Digital photography will never look like film because it is an electronic process not a chemical based one. My biggest complaint regarding digital photography is it makes DP's lazy. They can make an error and reshoot a shot. When using film you had to keep your skill level very high because most shots were keepers. I read an article by John Alonzo the Cinematographer talking about lighting a scene in the film Scarface. The scene in Frank Lopez's office with the black walls was a nail biting scene for him because he had to use his skill to guarantee a correct exposure. There were no reshoot, only one take shots. He was the man. That kind of skill level is gone due to digital photography.
This, to me, is a question of discipline, more specifically, discipline on set. Film forces you to be economical - it forces you to be strict with your ratios and get your film made efficiently. It forces you to rehearse and work more closely with actors to get the performance just right in a shorter space of time. It forces you to be strict with focus and aperture. Beyond that, it's a physical medium, that requires care and precision - it's not just 0s and 1s floating out in space.
This was one of Cinefiles' best debates, in my opinion. The conversation in the above video is very intelligent and well-informed. I learned a lot just by listening. It is a worthy viewing for any film buff.
As a current film student, here at Columbia College. We still have to learn film, but also digital. I find that it is a great experience to learn on film (which is by nature harder to master), and then move on to digital. This isn't first time something like this has occurred. Silent films gave way to color, which gave into TV, and so forth. As scary as it is, technology changes , and we all have to move along with it.
Saturday night I went to see the original Die Hard in the theater. Before the film started they told us that Fox let them borrow their personal archive copy. It didn't have a scratch on it, looked like it was never played. It was beyond amazing. A year or so ago I went to see Stanley Kubrick's The Shining, and it was so aged, scratched, and faded it almost ruined the film for me, even though it's one of my favorites. Glad I live in Rochester,NY where they preserve and show tons of these classics
Good change of format, guys. I guess since modern cinema is very much a short term business model......it's clear that economies of scale will win out.
Great topic and discussion, guys. I had to chuckle on the studios absorbing the cost of 3D glasses. They make big bucks on the glasses (started back in the 50s) and I don't see them stopping now. They are greedy and will never lower prices no matter how cheap digital becomes. But one thing not mentioned is film grain and it's organic "feel" and look. Younger generations seem to hate it but if I'm watching an older film in HD I really like seeing a little grain so it feels more like a movie.
Modern film is made of acetate, which does not burn. As far as storage goes, film supposedly has a life of 300 years when stored properly, which is already longer than any digital medium is expected to last. However film doesn't exist as far back as 300 years, so no one REALLY knows how long it can last. Stick it in a freezer and it is virtually frozen in time. Polyester prints are also extremely strong and even more resistant to deterioration than acetate. On the other hand, every hard drive that exists now will eventually fail.
What you see in Europe because of DCP’s is that releases have become even bigger, making the first weekend even MORE important than they are. 35 was less mobile so you at at least had a week in a screening room. Now, if the 1st days aren’t good enough, you are moved to a smaller screening room on Monday. And instead of 4 showings a day, you get one. The blockbuster-mentality (read EASY RIDERS, RAGING BULLS!). Risks will be taken less.
you guys have some catching up to do, on color space and DR digital film now equal or surpass film stock, on resolving power it has surpassed film for a while
One of your best shows yet. Great discussion. Digital film looks way to real to be as convincing as the "real' movies. Public Enemies is a great example. While watching I kept wondering when will they bow for the audience 'cause it looked like a theater play. Movies will change and something of value will be lost. Some call it the "soul" of the film, I just call it impactfulness. The only impact from now on will be the CGI'd image itself, not the content, just like current blockbusters.
Digital is great but I too am concerned about how much we're losing because they "don't make the cut" for restoration and conversion to a digital format. Example: Look up The Thief Who Came To Dinner, a movie I have on VHS, mainly for one of Henry Mancini's best scores (which was only just released to CD in 2009) but the movie has yet to be converted for digital or DVD re-release. The next time I play the tape will be to capture it into my computer, but the quality will suck...
Has anyone seen the Ocean's films by Steven Soderbergh (Not sure I spelled that right)? On Blu Ray, I think they look fantastic. I usually prefer film over digital, but I am not sure what these movies were shot in. Does anyone know if the Oceans's films were shot in film or digital?
Soderbergh shot the Ocean's movie on film, but he's a big champion of digital photography. Starting with Che he's been shooting exclusively in digital.
Digital is Analog, it goes through an AD conversion. You could also do RAW and re scan the image to Film. In its principle its still all analog. Film gets re-scanned and made into digital vice versa. No one wins.
One advantage of digital you didn't touch on is its low-light capabilities. I think a low-budget horror film could actually benefit from digital in that regard.
its great that video is very affordable but what great things are we seeing now that its so affordable? Movies about robots, superheroes, and unscripted comedies that are pieced together in editing after doing 100 takes. Film forces the artist to be focus on the intent and to be creative to get the point across without an over reliance on post production and that is what separates the real artists from hack video guys.
after seeing prometheus and cosmopolis (among many other amazing looking movies) the best digital cameras from Red and Arri being used now leave nothing to be desired in terms of image quality.
Most indie-horror films aren't seen by many people regardless if it's story or production is good or bad. I don't see how that will ever change. Anybody can make a movie now, therefore, more people are making movies. It's the law of diminishing returns.
My local drive-in almost had to close up shop due to the switch to digital projection. Thankfully, Honda (the car company) stepped up and bought digital projectors for several drive-ins based upon number of votes received. My local drive-in won one of those projectors. There was NO way they could have afforded to get the new projector. Digital will kill a lot of smaller, mom and pop movie theaters and that's really unfortunate.
I appreciate the visual/economic value of Digital, but I am Biased--I was a Projectionist for 13 years until Hollywood forced the Digital revolution on theatres. I miss the feel and construction work that 35mm brought to the game. Digital has a better image (until the hard drive/system hub freezes up) but I feel that 35/70mm STILL has a place in the industry. Hopefully, we will not let this medim die out the way of physical books. Just because it is shiny new doesn't make it the best! Thanx!
im sorry did i offended you or say somthing stupid i probly did i just liked they idea of film being abel to hold up a strip and being abel to see each indvull frame
Digital opens the world up to people who could never have dreamed of experimenting and filming on film, it is all about story telling. Computers and editing techniques, will open up a world of creative possibilties unheard of, i think you will start seeing people stretch the techniques of photoshop/after effects and like, and come up with very innovative looking films.
Maybe, maybe not i don't see anything wrong with continuing to pay homage to the past, film will die some day, it is just not environmentally or economically viable long term in my opinion, i still shoot film photography by the way, medium format, and love it too i love the look of it, storytelling is still the number one consideration in my opinion though.
+tallaganda83 it's not paying homage. It's changing the industry. It's no longer the film industry it's the video industry. The industry will never be as good as it was with film.
I wouldn't agree with that, I think that although you would never admit it, or maybe even realise it, nostalgia is playing its part in your views, but this wont be the case with future generations, and there will always be people who are intelligent and love good storytelling, plus high quality, so the boundaries will be pushed further and further in pursuit of perfection, the only real edge film has at the moment is in the highlights, and that is quickly changing as digital gets better and better. I hope people continue using film for as long as possible too, and I feel the same nostalgia, but I think at the end of the day it isn't digital that's killing "films" it is the internet, things like Netflix, and illegal downloads, so movies are having to be made cheaper to make profit, leading to more digital, I love movies as much as anyone alive, but the storytelling comes front and centre, and wether it be hand drawn animation, to digital 3d so long as that's still there I'm in.
+tallaganda83 It is nostalgia! Not disagreeing with that. However, the image of motion picture is changing. The concept of being able to make a "film" is changing. The boundaries are being pushed and will continue to be pushed. I haven't disagreed with you there. However, where there is progress for video in pushing these boundaries, film is suffering and will die. Therefore, we can't conclude that this is progress for film. For video in the movie making industry it is absolute progress. But I'm just saying, as an artist, I want to have a choice. And if people are going to take away my freedom to choose because of "practical or economic" reasons, then where is the artistry in confinement? :)
Actually Digital does fade and go away over time. Corruption and color fading occurs as the digital file sits on a silicon base plate thats essentially photosynthesized on to the disc. Its no more different than film.
Plenty of extremely talented DPs and directors have shot digitally and created beautiful films. It's not the tool, it's the person using it. You can make crap film and you can make crap digital. I prefer the look and feel of film, but I also am grateful for what digital can do as well.
+Tony “The BoneShackles” Dupre Thank you that's what I been trying to say. If you are an artist you can buy the most expensive set of paints money can buy but if you don't have talent it wont matter. I seen street artist do outstanding work using ordinary cans of spray paint. If you are talented you can do anything with digital and do it cheaper then film. its the person not the tools
But it also is a great example of how liberating the freedom of digital can be. I also think it had a look that fit the movie just perfectly. The murky haze added this cool feeling of detachment and disorientation to it. The project wouldn't even exist if not done on digital. Same with the Dogma 95 movement.
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
I prefer film over digital. But here's the thing, you guys seem to not know what you're talking about most of the time. You say "a lot of video isn't shot at 24p, it's shot at a different frame rate and then changed in post." That is simply not true. At all. Any narrative film is shot in 23.978p (unless it's The Hobbit). It's not changed in post. If you shoot at a high frame rate and then changed it to 24p in post, it would be slow motion. You're simply mistaken.
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Digital isn't a fad. There are too many high-profile directors who've taken to using digital. The assertion that it looks "better" or "worse" than film, especially with the technology today, is at best willful snobbery. A guy like Anthony Dod Mantle is an artist if ever there was one, and every bit as talented a cinematographer as one who shoots on 35mm. What's concerning, however, is the financial end of it. I've attended a few screening recently I've been very excited to see on the big screen, only to find DVDs or Blu-Ray projected. The idea of seeing a film print of anything is becoming a special event. And that IS sad. There are many films I'd kill to see in 70mm or 35mm and will probably never get the chance to now. It isn't surprising; the financial cost of digital distribution for studios is so much less. The decision to shoot digitally or on film should be a decision made by the filmmakers for artistic rather than financial reason. RUSH is a brilliant film. It was shot digitally. NO COUNTRY FOR OLD MEN is a brilliant film, shot on celluloid. But when I go and see a special screening of CASABLANCA or THE MALTESE FALCON, I just feel like the magic isn't there if it's projected digitally. And if it's a DVD, what the hell's the point? I could just stay home. Beyond all of this, there's the darker "because we can" and "because it was SUPPOSED to be that way" revisionism practiced by guys like Lucas, Cameron, and Hill that digital now allows them to do. And as the username obviously implies, I can't pretend I'm comfortable with that, and digital makes it easier than ever. I shot student films on digital. It's a great, inexpensive tool. And as with any tool, it's artistic validity is determined by what it's used for. But the two things should exist side-by-side, and that's looking less and less financially feasible. That's the main point of concern, at least for me.
Well it means the format can change and evolve. We may not be able to live under water but now, we can feel the warmth of sunlight and build rockets to take us beyond Earth.
Physical books? You mean novels? They haven't died off my friend....it's just that idiots with I-Pads think they are "literary elite" now. I never put my personal library away, can't beat the smell of a fresh novel :)
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
film is amazing and looks so natural. digital is just too clean for me. its kind of like CDs vs LPs or cassette. CDs sound like shit cmpared to vinyl, its not even close. facts
Film all the way. Cant stand digital, it looks fake, plain and just makes me sick when watching a digital movie, sea sickness like. I know digital is taking over but i suppose it depends what type of movie your making.
it's just your opinion,but i have to say that film(35mm)has a beautiful fine layer of grain that doesn't affect detail in any way.plus,film is very sharp in terms of resolution.some movies that have been horribly edited do have an ugly look and unaesthetic grain.anyway,i love both film and digital.watch knight and day in blu-ray(stupid movie but it looks stunning).
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
This video is about whether film or digital is better, yet no one so far has even stated their preference.
Digital photography will never look like film because it is an electronic process not a chemical based one. My biggest complaint regarding digital photography is it makes DP's lazy. They can make an error and reshoot a shot. When using film you had to keep your skill level very high because most shots were keepers. I read an article by John Alonzo the Cinematographer talking about lighting a scene in the film Scarface. The scene in Frank Lopez's office with the black walls was a nail biting scene for him because he had to use his skill to guarantee a correct exposure. There were no reshoot, only one take shots. He was the man. That kind of skill level is gone due to digital photography.
Skyfall was filmed entirely on digital. And I have to say, it looks spectacular... Then again, Roger Deakins is a genius in any format.
Always have fond memories of 70mm in the 70s.
This, to me, is a question of discipline, more specifically, discipline on set. Film forces you to be economical - it forces you to be strict with your ratios and get your film made efficiently. It forces you to rehearse and work more closely with actors to get the performance just right in a shorter space of time. It forces you to be strict with focus and aperture. Beyond that, it's a physical medium, that requires care and precision - it's not just 0s and 1s floating out in space.
This was one of Cinefiles' best debates, in my opinion. The conversation in the above video is very intelligent and well-informed. I learned a lot just by listening. It is a worthy viewing for any film buff.
As a current film student, here at Columbia College. We still have to learn film, but also digital. I find that it is a great experience to learn on film (which is by nature harder to master), and then move on to digital.
This isn't first time something like this has occurred. Silent films gave way to color, which gave into TV, and so forth. As scary as it is, technology changes , and we all have to move along with it.
Saturday night I went to see the original Die Hard in the theater. Before the film started they told us that Fox let them borrow their personal archive copy. It didn't have a scratch on it, looked like it was never played. It was beyond amazing.
A year or so ago I went to see Stanley Kubrick's The Shining, and it was so aged, scratched, and faded it almost ruined the film for me, even though it's one of my favorites.
Glad I live in Rochester,NY where they preserve and show tons of these classics
Good change of format, guys. I guess since modern cinema is very much a short term business model......it's clear that economies of scale will win out.
Great topic and discussion, guys. I had to chuckle on the studios absorbing the cost of 3D glasses. They make big bucks on the glasses (started back in the 50s) and I don't see them stopping now. They are greedy and will never lower prices no matter how cheap digital becomes. But one thing not mentioned is film grain and it's organic "feel" and look. Younger generations seem to hate it but if I'm watching an older film in HD I really like seeing a little grain so it feels more like a movie.
Modern film is made of acetate, which does not burn. As far as storage goes, film supposedly has a life of 300 years when stored properly, which is already longer than any digital medium is expected to last. However film doesn't exist as far back as 300 years, so no one REALLY knows how long it can last. Stick it in a freezer and it is virtually frozen in time. Polyester prints are also extremely strong and even more resistant to deterioration than acetate. On the other hand, every hard drive that exists now will eventually fail.
Did you record this with a potato?
What you see in Europe because of DCP’s is that releases have become even bigger, making the first weekend even MORE important than they are. 35 was less mobile so you at at least had a week in a screening room. Now, if the 1st days aren’t good enough, you are moved to a smaller screening room on Monday. And instead of 4 showings a day, you get one. The blockbuster-mentality (read EASY RIDERS, RAGING BULLS!). Risks will be taken less.
you guys have some catching up to do, on color space and DR digital film now equal or surpass film stock, on resolving power it has surpassed film for a while
One of your best shows yet. Great discussion. Digital film looks way to real to be as convincing as the "real' movies. Public Enemies is a great example. While watching I kept wondering when will they bow for the audience 'cause it looked like a theater play.
Movies will change and something of value will be lost. Some call it the "soul" of the film, I just call it impactfulness. The only impact from now on will be the CGI'd image itself, not the content, just like current blockbusters.
Please read the article on badassdigest called 'The Importance Of Being 35mm' and see why 35 mm is important.
Digital is great but I too am concerned about how much we're losing because they "don't make the cut" for restoration and conversion to a digital format. Example: Look up The Thief Who Came To Dinner, a movie I have on VHS, mainly for one of Henry Mancini's best scores (which was only just released to CD in 2009) but the movie has yet to be converted for digital or DVD re-release. The next time I play the tape will be to capture it into my computer, but the quality will suck...
Frame rate has nothing to do with the level of detail you can see. That is dependent on resolution.
Very enjoyable guys! Thanks, loved the off topic and its meandering path your conversation took...
Has anyone seen the Ocean's films by Steven Soderbergh (Not sure I spelled that right)? On Blu Ray, I think they look fantastic. I usually prefer film over digital, but I am not sure what these movies were shot in. Does anyone know if the Oceans's films were shot in film or digital?
Soderbergh shot the Ocean's movie on film, but he's a big champion of digital photography. Starting with Che he's been shooting exclusively in digital.
Saw a great doc on this subject at Tribeca called Side By Side the project was put on by Keanu Reeves and I believe it was shot on digital.
Well they added noise on Prometheus to give a film stock look!
Digital is Analog, it goes through an AD conversion. You could also do RAW and re scan the image to Film. In its principle its still all analog. Film gets re-scanned and made into digital vice versa. No one wins.
+Allan Zepeda Digital is not analog? Analog film is a physical, tangible canvas.
great episode but when is the cinefiles going to provide subtitles to their discussions for better understanding.thanks
One advantage of digital you didn't touch on is its low-light capabilities. I think a low-budget horror film could actually benefit from digital in that regard.
Wasn't there a filmmaker recently that filmed a whole feature length film on a friggin iPhone 6 recently called Tangerine for cripes sake?!!
Great show, guys!
its great that video is very affordable but what great things are we seeing now that its so affordable? Movies about robots, superheroes, and unscripted comedies that are pieced together in editing after doing 100 takes. Film forces the artist to be focus on the intent and to be creative to get the point across without an over reliance on post production and that is what separates the real artists from hack video guys.
after seeing prometheus and cosmopolis (among many other amazing looking movies) the best digital cameras from Red and Arri being used now leave nothing to be desired in terms of image quality.
I like film better, both as a shooting method and a projection method.
Another great show
Most indie-horror films aren't seen by many people regardless if it's story or production is good or bad. I don't see how that will ever change.
Anybody can make a movie now, therefore, more people are making movies. It's the law of diminishing returns.
film hands down
FILM
Great episode
This video won't play on Firefox, so I have to watch it on Chrome.
My local drive-in almost had to close up shop due to the switch to digital projection. Thankfully, Honda (the car company) stepped up and bought digital projectors for several drive-ins based upon number of votes received. My local drive-in won one of those projectors. There was NO way they could have afforded to get the new projector. Digital will kill a lot of smaller, mom and pop movie theaters and that's really unfortunate.
life of pi vs the fall perfect example i think
I appreciate the visual/economic value of Digital, but I am Biased--I was a Projectionist for 13 years until Hollywood forced the Digital revolution on theatres. I miss the feel and construction work that 35mm brought to the game. Digital has a better image (until the hard drive/system hub freezes up) but I feel that 35/70mm STILL has a place in the industry. Hopefully, we will not let this medim die out the way of physical books. Just because it is shiny new doesn't make it the best! Thanx!
wonder how Robert Rodriguez didn't come up in this talk... He's the Digital guy...
digital isn't pure? it goes through processes?
im sorry did i offended you or say somthing stupid i probly did i just liked they idea of film being abel to hold up a strip and being abel to see each indvull frame
Nice topic
Digital opens the world up to people who could never have dreamed of experimenting and filming on film, it is all about story telling. Computers and editing techniques, will open up a world of creative possibilties unheard of, i think you will start seeing people stretch the techniques of photoshop/after effects and like, and come up with very innovative looking films.
+tallaganda83 BUT should video be called film?
Maybe, maybe not i don't see anything wrong with continuing to pay homage to the past, film will die some day, it is just not environmentally or economically viable long term in my opinion, i still shoot film photography by the way, medium format, and love it too i love the look of it, storytelling is still the number one consideration in my opinion though.
+tallaganda83 it's not paying homage. It's changing the industry. It's no longer the film industry it's the video industry. The industry will never be as good as it was with film.
I wouldn't agree with that, I think that although you would never admit it, or maybe even realise it, nostalgia is playing its part in your views, but this wont be the case with future generations, and there will always be people who are intelligent and love good storytelling, plus high quality, so the boundaries will be pushed further and further in pursuit of perfection, the only real edge film has at the moment is in the highlights, and that is quickly changing as digital gets better and better. I hope people continue using film for as long as possible too, and I feel the same nostalgia, but I think at the end of the day it isn't digital that's killing "films" it is the internet, things like Netflix, and illegal downloads, so movies are having to be made cheaper to make profit, leading to more digital, I love movies as much as anyone alive, but the storytelling comes front and centre, and wether it be hand drawn animation, to digital 3d so long as that's still there I'm in.
+tallaganda83 It is nostalgia! Not disagreeing with that. However, the image of motion picture is changing. The concept of being able to make a "film" is changing. The boundaries are being pushed and will continue to be pushed. I haven't disagreed with you there. However, where there is progress for video in pushing these boundaries, film is suffering and will die. Therefore, we can't conclude that this is progress for film. For video in the movie making industry it is absolute progress. But I'm just saying, as an artist, I want to have a choice. And if people are going to take away my freedom to choose because of "practical or economic" reasons, then where is the artistry in confinement? :)
Actually Digital does fade and go away over time. Corruption and color fading occurs as the digital file sits on a silicon base plate thats essentially photosynthesized on to the disc. Its no more different than film.
+Allan Zepeda k
Plenty of extremely talented DPs and directors have shot digitally and created beautiful films. It's not the tool, it's the person using it. You can make crap film and you can make crap digital. I prefer the look and feel of film, but I also am grateful for what digital can do as well.
+Tony “The BoneShackles” Dupre Thank you that's what I been trying to say. If you are an artist you can buy the most expensive set of paints money can buy but if you don't have talent it wont matter. I seen street artist do outstanding work using ordinary cans of spray paint. If you are talented you can do anything with digital and do it cheaper then film. its the person not the tools
public enemy's looked like shit
I'll take film any time.To me, digital looks dry,parched.
"Live in the now!" - Garth.
I like when Michael isn't there
As long as the story,plot,acting are good it really doesn't matter
Now you go on cinema to watch videos not films :))))
Good debate!! My problem is not Digital Technology but with 3-D, whereby the content of the film is being debased to push the 3-D technology.
Film. Digital photography took the tone and nuance out of movies.
... or we can move the tecnology!
Oliver Stone now guys.
Dig it!
Inland Empire is a perfect example of how bad digital video used to look.
But it also is a great example of how liberating the freedom of digital can be. I also think it had a look that fit the movie just perfectly. The murky haze added this cool feeling of detachment and disorientation to it. The project wouldn't even exist if not done on digital. Same with the Dogma 95 movement.
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
I honestly can't tell the difference between film and digital anymore.
I prefer film over digital. But here's the thing, you guys seem to not know what you're talking about most of the time. You say "a lot of video isn't shot at 24p, it's shot at a different frame rate and then changed in post." That is simply not true. At all. Any narrative film is shot in 23.978p (unless it's The Hobbit). It's not changed in post. If you shoot at a high frame rate and then changed it to 24p in post, it would be slow motion. You're simply mistaken.
ight, I got it now
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films!!!!
Hmm...Interesting, Peace
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Digital isn't a fad. There are too many high-profile directors who've taken to using digital. The assertion that it looks "better" or "worse" than film, especially with the technology today, is at best willful snobbery. A guy like Anthony Dod Mantle is an artist if ever there was one, and every bit as talented a cinematographer as one who shoots on 35mm. What's concerning, however, is the financial end of it. I've attended a few screening recently I've been very excited to see on the big screen, only to find DVDs or Blu-Ray projected. The idea of seeing a film print of anything is becoming a special event. And that IS sad. There are many films I'd kill to see in 70mm or 35mm and will probably never get the chance to now. It isn't surprising; the financial cost of digital distribution for studios is so much less. The decision to shoot digitally or on film should be a decision made by the filmmakers for artistic rather than financial reason. RUSH is a brilliant film. It was shot digitally. NO COUNTRY FOR OLD MEN is a brilliant film, shot on celluloid. But when I go and see a special screening of CASABLANCA or THE MALTESE FALCON, I just feel like the magic isn't there if it's projected digitally. And if it's a DVD, what the hell's the point? I could just stay home.
Beyond all of this, there's the darker "because we can" and "because it was SUPPOSED to be that way" revisionism practiced by guys like Lucas, Cameron, and Hill that digital now allows them to do. And as the username obviously implies, I can't pretend I'm comfortable with that, and digital makes it easier than ever. I shot student films on digital. It's a great, inexpensive tool. And as with any tool, it's artistic validity is determined by what it's used for. But the two things should exist side-by-side, and that's looking less and less financially feasible. That's the main point of concern, at least for me.
Well it means the format can change and evolve. We may not be able to live under water but now, we can feel the warmth of sunlight and build rockets to take us beyond Earth.
Then call Spielberg a snob. He agrees that there is more texture on celluloid. He calls it a veil and it's allowing us to call it a film!
Physical books? You mean novels? They haven't died off my friend....it's just that idiots with I-Pads think they are "literary elite" now. I never put my personal library away, can't beat the smell of a fresh novel :)
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
film is amazing and looks so natural. digital is just too clean for me. its kind of like CDs vs LPs or cassette. CDs sound like shit cmpared to vinyl, its not even close. facts
Film is still better-(I’m from the future- 2021).
Film all the way. Cant stand digital, it looks fake, plain and just makes me sick when watching a digital movie, sea sickness like. I know digital is taking over but i suppose it depends what type of movie your making.
film is better, because it just looks better
Everyone...google "Cinegrain"
And here's something: one doesn't have to die for the other to survive 😫 and now no one likes this Luddite
Let the digital in. Film nostalgics need to grow up and join the present.
To be honest I hate film. Movies shot on film look really grainy, just use digital and get a nice clean image.
it's just your opinion,but i have to say that film(35mm)has a beautiful fine layer of grain that doesn't affect detail in any way.plus,film is very sharp in terms of resolution.some movies that have been horribly edited do have an ugly look and unaesthetic grain.anyway,i love both film and digital.watch knight and day in blu-ray(stupid movie but it looks stunning).
Not if it's done properly.
video sucks............film rules ! :)
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman,I Freeze in the Refridgerator ALL my Analog Colour Films.Also in"Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost & Remove the Film from the Freezer-Refridgerators &"wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperatures at 38%-49% Humidity Maximum".Storage of Analog Films to be Preserved like the "Original Day they were Filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films,Liquid Nitrogen!
Gentleman, I Freeze in the Refridgerator ALL my Analog Colour Films.Also in "Storage I Re-Freeze the Processed Colour Films again".When I need to use the Original or Copied Films Analog,I"De-Frost&"remove" the Film from the Freezer-Refridgerators &"Wait 2 Full Days for ALL Colour Films to bring them to 22-24 Degrees Centigrade-Celsius Room Temperature at 38%-49% Humidity controls.Storage of Analog Films to be Preserved like the"Original Day they were filmed is Freezing the Films!!!!