You honestly can’t listen to Mahler’s symphonies without having listened to the Songs of a Wayfarer. This song set is literally the basis for his entire first symphony and all his other symphonies to come. All of Mahler’s music is the same if you peel back the layers. The same man sharing his life with the world while discussing different elements of the human existence. He always writes the same motifs and lines but he then twists them in a way that is completely different from before… so inspiring and emotionally gripping!
Prey tended to be over-shadowed by DF-D but he had the more beautiful voice particularly in the upper range which many tenors would envy, and he was always a joy to listen to.
Belle œuvre de jeunesse de Mahler, sur des textes très névrosés (on est loin de la contemplation lointaine du désespoir des Chants de la Terre). L'orchestration claire et les timbres originaux avèrent déjà le génie. Superbe interprétation d'Herman Prey, le baryton à la voix chaude qui a illuminé les années 60 et 70. Dommage qu'ici la partition ne soit pas en phase avec la musique
You honestly can’t listen to Mahler’s symphonies without having listened to the Songs of a Wayfarer. This song set is literally the basis for his entire first symphony and all his other symphonies to come. All of Mahler’s music is the same if you peel back the layers. The same man sharing his life with the world while discussing different elements of the human existence. He always writes the same motifs and lines but he then twists them in a way that is completely different from before… so inspiring and emotionally gripping!
This brought tears to my eyes... A Mahler fan since 2004... An excellent recording of an excellent piece.
Prey tended to be over-shadowed by DF-D but he had the more beautiful voice particularly in the upper range which many tenors would envy, and he was always a joy to listen to.
Belle œuvre de jeunesse de Mahler, sur des textes très névrosés (on est loin de la contemplation lointaine du désespoir des Chants de la Terre). L'orchestration claire et les timbres originaux avèrent déjà le génie. Superbe interprétation d'Herman Prey, le baryton à la voix chaude qui a illuminé les années 60 et 70. Dommage qu'ici la partition ne soit pas en phase avec la musique
What an incredibly gorgeous interpretation
Mahler a tout dit.
19c 음악 - [가곡]
[※오케스트라 리트]
말러 - [방황하는 젊은이의 노래]
오케스트라 리트 = [세기말의 대형화 경향]에 따라 [관현악 반주]를 가진 리트 등장
2곡 中 (오늘 나는 들로 나갔네) 4:00
교향곡 1번 선율에 사용
Pure genius!
1:48
5:15
7:23
9:20
3:36 - p.514
13:16