Between Handel’s gorgeous music & Lynne Dawson’s beautiful soft, limpid voice & interpretation, to say nothing of the Sixteen, I am besotted w joy. Many thanks for this heavenly experience.
Потрясающие одиннадцать гимнов, музыкальное чудо Генделя и отличные исполнители этих великолепных музыкальных произведений. Большое спасибо и поздравления.
Opening instrumental sonata in the form of a French overture, leading without a pause into: (2:13) 2:40 Tenor solo, then 3:30 chorus : Oh be joyful in the Lord, all ye lands, 4:10 (fugal chorus) Serve the Lord with gladness. 6:23 Duet for soprano and bass, with solo violin and solo oboe: Be sure that the Lord, he is God, It is He that has made us, and not we ourselves. We are His people, and the sheep of His pasture. 8:59 Polyphonic chorus: O go your ways into His gates with thanksgiving And into His courts with praise Be thankful unto Him, and speak good of His name. 12:12 Trio, soprano, tenor and bass: For the Lord is gracious, His mercy is everlasting And His truth endures from generation to generation. 14:56 Chorus, in block chords: Glory be to the Father, and to the Son, and to the Holy Ghost 16:32 Fugal chorus: As it was in the beginning, is now, and ever shall be, World without end, 19:10 Amen.
To what extent is it true that "Handel's Chandos anthems are Handel's equivalent to Bach's church cantatas"? Obviously there is a large difference in quantity, but are there similarities in goal and technique? (I'm not asking if one influenced the other, or if they had common ancestors, but rather, after the fact, the extent to which we can see parallels. Probably one or more musicologists have written papers on this subject; references to such would be appreciated.)
Between Handel’s gorgeous music & Lynne Dawson’s beautiful soft, limpid voice & interpretation, to say nothing of the Sixteen, I am besotted w joy. Many thanks for this heavenly experience.
How fortunate the world is to have these marvelous, well-crafted Anthems from the young Handel. They're some of the very best things he ever composed.
How very beautifully put ! 😊
Потрясающие одиннадцать гимнов, музыкальное чудо Генделя и отличные исполнители этих великолепных музыкальных произведений. Большое спасибо и поздравления.
Я согласен с тобой, Томас
Pure bliss! O Be joyful in the Lord!
Opening instrumental sonata in the form of a French overture, leading without a pause into:
(2:13) 2:40 Tenor solo, then 3:30 chorus :
Oh be joyful in the Lord, all ye lands,
4:10 (fugal chorus) Serve the Lord with gladness.
6:23 Duet for soprano and bass, with solo violin and solo oboe:
Be sure that the Lord, he is God,
It is He that has made us, and not we ourselves. We are His people, and the sheep of His pasture.
8:59 Polyphonic chorus:
O go your ways into His gates with thanksgiving And into His courts with praise
Be thankful unto Him, and speak good of His name.
12:12 Trio, soprano, tenor and bass:
For the Lord is gracious, His mercy is everlasting And His truth endures from generation to generation.
14:56 Chorus, in block chords:
Glory be to the Father, and to the Son, and to the Holy Ghost
16:32 Fugal chorus: As it was in the beginning, is now, and ever shall be,
World without end, 19:10 Amen.
Actually “Be joyful” part starts at 02:13
Un pur moment de bonheur que l'intégralité de ces 12 joyaux !
🎼the power of greatness 🎶
At 8:58, the chorus sounds like Renaissance polyphony. It's hauntingly beautiful.
12 great anthem from Handel`s youth.
Anthems
Eine wunderbare Musik, um inne zu halten und zu hören
Delightful
To what extent is it true that
"Handel's Chandos anthems are Handel's equivalent to Bach's church cantatas"?
Obviously there is a large difference in quantity, but are there similarities in goal and technique?
(I'm not asking if one influenced the other, or if they had common ancestors,
but rather, after the fact,
the extent to which we can see parallels.
Probably one or more musicologists have written papers on this subject;
references to such would be appreciated.)
"Applaud God."
5:30-6:20