I would like to personally thank you, Soundtrack Fred for this incredible service you are providing for all the people out there who worship and adore the great Bernard Hermann. Best of everything to you with your career as well.
A world of thanks, Fred, for sharing another outstanding film soundtrack with us ! What a fool Hitchcock was to fire Bernard Herrmann because he refused to give his music for "Torn Curtain" a more "pop" sound ! That ended a wonderful collaboration ! The scores by others for the remaining Hitchcock films are OK, but nothing special. Mr Herrmann went on to compose equally awesome scores for many more films before his passing in 1975. THANK YOU again, Friend Frederik !! :-)
John Addison didn't give any "POP" sound to this dreadful film. He gave a "POOP" sound more like a fart. Very plain and ordinary including the Htichcock theme in a scene from Amsterdam. PEE UUU.. That's why Hitch's 50th was more blah than blase'. Actually Hitch was jeaolous that Herrmann scored "Joy in the Morning" which echoed Marnie only better.
I saw "Marnie" in 1964 when it first came out, and I watched it again a couple of months ago, and I must agree that Sean Connery was never better, including his roles as James Bond. I decided to re-watch "Marnie" after watching "The Girl", a movie about Alfred Hitchcock's sick obsession with Tippie Hedren during the making of "The Birds" and "Marnie".
Excellent. Whenever I hear this wonderful music I will always think of Miss Hidden. Such a beautiful classy lady. So sad she had such a terrible experience during the making of this with Hitchcock's obsession with her. She was brilliant in this and The Birds.
@Corno di Bassetto LOL...read some books to find out what was really going on with Hitchcock. Psycho is the film that made him the most money of his entire career and it is a masterpiece of audience manipulation with lots of dark humor. The Birds also had mordent humor and some great set pieces. Marnie, a psychological drama, was a bit dull, Torn Curtain a misfire (Paul Newman and Julie Andrews were imposed on him by Universal studio), and Topaz a complete disaster, IMHO. I met Mr. Hitchcock at the Boston premiere of Frenzy in 1972 and everyone I know considered it a return to form. He credits the first rate screenplay for that, written by Tony winner Anthony Schaffer. Hitch's father was a grocer in the same district of London it was filmed so food is the leitmotif and the source of most of its humor (the potato truck scene, and the gourmet meals cooked by the detective's wife). Even the title alludes to a "feeding frenzy".
Bernard Herrmann constantly moves me to a long forgotten, nostalgia of a love and romantic emotion I thought I had lost many many years ago. I must have loved a Marnie somewhere in my past. I think I must have loved and lost her as the mysterious lady portrayed in "Clair De Lune" too. LOL th-cam.com/video/ea2WoUtbzuw/w-d-xo.html
Amazing when one recalls the riot of emotional colors one experiences in a life of places, events and people you just KNOW and can vaguely recall, but never experienced in real-time.... in this reality!
It quite possibly would have been a better film if Joseph Stefano had accepted Alfred Hitchcock's invitation to write the screenplay for Marnie. Previously having written the screenplay for Hitchcock's blockbuster "Psycho", he wanted Stefano back to write him another stellar screenplay for Marnie. But Stefano turned him down (would anyone dare?) to instead accept a tantalizing invitation from Leslie Stevens. Stevens offered Stefano a shot at producing a brave new Science Fiction anthology series he created for ABC television. It was, alas, doomed to be somewhat short-lived, but would perpetually live on to be iconic and beloved by generations. That series was the original 1963-65 The Outer Limits. Some great soundtrack music to be heard there as well, mostly composed by Dominic Frontiere.
@@beargunn7820 I believe that the movie Hitchcock wanted Stefano to write the screen play for was "The Birds". Isn't that true? That was the movie that followed "Psycho" after all. What I have always found interesting is the similarities between "The Birds" and Stefano's "Zanti Misfits". Melanie Daniels in "The Birds" is kind of a misfit, and there is this scene reminiscent of what Stefano liked to do in his Outer Limits episodes, where the protagonist reflects back on things in the past that might have had a big influence on them. But the most stunning parallel is of course the ending, where we have a group of humans trapped in a building by these small alien creatures who want to attack them for some reason.
Der Film wird oft schlechtgeredet. Ich finde ihn weit besser als sein Ruf. ( dito bei TOPAZ ). MARNIE enthält eine der besten Suspense- Szenen im Gesamtwerk von Hitchcock. Nämlich die Szene als Marnie Edgar nach Feierabend den Tresor leerräumt und ihr Schuh aus der Manteltasche fällt. Grandios.
For those saying this sounds like Rebel Without a Cause. Actually Rebel sounds like Gershwin Concerto in F. Rebel: th-cam.com/video/9Su5L0qY3do/w-d-xo.html Gershwin: th-cam.com/video/MDxKtkkbE7w/w-d-xo.html Marnie 0:21
Hello Arthur and thanks for the comment. Believe it or not I just saw Marnie yesterday again and got aware of the importance of the music in that specific scene. Would I have realized that while I was making the video, I surely would have let it go until the climax of the scene. Thank you for your contribution! Fred
Soundtrack Fred The score and the scene actually follow the scene in the novel directly, from beat to beat. It’s the climax of the scene that opens Marnie’s eyes! And by the way try to hear Nico Muhly’s new opera, Marnie! It’s really quite brilliant. It follows the novel more than the movie.
Yeah, I've sometimes wondered if Hitch felt the same and that was one reason for their breakup. I know the whole story of why, but how long can a master of Hitchcock's stature continue admitting that a large portion of his film's effect was due to the score, especially when the film alone doesn't quite pull its own weight.
i still have fond memories of Marnie. it was my first Hitchcock film as a kid so I was impressed. Later of course I saw what he was capable of. But I always loved this music.
Here wee have 2001 Model Frigidare if you Dare. 007 wee have a pro blame I. Needle a diaper. A hug From Berdie. Cheeeedds Call the stink in white cots Don Duce. God Help Me. The Hands Appear on the Screen with a Buket of Holy WATER to keep the fly Up. Baket shot of coGnac. Om. Not. Kiddo. The Cid.
I would like to personally thank you, Soundtrack Fred for this incredible service you are providing for all the people out there who worship and adore the great Bernard Hermann. Best of everything to you with your career as well.
Thank you so much Amy for your warm words. Just the best to you and all your loved ones!
So powerful and resonant. This soundtrack conveys all the desperation and chaos inside Marnie...along with the desire for healing and love.
One of the greatest film scores ever composed. A masterpiece!
I have a notion to second that emotion !!
@@jubalcalif9100 Love your notions!!!
Great score, but disappointing film, IMO.
Now Psycho and Jason and the Argonauts...
Bernard Herrmann at his best! But then...he's always been at his best! Love you Benny! You're the best!
A regal Bernard Herrmann score! Superb!!!
Powerful soundtrack ! A real masterpiece!
A world of thanks, Fred, for sharing another outstanding film soundtrack with us ! What a fool Hitchcock was to fire Bernard Herrmann because he refused to give his music for "Torn Curtain" a more "pop" sound ! That ended a wonderful collaboration ! The scores by others for the remaining Hitchcock films are OK, but nothing special. Mr Herrmann went on to compose equally awesome scores for many more films before his passing in 1975. THANK YOU again, Friend Frederik !! :-)
John Addison didn't give any "POP" sound to this dreadful film. He gave a "POOP" sound more like a fart. Very plain and ordinary including the Htichcock theme in a scene from Amsterdam. PEE UUU.. That's why Hitch's 50th was more blah than blase'. Actually Hitch was jeaolous that Herrmann scored "Joy in the Morning" which echoed Marnie only better.
Superb theme and great movie. Thanks for sharing.
Herrmann's music is the lyrical side of human psychology!
Thank you. His best music ever was Marnie.
Fantastic music and actors.
Bernard Herrmann a fabulous musician !
Thank You sharing such a wonderful movie's soundtrack. Maestro Hermann did an excellent job and the orchestra and conductor,too
I saw "Marnie" in 1964 when it first came out, and I watched it again a couple of months ago, and I must agree that Sean Connery was never better, including his roles as James Bond. I decided to re-watch "Marnie" after watching "The Girl", a movie about Alfred Hitchcock's sick obsession with Tippie Hedren during the making of "The Birds" and "Marnie".
A true masterpiece of a film score.
A classic great.
As many times as I’ve seen this wonderful film, I still fast forward through the Forio scene.
Beautiful...
I love this soundtrack! ❤️
I have a notion to second that emotion ! Another winner from the master: Bernard Herrmann !
A great mix of soothing and unsettling .....which I guess is what hitch and Bernard where aiming for.....
Beautiful score!
Marnie , otra joya de Hitchcok's,muchas gracias , ya nunca habrá nada así.
My favourite sound track to any movie that has ever been made ever! There, I said it ! x.
Wow !
Haunting is word for it. You're afraid before you know it.
Herrmann was a genious ! RIP !
Excellent. Whenever I hear this wonderful music I will always think of Miss Hidden. Such a beautiful classy lady. So sad she had such a terrible experience during the making of this with Hitchcock's obsession with her. She was brilliant in this and The Birds.
Amo esse canal. Os melhores soundtraks estão aqui. Obrigada por postar. Amo de paixão. 💋💋💋
David Raksin praised this score as " brilliant and beautiful". The final Hitchcock- Herrmann score and probably Hitchcock's last truly great film.
Not true -- Frenzy was also a masterpiece.
@Corno di Bassetto LOL...read some books to find out what was really going on with Hitchcock. Psycho is the film that made him the most money of his entire career and it is a masterpiece of audience manipulation with lots of dark humor. The Birds also had mordent humor and some great set pieces. Marnie, a psychological drama, was a bit dull, Torn Curtain a misfire (Paul Newman and Julie Andrews were imposed on him by Universal studio), and Topaz a complete disaster, IMHO. I met Mr. Hitchcock at the Boston premiere of Frenzy in 1972 and everyone I know considered it a return to form. He credits the first rate screenplay for that, written by Tony winner Anthony Schaffer. Hitch's father was a grocer in the same district of London it was filmed so food is the leitmotif and the source of most of its humor (the potato truck scene, and the gourmet meals cooked by the detective's wife). Even the title alludes to a "feeding frenzy".
Marnie was also a great movie and the music is devine.
Theres a part of the soundtrack that sounds just soo similar to Rebel Without a Cause's soundtrack
Fantastische Leistung dieser etwas bedrohlichen Filmmusik, die die Atmosphäre der Werke von Hitchcock völlig repräsentiert.
Ich stimme zu.
Loved the movie and the soundtrack.
simplemente maravilloso 😍🎵🎶🎼♥️♥️♥️
Bellissimo ed indimenticabile film con un giovane Sean Connery e una splendida Tippy Hedren, grandissimo Alfred Hitchcock.
This was Hermann's final score to be used in a Hitchcock film.
O Filme Não é Lá Essas Coisas,Mas a Trilha é Fantástica!
This has a throwback, 40s feel to it. The Ghost and Mrs. Muir?
Nicholas Stix, Uncensored
I was thinking the same thing. His score for Ghost and Mrs. Muir is my absolute favorite. But this is hauntingly beautiful. (Pun intended.)
Great music, thank you Fred...The soundtrack is not available to buying in Bulgaria...
herrmann was in his element with 'marnie'!😄😄😄😄😄
Excellent film, made the year l was born.
Grande Hitchcock amo tutti i suoi film ...insuperabile
Bernard Herrmann constantly moves me to a long forgotten, nostalgia of a love and romantic emotion I thought I had lost many many years ago. I must have loved a Marnie somewhere in my past. I think I must have loved and lost her as the mysterious lady portrayed in "Clair De Lune" too. LOL th-cam.com/video/ea2WoUtbzuw/w-d-xo.html
Me too. His music conveys the sadness, the confusion, the guilt of living someone elses lies and hates.
Amazing when one recalls the riot of emotional colors one experiences in a life of places, events and people you just KNOW and can vaguely recall, but never experienced in real-time.... in this reality!
0:21 Music sounds very similar to "Rebel Without a Cause"
Not one of his best in my opinion, but then it was up against a lot of competition with Vertigo, North By Northwest and Psycho.
It quite possibly would have been a better film if Joseph Stefano had accepted Alfred Hitchcock's invitation to write the screenplay for Marnie. Previously having written the screenplay for Hitchcock's blockbuster "Psycho", he wanted Stefano back to write him another stellar screenplay for Marnie. But Stefano turned him down (would anyone dare?) to instead accept a tantalizing invitation from Leslie Stevens. Stevens offered Stefano a shot at producing a brave new Science Fiction anthology series he created for ABC television. It was, alas, doomed to be somewhat short-lived, but would perpetually live on to be iconic and beloved by generations. That series was the original 1963-65 The Outer Limits. Some great soundtrack music to be heard there as well, mostly composed by Dominic Frontiere.
@@beargunn7820 I believe that the movie Hitchcock wanted Stefano to write the screen play for was "The Birds". Isn't that true? That was the movie that followed "Psycho" after all. What I have always found interesting is the similarities between "The Birds" and Stefano's "Zanti Misfits". Melanie Daniels in "The Birds" is kind of a misfit, and there is this scene reminiscent of what Stefano liked to do in his Outer Limits episodes, where the protagonist reflects back on things in the past that might have had a big influence on them. But the most stunning parallel is of course the ending, where we have a group of humans trapped in a building by these small alien creatures who want to attack them for some reason.
awesome _____________
Bravoooooo
Der Film wird oft schlechtgeredet. Ich finde ihn weit besser als sein Ruf. ( dito bei TOPAZ ). MARNIE enthält eine der besten Suspense- Szenen im Gesamtwerk von Hitchcock. Nämlich die Szene als Marnie Edgar nach Feierabend den Tresor leerräumt und ihr Schuh aus der Manteltasche fällt. Grandios.
Genau meine Ansicht. Die Geigen spielen so ein fantaschtisches Thema!
@78Matzelinho Prima, dankeschön
If this is not Total genius then i do not know what is.
Strange how deeply it touches against your soul isn't it? Like there's no escape, no redemption.
Connery 1st great acting without as 007.
you've never seen Darby O'gill and the Little People, have you?
Also, "Woman of Straw" th-cam.com/video/N2YfecEmX3Y/w-d-xo.html
Dibuje maestro.
Tenebroso y enamorados
トラウマを抱えた複雑な女性の心理をヘドレンが中々良かった。ヒッチコックの映画の中ではあまり話題にはならないかもしれないが、音楽は良かったし、コネリーは007の時とは違う魅力を放っている。
❤👏🏻
Psicoanálisis puro y duro
For those saying this sounds like Rebel Without a Cause. Actually Rebel sounds like Gershwin Concerto in F. Rebel: th-cam.com/video/9Su5L0qY3do/w-d-xo.html Gershwin: th-cam.com/video/MDxKtkkbE7w/w-d-xo.html Marnie 0:21
Чудная музыка и сама Типпи
Genetikk sampled this in their song requiem. It slaps like a fish you got out of the water
S08052021. Descanse en Paz Gran Actor Sir Sean Connery.
S08052021. Vivira inmortal en sus películas.
S08052021. El Mejor James Bond 007.
Música de ensueño.
Freaks me out seeing my name in the comments haha
Needles ...
Bernard Hermann the best jewish composer !
Yesh.
Hii
Your suite would work better if you’d let the hunt scene play out to its climax. That transition was pretty jarring...
Hello Arthur and thanks for the comment.
Believe it or not I just saw Marnie yesterday again and got aware of the importance of the music in that specific scene. Would I have realized that while I was making the video, I surely would have let it go until the climax of the scene.
Thank you for your contribution!
Fred
Soundtrack Fred The score and the scene actually follow the scene in the novel directly, from beat to beat. It’s the climax of the scene that opens Marnie’s eyes!
And by the way try to hear Nico Muhly’s new opera, Marnie! It’s really quite brilliant. It follows the novel more than the movie.
Sorry Alfred your film is not worthy of this soundtrack.......
I used to say the same thing about "The Apartmet" from universal and best movie of 1960.
Yeah, I've sometimes wondered if Hitch felt the same and that was one reason for their breakup. I know the whole story of why, but how long can a master of Hitchcock's stature continue admitting that a large portion of his film's effect was due to the score, especially when the film alone doesn't quite pull its own weight.
I wouldn't put it quite like that, but I do agree that the soundtrack is better than the movie. (Hmm, maybe I am putting it quite like that)
i still have fond memories of Marnie. it was my first Hitchcock film as a kid so I was impressed. Later of course I saw what he was capable of. But I always loved this music.
@@philmfan I disagree. There is a lot of truth in this masterpiece. Mother and daughter relationships.
Here wee have 2001 Model Frigidare if you Dare.
007 wee have a pro blame
I. Needle a diaper. A hug
From Berdie. Cheeeedds
Call the stink in white cots
Don Duce.
God Help Me.
The Hands Appear on the
Screen with a Buket of
Holy WATER to keep the fly
Up. Baket shot of coGnac.
Om. Not. Kiddo. The Cid.