival Tactic ....... well said.
so so so much love to both of these artists.
i love your channel~ such insightful interviews!
i can't find it in myself what i want to make and i feel like i'll watch 100 of these videos hoping someone will tell me
These are great. Will we be lucky enough to have a Lee Friedlander one anytime soon?
Brian M. Cassidy How great would that be. Just finished ‘New Documents’ and hungry for more.
We can dream, can't we?
Beijinhos querida Nan...
❤❤🩵💕💕🙋♀️
i met her in chelsea once, said she was photographing paulina porizkova later that day
Por qué no ponen subtítulos en español... Pleaseeeeee
I love Nan
I want to interview her
Legend
did anybody hear what movies she said made her cry?
The most recent one was Crip Camp. I think it's on Netflix
and she's still smoking like she dont care!
Amazing!
17:20
I like instagram... in fact I like pinterest better. I minimize the screen so I can see 50+ images and I scroll and i blast my music and I inhale thousands of images all at once like fireworks of experiences. I don't want to be with one work for hours. There are so many people to experience and so many things.
Also, as to the political second half: At first, I hated the call the run outside save the endless tide of struggling/dying humans. I don't like when I'm pressured to save the world because I work so hard to earn the money and time to enjoy my life and it destroys me when I have to focus on the endless ill in the world, to the point where I can't do anything. I think if I can get my life to a stable place then I can help others, but I believe i have the right to help myself and enjoy myself as well, and I think expressing that enjoyment can be a way of helping others by giving them a north star. For example, as a person of color, I avoid work about the struggle of what it is to be a colored person. I believe that work is best aimed at the non-black audience as a tool to awaken them to the struggle of people of color, but I'm mixed so I don't really know. People of color may love that kind of work. For me, I use my seat at the table in advertising to create promote, in mass, images of people of color living good lives, and I believe those images hold as much value as the work that focuses on the propagation of the plight of struggling individuals as a form of mirroring as a way to help the viewer purge or feel less alone in their plight.
shut up
i dont understand why nan thiinks it's not possible to touch and connect with her art or art per se via the new generational platform - IG.come on...
it's more about user habit and art consumption tendencies of the new generation. I love instagram and I love my website but making prints and printing books i something else.
THIS INTERVIEW IS A FLUFF PIECE WITH VERY SOFT QUESTIONS. ITS VERY GENERIC. UTTER BORE TOO MANY ASHKENAZI FALSE jews